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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D704BC it is the complementary color #28FB43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D704BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D704BC shade: #DC04B7, #ED16CA, #FE28DD, #FF3AF0 and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D704BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D704BC shade: #D704BC, #C600A9, #B50096, #A40083 and #930070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D704BC shade: #D704BC, #D70483, #D7044A, #D70412 and #D70404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D704BC shade: #D704BC, #B904D7, #8004D7, #4804D7 and #0F04D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D704BC shade matches the following richer shades: #D704BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D704BC shade: #D704BC, #C516AF, #B328A2, #A23A94 and #904B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D704BC shade: #7F04D7, #B704D7, #D704BE, #D70486 and #D7044E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D704BC shade: #860375, #AE0499, #D704BC, #FA0BDB and #FB33E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D704BC shade: #D704BC, #D74704 and #04D79B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D704BC shade: #D704BC, #BED704 and #04BED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D704BC shade: #D704BC, #D74704, #04D71D and #0494D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D704BC shade: #D704BC, #D78604, #04D71D and #0455D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

Complementary color

CMYK 84 / 0 / 73 / 2

HEX #28FB43

RGB 40 251 67

HSL 127.68, 0.96%, 0.57%

LAB 86.92, -80.59, 70.02

 

CMYK 0 / 98 / 17 / 14

HEX #DC04B7

RGB 220 4 183

HSL 310.28, 0.96%, 0.44%

LAB 50.36, 82.65, -36.1

 

CMYK 0 / 91 / 15 / 7

HEX #ED16CA

RGB 237 22 202

HSL 309.77, 0.86%, 0.51%

LAB 54.91, 86.55, -39.74

 

CMYK 0 / 84 / 13 / 0

HEX #FE28DD

RGB 254 40 221

HSL 309.25, 0.99%, 0.58%

LAB 59.72, 89.49, -42.8

 

CMYK 0 / 77 / 6 / 0

HEX #FF3AF0

RGB 255 58 240

HSL 304.57, 1%, 0.61%

LAB 62.15, 88.42, -49.6

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 100 / 15 / 22

HEX #C600A9

RGB 198 0 169

HSL 308.79, 1%, 0.39%

LAB 45.46, 77.23, -35.84

 

CMYK 0 / 100 / 17 / 29

HEX #B50096

RGB 181 0 150

HSL 310.28, 1%, 0.35%

LAB 41.26, 71.68, -31.25

 

CMYK 0 / 100 / 20 / 36

HEX #A40083

RGB 164 0 131

HSL 312.07, 1%, 0.32%

LAB 36.99, 66.03, -26.51

 

CMYK 0 / 100 / 24 / 42

HEX #930070

RGB 147 0 112

HSL 314.29, 1%, 0.29%

LAB 32.64, 60.28, -21.6

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 98 / 39 / 16

HEX #D70483

RGB 215 4 131

HSL 323.89, 0.96%, 0.43%

LAB 47.2, 76.02, -9.97

 

CMYK 0 / 98 / 66 / 16

HEX #D7044A

RGB 215 4 74

HSL 340.09, 0.96%, 0.43%

LAB 45.67, 71.95, 23.15

 

CMYK 0 / 98 / 92 / 16

HEX #D70412

RGB 215 4 18

HSL 356.02, 0.96%, 0.43%

LAB 45.05, 70.24, 53.37

 

CMYK 0 / 98 / 98 / 16

HEX #D70404

RGB 215 4 4

HSL 0, 0.96%, 0.43%

LAB 45, 70.11, 57.86

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 14 / 98 / 0 / 16

HEX #B904D7

RGB 185 4 215

HSL 291.47, 0.96%, 0.43%

LAB 46.05, 81.51, -61.88

 

CMYK 40 / 98 / 0 / 16

HEX #8004D7

RGB 128 4 215

HSL 275.26, 0.96%, 0.43%

LAB 37.08, 74.48, -76.9

 

CMYK 67 / 98 / 0 / 16

HEX #4804D7

RGB 72 4 215

HSL 259.34, 0.96%, 0.43%

LAB 30.33, 70.4, -88.29

 

CMYK 93 / 98 / 0 / 16

HEX #0F04D7

RGB 15 4 215

HSL 243.13, 0.96%, 0.43%

LAB 27, 68.95, -93.93

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 89 / 11 / 23

HEX #C516AF

RGB 197 22 175

HSL 307.54, 0.8%, 0.43%

LAB 46.36, 75.55, -37.97

 

CMYK 0 / 78 / 9 / 30

HEX #B328A2

RGB 179 40 162

HSL 307.34, 0.63%, 0.43%

LAB 43.81, 66.22, -34.48

 

CMYK 0 / 64 / 9 / 36

HEX #A23A94

RGB 162 58 148

HSL 308.08, 0.47%, 0.43%

LAB 42.53, 53.59, -28.28

 

CMYK 0 / 48 / 6 / 44

HEX #904B87

RGB 144 75 135

HSL 307.83, 0.32%, 0.43%

LAB 42.32, 37.8, -20.93

 

CMYK 41 / 98 / 0 / 16

HEX #7F04D7

RGB 127 4 215

HSL 274.98, 0.96%, 0.43%

LAB 36.94, 74.38, -77.14

 

CMYK 15 / 98 / 0 / 16

HEX #B704D7

RGB 183 4 215

HSL 290.9, 0.96%, 0.43%

LAB 45.72, 81.23, -62.44

 

CMYK 0 / 98 / 12 / 16

HEX #D704BE

RGB 215 4 190

HSL 307.11, 0.96%, 0.43%

LAB 49.8, 82.65, -41.13

 

CMYK 0 / 98 / 38 / 16

HEX #D70486

RGB 215 4 134

HSL 323.03, 0.96%, 0.43%

LAB 47.31, 76.3, -11.64

 

CMYK 0 / 98 / 64 / 16

HEX #D7044E

RGB 215 4 78

HSL 338.96, 0.96%, 0.43%

LAB 45.75, 72.15, 20.76

 

CMYK 0 / 98 / 13 / 47

HEX #860375

RGB 134 3 117

HSL 307.79, 0.96%, 0.27%

LAB 30.44, 57.92, -28.42

 

CMYK 0 / 98 / 12 / 32

HEX #AE0499

RGB 174 4 153

HSL 307.41, 0.96%, 0.35%

LAB 40.22, 70.36, -34.79

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 96 / 12 / 2

HEX #FA0BDB

RGB 250 11 219

HSL 307.78, 0.96%, 0.51%

LAB 57.73, 92, -44.85

 

CMYK 0 / 80 / 10 / 2

HEX #FB33E1

RGB 251 51 225

HSL 307.8, 0.96%, 0.59%

LAB 60.17, 87.22, -44.37

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 67 / 98 / 16

HEX #D74704

RGB 215 71 4

HSL 19.05, 0.96%, 0.43%

LAB 50.64, 54.31, 60.61

 

CMYK 98 / 0 / 28 / 16

HEX #04D79B

RGB 4 215 155

HSL 162.94, 0.96%, 0.43%

LAB 76.67, -58.02, 17.44

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 12 / 0 / 98 / 16

HEX #BED704

RGB 190 215 4

HSL 67.11, 0.96%, 0.43%

LAB 81.6, -29.37, 80.48

 

CMYK 98 / 12 / 0 / 16

HEX #04BED7

RGB 4 190 215

HSL 187.11, 0.96%, 0.43%

LAB 70.7, -30.56, -23.72

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 67 / 98 / 16

HEX #D74704

RGB 215 71 4

HSL 19.05, 0.96%, 0.43%

LAB 50.64, 54.31, 60.61

 

CMYK 98 / 0 / 87 / 16

HEX #04D71D

RGB 4 215 29

HSL 127.11, 0.96%, 0.43%

LAB 75.27, -74.9, 69.38

 

CMYK 98 / 31 / 0 / 16

HEX #0494D7

RGB 4 148 215

HSL 199.05, 0.96%, 0.43%

LAB 58.14, -8.43, -43.22

 

CMYK 0 / 98 / 13 / 16

HEX #D704BC

RGB 215 4 188

HSL 307.68, 0.96%, 0.43%

LAB 49.7, 82.39, -40.13

 

CMYK 0 / 38 / 98 / 16

HEX #D78604

RGB 215 134 4

HSL 36.97, 0.96%, 0.43%

LAB 62.93, 23.44, 68.15

 

CMYK 98 / 0 / 87 / 16

HEX #04D71D

RGB 4 215 29

HSL 127.11, 0.96%, 0.43%

LAB 75.27, -74.9, 69.38

 

CMYK 98 / 60 / 0 / 16

HEX #0455D7

RGB 4 85 215

HSL 216.97, 0.96%, 0.43%

LAB 40.29, 30.9, -71.93

 

Description

Color code: HEX #D704BC | qconv.com Color code: HEX #D704BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 4 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 4 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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