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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D9C0 it is the complementary color #29263F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D9C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D9C0 shade: #DBD9BB, #ECEBCE, #FDFDE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D9C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D9C0 shade: #D6D9C0, #C5C7AD, #B4B59A, #A3A387 and #929174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D9C0 shade: #D5D8BF, #D8D4BF, #D8CEBF, #D8C7BF and #D8C0BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D9C0 shade: #D5D8BF, #CED8BF, #C7D8BF, #C1D8BF and #BFD8C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D9C0 shade matches the following richer shades: #D5D8BF, #DBE1B6, #E2E9AE, #E8F1A6 and #EEF99E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D9C0 shade: #D5D8BF, #CFD0C7, #C9C8CF, #C2BFD8 and #BCB7E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D9C0 shade: #D8CEBF, #D8D4BF, #D5D8BF, #CED8BF and #C8D8BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D9C0 shade: #B4B98B, #C4C9A5, #D5D8BF, #E6E8D9 and #F7F7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D9C0 shade: #D6D9C0, #BFD8C7 and #D1BFD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D9C0 shade: #D6D9C0, #BFD5D8 and #D8BFD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D9C0 shade: #D6D9C0, #BFD8C7, #C2BFD8 and #D8BFD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D9C0 shade: #D6D9C0, #BFD8CE, #C2BFD8 and #D8BFC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 12 / 15

HEX #D6D9C0

RGB 214 217 192

HSL 67.2, 0.25%, 0.8%

LAB 85.87, -5.33, 11.97

 

Complementary color

CMYK 35 / 40 / 0 / 75

HEX #29263F

RGB 41 38 63

HSL 247.2, 0.25%, 0.2%

LAB 16.58, 8.34, -15.43

 

CMYK 0 / 1 / 15 / 14

HEX #DBD9BB

RGB 219 217 187

HSL 56.25, 0.31%, 0.8%

LAB 86.14, -4.33, 15.04

 

CMYK 0 / 0 / 13 / 7

HEX #ECEBCE

RGB 236 235 206

HSL 58, 0.44%, 0.87%

LAB 92.44, -4.49, 14.21

 

CMYK 0 / 0 / 11 / 1

HEX #FDFDE1

RGB 253 253 225

HSL 60, 0.88%, 0.94%

LAB 98.66, -4.64, 13.41

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 1 / 0 / 12 / 15

HEX #D6D9C0

RGB 214 217 192

HSL 67.2, 0.25%, 0.8%

LAB 85.87, -5.33, 11.97

 

CMYK 1 / 0 / 13 / 22

HEX #C5C7AD

RGB 197 199 173

HSL 64.62, 0.19%, 0.73%

LAB 79.46, -5.2, 12.79

 

CMYK 1 / 0 / 15 / 29

HEX #B4B59A

RGB 180 181 154

HSL 62.22, 0.15%, 0.66%

LAB 72.95, -5.05, 13.66

 

CMYK 0 / 0 / 17 / 36

HEX #A3A387

RGB 163 163 135

HSL 60, 0.13%, 0.58%

LAB 66.31, -4.89, 14.58

 

CMYK 0 / 1 / 21 / 43

HEX #929174

RGB 146 145 116

HSL 58, 0.12%, 0.51%

LAB 59.55, -4.71, 15.57

 

CMYK 1 / 0 / 12 / 15

HEX #D5D8BF

RGB 213 216 191

HSL 67.2, 0.24%, 0.8%

LAB 85.51, -5.33, 11.98

 

CMYK 0 / 2 / 12 / 15

HEX #D8D4BF

RGB 216 212 191

HSL 50.4, 0.24%, 0.8%

LAB 84.71, -2.2, 10.87

 

CMYK 0 / 5 / 12 / 15

HEX #D8CEBF

RGB 216 206 191

HSL 36, 0.24%, 0.8%

LAB 83.18, 0.93, 8.69

 

CMYK 0 / 8 / 12 / 15

HEX #D8C7BF

RGB 216 199 191

HSL 19.2, 0.24%, 0.8%

LAB 81.41, 4.6, 6.14

 

CMYK 0 / 11 / 12 / 15

HEX #D8C0BF

RGB 216 192 191

HSL 2.4, 0.24%, 0.8%

LAB 79.65, 8.31, 3.6

 

CMYK 1 / 0 / 12 / 15

HEX #D5D8BF

RGB 213 216 191

HSL 67.2, 0.24%, 0.8%

LAB 85.51, -5.33, 11.98

 

CMYK 5 / 0 / 12 / 15

HEX #CED8BF

RGB 206 216 191

HSL 84, 0.24%, 0.8%

LAB 84.99, -7.8, 11.17

 

CMYK 8 / 0 / 12 / 15

HEX #C7D8BF

RGB 199 216 191

HSL 100.8, 0.24%, 0.8%

LAB 84.49, -10.25, 10.39

 

CMYK 11 / 0 / 12 / 15

HEX #C1D8BF

RGB 193 216 191

HSL 115.2, 0.24%, 0.8%

LAB 84.08, -12.31, 9.74

 

CMYK 12 / 0 / 9 / 15

HEX #BFD8C4

RGB 191 216 196

HSL 132, 0.24%, 0.8%

LAB 84.06, -12.1, 7.04

 

CMYK 1 / 0 / 12 / 15

HEX #D5D8BF

RGB 213 216 191

HSL 67.2, 0.24%, 0.8%

LAB 85.51, -5.33, 11.98

 

CMYK 3 / 0 / 19 / 12

HEX #DBE1B6

RGB 219 225 182

HSL 68.37, 0.42%, 0.8%

LAB 88.11, -9.17, 20.4

 

CMYK 3 / 0 / 25 / 9

HEX #E2E9AE

RGB 226 233 174

HSL 67.12, 0.57%, 0.8%

LAB 90.55, -11.77, 27.97

 

CMYK 4 / 0 / 31 / 5

HEX #E8F1A6

RGB 232 241 166

HSL 67.2, 0.73%, 0.8%

LAB 92.94, -14.57, 35.3

 

CMYK 4 / 0 / 37 / 2

HEX #EEF99E

RGB 238 249 158

HSL 67.25, 0.88%, 0.8%

LAB 95.33, -17.19, 42.48

 

CMYK 1 / 0 / 12 / 15

HEX #D5D8BF

RGB 213 216 191

HSL 67.2, 0.24%, 0.8%

LAB 85.51, -5.33, 11.98

 

CMYK 0 / 0 / 4 / 18

HEX #CFD0C7

RGB 207 208 199

HSL 66.67, 0.09%, 0.8%

LAB 83.18, -1.95, 4.33

 

CMYK 3 / 3 / 0 / 19

HEX #C9C8CF

RGB 201 200 207

HSL 248.57, 0.07%, 0.8%

LAB 80.87, 1.65, -3.37

 

CMYK 10 / 12 / 0 / 15

HEX #C2BFD8

RGB 194 191 216

HSL 247.2, 0.24%, 0.8%

LAB 78.28, 5.87, -12.11

 

CMYK 16 / 18 / 0 / 12

HEX #BCB7E0

RGB 188 183 224

HSL 247.32, 0.4%, 0.8%

LAB 76.03, 9.95, -19.87

 

CMYK 0 / 5 / 12 / 15

HEX #D8CEBF

RGB 216 206 191

HSL 36, 0.24%, 0.8%

LAB 83.18, 0.93, 8.69

 

CMYK 0 / 2 / 12 / 15

HEX #D8D4BF

RGB 216 212 191

HSL 50.4, 0.24%, 0.8%

LAB 84.71, -2.2, 10.87

 

CMYK 1 / 0 / 12 / 15

HEX #D5D8BF

RGB 213 216 191

HSL 67.2, 0.24%, 0.8%

LAB 85.51, -5.33, 11.98

 

CMYK 5 / 0 / 12 / 15

HEX #CED8BF

RGB 206 216 191

HSL 84, 0.24%, 0.8%

LAB 84.99, -7.8, 11.17

 

CMYK 7 / 0 / 12 / 15

HEX #C8D8BF

RGB 200 216 191

HSL 98.4, 0.24%, 0.8%

LAB 84.56, -9.9, 10.5

 

CMYK 3 / 0 / 25 / 27

HEX #B4B98B

RGB 180 185 139

HSL 66.52, 0.25%, 0.64%

LAB 73.72, -9.44, 22.82

 

CMYK 2 / 0 / 18 / 21

HEX #C4C9A5

RGB 196 201 165

HSL 68.33, 0.25%, 0.72%

LAB 79.74, -7.87, 17.44

 

CMYK 1 / 0 / 12 / 15

HEX #D5D8BF

RGB 213 216 191

HSL 67.2, 0.24%, 0.8%

LAB 85.51, -5.33, 11.98

 

CMYK 1 / 0 / 6 / 9

HEX #E6E8D9

RGB 230 232 217

HSL 68, 0.25%, 0.88%

LAB 91.48, -3.27, 7.05

 

CMYK 0 / 0 / 2 / 3

HEX #F7F7F2

RGB 247 247 242

HSL 60, 0.24%, 0.96%

LAB 97.11, -0.87, 2.39

 

CMYK 1 / 0 / 12 / 15

HEX #D6D9C0

RGB 214 217 192

HSL 67.2, 0.25%, 0.8%

LAB 85.87, -5.33, 11.97

 

CMYK 12 / 0 / 8 / 15

HEX #BFD8C7

RGB 191 216 199

HSL 139.2, 0.24%, 0.8%

LAB 84.13, -11.55, 5.56

 

CMYK 3 / 12 / 0 / 15

HEX #D1BFD8

RGB 209 191 216

HSL 283.2, 0.24%, 0.8%

LAB 79.49, 10.86, -10.18

 

CMYK 1 / 0 / 12 / 15

HEX #D6D9C0

RGB 214 217 192

HSL 67.2, 0.25%, 0.8%

LAB 85.87, -5.33, 11.97

 

CMYK 12 / 1 / 0 / 15

HEX #BFD5D8

RGB 191 213 216

HSL 187.2, 0.24%, 0.8%

LAB 83.77, -6.73, -3.99

 

CMYK 0 / 12 / 1 / 15

HEX #D8BFD5

RGB 216 191 213

HSL 307.2, 0.24%, 0.8%

LAB 79.99, 12.67, -7.75

 

CMYK 1 / 0 / 12 / 15

HEX #D6D9C0

RGB 214 217 192

HSL 67.2, 0.25%, 0.8%

LAB 85.87, -5.33, 11.97

 

CMYK 12 / 0 / 8 / 15

HEX #BFD8C7

RGB 191 216 199

HSL 139.2, 0.24%, 0.8%

LAB 84.13, -11.55, 5.56

 

CMYK 10 / 12 / 0 / 15

HEX #C2BFD8

RGB 194 191 216

HSL 247.2, 0.24%, 0.8%

LAB 78.28, 5.87, -12.11

 

CMYK 0 / 12 / 4 / 15

HEX #D8BFD0

RGB 216 191 208

HSL 319.2, 0.24%, 0.8%

LAB 79.85, 11.77, -5.27

 

CMYK 1 / 0 / 12 / 15

HEX #D6D9C0

RGB 214 217 192

HSL 67.2, 0.25%, 0.8%

LAB 85.87, -5.33, 11.97

 

CMYK 12 / 0 / 5 / 15

HEX #BFD8CE

RGB 191 216 206

HSL 156, 0.24%, 0.8%

LAB 84.3, -10.23, 2.1

 

CMYK 10 / 12 / 0 / 15

HEX #C2BFD8

RGB 194 191 216

HSL 247.2, 0.24%, 0.8%

LAB 78.28, 5.87, -12.11

 

CMYK 0 / 12 / 7 / 15

HEX #D8BFC9

RGB 216 191 201

HSL 336, 0.24%, 0.8%

LAB 79.66, 10.54, -1.78

 

Description

Color code: HEX #D6D9C0 | qconv.com Color code: HEX #D6D9C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 217 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 217 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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