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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D711CD it is the complementary color #28EE32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D711CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D711CD shade: #DC11C8, #ED23DB, #FE35EE, #FF47FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D711CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D711CD shade: #D711CD, #C600BA, #B500A7, #A40094 and #930081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D711CD shade: #D411CA, #D41196, #D41161, #D4112D and #D41111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D711CD shade: #D411CA, #AA11D4, #7511D4, #4011D4 and #1111D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D711CD shade matches the following richer shades: #D411CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D711CD shade: #D411CA, #C224BA, #AF36A9, #9D4998 and #8A5B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D711CD shade: #7611D4, #AA11D4, #D411CB, #D41197 and #D41162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D711CD shade: #880B82, #AE0EA6, #D411CA, #ED22E3 and #F048E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D711CD shade: #D711CD, #D44211 and #11D490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D711CD shade: #D711CD, #CBD411 and #11CBD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D711CD shade: #D711CD, #D44211, #11D41B and #11A4D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D711CD shade: #D711CD, #D47D11, #11D41B and #1169D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 5 / 16

HEX #D711CD

RGB 215 17 205

HSL 303.03, 0.85%, 0.45%

LAB 50.99, 83.59, -47.93

 

Complementary color

CMYK 83 / 0 / 79 / 7

HEX #28EE32

RGB 40 238 50

HSL 123.03, 0.85%, 0.55%

LAB 82.82, -78.03, 71.24

 

CMYK 0 / 92 / 9 / 14

HEX #DC11C8

RGB 220 17 200

HSL 305.91, 0.86%, 0.46%

LAB 51.6, 83.78, -44.03

 

CMYK 0 / 85 / 8 / 7

HEX #ED23DB

RGB 237 35 219

HSL 305.35, 0.85%, 0.53%

LAB 56.41, 86.93, -47.08

 

CMYK 0 / 79 / 6 / 0

HEX #FE35EE

RGB 254 53 238

HSL 304.78, 0.99%, 0.6%

LAB 61.47, 89.14, -49.57

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 92 / 5 / 16

HEX #D711CD

RGB 215 17 205

HSL 303.03, 0.85%, 0.45%

LAB 50.99, 83.59, -47.93

 

CMYK 0 / 100 / 6 / 22

HEX #C600BA

RGB 198 0 186

HSL 303.64, 1%, 0.39%

LAB 46.38, 79.51, -44.41

 

CMYK 0 / 100 / 8 / 29

HEX #B500A7

RGB 181 0 167

HSL 304.64, 1%, 0.35%

LAB 42.18, 73.95, -40.04

 

CMYK 0 / 100 / 10 / 36

HEX #A40094

RGB 164 0 148

HSL 305.85, 1%, 0.32%

LAB 37.9, 68.29, -35.55

 

CMYK 0 / 100 / 12 / 42

HEX #930081

RGB 147 0 129

HSL 307.35, 1%, 0.29%

LAB 33.54, 62.53, -30.93

 

CMYK 0 / 92 / 5 / 17

HEX #D411CA

RGB 212 17 202

HSL 303.08, 0.85%, 0.45%

LAB 50.29, 82.65, -47.34

 

CMYK 0 / 92 / 29 / 17

HEX #D41196

RGB 212 17 150

HSL 319.08, 0.85%, 0.45%

LAB 47.75, 76.12, -20.7

 

CMYK 0 / 92 / 54 / 17

HEX #D41161

RGB 212 17 97

HSL 335.38, 0.85%, 0.45%

LAB 45.99, 71.37, 9.16

 

CMYK 0 / 92 / 79 / 17

HEX #D4112D

RGB 212 17 45

HSL 351.38, 0.85%, 0.45%

LAB 45.06, 68.79, 39.74

 

CMYK 0 / 92 / 92 / 17

HEX #D41111

RGB 212 17 17

HSL 0, 0.85%, 0.45%

LAB 44.86, 68.2, 53.32

 

CMYK 0 / 92 / 5 / 17

HEX #D411CA

RGB 212 17 202

HSL 303.08, 0.85%, 0.45%

LAB 50.29, 82.65, -47.34

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 45 / 92 / 0 / 17

HEX #7511D4

RGB 117 17 212

HSL 270.77, 0.85%, 0.45%

LAB 35.86, 70.95, -77.23

 

CMYK 70 / 92 / 0 / 17

HEX #4011D4

RGB 64 17 212

HSL 254.46, 0.85%, 0.45%

LAB 30.02, 66.93, -87.09

 

CMYK 92 / 92 / 0 / 17

HEX #1111D4

RGB 17 17 212

HSL 240, 0.85%, 0.45%

LAB 27.5, 65.51, -91.35

 

CMYK 0 / 92 / 5 / 17

HEX #D411CA

RGB 212 17 202

HSL 303.08, 0.85%, 0.45%

LAB 50.29, 82.65, -47.34

 

CMYK 0 / 92 / 5 / 17

HEX #D411CA

RGB 212 17 202

HSL 303.08, 0.85%, 0.45%

LAB 50.29, 82.65, -47.34

 

CMYK 0 / 81 / 4 / 24

HEX #C224BA

RGB 194 36 186

HSL 303.04, 0.69%, 0.45%

LAB 47.33, 73.9, -42.94

 

CMYK 0 / 69 / 3 / 31

HEX #AF36A9

RGB 175 54 169

HSL 302.98, 0.53%, 0.45%

LAB 45.1, 61.86, -36.66

 

CMYK 0 / 54 / 3 / 38

HEX #9D4998

RGB 157 73 152

HSL 303.57, 0.37%, 0.45%

LAB 44.52, 45.93, -27.64

 

CMYK 0 / 34 / 1 / 46

HEX #8A5B88

RGB 138 91 136

HSL 302.55, 0.21%, 0.45%

LAB 45.17, 26.97, -17.23

 

CMYK 44 / 92 / 0 / 17

HEX #7611D4

RGB 118 17 212

HSL 271.08, 0.85%, 0.45%

LAB 36, 71.06, -77

 

CMYK 20 / 92 / 0 / 17

HEX #AA11D4

RGB 170 17 212

HSL 287.08, 0.85%, 0.45%

LAB 43.8, 77.53, -63.92

 

CMYK 0 / 92 / 4 / 17

HEX #D411CB

RGB 212 17 203

HSL 302.77, 0.85%, 0.45%

LAB 50.35, 82.79, -47.83

 

CMYK 0 / 92 / 29 / 17

HEX #D41197

RGB 212 17 151

HSL 318.77, 0.85%, 0.45%

LAB 47.79, 76.23, -21.23

 

CMYK 0 / 92 / 54 / 17

HEX #D41162

RGB 212 17 98

HSL 335.08, 0.85%, 0.45%

LAB 46.02, 71.44, 8.57

 

CMYK 0 / 92 / 4 / 47

HEX #880B82

RGB 136 11 130

HSL 302.88, 0.85%, 0.29%

LAB 32, 59.05, -34.12

 

CMYK 0 / 92 / 5 / 32

HEX #AE0EA6

RGB 174 14 166

HSL 303, 0.85%, 0.37%

LAB 41.32, 71.12, -40.88

 

CMYK 0 / 92 / 5 / 17

HEX #D411CA

RGB 212 17 202

HSL 303.08, 0.85%, 0.45%

LAB 50.29, 82.65, -47.34

 

CMYK 0 / 86 / 4 / 7

HEX #ED22E3

RGB 237 34 227

HSL 302.96, 0.85%, 0.53%

LAB 56.78, 88.21, -51.03

 

CMYK 0 / 70 / 3 / 6

HEX #F048E8

RGB 240 72 232

HSL 302.86, 0.85%, 0.61%

LAB 60.77, 80.17, -47.47

 

CMYK 0 / 92 / 5 / 16

HEX #D711CD

RGB 215 17 205

HSL 303.03, 0.85%, 0.45%

LAB 50.99, 83.59, -47.93

 

CMYK 0 / 69 / 92 / 17

HEX #D44211

RGB 212 66 17

HSL 15.08, 0.85%, 0.45%

LAB 49.42, 55.42, 56.3

 

CMYK 92 / 0 / 32 / 17

HEX #11D490

RGB 17 212 144

HSL 159.08, 0.85%, 0.45%

LAB 75.59, -58.91, 21.74

 

CMYK 0 / 92 / 5 / 16

HEX #D711CD

RGB 215 17 205

HSL 303.03, 0.85%, 0.45%

LAB 50.99, 83.59, -47.93

 

CMYK 4 / 0 / 92 / 17

HEX #CBD411

RGB 203 212 17

HSL 62.77, 0.85%, 0.45%

LAB 81.74, -22.38, 79.71

 

CMYK 92 / 4 / 0 / 17

HEX #11CBD4

RGB 17 203 212

HSL 182.77, 0.85%, 0.45%

LAB 74.56, -37.27, -16.23

 

CMYK 0 / 92 / 5 / 16

HEX #D711CD

RGB 215 17 205

HSL 303.03, 0.85%, 0.45%

LAB 50.99, 83.59, -47.93

 

CMYK 0 / 69 / 92 / 17

HEX #D44211

RGB 212 66 17

HSL 15.08, 0.85%, 0.45%

LAB 49.42, 55.42, 56.3

 

CMYK 92 / 0 / 87 / 17

HEX #11D41B

RGB 17 212 27

HSL 123.08, 0.85%, 0.45%

LAB 74.37, -73.63, 69.01

 

CMYK 92 / 23 / 0 / 17

HEX #11A4D4

RGB 17 164 212

HSL 194.77, 0.85%, 0.45%

LAB 62.86, -17.91, -34.15

 

CMYK 0 / 92 / 5 / 16

HEX #D711CD

RGB 215 17 205

HSL 303.03, 0.85%, 0.45%

LAB 50.99, 83.59, -47.93

 

CMYK 0 / 41 / 92 / 17

HEX #D47D11

RGB 212 125 17

HSL 33.23, 0.85%, 0.45%

LAB 60.52, 27.14, 64.1

 

CMYK 92 / 0 / 87 / 17

HEX #11D41B

RGB 17 212 27

HSL 123.08, 0.85%, 0.45%

LAB 74.37, -73.63, 69.01

 

CMYK 92 / 50 / 0 / 17

HEX #1169D4

RGB 17 105 212

HSL 212.92, 0.85%, 0.45%

LAB 45.6, 17.11, -61.56

 

Description

Color code: HEX #D711CD | qconv.com Color code: HEX #D711CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 17 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 17 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 5 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 5% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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