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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6E366 it is the complementary color #291C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6E366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6E366 shade: #DBE361, #ECF574, #FDFF87, #FFFF9A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6E366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6E366 shade: #D6E366, #C5D153, #B4BF40, #A3AD2D and #929B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6E366 shade: #D7E368, #E3CF68, #E3AE68, #E38D68 and #E36B68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6E366 shade: #D7E368, #B5E368, #94E368, #73E368 and #68E37F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6E366 shade matches the following richer shades: #D7E368 and #E2F25A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6E366 shade: #D7E368, #CBD577, #C0C685, #B4B893 and #A9AAA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6E366 shade: #E3AE68, #E3CF68, #D7E368, #B6E368 and #95E368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6E366 shade: #C1D227, #CDDD45, #D7E368, #E0EA8B and #E9F0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6E366 shade: #D6E366, #68E38D and #BE68E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6E366 shade: #D6E366, #68D7E3 and #E368D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6E366 shade: #D6E366, #68E38D, #7468E3 and #E368BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6E366 shade: #D6E366, #68E3B2, #7468E3 and #E36899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 55 / 11

HEX #D6E366

RGB 214 227 102

HSL 66.24, 0.69%, 0.65%

LAB 87.09, -21.24, 58.49

 

Complementary color

CMYK 73 / 82 / 0 / 40

HEX #291C99

RGB 41 28 153

HSL 246.24, 0.69%, 0.35%

LAB 22.31, 45.25, -64.75

 

CMYK 4 / 0 / 57 / 11

HEX #DBE361

RGB 219 227 97

HSL 63.69, 0.7%, 0.64%

LAB 87.42, -19.63, 61.15

 

CMYK 4 / 0 / 53 / 4

HEX #ECF574

RGB 236 245 116

HSL 64.19, 0.87%, 0.71%

LAB 93.62, -20.13, 60.17

 

CMYK 1 / 0 / 47 / 0

HEX #FDFF87

RGB 253 255 135

HSL 61, 1%, 0.76%

LAB 97.69, -16.71, 56.65

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 6 / 0 / 55 / 11

HEX #D6E366

RGB 214 227 102

HSL 66.24, 0.69%, 0.65%

LAB 87.09, -21.24, 58.49

 

CMYK 6 / 0 / 60 / 18

HEX #C5D153

RGB 197 209 83

HSL 65.71, 0.58%, 0.57%

LAB 80.79, -20.73, 59.4

 

CMYK 6 / 0 / 66 / 25

HEX #B4BF40

RGB 180 191 64

HSL 65.2, 0.5%, 0.5%

LAB 74.4, -20.11, 60.07

 

CMYK 6 / 0 / 74 / 32

HEX #A3AD2D

RGB 163 173 45

HSL 64.69, 0.59%, 0.43%

LAB 67.92, -19.33, 60.29

 

CMYK 6 / 0 / 83 / 39

HEX #929B1A

RGB 146 155 26

HSL 64.19, 0.71%, 0.35%

LAB 61.33, -18.35, 59.65

 

CMYK 5 / 0 / 54 / 11

HEX #D7E368

RGB 215 227 104

HSL 65.85, 0.69%, 0.65%

LAB 87.19, -20.68, 57.72

 

CMYK 0 / 9 / 54 / 11

HEX #E3CF68

RGB 227 207 104

HSL 50.24, 0.69%, 0.65%

LAB 82.89, -5.86, 53

 

CMYK 0 / 23 / 54 / 11

HEX #E3AE68

RGB 227 174 104

HSL 34.15, 0.69%, 0.65%

LAB 74.57, 11.37, 43.07

 

CMYK 0 / 38 / 54 / 11

HEX #E38D68

RGB 227 141 104

HSL 18.05, 0.69%, 0.65%

LAB 66.81, 28.98, 33.39

 

CMYK 0 / 53 / 54 / 11

HEX #E36B68

RGB 227 107 104

HSL 1.46, 0.69%, 0.65%

LAB 59.75, 46.42, 24.2

 

CMYK 5 / 0 / 54 / 11

HEX #D7E368

RGB 215 227 104

HSL 65.85, 0.69%, 0.65%

LAB 87.19, -20.68, 57.72

 

CMYK 20 / 0 / 54 / 11

HEX #B5E368

RGB 181 227 104

HSL 82.44, 0.69%, 0.65%

LAB 84.87, -33.82, 54.46

 

CMYK 35 / 0 / 54 / 11

HEX #94E368

RGB 148 227 104

HSL 98.54, 0.69%, 0.65%

LAB 83.04, -45.5, 51.84

 

CMYK 49 / 0 / 54 / 11

HEX #73E368

RGB 115 227 104

HSL 114.63, 0.69%, 0.65%

LAB 81.61, -55.53, 49.8

 

CMYK 54 / 0 / 44 / 11

HEX #68E37F

RGB 104 227 127

HSL 131.22, 0.69%, 0.65%

LAB 81.52, -55.23, 38.58

 

CMYK 5 / 0 / 54 / 11

HEX #D7E368

RGB 215 227 104

HSL 65.85, 0.69%, 0.65%

LAB 87.19, -20.68, 57.72

 

CMYK 7 / 0 / 63 / 5

HEX #E2F25A

RGB 226 242 90

HSL 66.32, 0.85%, 0.65%

LAB 91.87, -24.52, 69.03

 

CMYK 5 / 0 / 54 / 11

HEX #D7E368

RGB 215 227 104

HSL 65.85, 0.69%, 0.65%

LAB 87.19, -20.68, 57.72

 

CMYK 5 / 0 / 44 / 16

HEX #CBD577

RGB 203 213 119

HSL 66.38, 0.53%, 0.65%

LAB 82.71, -17.18, 45.13

 

CMYK 3 / 0 / 33 / 22

HEX #C0C685

RGB 192 198 133

HSL 65.54, 0.36%, 0.65%

LAB 78.04, -12.33, 31.94

 

CMYK 2 / 0 / 20 / 28

HEX #B4B893

RGB 180 184 147

HSL 66.49, 0.21%, 0.65%

LAB 73.6, -7.73, 18.37

 

CMYK 1 / 0 / 5 / 33

HEX #A9AAA2

RGB 169 170 162

HSL 67.5, 0.04%, 0.65%

LAB 69.32, -1.84, 3.99

 

CMYK 0 / 23 / 54 / 11

HEX #E3AE68

RGB 227 174 104

HSL 34.15, 0.69%, 0.65%

LAB 74.57, 11.37, 43.07

 

CMYK 0 / 9 / 54 / 11

HEX #E3CF68

RGB 227 207 104

HSL 50.24, 0.69%, 0.65%

LAB 82.89, -5.86, 53

 

CMYK 5 / 0 / 54 / 11

HEX #D7E368

RGB 215 227 104

HSL 65.85, 0.69%, 0.65%

LAB 87.19, -20.68, 57.72

 

CMYK 20 / 0 / 54 / 11

HEX #B6E368

RGB 182 227 104

HSL 81.95, 0.69%, 0.65%

LAB 84.94, -33.45, 54.54

 

CMYK 34 / 0 / 54 / 11

HEX #95E368

RGB 149 227 104

HSL 98.05, 0.69%, 0.65%

LAB 83.09, -45.17, 51.91

 

CMYK 8 / 0 / 81 / 18

HEX #C1D227

RGB 193 210 39

HSL 65.96, 0.69%, 0.49%

LAB 80.5, -25.1, 74.26

 

CMYK 7 / 0 / 69 / 13

HEX #CDDD45

RGB 205 221 69

HSL 66.32, 0.69%, 0.57%

LAB 84.55, -24.17, 69.03

 

CMYK 5 / 0 / 54 / 11

HEX #D7E368

RGB 215 227 104

HSL 65.85, 0.69%, 0.65%

LAB 87.19, -20.68, 57.72

 

CMYK 4 / 0 / 41 / 8

HEX #E0EA8B

RGB 224 234 139

HSL 66.32, 0.69%, 0.73%

LAB 90.12, -17.29, 44.94

 

CMYK 3 / 0 / 28 / 6

HEX #E9F0AE

RGB 233 240 174

HSL 66.36, 0.69%, 0.81%

LAB 92.88, -12.68, 31.21

 

CMYK 6 / 0 / 55 / 11

HEX #D6E366

RGB 214 227 102

HSL 66.24, 0.69%, 0.65%

LAB 87.09, -21.24, 58.49

 

CMYK 54 / 0 / 38 / 11

HEX #68E38D

RGB 104 227 141

HSL 138.05, 0.69%, 0.65%

LAB 81.73, -52.96, 31.84

 

CMYK 16 / 54 / 0 / 11

HEX #BE68E3

RGB 190 104 227

HSL 281.95, 0.69%, 0.65%

LAB 58.41, 54.12, -48.85

 

CMYK 6 / 0 / 55 / 11

HEX #D6E366

RGB 214 227 102

HSL 66.24, 0.69%, 0.65%

LAB 87.09, -21.24, 58.49

 

CMYK 54 / 5 / 0 / 11

HEX #68D7E3

RGB 104 215 227

HSL 185.85, 0.69%, 0.65%

LAB 80.23, -28.36, -15.59

 

CMYK 0 / 54 / 5 / 11

HEX #E368D7

RGB 227 104 215

HSL 305.85, 0.69%, 0.65%

LAB 62.62, 61.73, -35.16

 

CMYK 6 / 0 / 55 / 11

HEX #D6E366

RGB 214 227 102

HSL 66.24, 0.69%, 0.65%

LAB 87.09, -21.24, 58.49

 

CMYK 54 / 0 / 38 / 11

HEX #68E38D

RGB 104 227 141

HSL 138.05, 0.69%, 0.65%

LAB 81.73, -52.96, 31.84

 

CMYK 49 / 54 / 0 / 11

HEX #7468E3

RGB 116 104 227

HSL 245.85, 0.69%, 0.65%

LAB 50.87, 36.4, -61.33

 

CMYK 0 / 54 / 16 / 11

HEX #E368BE

RGB 227 104 190

HSL 318.05, 0.69%, 0.65%

LAB 61.61, 57.82, -22.6

 

CMYK 6 / 0 / 55 / 11

HEX #D6E366

RGB 214 227 102

HSL 66.24, 0.69%, 0.65%

LAB 87.09, -21.24, 58.49

 

CMYK 54 / 0 / 22 / 11

HEX #68E3B2

RGB 104 227 178

HSL 156.1, 0.69%, 0.65%

LAB 82.43, -45.82, 13.64

 

CMYK 49 / 54 / 0 / 11

HEX #7468E3

RGB 116 104 227

HSL 245.85, 0.69%, 0.65%

LAB 50.87, 36.4, -61.33

 

CMYK 0 / 54 / 33 / 11

HEX #E36899

RGB 227 104 153

HSL 336.1, 0.69%, 0.65%

LAB 60.37, 52.82, -3.23

 

Description

Color code: HEX #D6E366 | qconv.com Color code: HEX #D6E366 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 227 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 227 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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