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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6FA99 it is the complementary color #290566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6FA99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6FA99 shade: #DBFA94, #ECFFA7, #FDFFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6FA99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6FA99 shade: #D6FA99, #C5E886, #B4D673, #A3C460 and #92B24D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6FA99 shade: #D6FA99, #F0FA99, #FAEA99, #FAD099 and #FAB599

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6FA99 shade: #D6FA99, #BCFA99, #A1FA99, #99FAAA and #99FAC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6FA99 shade matches the following richer shades: #D6FA99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6FA99 shade: #D6FA99, #D4F2A1, #D2E9AA, #CFE0B3 and #CDD8BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6FA99 shade: #FAEA99, #F0FA99, #D6FA99, #BCFA99 and #A2FA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6FA99 shade: #B6F64A, #C6F871, #D6FA99, #E6FCC0 and #F6FEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6FA99 shade: #D6FA99, #99FAD0 and #F799FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6FA99 shade: #D6FA99, #99D6FA and #FA99D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6FA99 shade: #D6FA99, #99FAD0, #BC99FA and #FA99C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6FA99 shade: #D6FA99, #99FAED, #BC99FA and #FA99A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

Complementary color

CMYK 60 / 95 / 0 / 60

HEX #290566

RGB 41 5 102

HSL 262.27, 0.91%, 0.21%

LAB 12.86, 39.83, -47.94

 

CMYK 12 / 0 / 41 / 2

HEX #DBFA94

RGB 219 250 148

HSL 78.24, 0.91%, 0.78%

LAB 94.13, -25.87, 45.56

 

CMYK 7 / 0 / 35 / 0

HEX #ECFFA7

RGB 236 255 167

HSL 72.95, 1%, 0.83%

LAB 96.88, -19.78, 40.04

 

CMYK 1 / 0 / 27 / 0

HEX #FDFFBA

RGB 253 255 186

HSL 61.74, 1%, 0.86%

LAB 98.41, -11.18, 32.85

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 15 / 0 / 42 / 9

HEX #C5E886

RGB 197 232 134

HSL 81.43, 0.68%, 0.72%

LAB 87.63, -27.06, 43.85

 

CMYK 16 / 0 / 46 / 16

HEX #B4D673

RGB 180 214 115

HSL 80.61, 0.55%, 0.65%

LAB 81.31, -26.98, 45

 

CMYK 17 / 0 / 51 / 23

HEX #A3C460

RGB 163 196 96

HSL 79.8, 0.46%, 0.57%

LAB 74.89, -26.85, 46.13

 

CMYK 18 / 0 / 57 / 30

HEX #92B24D

RGB 146 178 77

HSL 79.01, 0.4%, 0.5%

LAB 68.38, -26.65, 47.21

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 4 / 0 / 39 / 2

HEX #F0FA99

RGB 240 250 153

HSL 66.19, 0.91%, 0.79%

LAB 95.66, -17.48, 45.38

 

CMYK 0 / 6 / 39 / 2

HEX #FAEA99

RGB 250 234 153

HSL 50.1, 0.91%, 0.79%

LAB 92.34, -5.78, 41.29

 

CMYK 0 / 17 / 39 / 2

HEX #FAD099

RGB 250 208 153

HSL 34.02, 0.91%, 0.79%

LAB 85.87, 7.49, 32.83

 

CMYK 0 / 28 / 39 / 2

HEX #FAB599

RGB 250 181 153

HSL 17.32, 0.91%, 0.79%

LAB 79.43, 21.61, 24.17

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 25 / 0 / 39 / 2

HEX #BCFA99

RGB 188 250 153

HSL 98.35, 0.91%, 0.79%

LAB 92.29, -36.26, 40.38

 

CMYK 36 / 0 / 39 / 2

HEX #A1FA99

RGB 161 250 153

HSL 115.05, 0.91%, 0.79%

LAB 90.89, -45.02, 38.29

 

CMYK 39 / 0 / 32 / 2

HEX #99FAAA

RGB 153 250 170

HSL 130.52, 0.91%, 0.79%

LAB 90.8, -44.76, 29.62

 

CMYK 39 / 0 / 21 / 2

HEX #99FAC5

RGB 153 250 197

HSL 147.22, 0.91%, 0.79%

LAB 91.31, -39.93, 16.55

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 12 / 0 / 33 / 5

HEX #D4F2A1

RGB 212 242 161

HSL 82.22, 0.76%, 0.79%

LAB 91.72, -23.03, 35.94

 

CMYK 10 / 0 / 27 / 9

HEX #D2E9AA

RGB 210 233 170

HSL 81.9, 0.59%, 0.79%

LAB 89.34, -18.15, 28.18

 

CMYK 8 / 0 / 20 / 12

HEX #CFE0B3

RGB 207 224 179

HSL 82.67, 0.42%, 0.79%

LAB 86.91, -13.43, 20.17

 

CMYK 5 / 0 / 13 / 15

HEX #CDD8BB

RGB 205 216 187

HSL 82.76, 0.27%, 0.79%

LAB 84.83, -8.82, 13.04

 

CMYK 0 / 6 / 39 / 2

HEX #FAEA99

RGB 250 234 153

HSL 50.1, 0.91%, 0.79%

LAB 92.34, -5.78, 41.29

 

CMYK 4 / 0 / 39 / 2

HEX #F0FA99

RGB 240 250 153

HSL 66.19, 0.91%, 0.79%

LAB 95.66, -17.48, 45.38

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 25 / 0 / 39 / 2

HEX #BCFA99

RGB 188 250 153

HSL 98.35, 0.91%, 0.79%

LAB 92.29, -36.26, 40.38

 

CMYK 35 / 0 / 39 / 2

HEX #A2FA99

RGB 162 250 153

HSL 114.43, 0.91%, 0.79%

LAB 90.94, -44.71, 38.37

 

CMYK 26 / 0 / 70 / 4

HEX #B6F64A

RGB 182 246 74

HSL 82.33, 0.91%, 0.63%

LAB 90.02, -44.2, 72.23

 

CMYK 20 / 0 / 54 / 3

HEX #C6F871

RGB 198 248 113

HSL 82.22, 0.91%, 0.71%

LAB 91.83, -36.27, 58.78

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 9 / 0 / 24 / 1

HEX #E6FCC0

RGB 230 252 192

HSL 82, 0.91%, 0.87%

LAB 96.1, -17.17, 26.41

 

CMYK 3 / 0 / 9 / 0

HEX #F6FEE8

RGB 246 254 232

HSL 81.82, 0.92%, 0.95%

LAB 98.55, -6.41, 9.6

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 39 / 0 / 17 / 2

HEX #99FAD0

RGB 153 250 208

HSL 154.02, 0.91%, 0.79%

LAB 91.55, -37.76, 11.22

 

CMYK 1 / 39 / 0 / 2

HEX #F799FA

RGB 247 153 250

HSL 298.14, 0.91%, 0.79%

LAB 75.74, 49.58, -33.92

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 39 / 14 / 0 / 2

HEX #99D6FA

RGB 153 214 250

HSL 202.27, 0.91%, 0.79%

LAB 82.79, -10.58, -23.75

 

CMYK 0 / 39 / 14 / 2

HEX #FA99D6

RGB 250 153 214

HSL 322.27, 0.91%, 0.79%

LAB 74.8, 44.46, -15.7

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 39 / 0 / 17 / 2

HEX #99FAD0

RGB 153 250 208

HSL 154.02, 0.91%, 0.79%

LAB 91.55, -37.76, 11.22

 

CMYK 25 / 39 / 0 / 2

HEX #BC99FA

RGB 188 153 250

HSL 261.65, 0.91%, 0.79%

LAB 69.74, 32.41, -43.71

 

CMYK 0 / 39 / 22 / 2

HEX #FA99C3

RGB 250 153 195

HSL 334.02, 0.91%, 0.79%

LAB 74.22, 41.62, -6.12

 

CMYK 14 / 0 / 39 / 2

HEX #D6FA99

RGB 214 250 153

HSL 82.27, 0.91%, 0.79%

LAB 93.87, -27.11, 42.73

 

CMYK 39 / 0 / 5 / 2

HEX #99FAED

RGB 153 250 237

HSL 171.96, 0.91%, 0.79%

LAB 92.25, -31.53, -2.79

 

CMYK 25 / 39 / 0 / 2

HEX #BC99FA

RGB 188 153 250

HSL 261.65, 0.91%, 0.79%

LAB 69.74, 32.41, -43.71

 

CMYK 0 / 39 / 34 / 2

HEX #FA99A6

RGB 250 153 166

HSL 351.96, 0.91%, 0.79%

LAB 73.45, 37.78, 8.77

 

Description

Color code: HEX #D6FA99 | qconv.com Color code: HEX #D6FA99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 250 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 250 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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