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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D587 it is the complementary color #292A78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D587. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D587 shade: #DBD582, #ECE795, #FDF9A8, #FFFFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D587. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D587 shade: #D6D587, #C5C374, #B4B161, #A39F4E and #928D3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D587 shade: #D5D485, #D5BF85, #D5A985, #D59485 and #D58585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D587 shade: #D5D485, #C1D585, #ABD585, #96D585 and #85D58B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D587 shade matches the following richer shades: #D5D485, #E3E178, #F0EE6B and #FDFB5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D587 shade: #D5D485, #C8C893, #BBBBA0, #AEAEAD and #A1A1BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D587 shade: #D5A985, #D5BF85, #D5D485, #C1D585 and #ACD585

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D587 shade: #C0BF48, #CBCA67, #D5D485, #E0DFA4 and #EAEAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D587 shade: #D6D587, #85D594 and #B485D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D587 shade: #D6D587, #85D5D4 and #D485D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D587 shade: #D6D587, #85D594, #8587D5 and #D585C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D587 shade: #D6D587, #85D5AC, #8587D5 and #D585AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 37 / 16

HEX #D6D587

RGB 214 213 135

HSL 59.24, 0.49%, 0.68%

LAB 83.77, -11.15, 38.7

 

Complementary color

CMYK 66 / 65 / 0 / 53

HEX #292A78

RGB 41 42 120

HSL 239.24, 0.49%, 0.32%

LAB 21.88, 25.69, -44.79

 

CMYK 0 / 3 / 41 / 14

HEX #DBD582

RGB 219 213 130

HSL 55.96, 0.55%, 0.68%

LAB 84.1, -9.73, 41.7

 

CMYK 0 / 2 / 37 / 7

HEX #ECE795

RGB 236 231 149

HSL 56.55, 0.7%, 0.75%

LAB 90.39, -10.1, 40.54

 

CMYK 0 / 2 / 34 / 1

HEX #FDF9A8

RGB 253 249 168

HSL 57.18, 0.96%, 0.83%

LAB 96.6, -10.42, 39.42

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBB

RGB 255 255 187

HSL 60, 1%, 0.87%

LAB 98.58, -10.32, 32.6

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 37 / 16

HEX #D6D587

RGB 214 213 135

HSL 59.24, 0.49%, 0.68%

LAB 83.77, -11.15, 38.7

 

CMYK 0 / 1 / 41 / 23

HEX #C5C374

RGB 197 195 116

HSL 58.52, 0.41%, 0.61%

LAB 77.38, -10.8, 39.88

 

CMYK 0 / 2 / 46 / 29

HEX #B4B161

RGB 180 177 97

HSL 57.83, 0.36%, 0.54%

LAB 70.88, -10.37, 41.08

 

CMYK 0 / 2 / 52 / 36

HEX #A39F4E

RGB 163 159 78

HSL 57.18, 0.35%, 0.47%

LAB 64.27, -9.85, 42.29

 

CMYK 0 / 3 / 60 / 43

HEX #928D3B

RGB 146 141 59

HSL 56.55, 0.42%, 0.4%

LAB 57.54, -9.19, 43.42

 

CMYK 0 / 0 / 38 / 16

HEX #D5D485

RGB 213 212 133

HSL 59.25, 0.49%, 0.68%

LAB 83.4, -11.26, 39.21

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 21 / 38 / 16

HEX #D5A985

RGB 213 169 133

HSL 27, 0.49%, 0.68%

LAB 72.37, 11.26, 24.72

 

CMYK 0 / 31 / 38 / 16

HEX #D59485

RGB 213 148 133

HSL 11.25, 0.49%, 0.68%

LAB 67.29, 22.62, 17.79

 

CMYK 0 / 38 / 38 / 16

HEX #D58585

RGB 213 133 133

HSL 0, 0.49%, 0.68%

LAB 63.85, 30.72, 13

 

CMYK 0 / 0 / 38 / 16

HEX #D5D485

RGB 213 212 133

HSL 59.25, 0.49%, 0.68%

LAB 83.4, -11.26, 39.21

 

CMYK 9 / 0 / 38 / 16

HEX #C1D585

RGB 193 213 133

HSL 75, 0.49%, 0.68%

LAB 82.17, -19.48, 37.33

 

CMYK 20 / 0 / 38 / 16

HEX #ABD585

RGB 171 213 133

HSL 91.5, 0.49%, 0.68%

LAB 80.71, -27.65, 35.15

 

CMYK 30 / 0 / 38 / 16

HEX #96D585

RGB 150 213 133

HSL 107.25, 0.49%, 0.68%

LAB 79.48, -34.98, 33.31

 

CMYK 38 / 0 / 35 / 16

HEX #85D58B

RGB 133 213 139

HSL 124.5, 0.49%, 0.68%

LAB 78.72, -39.51, 29.07

 

CMYK 0 / 0 / 38 / 16

HEX #D5D485

RGB 213 212 133

HSL 59.25, 0.49%, 0.68%

LAB 83.4, -11.26, 39.21

 

CMYK 0 / 1 / 47 / 11

HEX #E3E178

RGB 227 225 120

HSL 58.88, 0.66%, 0.68%

LAB 87.75, -13.56, 51.22

 

CMYK 0 / 1 / 55 / 6

HEX #F0EE6B

RGB 240 238 107

HSL 59.1, 0.82%, 0.68%

LAB 92.01, -15.85, 62.39

 

CMYK 0 / 1 / 63 / 1

HEX #FDFB5E

RGB 253 251 94

HSL 59.25, 0.98%, 0.68%

LAB 96.28, -17.81, 72.72

 

CMYK 0 / 0 / 38 / 16

HEX #D5D485

RGB 213 212 133

HSL 59.25, 0.49%, 0.68%

LAB 83.4, -11.26, 39.21

 

CMYK 0 / 0 / 27 / 22

HEX #C8C893

RGB 200 200 147

HSL 60, 0.33%, 0.68%

LAB 79.44, -8.45, 26.6

 

CMYK 0 / 0 / 14 / 27

HEX #BBBBA0

RGB 187 187 160

HSL 60, 0.17%, 0.68%

LAB 75.23, -4.66, 13.7

 

CMYK 0 / 0 / 1 / 32

HEX #AEAEAD

RGB 174 174 173

HSL 60, 0.01%, 0.68%

LAB 71.07, -0.18, 0.5

 

CMYK 13 / 13 / 0 / 27

HEX #A1A1BA

RGB 161 161 186

HSL 240, 0.15%, 0.68%

LAB 66.98, 5.09, -12.86

 

CMYK 0 / 21 / 38 / 16

HEX #D5A985

RGB 213 169 133

HSL 27, 0.49%, 0.68%

LAB 72.37, 11.26, 24.72

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 0 / 38 / 16

HEX #D5D485

RGB 213 212 133

HSL 59.25, 0.49%, 0.68%

LAB 83.4, -11.26, 39.21

 

CMYK 9 / 0 / 38 / 16

HEX #C1D585

RGB 193 213 133

HSL 75, 0.49%, 0.68%

LAB 82.17, -19.48, 37.33

 

CMYK 19 / 0 / 38 / 16

HEX #ACD585

RGB 172 213 133

HSL 90.75, 0.49%, 0.68%

LAB 80.77, -27.29, 35.24

 

CMYK 0 / 1 / 63 / 25

HEX #C0BF48

RGB 192 191 72

HSL 59.5, 0.49%, 0.52%

LAB 75.41, -14.58, 58.16

 

CMYK 0 / 0 / 49 / 20

HEX #CBCA67

RGB 203 202 103

HSL 59.4, 0.49%, 0.6%

LAB 79.57, -13.21, 49.06

 

CMYK 0 / 0 / 38 / 16

HEX #D5D485

RGB 213 212 133

HSL 59.25, 0.49%, 0.68%

LAB 83.4, -11.26, 39.21

 

CMYK 0 / 0 / 27 / 12

HEX #E0DFA4

RGB 224 223 164

HSL 59, 0.49%, 0.76%

LAB 87.63, -8.84, 29.13

 

CMYK 0 / 0 / 17 / 8

HEX #EAEAC3

RGB 234 234 195

HSL 60, 0.48%, 0.84%

LAB 91.81, -6.37, 18.99

 

CMYK 0 / 0 / 37 / 16

HEX #D6D587

RGB 214 213 135

HSL 59.24, 0.49%, 0.68%

LAB 83.77, -11.15, 38.7

 

CMYK 38 / 0 / 31 / 16

HEX #85D594

RGB 133 213 148

HSL 131.25, 0.49%, 0.68%

LAB 78.88, -38, 24.6

 

CMYK 15 / 38 / 0 / 16

HEX #B485D5

RGB 180 133 213

HSL 275.25, 0.49%, 0.68%

LAB 62.75, 32.82, -34.28

 

CMYK 0 / 0 / 37 / 16

HEX #D6D587

RGB 214 213 135

HSL 59.24, 0.49%, 0.68%

LAB 83.77, -11.15, 38.7

 

CMYK 38 / 0 / 0 / 16

HEX #85D5D4

RGB 133 213 212

HSL 179.25, 0.49%, 0.68%

LAB 80.36, -24.65, -7.26

 

CMYK 0 / 38 / 0 / 16

HEX #D485D5

RGB 212 133 213

HSL 299.25, 0.49%, 0.68%

LAB 66.19, 42.63, -28.66

 

CMYK 0 / 0 / 37 / 16

HEX #D6D587

RGB 214 213 135

HSL 59.24, 0.49%, 0.68%

LAB 83.77, -11.15, 38.7

 

CMYK 38 / 0 / 31 / 16

HEX #85D594

RGB 133 213 148

HSL 131.25, 0.49%, 0.68%

LAB 78.88, -38, 24.6

 

CMYK 38 / 37 / 0 / 16

HEX #8587D5

RGB 133 135 213

HSL 238.5, 0.49%, 0.68%

LAB 59.08, 18.1, -40.31

 

CMYK 0 / 38 / 7 / 16

HEX #D585C7

RGB 213 133 199

HSL 310.5, 0.49%, 0.68%

LAB 65.78, 40.44, -21.46

 

CMYK 0 / 0 / 37 / 16

HEX #D6D587

RGB 214 213 135

HSL 59.24, 0.49%, 0.68%

LAB 83.77, -11.15, 38.7

 

CMYK 38 / 0 / 19 / 16

HEX #85D5AC

RGB 133 213 172

HSL 149.25, 0.49%, 0.68%

LAB 79.36, -33.51, 12.63

 

CMYK 38 / 37 / 0 / 16

HEX #8587D5

RGB 133 135 213

HSL 238.5, 0.49%, 0.68%

LAB 59.08, 18.1, -40.31

 

CMYK 0 / 38 / 18 / 16

HEX #D585AF

RGB 213 133 175

HSL 328.5, 0.49%, 0.68%

LAB 64.98, 36.48, -9.17

 

Description

Color code: HEX #D6D587 | qconv.com Color code: HEX #D6D587 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 213 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 213 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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