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Color name
HEX #D71B7C

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71B7C it is the complementary color #28E483. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71B7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71B7C shade: #DC1B77, #ED2D8A, #FE3F9D, #FF51B0 and #FF63C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71B7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71B7C shade: #D71B7C, #C60969, #B50056, #A40043 and #930030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71B7C shade: #D51A7B, #D51A48 and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71B7C shade: #D51A7B, #D51AAD, #CB1AD5, #991AD5 and #661AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71B7C shade matches the following richer shades: #D51A7B and #E9077B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71B7C shade: #D51A7B, #C22E7A, #AF417A, #9B5579 and #886878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71B7C shade: #CC1AD5, #D51AAD, #D51A7B, #D51A49 and #D51D1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71B7C shade: #8C1151, #B11666, #D51A7B, #E6338F and #EA58A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71B7C shade: #D71B7C, #D59A1A and #1AC6D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71B7C shade: #D71B7C, #7BD51A and #1A7BD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71B7C shade: #D71B7C, #D59A1A, #1AD575 and #1A56D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71B7C shade: #D71B7C, #D5D21A, #1AD575 and #1A1DD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 42 / 16

HEX #D71B7C

RGB 215 27 124

HSL 329.04, 0.78%, 0.47%

LAB 47.86, 72.76, -4.71

 

Complementary color

CMYK 82 / 0 / 43 / 11

HEX #28E483

RGB 40 228 131

HSL 149.04, 0.78%, 0.53%

LAB 80.5, -65.55, 35.01

 

CMYK 0 / 88 / 46 / 14

HEX #DC1B77

RGB 220 27 119

HSL 331.4, 0.78%, 0.48%

LAB 48.67, 73.49, -0.34

 

CMYK 0 / 81 / 42 / 7

HEX #ED2D8A

RGB 237 45 138

HSL 330.94, 0.84%, 0.55%

LAB 53.72, 75.56, -4.03

 

CMYK 0 / 75 / 38 / 0

HEX #FE3F9D

RGB 254 63 157

HSL 330.47, 0.99%, 0.62%

LAB 59.03, 76.79, -7.06

 

CMYK 0 / 68 / 31 / 0

HEX #FF51B0

RGB 255 81 176

HSL 327.24, 1%, 0.66%

LAB 61.89, 73.24, -13.76

 

CMYK 0 / 61 / 24 / 0

HEX #FF63C3

RGB 255 99 195

HSL 323.08, 1%, 0.69%

LAB 65.06, 68.65, -19.8

 

CMYK 0 / 87 / 42 / 16

HEX #D71B7C

RGB 215 27 124

HSL 329.04, 0.78%, 0.47%

LAB 47.86, 72.76, -4.71

 

CMYK 0 / 95 / 47 / 22

HEX #C60969

RGB 198 9 105

HSL 329.52, 0.91%, 0.41%

LAB 43.09, 69.59, -0.36

 

CMYK 0 / 100 / 52 / 29

HEX #B50056

RGB 181 0 86

HSL 331.49, 1%, 0.35%

LAB 38.72, 65.15, 4.9

 

CMYK 0 / 100 / 59 / 36

HEX #A40043

RGB 164 0 67

HSL 335.49, 1%, 0.32%

LAB 34.6, 59.84, 10.91

 

CMYK 0 / 100 / 67 / 42

HEX #930030

RGB 147 0 48

HSL 340.41, 1%, 0.29%

LAB 30.44, 54.55, 17.26

 

CMYK 0 / 88 / 42 / 16

HEX #D51A7B

RGB 213 26 123

HSL 328.88, 0.78%, 0.47%

LAB 47.39, 72.38, -4.85

 

CMYK 0 / 88 / 66 / 16

HEX #D51A48

RGB 213 26 72

HSL 345.24, 0.78%, 0.47%

LAB 46.11, 68.8, 24.87

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 88 / 42 / 16

HEX #D51A7B

RGB 213 26 123

HSL 328.88, 0.78%, 0.47%

LAB 47.39, 72.38, -4.85

 

CMYK 0 / 88 / 19 / 16

HEX #D51AAD

RGB 213 26 173

HSL 312.83, 0.78%, 0.47%

LAB 49.38, 77.78, -31.85

 

CMYK 5 / 88 / 0 / 16

HEX #CB1AD5

RGB 203 26 213

HSL 296.79, 0.78%, 0.47%

LAB 49.79, 81.55, -54.56

 

CMYK 28 / 88 / 0 / 16

HEX #991AD5

RGB 153 26 213

HSL 280.75, 0.78%, 0.47%

LAB 41.71, 73.79, -68.01

 

CMYK 52 / 88 / 0 / 16

HEX #661AD5

RGB 102 26 213

HSL 264.39, 0.78%, 0.47%

LAB 34.74, 67.69, -79.73

 

CMYK 0 / 88 / 42 / 16

HEX #D51A7B

RGB 213 26 123

HSL 328.88, 0.78%, 0.47%

LAB 47.39, 72.38, -4.85

 

CMYK 0 / 97 / 47 / 9

HEX #E9077B

RGB 233 7 123

HSL 329.2, 0.94%, 0.47%

LAB 50.58, 78.95, 0.3

 

CMYK 0 / 88 / 42 / 16

HEX #D51A7B

RGB 213 26 123

HSL 328.88, 0.78%, 0.47%

LAB 47.39, 72.38, -4.85

 

CMYK 0 / 76 / 37 / 24

HEX #C22E7A

RGB 194 46 122

HSL 329.19, 0.62%, 0.47%

LAB 45.4, 62.97, -7.57

 

CMYK 0 / 63 / 30 / 31

HEX #AF417A

RGB 175 65 122

HSL 328.91, 0.46%, 0.47%

LAB 44.66, 50.48, -9.02

 

CMYK 0 / 45 / 22 / 39

HEX #9B5579

RGB 155 85 121

HSL 329.14, 0.29%, 0.47%

LAB 45.42, 33.72, -7.58

 

CMYK 0 / 24 / 12 / 47

HEX #886878

RGB 136 104 120

HSL 330, 0.13%, 0.47%

LAB 47.61, 15.54, -3.97

 

CMYK 4 / 88 / 0 / 16

HEX #CC1AD5

RGB 204 26 213

HSL 297.11, 0.78%, 0.47%

LAB 49.95, 81.72, -54.28

 

CMYK 0 / 88 / 19 / 16

HEX #D51AAD

RGB 213 26 173

HSL 312.83, 0.78%, 0.47%

LAB 49.38, 77.78, -31.85

 

CMYK 0 / 88 / 42 / 16

HEX #D51A7B

RGB 213 26 123

HSL 328.88, 0.78%, 0.47%

LAB 47.39, 72.38, -4.85

 

CMYK 0 / 88 / 66 / 16

HEX #D51A49

RGB 213 26 73

HSL 344.92, 0.78%, 0.47%

LAB 46.13, 68.85, 24.27

 

CMYK 0 / 86 / 88 / 16

HEX #D51D1A

RGB 213 29 26

HSL 0.96, 0.78%, 0.47%

LAB 45.77, 66.7, 50.33

 

CMYK 0 / 88 / 42 / 45

HEX #8C1151

RGB 140 17 81

HSL 328.78, 0.78%, 0.31%

LAB 30.81, 52.52, -4.42

 

CMYK 0 / 88 / 42 / 31

HEX #B11666

RGB 177 22 102

HSL 329.03, 0.78%, 0.39%

LAB 39.38, 62.69, -4.43

 

CMYK 0 / 88 / 42 / 16

HEX #D51A7B

RGB 213 26 123

HSL 328.88, 0.78%, 0.47%

LAB 47.39, 72.38, -4.85

 

CMYK 0 / 78 / 38 / 10

HEX #E6338F

RGB 230 51 143

HSL 329.16, 0.78%, 0.55%

LAB 53.14, 72.82, -8.02

 

CMYK 0 / 62 / 30 / 8

HEX #EA58A3

RGB 234 88 163

HSL 329.18, 0.78%, 0.63%

LAB 59.08, 63.26, -10.82

 

CMYK 0 / 87 / 42 / 16

HEX #D71B7C

RGB 215 27 124

HSL 329.04, 0.78%, 0.47%

LAB 47.86, 72.76, -4.71

 

CMYK 0 / 28 / 88 / 16

HEX #D59A1A

RGB 213 154 26

HSL 41.07, 0.78%, 0.47%

LAB 67.53, 12.1, 67.41

 

CMYK 88 / 7 / 0 / 16

HEX #1AC6D5

RGB 26 198 213

HSL 184.81, 0.78%, 0.47%

LAB 73.16, -34.22, -18.88

 

CMYK 0 / 87 / 42 / 16

HEX #D71B7C

RGB 215 27 124

HSL 329.04, 0.78%, 0.47%

LAB 47.86, 72.76, -4.71

 

CMYK 42 / 0 / 88 / 16

HEX #7BD51A

RGB 123 213 26

HSL 88.88, 0.78%, 0.47%

LAB 77.21, -53.37, 72.63

 

CMYK 88 / 42 / 0 / 16

HEX #1A7BD5

RGB 26 123 213

HSL 208.88, 0.78%, 0.47%

LAB 50.91, 6.59, -53.58

 

CMYK 0 / 87 / 42 / 16

HEX #D71B7C

RGB 215 27 124

HSL 329.04, 0.78%, 0.47%

LAB 47.86, 72.76, -4.71

 

CMYK 0 / 28 / 88 / 16

HEX #D59A1A

RGB 213 154 26

HSL 41.07, 0.78%, 0.47%

LAB 67.53, 12.1, 67.41

 

CMYK 88 / 0 / 45 / 16

HEX #1AD575

RGB 26 213 117

HSL 149.2, 0.78%, 0.47%

LAB 75.51, -64.01, 35.54

 

CMYK 88 / 60 / 0 / 16

HEX #1A56D5

RGB 26 86 213

HSL 220.75, 0.78%, 0.47%

LAB 40.7, 30.31, -70.1

 

CMYK 0 / 87 / 42 / 16

HEX #D71B7C

RGB 215 27 124

HSL 329.04, 0.78%, 0.47%

LAB 47.86, 72.76, -4.71

 

CMYK 0 / 1 / 88 / 16

HEX #D5D21A

RGB 213 210 26

HSL 59.04, 0.78%, 0.47%

LAB 82.01, -17.02, 78.9

 

CMYK 88 / 0 / 45 / 16

HEX #1AD575

RGB 26 213 117

HSL 149.2, 0.78%, 0.47%

LAB 75.51, -64.01, 35.54

 

CMYK 88 / 86 / 0 / 16

HEX #1A1DD5

RGB 26 29 213

HSL 239.04, 0.78%, 0.47%

LAB 29.16, 62.11, -89.15

 

Description

Color code: HEX #D71B7C | qconv.com Color code: HEX #D71B7C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 27 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 27 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 42% 16% C M Y K

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Provide designers and agencies with accurate color values.

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