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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D577 it is the complementary color #292A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D577 shade: #DBD572, #ECE785, #FDF998, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D577 shade: #D6D577, #C5C364, #B4B151, #A39F3E and #928D2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D577 shade: #D6D576, #D6BB76, #D6A176, #D68776 and #D67676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D577 shade: #D6D576, #BDD676, #A3D676, #89D676 and #76D67C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D577 shade matches the following richer shades: #D6D576, #E4E367 and #F3F159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D577 shade: #D6D576, #C8C784, #B9B992, #ABABA1 and #9C9CAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D577 shade: #D6A176, #D6BB76, #D6D476, #BED676 and #A4D676

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D577 shade: #C0BE39, #CCCB56, #D6D576, #DFDF95 and #E9E8B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D577 shade: #D6D577, #76D687 and #AE76D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D577 shade: #D6D577, #76D6D4 and #D476D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D577 shade: #D6D577, #76D687, #7677D6 and #D676C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D577 shade: #D6D577, #76D6A4, #7677D6 and #D676A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 44 / 16

HEX #D6D577

RGB 214 213 119

HSL 59.37, 0.54%, 0.65%

LAB 83.56, -12.83, 46.37

 

Complementary color

CMYK 70 / 69 / 0 / 47

HEX #292A88

RGB 41 42 136

HSL 239.37, 0.54%, 0.35%

LAB 23.35, 31.49, -52.49

 

CMYK 0 / 3 / 48 / 14

HEX #DBD572

RGB 219 213 114

HSL 56.57, 0.59%, 0.65%

LAB 83.89, -11.3, 49.29

 

CMYK 0 / 2 / 44 / 7

HEX #ECE785

RGB 236 231 133

HSL 57.09, 0.73%, 0.72%

LAB 90.17, -11.77, 48.12

 

CMYK 0 / 2 / 40 / 1

HEX #FDF998

RGB 253 249 152

HSL 57.62, 0.96%, 0.79%

LAB 96.37, -12.16, 46.97

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 44 / 16

HEX #D6D577

RGB 214 213 119

HSL 59.37, 0.54%, 0.65%

LAB 83.56, -12.83, 46.37

 

CMYK 0 / 1 / 49 / 23

HEX #C5C364

RGB 197 195 100

HSL 58.76, 0.46%, 0.58%

LAB 77.17, -12.37, 47.53

 

CMYK 0 / 2 / 55 / 29

HEX #B4B151

RGB 180 177 81

HSL 58.18, 0.4%, 0.51%

LAB 70.69, -11.81, 48.66

 

CMYK 0 / 2 / 62 / 36

HEX #A39F3E

RGB 163 159 62

HSL 57.62, 0.45%, 0.44%

LAB 64.1, -11.12, 49.66

 

CMYK 0 / 3 / 71 / 43

HEX #928D2B

RGB 146 141 43

HSL 57.09, 0.54%, 0.37%

LAB 57.4, -10.25, 50.34

 

CMYK 0 / 0 / 45 / 16

HEX #D6D576

RGB 214 213 118

HSL 59.38, 0.54%, 0.65%

LAB 83.54, -12.93, 46.84

 

CMYK 0 / 13 / 45 / 16

HEX #D6BB76

RGB 214 187 118

HSL 43.13, 0.54%, 0.65%

LAB 76.77, 0.44, 38.39

 

CMYK 0 / 25 / 45 / 16

HEX #D6A176

RGB 214 161 118

HSL 26.88, 0.54%, 0.65%

LAB 70.24, 14.31, 29.99

 

CMYK 0 / 37 / 45 / 16

HEX #D68776

RGB 214 135 118

HSL 10.63, 0.54%, 0.65%

LAB 64.11, 28.36, 21.82

 

CMYK 0 / 45 / 45 / 16

HEX #D67676

RGB 214 118 118

HSL 0, 0.54%, 0.65%

LAB 60.39, 37.38, 16.75

 

CMYK 0 / 0 / 45 / 16

HEX #D6D576

RGB 214 213 118

HSL 59.38, 0.54%, 0.65%

LAB 83.54, -12.93, 46.84

 

CMYK 12 / 0 / 45 / 16

HEX #BDD676

RGB 189 214 118

HSL 75.63, 0.54%, 0.65%

LAB 81.96, -23.22, 44.47

 

CMYK 24 / 0 / 45 / 16

HEX #A3D676

RGB 163 214 118

HSL 91.88, 0.54%, 0.65%

LAB 80.29, -32.92, 42.02

 

CMYK 36 / 0 / 45 / 16

HEX #89D676

RGB 137 214 118

HSL 108.13, 0.54%, 0.65%

LAB 78.88, -41.81, 39.96

 

CMYK 45 / 0 / 42 / 16

HEX #76D67C

RGB 118 214 124

HSL 123.75, 0.54%, 0.65%

LAB 78.11, -46.74, 35.8

 

CMYK 0 / 0 / 45 / 16

HEX #D6D576

RGB 214 213 118

HSL 59.38, 0.54%, 0.65%

LAB 83.54, -12.93, 46.84

 

CMYK 0 / 0 / 55 / 11

HEX #E4E367

RGB 228 227 103

HSL 59.52, 0.7%, 0.65%

LAB 88.17, -15.57, 59.55

 

CMYK 0 / 1 / 63 / 5

HEX #F3F159

RGB 243 241 89

HSL 59.22, 0.87%, 0.65%

LAB 92.88, -17.29, 70.88

 

CMYK 0 / 0 / 45 / 16

HEX #D6D576

RGB 214 213 118

HSL 59.38, 0.54%, 0.65%

LAB 83.54, -12.93, 46.84

 

CMYK 0 / 0 / 34 / 22

HEX #C8C784

RGB 200 199 132

HSL 59.12, 0.38%, 0.65%

LAB 78.92, -9.85, 33.73

 

CMYK 0 / 0 / 21 / 27

HEX #B9B992

RGB 185 185 146

HSL 60, 0.22%, 0.65%

LAB 74.25, -6.51, 19.86

 

CMYK 0 / 0 / 6 / 33

HEX #ABABA1

RGB 171 171 161

HSL 60, 0.06%, 0.65%

LAB 69.72, -1.83, 5.14

 

CMYK 11 / 11 / 0 / 31

HEX #9C9CAF

RGB 156 156 175

HSL 240, 0.11%, 0.65%

LAB 64.91, 3.84, -9.85

 

CMYK 0 / 25 / 45 / 16

HEX #D6A176

RGB 214 161 118

HSL 26.88, 0.54%, 0.65%

LAB 70.24, 14.31, 29.99

 

CMYK 0 / 13 / 45 / 16

HEX #D6BB76

RGB 214 187 118

HSL 43.13, 0.54%, 0.65%

LAB 76.77, 0.44, 38.39

 

CMYK 0 / 1 / 45 / 16

HEX #D6D476

RGB 214 212 118

HSL 58.75, 0.54%, 0.65%

LAB 83.28, -12.42, 46.51

 

CMYK 11 / 0 / 45 / 16

HEX #BED676

RGB 190 214 118

HSL 75, 0.54%, 0.65%

LAB 82.03, -22.84, 44.57

 

CMYK 23 / 0 / 45 / 16

HEX #A4D676

RGB 164 214 118

HSL 91.25, 0.54%, 0.65%

LAB 80.34, -32.56, 42.11

 

CMYK 0 / 1 / 70 / 25

HEX #C0BE39

RGB 192 190 57

HSL 59.11, 0.54%, 0.49%

LAB 75.03, -14.92, 63.68

 

CMYK 0 / 0 / 58 / 20

HEX #CCCB56

RGB 204 203 86

HSL 59.49, 0.54%, 0.57%

LAB 79.74, -14.67, 57.1

 

CMYK 0 / 0 / 45 / 16

HEX #D6D576

RGB 214 213 118

HSL 59.38, 0.54%, 0.65%

LAB 83.54, -12.93, 46.84

 

CMYK 0 / 0 / 33 / 13

HEX #DFDF95

RGB 223 223 149

HSL 60, 0.54%, 0.73%

LAB 87.31, -11.09, 36.34

 

CMYK 0 / 0 / 22 / 9

HEX #E9E8B5

RGB 233 232 181

HSL 58.85, 0.54%, 0.81%

LAB 90.95, -7.74, 25.01

 

CMYK 0 / 0 / 44 / 16

HEX #D6D577

RGB 214 213 119

HSL 59.37, 0.54%, 0.65%

LAB 83.56, -12.83, 46.37

 

CMYK 45 / 0 / 37 / 16

HEX #76D687

RGB 118 214 135

HSL 130.63, 0.54%, 0.65%

LAB 78.28, -44.99, 30.43

 

CMYK 19 / 45 / 0 / 16

HEX #AE76D6

RGB 174 118 214

HSL 275, 0.54%, 0.65%

LAB 58.8, 39.6, -41.06

 

CMYK 0 / 0 / 44 / 16

HEX #D6D577

RGB 214 213 119

HSL 59.37, 0.54%, 0.65%

LAB 83.56, -12.83, 46.37

 

CMYK 45 / 0 / 1 / 16

HEX #76D6D4

RGB 118 214 212

HSL 178.75, 0.54%, 0.65%

LAB 80.01, -28.81, -7.85

 

CMYK 1 / 45 / 0 / 16

HEX #D476D6

RGB 212 118 214

HSL 298.75, 0.54%, 0.65%

LAB 63.18, 50.59, -33.88

 

CMYK 0 / 0 / 44 / 16

HEX #D6D577

RGB 214 213 119

HSL 59.37, 0.54%, 0.65%

LAB 83.56, -12.83, 46.37

 

CMYK 45 / 0 / 37 / 16

HEX #76D687

RGB 118 214 135

HSL 130.63, 0.54%, 0.65%

LAB 78.28, -44.99, 30.43

 

CMYK 45 / 44 / 0 / 16

HEX #7677D6

RGB 118 119 214

HSL 239.38, 0.54%, 0.65%

LAB 53.92, 24.04, -49.1

 

CMYK 0 / 45 / 8 / 16

HEX #D676C4

RGB 214 118 196

HSL 311.25, 0.54%, 0.65%

LAB 62.71, 48.04, -24.47

 

CMYK 0 / 0 / 44 / 16

HEX #D6D577

RGB 214 213 119

HSL 59.37, 0.54%, 0.65%

LAB 83.56, -12.83, 46.37

 

CMYK 45 / 0 / 23 / 16

HEX #76D6A4

RGB 118 214 164

HSL 148.75, 0.54%, 0.65%

LAB 78.82, -39.68, 16.02

 

CMYK 45 / 44 / 0 / 16

HEX #7677D6

RGB 118 119 214

HSL 239.38, 0.54%, 0.65%

LAB 53.92, 24.04, -49.1

 

CMYK 0 / 45 / 22 / 16

HEX #D676A7

RGB 214 118 167

HSL 329.38, 0.54%, 0.65%

LAB 61.69, 43.48, -9.51

 

Description

Color code: HEX #D6D577 | qconv.com Color code: HEX #D6D577 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 213 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 213 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 44 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 44% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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