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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71CE7 it is the complementary color #28E318. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71CE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71CE7 shade: #DC1CE2, #ED2EF5, #FE40FF, #FF52FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71CE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71CE7 shade: #D71CE7, #C60AD4, #B500C1, #A400AE and #93009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71CE7 shade: #D71DE7, #E71DC1, #E71D8A, #E71D53 and #E71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71CE7 shade: #D71DE7, #A11DE7, #6A1DE7, #341DE7 and #1D1DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71CE7 shade matches the following richer shades: #D71DE7 and #E809FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71CE7 shade: #D71DE7, #C631D3, #B545BF, #A459AB and #936E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71CE7 shade: #6A1DE7, #A01DE7, #D61DE7, #E71DC2 and #E71D8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71CE7 shade: #9511A1, #B815C6, #D71DE7, #DE42EB and #E468EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71CE7 shade: #D71CE7, #E7341D and #1DE785

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71CE7 shade: #D71CE7, #E7D61D and #1DE7D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71CE7 shade: #D71CE7, #E7341D, #2EE71D and #1DD0E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71CE7 shade: #D71CE7, #E7711D, #2EE71D and #1D93E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 88 / 0 / 9

HEX #D71CE7

RGB 215 28 231

HSL 295.27, 0.81%, 0.51%

LAB 53, 86.01, -59.53

 

Complementary color

CMYK 82 / 0 / 89 / 11

HEX #28E318

RGB 40 227 24

HSL 115.27, 0.81%, 0.49%

LAB 79.3, -76.09, 73.88

 

CMYK 3 / 88 / 0 / 11

HEX #DC1CE2

RGB 220 28 226

HSL 298.18, 0.78%, 0.5%

LAB 53.53, 86.08, -55.81

 

CMYK 3 / 81 / 0 / 4

HEX #ED2EF5

RGB 237 46 245

HSL 297.59, 0.91%, 0.57%

LAB 58.56, 88.58, -58.28

 

CMYK 0 / 75 / 0 / 0

HEX #FE40FF

RGB 254 64 255

HSL 299.69, 1%, 0.63%

LAB 63.31, 88.87, -56.08

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 7 / 88 / 0 / 9

HEX #D71CE7

RGB 215 28 231

HSL 295.27, 0.81%, 0.51%

LAB 53, 86.01, -59.53

 

CMYK 7 / 95 / 0 / 17

HEX #C60AD4

RGB 198 10 212

HSL 295.84, 0.91%, 0.44%

LAB 48.23, 82.48, -56.53

 

CMYK 6 / 100 / 0 / 24

HEX #B500C1

RGB 181 0 193

HSL 296.27, 1%, 0.38%

LAB 43.76, 77.78, -52.87

 

CMYK 6 / 100 / 0 / 32

HEX #A400AE

RGB 164 0 174

HSL 296.55, 1%, 0.34%

LAB 39.49, 72.15, -48.68

 

CMYK 5 / 100 / 0 / 39

HEX #93009B

RGB 147 0 155

HSL 296.9, 1%, 0.3%

LAB 35.14, 66.42, -44.4

 

CMYK 7 / 87 / 0 / 9

HEX #D71DE7

RGB 215 29 231

HSL 295.25, 0.81%, 0.51%

LAB 53.05, 85.86, -59.45

 

CMYK 0 / 87 / 16 / 9

HEX #E71DC1

RGB 231 29 193

HSL 311.29, 0.81%, 0.51%

LAB 53.73, 83.35, -36.49

 

CMYK 0 / 87 / 40 / 9

HEX #E71D8A

RGB 231 29 138

HSL 327.62, 0.81%, 0.51%

LAB 51.5, 77.34, -7.46

 

CMYK 0 / 87 / 64 / 9

HEX #E71D53

RGB 231 29 83

HSL 343.96, 0.81%, 0.51%

LAB 50.09, 73.37, 23.98

 

CMYK 0 / 87 / 87 / 9

HEX #E71D1D

RGB 231 29 29

HSL 0, 0.81%, 0.51%

LAB 49.44, 71.51, 53.41

 

CMYK 7 / 87 / 0 / 9

HEX #D71DE7

RGB 215 29 231

HSL 295.25, 0.81%, 0.51%

LAB 53.05, 85.86, -59.45

 

CMYK 30 / 87 / 0 / 9

HEX #A11DE7

RGB 161 29 231

HSL 279.21, 0.81%, 0.51%

LAB 44.55, 77.75, -73.62

 

CMYK 54 / 87 / 0 / 9

HEX #6A1DE7

RGB 106 29 231

HSL 262.87, 0.81%, 0.51%

LAB 37.32, 71.51, -85.77

 

CMYK 77 / 87 / 0 / 9

HEX #341DE7

RGB 52 29 231

HSL 246.83, 0.81%, 0.51%

LAB 32.65, 67.96, -93.66

 

CMYK 87 / 87 / 0 / 9

HEX #1D1DE7

RGB 29 29 231

HSL 240, 0.81%, 0.51%

LAB 31.6, 67.23, -95.44

 

CMYK 7 / 87 / 0 / 9

HEX #D71DE7

RGB 215 29 231

HSL 295.25, 0.81%, 0.51%

LAB 53.05, 85.86, -59.45

 

CMYK 8 / 96 / 0 / 2

HEX #E809FB

RGB 232 9 251

HSL 295.29, 0.97%, 0.51%

LAB 56.4, 93.66, -65.12

 

CMYK 7 / 87 / 0 / 9

HEX #D71DE7

RGB 215 29 231

HSL 295.25, 0.81%, 0.51%

LAB 53.05, 85.86, -59.45

 

CMYK 6 / 77 / 0 / 17

HEX #C631D3

RGB 198 49 211

HSL 295.19, 0.65%, 0.51%

LAB 50.58, 75.28, -52.2

 

CMYK 5 / 64 / 0 / 25

HEX #B545BF

RGB 181 69 191

HSL 295.08, 0.49%, 0.51%

LAB 49.3, 61.16, -42.85

 

CMYK 4 / 48 / 0 / 33

HEX #A459AB

RGB 164 89 171

HSL 294.88, 0.33%, 0.51%

LAB 49.47, 43.35, -31.09

 

CMYK 2 / 27 / 0 / 41

HEX #936E96

RGB 147 110 150

HSL 295.5, 0.16%, 0.51%

LAB 51.33, 21.86, -16.06

 

CMYK 54 / 87 / 0 / 9

HEX #6A1DE7

RGB 106 29 231

HSL 262.87, 0.81%, 0.51%

LAB 37.32, 71.51, -85.77

 

CMYK 31 / 87 / 0 / 9

HEX #A01DE7

RGB 160 29 231

HSL 278.91, 0.81%, 0.51%

LAB 44.41, 77.62, -73.87

 

CMYK 7 / 87 / 0 / 9

HEX #D61DE7

RGB 214 29 231

HSL 294.95, 0.81%, 0.51%

LAB 52.89, 85.69, -59.72

 

CMYK 0 / 87 / 16 / 9

HEX #E71DC2

RGB 231 29 194

HSL 310.99, 0.81%, 0.51%

LAB 53.77, 83.48, -36.99

 

CMYK 0 / 87 / 39 / 9

HEX #E71D8C

RGB 231 29 140

HSL 327.03, 0.81%, 0.51%

LAB 51.57, 77.52, -8.56

 

CMYK 7 / 89 / 0 / 37

HEX #9511A1

RGB 149 17 161

HSL 295, 0.81%, 0.35%

LAB 36.68, 65.45, -45.56

 

CMYK 7 / 89 / 0 / 22

HEX #B815C6

RGB 184 21 198

HSL 295.25, 0.81%, 0.43%

LAB 45.36, 76.79, -53.18

 

CMYK 7 / 87 / 0 / 9

HEX #D71DE7

RGB 215 29 231

HSL 295.25, 0.81%, 0.51%

LAB 53.05, 85.86, -59.45

 

CMYK 6 / 72 / 0 / 8

HEX #DE42EB

RGB 222 66 235

HSL 295.38, 0.81%, 0.59%

LAB 57.49, 78.83, -54.54

 

CMYK 5 / 56 / 0 / 6

HEX #E468EF

RGB 228 104 239

HSL 295.11, 0.81%, 0.67%

LAB 63.86, 66.1, -46.61

 

CMYK 7 / 88 / 0 / 9

HEX #D71CE7

RGB 215 28 231

HSL 295.27, 0.81%, 0.51%

LAB 53, 86.01, -59.53

 

CMYK 0 / 77 / 87 / 9

HEX #E7341D

RGB 231 52 29

HSL 6.83, 0.81%, 0.51%

LAB 51.31, 66.23, 54.85

 

CMYK 87 / 0 / 42 / 9

HEX #1DE785

RGB 29 231 133

HSL 150.89, 0.81%, 0.51%

LAB 81.35, -67.07, 35.09

 

CMYK 7 / 88 / 0 / 9

HEX #D71CE7

RGB 215 28 231

HSL 295.27, 0.81%, 0.51%

LAB 53, 86.01, -59.53

 

CMYK 0 / 7 / 87 / 9

HEX #E7D61D

RGB 231 214 29

HSL 54.95, 0.81%, 0.51%

LAB 84.57, -11.3, 81.03

 

CMYK 87 / 0 / 7 / 9

HEX #1DE7D6

RGB 29 231 214

HSL 174.95, 0.81%, 0.51%

LAB 83.06, -48.5, -4.63

 

CMYK 7 / 88 / 0 / 9

HEX #D71CE7

RGB 215 28 231

HSL 295.27, 0.81%, 0.51%

LAB 53, 86.01, -59.53

 

CMYK 0 / 77 / 87 / 9

HEX #E7341D

RGB 231 52 29

HSL 6.83, 0.81%, 0.51%

LAB 51.31, 66.23, 54.85

 

CMYK 80 / 0 / 87 / 9

HEX #2EE71D

RGB 46 231 29

HSL 114.95, 0.81%, 0.51%

LAB 80.64, -76.4, 74.19

 

CMYK 87 / 10 / 0 / 9

HEX #1DD0E7

RGB 29 208 231

HSL 186.83, 0.81%, 0.51%

LAB 76.77, -33.17, -23.12

 

CMYK 7 / 88 / 0 / 9

HEX #D71CE7

RGB 215 28 231

HSL 295.27, 0.81%, 0.51%

LAB 53, 86.01, -59.53

 

CMYK 0 / 51 / 87 / 9

HEX #E7711D

RGB 231 113 29

HSL 24.95, 0.81%, 0.51%

LAB 60.68, 41.28, 62.16

 

CMYK 80 / 0 / 87 / 9

HEX #2EE71D

RGB 46 231 29

HSL 114.95, 0.81%, 0.51%

LAB 80.64, -76.4, 74.19

 

CMYK 87 / 36 / 0 / 9

HEX #1D93E7

RGB 29 147 231

HSL 204.95, 0.81%, 0.51%

LAB 58.88, -0.85, -50.96

 

Description

Color code: HEX #D71CE7 | qconv.com Color code: HEX #D71CE7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 28 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 28 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 88 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 88% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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