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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6D06C it is the complementary color #292F93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6D06C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6D06C shade: #DBD067, #ECE27A, #FDF48D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6D06C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6D06C shade: #D6D06C, #C5BE59, #B4AC46, #A39A33 and #928820

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6D06C shade: #D5CF6C, #D5B36C, #D5976C, #D57A6C and #D56C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6D06C shade: #D5CF6C, #BFD56C, #A2D56C, #86D56C and #6CD56E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6D06C shade matches the following richer shades: #D5CF6C, #E5DD5D and #F4EB4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6D06C shade: #D5CF6C, #C6C27B, #B7B48A, #A8A79A and #9899A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6D06C shade: #D5966C, #D5B26C, #D5CE6C, #C0D56C and #A4D56C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6D06C shade: #BAB335, #CCC54C, #D5CF6C, #DFDA8C and #E8E4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6D06C shade: #D6D06C, #6CD57A and #A46CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6D06C shade: #D6D06C, #6CD5CE and #CE6CD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6D06C shade: #D6D06C, #6CD57A, #6C73D5 and #D56CC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6D06C shade: #D6D06C, #6CD59A, #6C73D5 and #D56CA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 50 / 16

HEX #D6D06C

RGB 214 208 108

HSL 56.6, 0.56%, 0.63%

LAB 82.1, -11.33, 49.91

 

Complementary color

CMYK 72 / 68 / 0 / 42

HEX #292F93

RGB 41 47 147

HSL 236.6, 0.56%, 0.37%

LAB 25.6, 32.24, -55.64

 

CMYK 0 / 5 / 53 / 14

HEX #DBD067

RGB 219 208 103

HSL 54.31, 0.62%, 0.63%

LAB 82.46, -9.73, 52.8

 

CMYK 0 / 4 / 48 / 7

HEX #ECE27A

RGB 236 226 122

HSL 54.74, 0.75%, 0.7%

LAB 88.75, -10.3, 51.65

 

CMYK 0 / 4 / 44 / 1

HEX #FDF48D

RGB 253 244 141

HSL 55.18, 0.97%, 0.77%

LAB 94.95, -10.8, 50.49

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 3 / 50 / 16

HEX #D6D06C

RGB 214 208 108

HSL 56.6, 0.56%, 0.63%

LAB 82.1, -11.33, 49.91

 

CMYK 0 / 4 / 55 / 23

HEX #C5BE59

RGB 197 190 89

HSL 56.11, 0.48%, 0.56%

LAB 75.71, -10.75, 51.04

 

CMYK 0 / 4 / 61 / 29

HEX #B4AC46

RGB 180 172 70

HSL 55.64, 0.44%, 0.49%

LAB 69.22, -10.04, 52.07

 

CMYK 0 / 6 / 69 / 36

HEX #A39A33

RGB 163 154 51

HSL 55.18, 0.52%, 0.42%

LAB 62.62, -9.17, 52.83

 

CMYK 0 / 7 / 78 / 43

HEX #928820

RGB 146 136 32

HSL 54.74, 0.64%, 0.35%

LAB 55.91, -8.08, 53.03

 

CMYK 0 / 3 / 49 / 16

HEX #D5CF6C

RGB 213 207 108

HSL 56.57, 0.56%, 0.63%

LAB 81.76, -11.23, 49.48

 

CMYK 0 / 16 / 49 / 16

HEX #D5B36C

RGB 213 179 108

HSL 40.57, 0.56%, 0.63%

LAB 74.49, 3.28, 40.62

 

CMYK 0 / 29 / 49 / 16

HEX #D5976C

RGB 213 151 108

HSL 24.57, 0.56%, 0.63%

LAB 67.55, 18.33, 31.84

 

CMYK 0 / 43 / 49 / 16

HEX #D57A6C

RGB 213 122 108

HSL 8, 0.56%, 0.63%

LAB 60.91, 33.92, 23.13

 

CMYK 0 / 49 / 49 / 16

HEX #D56C6C

RGB 213 108 108

HSL 0, 0.56%, 0.63%

LAB 57.99, 41.18, 19.2

 

CMYK 0 / 3 / 49 / 16

HEX #D5CF6C

RGB 213 207 108

HSL 56.57, 0.56%, 0.63%

LAB 81.76, -11.23, 49.48

 

CMYK 10 / 0 / 49 / 16

HEX #BFD56C

RGB 191 213 108

HSL 72.57, 0.56%, 0.63%

LAB 81.7, -22.99, 49.01

 

CMYK 24 / 0 / 49 / 16

HEX #A2D56C

RGB 162 213 108

HSL 89.14, 0.56%, 0.63%

LAB 79.81, -33.97, 46.29

 

CMYK 37 / 0 / 49 / 16

HEX #86D56C

RGB 134 213 108

HSL 105.14, 0.56%, 0.63%

LAB 78.31, -43.63, 44.11

 

CMYK 49 / 0 / 48 / 16

HEX #6CD56E

RGB 108 213 110

HSL 121.14, 0.56%, 0.63%

LAB 77.22, -51.14, 41.55

 

CMYK 0 / 3 / 49 / 16

HEX #D5CF6C

RGB 213 207 108

HSL 56.57, 0.56%, 0.63%

LAB 81.76, -11.23, 49.48

 

CMYK 0 / 3 / 59 / 10

HEX #E5DD5D

RGB 229 221 93

HSL 56.47, 0.72%, 0.63%

LAB 86.58, -12.91, 62.17

 

CMYK 0 / 4 / 68 / 4

HEX #F4EB4D

RGB 244 235 77

HSL 56.77, 0.88%, 0.63%

LAB 91.32, -14.61, 73.86

 

CMYK 0 / 3 / 49 / 16

HEX #D5CF6C

RGB 213 207 108

HSL 56.57, 0.56%, 0.63%

LAB 81.76, -11.23, 49.48

 

CMYK 0 / 2 / 38 / 22

HEX #C6C27B

RGB 198 194 123

HSL 56.8, 0.4%, 0.63%

LAB 77.29, -9.12, 36.22

 

CMYK 0 / 2 / 25 / 28

HEX #B7B48A

RGB 183 180 138

HSL 56, 0.24%, 0.63%

LAB 72.59, -5.8, 21.87

 

CMYK 0 / 1 / 8 / 34

HEX #A8A79A

RGB 168 167 154

HSL 55.71, 0.07%, 0.63%

LAB 68.24, -2, 6.84

 

CMYK 10 / 9 / 0 / 34

HEX #9899A9

RGB 152 153 169

HSL 236.47, 0.09%, 0.63%

LAB 63.61, 2.88, -8.46

 

CMYK 0 / 30 / 49 / 16

HEX #D5966C

RGB 213 150 108

HSL 24, 0.56%, 0.63%

LAB 67.31, 18.87, 31.53

 

CMYK 0 / 16 / 49 / 16

HEX #D5B26C

RGB 213 178 108

HSL 40, 0.56%, 0.63%

LAB 74.23, 3.82, 40.31

 

CMYK 0 / 3 / 49 / 16

HEX #D5CE6C

RGB 213 206 108

HSL 56, 0.56%, 0.63%

LAB 81.5, -10.73, 49.17

 

CMYK 10 / 0 / 49 / 16

HEX #C0D56C

RGB 192 213 108

HSL 72, 0.56%, 0.63%

LAB 81.77, -22.6, 49.11

 

CMYK 23 / 0 / 49 / 16

HEX #A4D56C

RGB 164 213 108

HSL 88, 0.56%, 0.63%

LAB 79.93, -33.24, 46.46

 

CMYK 0 / 4 / 72 / 27

HEX #BAB335

RGB 186 179 53

HSL 56.84, 0.56%, 0.47%

LAB 71.51, -12.08, 61.54

 

CMYK 0 / 3 / 63 / 20

HEX #CCC54C

RGB 204 197 76

HSL 56.72, 0.56%, 0.55%

LAB 78.05, -12.32, 59.57

 

CMYK 0 / 3 / 49 / 16

HEX #D5CF6C

RGB 213 207 108

HSL 56.57, 0.56%, 0.63%

LAB 81.76, -11.23, 49.48

 

CMYK 0 / 2 / 37 / 13

HEX #DFDA8C

RGB 223 218 140

HSL 56.39, 0.56%, 0.71%

LAB 85.87, -9.61, 39.01

 

CMYK 0 / 2 / 26 / 9

HEX #E8E4AC

RGB 232 228 172

HSL 56, 0.57%, 0.79%

LAB 89.68, -7.31, 27.89

 

CMYK 0 / 3 / 50 / 16

HEX #D6D06C

RGB 214 208 108

HSL 56.6, 0.56%, 0.63%

LAB 82.1, -11.33, 49.91

 

CMYK 49 / 0 / 43 / 16

HEX #6CD57A

RGB 108 213 122

HSL 128, 0.56%, 0.63%

LAB 77.39, -49.38, 35.8

 

CMYK 23 / 49 / 0 / 16

HEX #A46CD5

RGB 164 108 213

HSL 272, 0.56%, 0.63%

LAB 55.5, 42.08, -45.76

 

CMYK 0 / 3 / 50 / 16

HEX #D6D06C

RGB 214 208 108

HSL 56.6, 0.56%, 0.63%

LAB 82.1, -11.33, 49.91

 

CMYK 49 / 0 / 3 / 16

HEX #6CD5CE

RGB 108 213 206

HSL 176, 0.56%, 0.63%

LAB 79.18, -32.08, -5.92

 

CMYK 3 / 49 / 0 / 16

HEX #CE6CD5

RGB 206 108 213

HSL 296, 0.56%, 0.63%

LAB 60.47, 53.7, -37.6

 

CMYK 0 / 3 / 50 / 16

HEX #D6D06C

RGB 214 208 108

HSL 56.6, 0.56%, 0.63%

LAB 82.1, -11.33, 49.91

 

CMYK 49 / 0 / 43 / 16

HEX #6CD57A

RGB 108 213 122

HSL 128, 0.56%, 0.63%

LAB 77.39, -49.38, 35.8

 

CMYK 49 / 46 / 0 / 16

HEX #6C73D5

RGB 108 115 213

HSL 236, 0.56%, 0.63%

LAB 52.12, 23.82, -51.45

 

CMYK 0 / 49 / 7 / 16

HEX #D56CC7

RGB 213 108 199

HSL 308, 0.56%, 0.63%

LAB 60.78, 53.23, -29.15

 

CMYK 0 / 3 / 50 / 16

HEX #D6D06C

RGB 214 208 108

HSL 56.6, 0.56%, 0.63%

LAB 82.1, -11.33, 49.91

 

CMYK 49 / 0 / 28 / 16

HEX #6CD59A

RGB 108 213 154

HSL 146.29, 0.56%, 0.63%

LAB 77.94, -43.78, 20.01

 

CMYK 49 / 46 / 0 / 16

HEX #6C73D5

RGB 108 115 213

HSL 236, 0.56%, 0.63%

LAB 52.12, 23.82, -51.45

 

CMYK 0 / 49 / 21 / 16

HEX #D56CA8

RGB 213 108 168

HSL 325.71, 0.56%, 0.63%

LAB 59.62, 48.36, -13.21

 

Description

Color code: HEX #D6D06C | qconv.com Color code: HEX #D6D06C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 208 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 208 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 50 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 50% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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