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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6C087 it is the complementary color #293F78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6C087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6C087 shade: #DBC082, #ECD295, #FDE4A8, #FFF6BB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6C087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6C087 shade: #D6C087, #C5AE74, #B49C61, #A38A4E and #92783B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6C087 shade: #D5BF85, #D5AA85, #D59485 and #D58585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6C087 shade: #D5BF85, #D5D585, #C1D585, #ABD585 and #95D585

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6C087 shade matches the following richer shades: #D5BF85, #E3C578, #F0CB6B and #FDD15E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6C087 shade: #D5BF85, #C8B993, #BBB3A0, #AEAEAD and #A1A8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6C087 shade: #D59485, #D5A985, #D5BF85, #D5D485 and #C1D585

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6C087 shade: #C09F48, #CBAF67, #D5BF85, #E0CFA4 and #EADFC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6C087 shade: #D6C087, #8CD585 and #9F85D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6C087 shade: #D6C087, #85D5BF and #BF85D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6C087 shade: #D6C087, #8CD585, #859CD5 and #CF85D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6C087 shade: #D6C087, #85D597, #859CD5 and #D585C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 37 / 16

HEX #D6C087

RGB 214 192 135

HSL 43.29, 0.49%, 0.68%

LAB 78.31, -0.34, 31.59

 

Complementary color

CMYK 66 / 48 / 0 / 53

HEX #293F78

RGB 41 63 120

HSL 223.29, 0.49%, 0.32%

LAB 27.8, 11.21, -35.23

 

CMYK 0 / 12 / 41 / 14

HEX #DBC082

RGB 219 192 130

HSL 41.8, 0.55%, 0.68%

LAB 78.68, 1.09, 34.75

 

CMYK 0 / 11 / 37 / 7

HEX #ECD295

RGB 236 210 149

HSL 42.07, 0.7%, 0.75%

LAB 85.05, 0.56, 33.57

 

CMYK 0 / 10 / 34 / 1

HEX #FDE4A8

RGB 253 228 168

HSL 42.35, 0.96%, 0.83%

LAB 91.32, 0.09, 32.44

 

CMYK 0 / 4 / 27 / 0

HEX #FFF6BB

RGB 255 246 187

HSL 52.06, 1%, 0.87%

LAB 96.31, -5.87, 29.54

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 10 / 37 / 16

HEX #D6C087

RGB 214 192 135

HSL 43.29, 0.49%, 0.68%

LAB 78.31, -0.34, 31.59

 

CMYK 0 / 12 / 41 / 23

HEX #C5AE74

RGB 197 174 116

HSL 42.96, 0.41%, 0.61%

LAB 71.83, 0.19, 32.8

 

CMYK 0 / 13 / 46 / 29

HEX #B49C61

RGB 180 156 97

HSL 42.65, 0.36%, 0.54%

LAB 65.23, 0.81, 34.07

 

CMYK 0 / 15 / 52 / 36

HEX #A38A4E

RGB 163 138 78

HSL 42.35, 0.35%, 0.47%

LAB 58.52, 1.55, 35.4

 

CMYK 0 / 18 / 60 / 43

HEX #92783B

RGB 146 120 59

HSL 42.07, 0.42%, 0.4%

LAB 51.68, 2.47, 36.76

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 20 / 38 / 16

HEX #D5AA85

RGB 213 170 133

HSL 27.75, 0.49%, 0.68%

LAB 72.62, 10.72, 25.05

 

CMYK 0 / 31 / 38 / 16

HEX #D59485

RGB 213 148 133

HSL 11.25, 0.49%, 0.68%

LAB 67.29, 22.62, 17.79

 

CMYK 0 / 38 / 38 / 16

HEX #D58585

RGB 213 133 133

HSL 0, 0.49%, 0.68%

LAB 63.85, 30.72, 13

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 0 / 38 / 16

HEX #D5D585

RGB 213 213 133

HSL 60, 0.49%, 0.68%

LAB 83.67, -11.76, 39.55

 

CMYK 9 / 0 / 38 / 16

HEX #C1D585

RGB 193 213 133

HSL 75, 0.49%, 0.68%

LAB 82.17, -19.48, 37.33

 

CMYK 20 / 0 / 38 / 16

HEX #ABD585

RGB 171 213 133

HSL 91.5, 0.49%, 0.68%

LAB 80.71, -27.65, 35.15

 

CMYK 30 / 0 / 38 / 16

HEX #95D585

RGB 149 213 133

HSL 108, 0.49%, 0.68%

LAB 79.43, -35.31, 33.23

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 13 / 47 / 11

HEX #E3C578

RGB 227 197 120

HSL 43.18, 0.66%, 0.68%

LAB 80.53, 0.68, 42.36

 

CMYK 0 / 15 / 55 / 6

HEX #F0CB6B

RGB 240 203 107

HSL 43.31, 0.82%, 0.68%

LAB 83.07, 1.75, 52.09

 

CMYK 0 / 17 / 63 / 1

HEX #FDD15E

RGB 253 209 94

HSL 43.4, 0.98%, 0.68%

LAB 85.65, 3.11, 61.32

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 8 / 27 / 22

HEX #C8B993

RGB 200 185 147

HSL 43.02, 0.33%, 0.68%

LAB 75.5, -0.62, 21.24

 

CMYK 0 / 4 / 14 / 27

HEX #BBB3A0

RGB 187 179 160

HSL 42.22, 0.17%, 0.68%

LAB 73.12, -0.41, 10.71

 

CMYK 0 / 0 / 1 / 32

HEX #AEAEAD

RGB 174 174 173

HSL 60, 0.01%, 0.68%

LAB 71.07, -0.18, 0.5

 

CMYK 13 / 10 / 0 / 27

HEX #A1A8BA

RGB 161 168 186

HSL 223.2, 0.15%, 0.68%

LAB 68.84, 1.22, -10.08

 

CMYK 0 / 31 / 38 / 16

HEX #D59485

RGB 213 148 133

HSL 11.25, 0.49%, 0.68%

LAB 67.29, 22.62, 17.79

 

CMYK 0 / 21 / 38 / 16

HEX #D5A985

RGB 213 169 133

HSL 27, 0.49%, 0.68%

LAB 72.37, 11.26, 24.72

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 0 / 38 / 16

HEX #D5D485

RGB 213 212 133

HSL 59.25, 0.49%, 0.68%

LAB 83.4, -11.26, 39.21

 

CMYK 9 / 0 / 38 / 16

HEX #C1D585

RGB 193 213 133

HSL 75, 0.49%, 0.68%

LAB 82.17, -19.48, 37.33

 

CMYK 0 / 17 / 63 / 25

HEX #C09F48

RGB 192 159 72

HSL 43.5, 0.49%, 0.52%

LAB 66.88, 2.19, 48.88

 

CMYK 0 / 14 / 49 / 20

HEX #CBAF67

RGB 203 175 103

HSL 43.2, 0.49%, 0.6%

LAB 72.45, 0.8, 40.44

 

CMYK 0 / 10 / 38 / 16

HEX #D5BF85

RGB 213 191 133

HSL 43.5, 0.49%, 0.68%

LAB 77.93, -0.44, 32.12

 

CMYK 0 / 8 / 27 / 12

HEX #E0CFA4

RGB 224 207 164

HSL 43, 0.49%, 0.76%

LAB 83.52, -0.65, 23.55

 

CMYK 0 / 5 / 17 / 8

HEX #EADFC3

RGB 234 223 195

HSL 43.08, 0.48%, 0.84%

LAB 89.02, -0.78, 15.07

 

CMYK 0 / 10 / 37 / 16

HEX #D6C087

RGB 214 192 135

HSL 43.29, 0.49%, 0.68%

LAB 78.31, -0.34, 31.59

 

CMYK 34 / 0 / 38 / 16

HEX #8CD585

RGB 140 213 133

HSL 114.75, 0.49%, 0.68%

LAB 78.96, -38.26, 32.53

 

CMYK 25 / 38 / 0 / 16

HEX #9F85D5

RGB 159 133 213

HSL 259.5, 0.49%, 0.68%

LAB 60.74, 26.58, -37.56

 

CMYK 0 / 10 / 37 / 16

HEX #D6C087

RGB 214 192 135

HSL 43.29, 0.49%, 0.68%

LAB 78.31, -0.34, 31.59

 

CMYK 38 / 0 / 10 / 16

HEX #85D5BF

RGB 133 213 191

HSL 163.5, 0.49%, 0.68%

LAB 79.81, -29.5, 3.14

 

CMYK 10 / 38 / 0 / 16

HEX #BF85D5

RGB 191 133 213

HSL 283.5, 0.49%, 0.68%

LAB 63.88, 36.17, -32.43

 

CMYK 0 / 10 / 37 / 16

HEX #D6C087

RGB 214 192 135

HSL 43.29, 0.49%, 0.68%

LAB 78.31, -0.34, 31.59

 

CMYK 34 / 0 / 38 / 16

HEX #8CD585

RGB 140 213 133

HSL 114.75, 0.49%, 0.68%

LAB 78.96, -38.26, 32.53

 

CMYK 38 / 27 / 0 / 16

HEX #859CD5

RGB 133 156 213

HSL 222.75, 0.49%, 0.68%

LAB 64.62, 5.95, -31.67

 

CMYK 3 / 38 / 0 / 16

HEX #CF85D5

RGB 207 133 213

HSL 295.5, 0.49%, 0.68%

LAB 65.63, 41.09, -29.58

 

CMYK 0 / 10 / 37 / 16

HEX #D6C087

RGB 214 192 135

HSL 43.29, 0.49%, 0.68%

LAB 78.31, -0.34, 31.59

 

CMYK 38 / 0 / 29 / 16

HEX #85D597

RGB 133 213 151

HSL 133.5, 0.49%, 0.68%

LAB 78.93, -37.47, 23.11

 

CMYK 38 / 27 / 0 / 16

HEX #859CD5

RGB 133 156 213

HSL 222.75, 0.49%, 0.68%

LAB 64.62, 5.95, -31.67

 

CMYK 0 / 38 / 8 / 16

HEX #D585C4

RGB 213 133 196

HSL 312.75, 0.49%, 0.68%

LAB 65.68, 39.92, -19.94

 

Description

Color code: HEX #D6C087 | qconv.com Color code: HEX #D6C087 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 192 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 192 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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