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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D71AB4 it is the complementary color #28E54B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D71AB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D71AB4 shade: #DC1AAF, #ED2CC2, #FE3ED5, #FF50E8 and #FF62FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D71AB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D71AB4 shade: #D71AB4, #C608A1, #B5008E, #A4007B and #930068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D71AB4 shade: #D51AB3, #D51A80, #D51A4E, #D51A1B and #D51A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D71AB4 shade: #D51AB3, #C61AD5, #931AD5, #611AD5 and #2E1AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D71AB4 shade matches the following richer shades: #D51AB3 and #E907BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D71AB4 shade: #D51AB3, #C22EA7, #AF419A, #9B558E and #886882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D71AB4 shade: #941AD5, #C61AD5, #D51AB3, #D51A81 and #D51A4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D71AB4 shade: #8C1175, #B11694, #D51AB3, #E633C5 and #EA58CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D71AB4 shade: #D71AB4, #D5621A and #1AD5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D71AB4 shade: #D71AB4, #B3D51A and #1AB3D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D71AB4 shade: #D71AB4, #D5621A, #1AD53D and #1A8ED5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D71AB4 shade: #D71AB4, #D59A1A, #1AD53D and #1A56D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 16 / 16

HEX #D71AB4

RGB 215 26 180

HSL 311.11, 0.78%, 0.47%

LAB 50.07, 79.06, -34.85

 

Complementary color

CMYK 83 / 0 / 67 / 10

HEX #28E54B

RGB 40 229 75

HSL 131.11, 0.78%, 0.53%

LAB 80.18, -73.51, 60.13

 

CMYK 0 / 88 / 20 / 14

HEX #DC1AAF

RGB 220 26 175

HSL 313.92, 0.79%, 0.48%

LAB 50.75, 79.42, -30.8

 

CMYK 0 / 81 / 18 / 7

HEX #ED2CC2

RGB 237 44 194

HSL 313.37, 0.84%, 0.55%

LAB 55.79, 81.89, -33.77

 

CMYK 0 / 76 / 16 / 0

HEX #FE3ED5

RGB 254 62 213

HSL 312.81, 0.99%, 0.62%

LAB 61.06, 83.49, -36.16

 

CMYK 0 / 69 / 9 / 0

HEX #FF50E8

RGB 255 80 232

HSL 307.89, 1%, 0.66%

LAB 64.02, 80.83, -42.2

 

CMYK 0 / 62 / 2 / 0

HEX #FF62FB

RGB 255 98 251

HSL 301.53, 1%, 0.69%

LAB 67.25, 77.17, -47.63

 

CMYK 0 / 88 / 16 / 16

HEX #D71AB4

RGB 215 26 180

HSL 311.11, 0.78%, 0.47%

LAB 50.07, 79.06, -34.85

 

CMYK 0 / 96 / 19 / 22

HEX #C608A1

RGB 198 8 161

HSL 311.68, 0.92%, 0.4%

LAB 45.29, 75.51, -31.32

 

CMYK 0 / 100 / 22 / 29

HEX #B5008E

RGB 181 0 142

HSL 312.93, 1%, 0.35%

LAB 40.86, 70.68, -27

 

CMYK 0 / 100 / 25 / 36

HEX #A4007B

RGB 164 0 123

HSL 315, 1%, 0.32%

LAB 36.6, 65.05, -22.13

 

CMYK 0 / 100 / 29 / 42

HEX #930068

RGB 147 0 104

HSL 317.55, 1%, 0.29%

LAB 32.26, 59.32, -17.06

 

CMYK 0 / 88 / 16 / 16

HEX #D51AB3

RGB 213 26 179

HSL 310.91, 0.78%, 0.47%

LAB 49.66, 78.55, -34.93

 

CMYK 0 / 88 / 40 / 16

HEX #D51A80

RGB 213 26 128

HSL 327.27, 0.78%, 0.47%

LAB 47.55, 72.84, -7.65

 

CMYK 0 / 88 / 63 / 16

HEX #D51A4E

RGB 213 26 78

HSL 343.32, 0.78%, 0.47%

LAB 46.22, 69.11, 21.31

 

CMYK 0 / 88 / 87 / 16

HEX #D51A1B

RGB 213 26 27

HSL 359.68, 0.78%, 0.47%

LAB 45.58, 67.27, 49.72

 

CMYK 0 / 88 / 88 / 16

HEX #D51A1A

RGB 213 26 26

HSL 0, 0.78%, 0.47%

LAB 45.58, 67.25, 50.18

 

CMYK 0 / 88 / 16 / 16

HEX #D51AB3

RGB 213 26 179

HSL 310.91, 0.78%, 0.47%

LAB 49.66, 78.55, -34.93

 

CMYK 7 / 88 / 0 / 16

HEX #C61AD5

RGB 198 26 213

HSL 295.19, 0.78%, 0.47%

LAB 48.94, 80.72, -55.96

 

CMYK 31 / 88 / 0 / 16

HEX #931AD5

RGB 147 26 213

HSL 278.82, 0.78%, 0.47%

LAB 40.81, 72.96, -69.53

 

CMYK 54 / 88 / 0 / 16

HEX #611AD5

RGB 97 26 213

HSL 262.78, 0.78%, 0.47%

LAB 34.16, 67.21, -80.7

 

CMYK 78 / 88 / 0 / 16

HEX #2E1AD5

RGB 46 26 213

HSL 246.42, 0.78%, 0.47%

LAB 29.72, 63.84, -88.2

 

CMYK 0 / 88 / 16 / 16

HEX #D51AB3

RGB 213 26 179

HSL 310.91, 0.78%, 0.47%

LAB 49.66, 78.55, -34.93

 

CMYK 0 / 97 / 18 / 9

HEX #E907BF

RGB 233 7 191

HSL 311.15, 0.94%, 0.47%

LAB 53.21, 85.78, -36.12

 

CMYK 0 / 88 / 16 / 16

HEX #D51AB3

RGB 213 26 179

HSL 310.91, 0.78%, 0.47%

LAB 49.66, 78.55, -34.93

 

CMYK 0 / 76 / 14 / 24

HEX #C22EA7

RGB 194 46 167

HSL 310.95, 0.62%, 0.47%

LAB 47.25, 68.55, -31.87

 

CMYK 0 / 63 / 12 / 31

HEX #AF419A

RGB 175 65 154

HSL 311.45, 0.46%, 0.47%

LAB 45.94, 55.07, -26.41

 

CMYK 0 / 45 / 8 / 39

HEX #9B558E

RGB 155 85 142

HSL 311.14, 0.29%, 0.47%

LAB 46.2, 37.24, -19.06

 

CMYK 0 / 24 / 4 / 47

HEX #886882

RGB 136 104 130

HSL 311.25, 0.13%, 0.47%

LAB 47.94, 17.43, -9.46

 

CMYK 31 / 88 / 0 / 16

HEX #941AD5

RGB 148 26 213

HSL 279.14, 0.78%, 0.47%

LAB 40.96, 73.1, -69.28

 

CMYK 7 / 88 / 0 / 16

HEX #C61AD5

RGB 198 26 213

HSL 295.19, 0.78%, 0.47%

LAB 48.94, 80.72, -55.96

 

CMYK 0 / 88 / 16 / 16

HEX #D51AB3

RGB 213 26 179

HSL 310.91, 0.78%, 0.47%

LAB 49.66, 78.55, -34.93

 

CMYK 0 / 88 / 39 / 16

HEX #D51A81

RGB 213 26 129

HSL 326.95, 0.78%, 0.47%

LAB 47.59, 72.94, -8.21

 

CMYK 0 / 88 / 63 / 16

HEX #D51A4F

RGB 213 26 79

HSL 342.99, 0.78%, 0.47%

LAB 46.24, 69.17, 20.72

 

CMYK 0 / 88 / 16 / 45

HEX #8C1175

RGB 140 17 117

HSL 311.22, 0.78%, 0.31%

LAB 32.39, 56.88, -25.26

 

CMYK 0 / 88 / 16 / 31

HEX #B11694

RGB 177 22 148

HSL 311.23, 0.78%, 0.39%

LAB 41.31, 67.96, -30.01

 

CMYK 0 / 88 / 16 / 16

HEX #D51AB3

RGB 213 26 179

HSL 310.91, 0.78%, 0.47%

LAB 49.66, 78.55, -34.93

 

CMYK 0 / 78 / 14 / 10

HEX #E633C5

RGB 230 51 197

HSL 311.06, 0.78%, 0.55%

LAB 55.3, 79.15, -36.34

 

CMYK 0 / 62 / 12 / 8

HEX #EA58CF

RGB 234 88 207

HSL 311.1, 0.78%, 0.63%

LAB 60.76, 69.19, -33.48

 

CMYK 0 / 88 / 16 / 16

HEX #D71AB4

RGB 215 26 180

HSL 311.11, 0.78%, 0.47%

LAB 50.07, 79.06, -34.85

 

CMYK 0 / 54 / 88 / 16

HEX #D5621A

RGB 213 98 26

HSL 23.1, 0.78%, 0.47%

LAB 55.03, 41.67, 57.55

 

CMYK 88 / 0 / 19 / 16

HEX #1AD5AD

RGB 26 213 173

HSL 167.17, 0.78%, 0.47%

LAB 76.57, -52.05, 7.74

 

CMYK 0 / 88 / 16 / 16

HEX #D71AB4

RGB 215 26 180

HSL 311.11, 0.78%, 0.47%

LAB 50.07, 79.06, -34.85

 

CMYK 16 / 0 / 88 / 16

HEX #B3D51A

RGB 179 213 26

HSL 70.91, 0.78%, 0.47%

LAB 80.32, -32.61, 76.49

 

CMYK 88 / 16 / 0 / 16

HEX #1AB3D5

RGB 26 179 213

HSL 190.91, 0.78%, 0.47%

LAB 67.47, -24.92, -27.57

 

CMYK 0 / 88 / 16 / 16

HEX #D71AB4

RGB 215 26 180

HSL 311.11, 0.78%, 0.47%

LAB 50.07, 79.06, -34.85

 

CMYK 0 / 54 / 88 / 16

HEX #D5621A

RGB 213 98 26

HSL 23.1, 0.78%, 0.47%

LAB 55.03, 41.67, 57.55

 

CMYK 88 / 0 / 71 / 16

HEX #1AD53D

RGB 26 213 61

HSL 131.23, 0.78%, 0.47%

LAB 74.92, -71.25, 59.84

 

CMYK 88 / 33 / 0 / 16

HEX #1A8ED5

RGB 26 142 213

HSL 202.78, 0.78%, 0.47%

LAB 56.46, -4.81, -44.75

 

CMYK 0 / 88 / 16 / 16

HEX #D71AB4

RGB 215 26 180

HSL 311.11, 0.78%, 0.47%

LAB 50.07, 79.06, -34.85

 

CMYK 0 / 28 / 88 / 16

HEX #D59A1A

RGB 213 154 26

HSL 41.07, 0.78%, 0.47%

LAB 67.53, 12.1, 67.41

 

CMYK 88 / 0 / 71 / 16

HEX #1AD53D

RGB 26 213 61

HSL 131.23, 0.78%, 0.47%

LAB 74.92, -71.25, 59.84

 

CMYK 88 / 60 / 0 / 16

HEX #1A56D5

RGB 26 86 213

HSL 220.75, 0.78%, 0.47%

LAB 40.7, 30.31, -70.1

 

Description

Color code: HEX #D71AB4 | qconv.com Color code: HEX #D71AB4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 26 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 26 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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