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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D59E it is the complementary color #292A61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D59E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D59E shade: #DBD599, #ECE7AC, #FDF9BF, #FFFFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D59E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D59E shade: #D6D59E, #C5C38B, #B4B178, #A39F65 and #928D52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D59E shade: #D6D59D, #D6C69D, #D6B69D, #D6A79D and #D69D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D59E shade: #D6D59D, #C8D69D, #B8D69D, #A9D69D and #9DD6A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D59E shade matches the following richer shades: #D6D59D, #E1E092, #ECEA87 and #F7F57C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D59E shade: #D6D59D, #CBCAA9, #C0BFB4, #B4B5BF and #A9AACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D59E shade: #D6B69D, #D6C59D, #D6D49D, #C9D69D and #BAD69D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D59E shade: #BEBC63, #CAC880, #D6D59D, #E2E1BB and #EEEED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D59E shade: #D6D59E, #9DD6A7 and #BD9DD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D59E shade: #D6D59E, #9DD6D4 and #D49DD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D59E shade: #D6D59E, #9DD6A7, #9D9FD6 and #D69DCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D59E shade: #D6D59E, #9DD6B8, #9D9FD6 and #D69DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 26 / 16

HEX #D6D59E

RGB 214 213 158

HSL 58.93, 0.41%, 0.73%

LAB 84.15, -8.32, 27.4

 

Complementary color

CMYK 58 / 57 / 0 / 62

HEX #292A61

RGB 41 42 97

HSL 238.93, 0.41%, 0.27%

LAB 20.01, 17.26, -32.95

 

CMYK 0 / 3 / 30 / 14

HEX #DBD599

RGB 219 213 153

HSL 54.55, 0.48%, 0.73%

LAB 84.46, -7.07, 30.47

 

CMYK 0 / 2 / 27 / 7

HEX #ECE7AC

RGB 236 231 172

HSL 55.31, 0.63%, 0.8%

LAB 90.76, -7.34, 29.41

 

CMYK 0 / 2 / 25 / 1

HEX #FDF9BF

RGB 253 249 191

HSL 56.13, 0.94%, 0.87%

LAB 96.98, -7.57, 28.4

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 0 / 0 / 26 / 16

HEX #D6D59E

RGB 214 213 158

HSL 58.93, 0.41%, 0.73%

LAB 84.15, -8.32, 27.4

 

CMYK 0 / 1 / 29 / 23

HEX #C5C38B

RGB 197 195 139

HSL 57.93, 0.33%, 0.66%

LAB 77.74, -8.08, 28.47

 

CMYK 0 / 2 / 33 / 29

HEX #B4B178

RGB 180 177 120

HSL 57, 0.29%, 0.59%

LAB 71.22, -7.8, 29.6

 

CMYK 0 / 2 / 38 / 36

HEX #A39F65

RGB 163 159 101

HSL 56.13, 0.25%, 0.52%

LAB 64.58, -7.47, 30.8

 

CMYK 0 / 3 / 44 / 43

HEX #928D52

RGB 146 141 82

HSL 55.31, 0.28%, 0.45%

LAB 57.82, -7.05, 32.05

 

CMYK 0 / 0 / 27 / 16

HEX #D6D59D

RGB 214 213 157

HSL 58.95, 0.41%, 0.73%

LAB 84.13, -8.45, 27.89

 

CMYK 0 / 7 / 27 / 16

HEX #D6C69D

RGB 214 198 157

HSL 43.16, 0.41%, 0.73%

LAB 80.25, -0.71, 22.61

 

CMYK 0 / 15 / 27 / 16

HEX #D6B69D

RGB 214 182 157

HSL 26.32, 0.41%, 0.73%

LAB 76.18, 7.75, 17

 

CMYK 0 / 22 / 27 / 16

HEX #D6A79D

RGB 214 167 157

HSL 10.53, 0.41%, 0.73%

LAB 72.47, 15.81, 11.79

 

CMYK 0 / 27 / 27 / 16

HEX #D69D9D

RGB 214 157 157

HSL 0, 0.41%, 0.73%

LAB 70.07, 21.23, 8.37

 

CMYK 0 / 0 / 27 / 16

HEX #D6D59D

RGB 214 213 157

HSL 58.95, 0.41%, 0.73%

LAB 84.13, -8.45, 27.89

 

CMYK 7 / 0 / 27 / 16

HEX #C8D69D

RGB 200 214 157

HSL 74.74, 0.41%, 0.73%

LAB 83.34, -14.2, 26.65

 

CMYK 14 / 0 / 27 / 16

HEX #B8D69D

RGB 184 214 157

HSL 91.58, 0.41%, 0.73%

LAB 82.23, -20.03, 24.95

 

CMYK 21 / 0 / 27 / 16

HEX #A9D69D

RGB 169 214 157

HSL 107.37, 0.41%, 0.73%

LAB 81.27, -25.31, 23.49

 

CMYK 27 / 0 / 25 / 16

HEX #9DD6A1

RGB 157 214 161

HSL 124.21, 0.41%, 0.73%

LAB 80.65, -28.67, 20.42

 

CMYK 0 / 0 / 27 / 16

HEX #D6D59D

RGB 214 213 157

HSL 58.95, 0.41%, 0.73%

LAB 84.13, -8.45, 27.89

 

CMYK 0 / 0 / 35 / 12

HEX #E1E092

RGB 225 224 146

HSL 59.24, 0.57%, 0.73%

LAB 87.68, -11.17, 38.36

 

CMYK 0 / 1 / 43 / 7

HEX #ECEA87

RGB 236 234 135

HSL 58.81, 0.73%, 0.73%

LAB 90.97, -13.06, 48.15

 

CMYK 0 / 1 / 50 / 3

HEX #F7F57C

RGB 247 245 124

HSL 59.02, 0.88%, 0.73%

LAB 94.54, -15.15, 57.84

 

CMYK 0 / 0 / 27 / 16

HEX #D6D59D

RGB 214 213 157

HSL 58.95, 0.41%, 0.73%

LAB 84.13, -8.45, 27.89

 

CMYK 0 / 0 / 17 / 20

HEX #CBCAA9

RGB 203 202 169

HSL 58.24, 0.25%, 0.73%

LAB 80.63, -5.19, 16.63

 

CMYK 0 / 1 / 6 / 25

HEX #C0BFB4

RGB 192 191 180

HSL 55, 0.09%, 0.73%

LAB 77.14, -1.62, 5.66

 

CMYK 6 / 5 / 0 / 25

HEX #B4B5BF

RGB 180 181 191

HSL 234.55, 0.08%, 0.73%

LAB 73.88, 1.57, -5.19

 

CMYK 16 / 16 / 0 / 21

HEX #A9AACA

RGB 169 170 202

HSL 238.18, 0.24%, 0.73%

LAB 70.49, 6.21, -16.38

 

CMYK 0 / 15 / 27 / 16

HEX #D6B69D

RGB 214 182 157

HSL 26.32, 0.41%, 0.73%

LAB 76.18, 7.75, 17

 

CMYK 0 / 8 / 27 / 16

HEX #D6C59D

RGB 214 197 157

HSL 42.11, 0.41%, 0.73%

LAB 79.99, -0.19, 22.26

 

CMYK 0 / 1 / 27 / 16

HEX #D6D49D

RGB 214 212 157

HSL 57.89, 0.41%, 0.73%

LAB 83.87, -7.94, 27.54

 

CMYK 6 / 0 / 27 / 16

HEX #C9D69D

RGB 201 214 157

HSL 73.68, 0.41%, 0.73%

LAB 83.41, -13.83, 26.76

 

CMYK 13 / 0 / 27 / 16

HEX #BAD69D

RGB 186 214 157

HSL 89.47, 0.41%, 0.73%

LAB 82.36, -19.32, 25.15

 

CMYK 0 / 1 / 48 / 25

HEX #BEBC63

RGB 190 188 99

HSL 58.68, 0.41%, 0.57%

LAB 74.71, -11.75, 44.93

 

CMYK 0 / 1 / 37 / 21

HEX #CAC880

RGB 202 200 128

HSL 58.38, 0.41%, 0.65%

LAB 79.28, -10.04, 36.29

 

CMYK 0 / 0 / 27 / 16

HEX #D6D59D

RGB 214 213 157

HSL 58.95, 0.41%, 0.73%

LAB 84.13, -8.45, 27.89

 

CMYK 0 / 0 / 17 / 11

HEX #E2E1BB

RGB 226 225 187

HSL 58.46, 0.4%, 0.81%

LAB 88.74, -5.89, 18.76

 

CMYK 0 / 0 / 9 / 7

HEX #EEEED8

RGB 238 238 216

HSL 60, 0.39%, 0.89%

LAB 93.57, -3.72, 10.65

 

CMYK 0 / 0 / 26 / 16

HEX #D6D59E

RGB 214 213 158

HSL 58.93, 0.41%, 0.73%

LAB 84.15, -8.32, 27.4

 

CMYK 27 / 0 / 22 / 16

HEX #9DD6A7

RGB 157 214 167

HSL 130.53, 0.41%, 0.73%

LAB 80.77, -27.62, 17.43

 

CMYK 12 / 27 / 0 / 16

HEX #BD9DD6

RGB 189 157 214

HSL 273.68, 0.41%, 0.73%

LAB 69.32, 22.47, -24.62

 

CMYK 0 / 0 / 26 / 16

HEX #D6D59E

RGB 214 213 158

HSL 58.93, 0.41%, 0.73%

LAB 84.15, -8.32, 27.4

 

CMYK 27 / 0 / 1 / 16

HEX #9DD6D4

RGB 157 214 212

HSL 177.89, 0.41%, 0.73%

LAB 81.85, -18.57, -4.93

 

CMYK 1 / 27 / 0 / 16

HEX #D49DD6

RGB 212 157 214

HSL 297.89, 0.41%, 0.73%

LAB 71.53, 29.92, -21.04

 

CMYK 0 / 0 / 26 / 16

HEX #D6D59E

RGB 214 213 158

HSL 58.93, 0.41%, 0.73%

LAB 84.15, -8.32, 27.4

 

CMYK 27 / 0 / 22 / 16

HEX #9DD6A7

RGB 157 214 167

HSL 130.53, 0.41%, 0.73%

LAB 80.77, -27.62, 17.43

 

CMYK 27 / 26 / 0 / 16

HEX #9D9FD6

RGB 157 159 214

HSL 237.89, 0.41%, 0.73%

LAB 67.14, 11.39, -28.19

 

CMYK 0 / 27 / 5 / 16

HEX #D69DCC

RGB 214 157 204

HSL 310.53, 0.41%, 0.73%

LAB 71.4, 28.75, -15.71

 

CMYK 0 / 0 / 26 / 16

HEX #D6D59E

RGB 214 213 158

HSL 58.93, 0.41%, 0.73%

LAB 84.15, -8.32, 27.4

 

CMYK 27 / 0 / 14 / 16

HEX #9DD6B8

RGB 157 214 184

HSL 148.42, 0.41%, 0.73%

LAB 81.14, -24.43, 8.95

 

CMYK 27 / 26 / 0 / 16

HEX #9D9FD6

RGB 157 159 214

HSL 237.89, 0.41%, 0.73%

LAB 67.14, 11.39, -28.19

 

CMYK 0 / 27 / 12 / 16

HEX #D69DBC

RGB 214 157 188

HSL 327.37, 0.41%, 0.73%

LAB 70.9, 25.99, -7.62

 

Description

Color code: HEX #D6D59E | qconv.com Color code: HEX #D6D59E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 213 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 213 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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