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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71B94 it is the complementary color #28E46B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71B94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71B94 shade: #DC1B8F, #ED2DA2, #FE3FB5, #FF51C8 and #FF63DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71B94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71B94 shade: #D71B94, #C60981, #B5006E, #A4005B and #930048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71B94 shade: #D51A93, #D51A60, #D51A2E and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71B94 shade: #D51A93, #D51AC5, #B31AD5, #811AD5 and #4E1AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71B94 shade matches the following richer shades: #D51A93 and #E90798

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71B94 shade: #D51A93, #C22E8D, #AF4188, #9B5582 and #88687C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71B94 shade: #B31AD5, #D51AC6, #D51A94, #D51A62 and #D51A30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71B94 shade: #8C1160, #B11679, #D51A93, #E633A6 and #EA58B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71B94 shade: #D71B94, #D5811A and #1AD5CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71B94 shade: #D71B94, #94D51A and #1A94D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71B94 shade: #D71B94, #D5811A, #1AD55C and #1A6FD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71B94 shade: #D71B94, #D5B91A, #1AD55C and #1A36D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 31 / 16

HEX #D71B94

RGB 215 27 148

HSL 321.38, 0.78%, 0.47%

LAB 48.72, 75.13, -17.96

 

Complementary color

CMYK 82 / 0 / 53 / 11

HEX #28E46B

RGB 40 228 107

HSL 141.38, 0.78%, 0.53%

LAB 80.18, -69.39, 46.26

 

CMYK 0 / 88 / 35 / 14

HEX #DC1B8F

RGB 220 27 143

HSL 323.94, 0.78%, 0.48%

LAB 49.48, 75.7, -13.72

 

CMYK 0 / 81 / 32 / 7

HEX #ED2DA2

RGB 237 45 162

HSL 323.44, 0.84%, 0.55%

LAB 54.54, 77.93, -17.04

 

CMYK 0 / 75 / 29 / 0

HEX #FE3FB5

RGB 254 63 181

HSL 322.93, 0.99%, 0.62%

LAB 59.85, 79.32, -19.75

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C8

RGB 255 81 200

HSL 318.97, 1%, 0.66%

LAB 62.77, 76.13, -26.13

 

CMYK 0 / 61 / 14 / 0

HEX #FF63DB

RGB 255 99 219

HSL 313.85, 1%, 0.69%

LAB 65.98, 71.92, -31.88

 

CMYK 0 / 87 / 31 / 16

HEX #D71B94

RGB 215 27 148

HSL 321.38, 0.78%, 0.47%

LAB 48.72, 75.13, -17.96

 

CMYK 0 / 95 / 35 / 22

HEX #C60981

RGB 198 9 129

HSL 321.9, 0.91%, 0.41%

LAB 43.92, 71.8, -14.02

 

CMYK 0 / 100 / 39 / 29

HEX #B5006E

RGB 181 0 110

HSL 323.54, 1%, 0.35%

LAB 39.5, 67.19, -9.22

 

CMYK 0 / 100 / 45 / 36

HEX #A4005B

RGB 164 0 91

HSL 326.71, 1%, 0.32%

LAB 35.3, 61.69, -3.74

 

CMYK 0 / 100 / 51 / 42

HEX #930048

RGB 147 0 72

HSL 330.61, 1%, 0.29%

LAB 31.05, 56.16, 2.07

 

CMYK 0 / 88 / 31 / 16

HEX #D51A93

RGB 213 26 147

HSL 321.18, 0.78%, 0.47%

LAB 48.25, 74.76, -18.11

 

CMYK 0 / 88 / 55 / 16

HEX #D51A60

RGB 213 26 96

HSL 337.54, 0.78%, 0.47%

LAB 46.62, 70.23, 10.69

 

CMYK 0 / 88 / 78 / 16

HEX #D51A2E

RGB 213 26 46

HSL 353.58, 0.78%, 0.47%

LAB 45.75, 67.74, 39.95

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 88 / 31 / 16

HEX #D51A93

RGB 213 26 147

HSL 321.18, 0.78%, 0.47%

LAB 48.25, 74.76, -18.11

 

CMYK 0 / 88 / 8 / 16

HEX #D51AC5

RGB 213 26 197

HSL 305.13, 0.78%, 0.47%

LAB 50.59, 80.96, -43.97

 

CMYK 16 / 88 / 0 / 16

HEX #B31AD5

RGB 179 26 213

HSL 289.09, 0.78%, 0.47%

LAB 45.81, 77.65, -61.18

 

CMYK 39 / 88 / 0 / 16

HEX #811AD5

RGB 129 26 213

HSL 273.05, 0.78%, 0.47%

LAB 38.22, 70.64, -73.88

 

CMYK 63 / 88 / 0 / 16

HEX #4E1AD5

RGB 78 26 213

HSL 256.68, 0.78%, 0.47%

LAB 32.17, 65.65, -84.05

 

CMYK 0 / 88 / 31 / 16

HEX #D51A93

RGB 213 26 147

HSL 321.18, 0.78%, 0.47%

LAB 48.25, 74.76, -18.11

 

CMYK 0 / 97 / 35 / 9

HEX #E90798

RGB 233 7 152

HSL 321.5, 0.94%, 0.47%

LAB 51.54, 81.5, -15.74

 

CMYK 0 / 88 / 31 / 16

HEX #D51A93

RGB 213 26 147

HSL 321.18, 0.78%, 0.47%

LAB 48.25, 74.76, -18.11

 

CMYK 0 / 76 / 27 / 24

HEX #C22E8D

RGB 194 46 141

HSL 321.49, 0.62%, 0.47%

LAB 46.11, 65.13, -18.08

 

CMYK 0 / 63 / 22 / 31

HEX #AF4188

RGB 175 65 136

HSL 321.27, 0.46%, 0.47%

LAB 45.18, 52.37, -16.75

 

CMYK 0 / 45 / 16 / 39

HEX #9B5582

RGB 155 85 130

HSL 321.43, 0.29%, 0.47%

LAB 45.74, 35.17, -12.55

 

CMYK 0 / 24 / 9 / 47

HEX #88687C

RGB 136 104 124

HSL 322.5, 0.13%, 0.47%

LAB 47.74, 16.28, -6.18

 

CMYK 16 / 88 / 0 / 16

HEX #B31AD5

RGB 179 26 213

HSL 289.09, 0.78%, 0.47%

LAB 45.81, 77.65, -61.18

 

CMYK 0 / 88 / 7 / 16

HEX #D51AC6

RGB 213 26 198

HSL 304.81, 0.78%, 0.47%

LAB 50.64, 81.1, -44.46

 

CMYK 0 / 88 / 31 / 16

HEX #D51A94

RGB 213 26 148

HSL 320.86, 0.78%, 0.47%

LAB 48.29, 74.86, -18.65

 

CMYK 0 / 88 / 54 / 16

HEX #D51A62

RGB 213 26 98

HSL 336.9, 0.78%, 0.47%

LAB 46.67, 70.37, 9.52

 

CMYK 0 / 88 / 77 / 16

HEX #D51A30

RGB 213 26 48

HSL 352.94, 0.78%, 0.47%

LAB 45.77, 67.8, 38.83

 

CMYK 0 / 88 / 31 / 45

HEX #8C1160

RGB 140 17 96

HSL 321.46, 0.78%, 0.31%

LAB 31.4, 54.16, -13.34

 

CMYK 0 / 88 / 32 / 31

HEX #B11679

RGB 177 22 121

HSL 321.68, 0.78%, 0.39%

LAB 40.08, 64.65, -15.3

 

CMYK 0 / 88 / 31 / 16

HEX #D51A93

RGB 213 26 147

HSL 321.18, 0.78%, 0.47%

LAB 48.25, 74.76, -18.11

 

CMYK 0 / 78 / 28 / 10

HEX #E633A6

RGB 230 51 166

HSL 321.45, 0.78%, 0.55%

LAB 53.97, 75.28, -20.38

 

CMYK 0 / 62 / 22 / 8

HEX #EA58B6

RGB 234 88 182

HSL 321.37, 0.78%, 0.63%

LAB 59.75, 65.66, -20.77

 

CMYK 0 / 87 / 31 / 16

HEX #D71B94

RGB 215 27 148

HSL 321.38, 0.78%, 0.47%

LAB 48.72, 75.13, -17.96

 

CMYK 0 / 39 / 88 / 16

HEX #D5811A

RGB 213 129 26

HSL 33.05, 0.78%, 0.47%

LAB 61.59, 25.58, 62.71

 

CMYK 88 / 0 / 4 / 16

HEX #1AD5CC

RGB 26 213 204

HSL 177.11, 0.78%, 0.47%

LAB 77.38, -43.72, -7.7

 

CMYK 0 / 87 / 31 / 16

HEX #D71B94

RGB 215 27 148

HSL 321.38, 0.78%, 0.47%

LAB 48.72, 75.13, -17.96

 

CMYK 31 / 0 / 88 / 16

HEX #94D51A

RGB 148 213 26

HSL 80.86, 0.78%, 0.47%

LAB 78.44, -44.65, 74.17

 

CMYK 88 / 31 / 0 / 16

HEX #1A94D5

RGB 26 148 213

HSL 200.86, 0.78%, 0.47%

LAB 58.23, -8.26, -41.96

 

CMYK 0 / 87 / 31 / 16

HEX #D71B94

RGB 215 27 148

HSL 321.38, 0.78%, 0.47%

LAB 48.72, 75.13, -17.96

 

CMYK 0 / 39 / 88 / 16

HEX #D5811A

RGB 213 129 26

HSL 33.05, 0.78%, 0.47%

LAB 61.59, 25.58, 62.71

 

CMYK 88 / 0 / 57 / 16

HEX #1AD55C

RGB 26 213 92

HSL 141.18, 0.78%, 0.47%

LAB 75.19, -67.85, 47.21

 

CMYK 88 / 48 / 0 / 16

HEX #1A6FD5

RGB 26 111 213

HSL 212.73, 0.78%, 0.47%

LAB 47.49, 14.13, -59.08

 

CMYK 0 / 87 / 31 / 16

HEX #D71B94

RGB 215 27 148

HSL 321.38, 0.78%, 0.47%

LAB 48.72, 75.13, -17.96

 

CMYK 0 / 13 / 88 / 16

HEX #D5B91A

RGB 213 185 26

HSL 51.02, 0.78%, 0.47%

LAB 75.4, -4.34, 73.65

 

CMYK 88 / 0 / 57 / 16

HEX #1AD55C

RGB 26 213 92

HSL 141.18, 0.78%, 0.47%

LAB 75.19, -67.85, 47.21

 

CMYK 88 / 75 / 0 / 16

HEX #1A36D5

RGB 26 54 213

HSL 231.02, 0.78%, 0.47%

LAB 33.27, 50.15, -82.33

 

Description

Color code: HEX #D71B94 | qconv.com Color code: HEX #D71B94 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 27 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 27 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 31 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 31% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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