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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7066D it is the complementary color #28F992. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7066D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7066D shade: #DC0668, #ED187B, #FE2A8E, #FF3CA1 and #FF4EB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7066D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7066D shade: #D7066D, #C6005A, #B50047, #A40034 and #930021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7066D shade: #D6056C, #D60534 and #D60505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7066D shade: #D6056C, #D605A4, #CF05D6, #9705D6 and #5F05D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7066D shade matches the following richer shades: #D6056C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7066D shade: #D6056C, #C4176C, #B2296D, #A13B6D and #8F4C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7066D shade: #CF05D6, #D605A5, #D6056E, #D60536 and #D60C05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7066D shade: #850343, #AE0458, #D6056C, #F90C81 and #FA3495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7066D shade: #D7066D, #D69705 and #05C1D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7066D shade: #D7066D, #6ED605 and #056ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7066D shade: #D7066D, #D69705, #05D66E and #0544D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7066D shade: #D7066D, #D6D605, #05D66E and #0505D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 49 / 16

HEX #D7066D

RGB 215 6 109

HSL 330.43, 0.95%, 0.43%

LAB 46.55, 73.99, 2.6

 

Complementary color

CMYK 84 / 0 / 41 / 2

HEX #28F992

RGB 40 249 146

HSL 150.43, 0.95%, 0.57%

LAB 87.13, -70.03, 36.2

 

CMYK 0 / 97 / 53 / 14

HEX #DC0668

RGB 220 6 104

HSL 332.52, 0.95%, 0.44%

LAB 47.42, 74.74, 7.08

 

CMYK 0 / 90 / 48 / 7

HEX #ED187B

RGB 237 24 123

HSL 332.11, 0.86%, 0.51%

LAB 51.94, 78.17, 2.37

 

CMYK 0 / 83 / 44 / 0

HEX #FE2A8E

RGB 254 42 142

HSL 331.7, 0.99%, 0.58%

LAB 56.76, 80.59, -1.58

 

CMYK 0 / 76 / 37 / 0

HEX #FF3CA1

RGB 255 60 161

HSL 328.92, 1%, 0.62%

LAB 59.03, 78.28, -9.37

 

CMYK 0 / 69 / 29 / 0

HEX #FF4EB4

RGB 255 78 180

HSL 325.42, 1%, 0.65%

LAB 61.66, 74.74, -16.42

 

CMYK 0 / 97 / 49 / 16

HEX #D7066D

RGB 215 6 109

HSL 330.43, 0.95%, 0.43%

LAB 46.55, 73.99, 2.6

 

CMYK 0 / 100 / 55 / 22

HEX #C6005A

RGB 198 0 90

HSL 332.73, 1%, 0.39%

LAB 42.37, 69.32, 8.04

 

CMYK 0 / 100 / 61 / 29

HEX #B50047

RGB 181 0 71

HSL 336.46, 1%, 0.35%

LAB 38.34, 64.13, 14.02

 

CMYK 0 / 100 / 68 / 36

HEX #A40034

RGB 164 0 52

HSL 340.98, 1%, 0.32%

LAB 34.27, 58.98, 20.3

 

CMYK 0 / 100 / 78 / 42

HEX #930021

RGB 147 0 33

HSL 346.53, 1%, 0.29%

LAB 30.19, 53.87, 26.79

 

CMYK 0 / 98 / 50 / 16

HEX #D6056C

RGB 214 5 108

HSL 330.43, 0.95%, 0.43%

LAB 46.29, 73.77, 2.82

 

CMYK 0 / 98 / 76 / 16

HEX #D60534

RGB 214 5 52

HSL 346.51, 0.95%, 0.43%

LAB 45.15, 70.69, 35.88

 

CMYK 0 / 98 / 98 / 16

HEX #D60505

RGB 214 5 5

HSL 0, 0.95%, 0.43%

LAB 44.82, 69.78, 57.35

 

CMYK 0 / 98 / 50 / 16

HEX #D6056C

RGB 214 5 108

HSL 330.43, 0.95%, 0.43%

LAB 46.29, 73.77, 2.82

 

CMYK 0 / 98 / 23 / 16

HEX #D605A4

RGB 214 5 164

HSL 314.35, 0.95%, 0.43%

LAB 48.37, 79.18, -28.09

 

CMYK 3 / 98 / 0 / 16

HEX #CF05D6

RGB 207 5 214

HSL 297.99, 0.95%, 0.43%

LAB 49.77, 84.59, -55.12

 

CMYK 29 / 98 / 0 / 16

HEX #9705D6

RGB 151 5 214

HSL 281.91, 0.95%, 0.43%

LAB 40.48, 76.72, -70.62

 

CMYK 56 / 98 / 0 / 16

HEX #5F05D6

RGB 95 5 214

HSL 265.84, 0.95%, 0.43%

LAB 32.69, 71.34, -83.72

 

CMYK 0 / 98 / 50 / 16

HEX #D6056C

RGB 214 5 108

HSL 330.43, 0.95%, 0.43%

LAB 46.29, 73.77, 2.82

 

CMYK 0 / 98 / 50 / 16

HEX #D6056C

RGB 214 5 108

HSL 330.43, 0.95%, 0.43%

LAB 46.29, 73.77, 2.82

 

CMYK 0 / 88 / 45 / 23

HEX #C4176C

RGB 196 23 108

HSL 330.52, 0.79%, 0.43%

LAB 43.41, 67.59, -1.83

 

CMYK 0 / 77 / 39 / 30

HEX #B2296D

RGB 178 41 109

HSL 330.22, 0.63%, 0.43%

LAB 41.46, 58.91, -5.71

 

CMYK 0 / 63 / 32 / 37

HEX #A13B6D

RGB 161 59 109

HSL 330.59, 0.46%, 0.43%

LAB 40.91, 47.16, -6.85

 

CMYK 0 / 47 / 24 / 44

HEX #8F4C6D

RGB 143 76 109

HSL 330.45, 0.31%, 0.43%

LAB 41.39, 32.5, -6.42

 

CMYK 3 / 98 / 0 / 16

HEX #CF05D6

RGB 207 5 214

HSL 297.99, 0.95%, 0.43%

LAB 49.77, 84.59, -55.12

 

CMYK 0 / 98 / 23 / 16

HEX #D605A5

RGB 214 5 165

HSL 314.07, 0.95%, 0.43%

LAB 48.41, 79.29, -28.61

 

CMYK 0 / 98 / 49 / 16

HEX #D6056E

RGB 214 5 110

HSL 329.86, 0.95%, 0.43%

LAB 46.35, 73.93, 1.66

 

CMYK 0 / 98 / 75 / 16

HEX #D60536

RGB 214 5 54

HSL 345.93, 0.95%, 0.43%

LAB 45.18, 70.76, 34.72

 

CMYK 0 / 94 / 98 / 16

HEX #D60C05

RGB 214 12 5

HSL 2.01, 0.95%, 0.43%

LAB 45.04, 69.16, 57.45

 

CMYK 0 / 98 / 50 / 48

HEX #850343

RGB 133 3 67

HSL 330.46, 0.96%, 0.27%

LAB 28, 51.92, 0.61

 

CMYK 0 / 98 / 49 / 32

HEX #AE0458

RGB 174 4 88

HSL 330.35, 0.96%, 0.35%

LAB 37.46, 63.24, 1.62

 

CMYK 0 / 98 / 50 / 16

HEX #D6056C

RGB 214 5 108

HSL 330.43, 0.95%, 0.43%

LAB 46.29, 73.77, 2.82

 

CMYK 0 / 95 / 48 / 2

HEX #F90C81

RGB 249 12 129

HSL 330.38, 0.95%, 0.51%

LAB 54.01, 82.53, 2.06

 

CMYK 0 / 79 / 40 / 2

HEX #FA3495

RGB 250 52 149

HSL 330.61, 0.95%, 0.59%

LAB 57.03, 78.01, -5.41

 

CMYK 0 / 97 / 49 / 16

HEX #D7066D

RGB 215 6 109

HSL 330.43, 0.95%, 0.43%

LAB 46.55, 73.99, 2.6

 

CMYK 0 / 29 / 98 / 16

HEX #D69705

RGB 214 151 5

HSL 41.91, 0.95%, 0.43%

LAB 66.85, 13.86, 70.61

 

CMYK 98 / 10 / 0 / 16

HEX #05C1D6

RGB 5 193 214

HSL 186.03, 0.95%, 0.43%

LAB 71.57, -32.3, -21.85

 

CMYK 0 / 97 / 49 / 16

HEX #D7066D

RGB 215 6 109

HSL 330.43, 0.95%, 0.43%

LAB 46.55, 73.99, 2.6

 

CMYK 49 / 0 / 98 / 16

HEX #6ED605

RGB 110 214 5

HSL 89.86, 0.95%, 0.43%

LAB 76.93, -58.24, 74.88

 

CMYK 98 / 49 / 0 / 16

HEX #056ED6

RGB 5 110 214

HSL 209.86, 0.95%, 0.43%

LAB 47.03, 14.27, -60.41

 

CMYK 0 / 97 / 49 / 16

HEX #D7066D

RGB 215 6 109

HSL 330.43, 0.95%, 0.43%

LAB 46.55, 73.99, 2.6

 

CMYK 0 / 29 / 98 / 16

HEX #D69705

RGB 214 151 5

HSL 41.91, 0.95%, 0.43%

LAB 66.85, 13.86, 70.61

 

CMYK 98 / 0 / 49 / 16

HEX #05D66E

RGB 5 214 110

HSL 150.14, 0.95%, 0.43%

LAB 75.61, -66.49, 39.11

 

CMYK 98 / 68 / 0 / 16

HEX #0544D6

RGB 5 68 214

HSL 221.91, 0.95%, 0.43%

LAB 36.03, 41.48, -78.36

 

CMYK 0 / 97 / 49 / 16

HEX #D7066D

RGB 215 6 109

HSL 330.43, 0.95%, 0.43%

LAB 46.55, 73.99, 2.6

 

CMYK 0 / 0 / 98 / 16

HEX #D6D605

RGB 214 214 5

HSL 60, 0.95%, 0.43%

LAB 83.13, -18.84, 82.33

 

CMYK 98 / 0 / 49 / 16

HEX #05D66E

RGB 5 214 110

HSL 150.14, 0.95%, 0.43%

LAB 75.61, -66.49, 39.11

 

CMYK 98 / 98 / 0 / 16

HEX #0505D6

RGB 5 5 214

HSL 240, 0.95%, 0.43%

LAB 26.72, 68.44, -93.82

 

Description

Color code: HEX #D7066D | qconv.com Color code: HEX #D7066D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 6 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 6 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 49 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 49% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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