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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71AC8 it is the complementary color #28E537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71AC8 shade: #DC1AC3, #ED2CD6, #FE3EE9, #FF50FC and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71AC8 shade: #D71AC8, #C608B5, #B500A2, #A4008F and #93007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71AC8 shade: #D51AC7, #D51A94, #D51A62, #D51A2F and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71AC8 shade: #D51AC7, #B21AD5, #7F1AD5, #4D1AD5 and #1A1AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71AC8 shade matches the following richer shades: #D51AC7 and #E907D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71AC8 shade: #D51AC7, #C22EB6, #AF41A6, #9B5596 and #886885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71AC8 shade: #7E1AD5, #B01AD5, #D51AC9, #D51A97 and #D51A65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71AC8 shade: #8C1182, #B116A4, #D51AC7, #E633D8 and #EA58DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71AC8 shade: #D71AC8, #D54C1A and #1AD597

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71AC8 shade: #D71AC8, #C9D51A and #1AC9D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71AC8 shade: #D71AC8, #D54C1A, #1AD527 and #1AA3D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71AC8 shade: #D71AC8, #D5841A, #1AD527 and #1A6BD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 7 / 16

HEX #D71AC8

RGB 215 26 200

HSL 304.76, 0.78%, 0.47%

LAB 51.1, 81.74, -44.87

 

Complementary color

CMYK 83 / 0 / 76 / 10

HEX #28E537

RGB 40 229 55

HSL 124.76, 0.78%, 0.53%

LAB 80.05, -75.15, 67.09

 

CMYK 0 / 88 / 11 / 14

HEX #DC1AC3

RGB 220 26 195

HSL 307.73, 0.79%, 0.48%

LAB 51.72, 81.98, -40.94

 

CMYK 0 / 81 / 10 / 7

HEX #ED2CD6

RGB 237 44 214

HSL 307.15, 0.84%, 0.55%

LAB 56.74, 84.52, -43.71

 

CMYK 0 / 76 / 8 / 0

HEX #FE3EE9

RGB 254 62 233

HSL 306.56, 0.99%, 0.62%

LAB 62, 86.2, -45.95

 

CMYK 0 / 69 / 1 / 0

HEX #FF50FC

RGB 255 80 252

HSL 301.03, 1%, 0.66%

LAB 64.98, 83.82, -51.76

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 88 / 7 / 16

HEX #D71AC8

RGB 215 26 200

HSL 304.76, 0.78%, 0.47%

LAB 51.1, 81.74, -44.87

 

CMYK 0 / 96 / 9 / 22

HEX #C608B5

RGB 198 8 181

HSL 305.37, 0.92%, 0.4%

LAB 46.33, 78.13, -41.55

 

CMYK 0 / 100 / 10 / 29

HEX #B500A2

RGB 181 0 162

HSL 306.3, 1%, 0.35%

LAB 41.9, 73.26, -37.49

 

CMYK 0 / 100 / 13 / 36

HEX #A4008F

RGB 164 0 143

HSL 307.68, 1%, 0.32%

LAB 37.62, 67.6, -32.93

 

CMYK 0 / 100 / 16 / 42

HEX #93007C

RGB 147 0 124

HSL 309.39, 1%, 0.29%

LAB 33.26, 61.84, -28.23

 

CMYK 0 / 88 / 7 / 16

HEX #D51AC7

RGB 213 26 199

HSL 304.49, 0.78%, 0.47%

LAB 50.7, 81.24, -44.95

 

CMYK 0 / 88 / 31 / 16

HEX #D51A94

RGB 213 26 148

HSL 320.86, 0.78%, 0.47%

LAB 48.29, 74.86, -18.65

 

CMYK 0 / 88 / 54 / 16

HEX #D51A62

RGB 213 26 98

HSL 336.9, 0.78%, 0.47%

LAB 46.67, 70.37, 9.52

 

CMYK 0 / 88 / 78 / 16

HEX #D51A2F

RGB 213 26 47

HSL 353.26, 0.78%, 0.47%

LAB 45.76, 67.77, 39.39

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 88 / 7 / 16

HEX #D51AC7

RGB 213 26 199

HSL 304.49, 0.78%, 0.47%

LAB 50.7, 81.24, -44.95

 

CMYK 16 / 88 / 0 / 16

HEX #B21AD5

RGB 178 26 213

HSL 288.77, 0.78%, 0.47%

LAB 45.64, 77.5, -61.45

 

CMYK 40 / 88 / 0 / 16

HEX #7F1AD5

RGB 127 26 213

HSL 272.41, 0.78%, 0.47%

LAB 37.94, 70.4, -74.34

 

CMYK 64 / 88 / 0 / 16

HEX #4D1AD5

RGB 77 26 213

HSL 256.36, 0.78%, 0.47%

LAB 32.08, 65.58, -84.21

 

CMYK 88 / 88 / 0 / 16

HEX #1A1AD5

RGB 26 26 213

HSL 240, 0.78%, 0.47%

LAB 28.81, 63.2, -89.75

 

CMYK 0 / 88 / 7 / 16

HEX #D51AC7

RGB 213 26 199

HSL 304.49, 0.78%, 0.47%

LAB 50.7, 81.24, -44.95

 

CMYK 0 / 97 / 8 / 9

HEX #E907D7

RGB 233 7 215

HSL 304.78, 0.94%, 0.47%

LAB 54.43, 88.83, -47.99

 

CMYK 0 / 88 / 7 / 16

HEX #D51AC7

RGB 213 26 199

HSL 304.49, 0.78%, 0.47%

LAB 50.7, 81.24, -44.95

 

CMYK 0 / 76 / 6 / 24

HEX #C22EB6

RGB 194 46 182

HSL 304.86, 0.62%, 0.47%

LAB 48.01, 70.73, -39.53

 

CMYK 0 / 63 / 5 / 31

HEX #AF41A6

RGB 175 65 166

HSL 304.91, 0.46%, 0.47%

LAB 46.51, 57.01, -32.67

 

CMYK 0 / 45 / 3 / 39

HEX #9B5596

RGB 155 85 150

HSL 304.29, 0.29%, 0.47%

LAB 46.54, 38.7, -23.33

 

CMYK 0 / 24 / 2 / 47

HEX #886885

RGB 136 104 133

HSL 305.63, 0.13%, 0.47%

LAB 48.04, 18.03, -11.09

 

CMYK 41 / 88 / 0 / 16

HEX #7E1AD5

RGB 126 26 213

HSL 272.09, 0.78%, 0.47%

LAB 37.8, 70.28, -74.57

 

CMYK 17 / 88 / 0 / 16

HEX #B01AD5

RGB 176 26 213

HSL 288.13, 0.78%, 0.47%

LAB 45.32, 77.19, -61.99

 

CMYK 0 / 88 / 6 / 16

HEX #D51AC9

RGB 213 26 201

HSL 303.85, 0.78%, 0.47%

LAB 50.81, 81.52, -45.93

 

CMYK 0 / 88 / 29 / 16

HEX #D51A97

RGB 213 26 151

HSL 319.89, 0.78%, 0.47%

LAB 48.41, 75.19, -20.27

 

CMYK 0 / 88 / 53 / 16

HEX #D51A65

RGB 213 26 101

HSL 335.94, 0.78%, 0.47%

LAB 46.74, 70.59, 7.77

 

CMYK 0 / 88 / 7 / 45

HEX #8C1182

RGB 140 17 130

HSL 304.88, 0.78%, 0.31%

LAB 33.11, 58.79, -32.31

 

CMYK 0 / 88 / 7 / 31

HEX #B116A4

RGB 177 22 164

HSL 305.03, 0.78%, 0.39%

LAB 42.16, 70.19, -38.32

 

CMYK 0 / 88 / 7 / 16

HEX #D51AC7

RGB 213 26 199

HSL 304.49, 0.78%, 0.47%

LAB 50.7, 81.24, -44.95

 

CMYK 0 / 78 / 6 / 10

HEX #E633D8

RGB 230 51 216

HSL 304.69, 0.78%, 0.55%

LAB 56.24, 81.8, -45.73

 

CMYK 0 / 62 / 5 / 8

HEX #EA58DF

RGB 234 88 223

HSL 304.52, 0.78%, 0.63%

LAB 61.48, 71.64, -41.37

 

CMYK 0 / 88 / 7 / 16

HEX #D71AC8

RGB 215 26 200

HSL 304.76, 0.78%, 0.47%

LAB 51.1, 81.74, -44.87

 

CMYK 0 / 64 / 88 / 16

HEX #D54C1A

RGB 213 76 26

HSL 16.04, 0.78%, 0.47%

LAB 51.14, 51.83, 54.51

 

CMYK 88 / 0 / 29 / 16

HEX #1AD597

RGB 26 213 151

HSL 160.11, 0.78%, 0.47%

LAB 76.1, -57.26, 18.76

 

CMYK 0 / 88 / 7 / 16

HEX #D71AC8

RGB 215 26 200

HSL 304.76, 0.78%, 0.47%

LAB 51.1, 81.74, -44.87

 

CMYK 6 / 0 / 88 / 16

HEX #C9D51A

RGB 201 213 26

HSL 63.85, 0.78%, 0.47%

LAB 81.88, -23.54, 78.4

 

CMYK 88 / 6 / 0 / 16

HEX #1AC9D5

RGB 26 201 213

HSL 183.85, 0.78%, 0.47%

LAB 74.06, -35.62, -17.53

 

CMYK 0 / 88 / 7 / 16

HEX #D71AC8

RGB 215 26 200

HSL 304.76, 0.78%, 0.47%

LAB 51.1, 81.74, -44.87

 

CMYK 0 / 64 / 88 / 16

HEX #D54C1A

RGB 213 76 26

HSL 16.04, 0.78%, 0.47%

LAB 51.14, 51.83, 54.51

 

CMYK 88 / 0 / 82 / 16

HEX #1AD527

RGB 26 213 39

HSL 124.17, 0.78%, 0.47%

LAB 74.8, -72.78, 66.67

 

CMYK 88 / 23 / 0 / 16

HEX #1AA3D5

RGB 26 163 213

HSL 196.04, 0.78%, 0.47%

LAB 62.69, -16.56, -34.97

 

CMYK 0 / 88 / 7 / 16

HEX #D71AC8

RGB 215 26 200

HSL 304.76, 0.78%, 0.47%

LAB 51.1, 81.74, -44.87

 

CMYK 0 / 38 / 88 / 16

HEX #D5841A

RGB 213 132 26

HSL 34.01, 0.78%, 0.47%

LAB 62.27, 23.97, 63.26

 

CMYK 88 / 0 / 82 / 16

HEX #1AD527

RGB 26 213 39

HSL 124.17, 0.78%, 0.47%

LAB 74.8, -72.78, 66.67

 

CMYK 88 / 50 / 0 / 16

HEX #1A6BD5

RGB 26 107 213

HSL 214.01, 0.78%, 0.47%

LAB 46.36, 16.69, -60.89

 

Description

Color code: HEX #D71AC8 | qconv.com Color code: HEX #D71AC8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 26 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 26 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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