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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6BEB3 it is the complementary color #29414C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6BEB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6BEB3 shade: #DBBEAE, #ECD0C1, #FDE2D4, #FFF4E7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6BEB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6BEB3 shade: #D6BEB3, #C5ACA0, #B49A8D, #A3887A and #927667

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6BEB3 shade: #D6BEB3, #D6B4B3 and #D6B3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6BEB3 shade: #D6BEB3, #D6C7B3, #D6D1B3, #D2D6B3 and #C8D6B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6BEB3 shade matches the following richer shades: #D6BEB3, #DFBAA9, #E9B7A0, #F2B396 and #FCB08D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6BEB3 shade: #D6BEB3, #CCC1BC, #C3C5C6, #B9C8CF and #B0CCD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6BEB3 shade: #D6B3BB, #D6B4B3, #D6BDB3, #D6C7B3 and #D6D0B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6BEB3 shade: #B9907D, #C8A798, #D6BEB3, #E4D5CE and #F3ECE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6BEB3 shade: #D6BEB3, #C4D6B3 and #B3B6D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6BEB3 shade: #D6BEB3, #B3D6BD and #BDB3D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6BEB3 shade: #D6BEB3, #C4D6B3, #B3CBD6 and #C4B3D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6BEB3 shade: #D6BEB3, #BAD6B3, #B3CBD6 and #CFB3D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

Complementary color

CMYK 46 / 14 / 0 / 70

HEX #29414C

RGB 41 65 76

HSL 198.86, 0.3%, 0.23%

LAB 26.08, -5.89, -9.59

 

CMYK 0 / 13 / 21 / 14

HEX #DBBEAE

RGB 219 190 174

HSL 21.33, 0.38%, 0.77%

LAB 79.01, 7.81, 11.87

 

CMYK 0 / 12 / 18 / 7

HEX #ECD0C1

RGB 236 208 193

HSL 20.93, 0.53%, 0.84%

LAB 85.4, 7.42, 11.02

 

CMYK 0 / 11 / 16 / 1

HEX #FDE2D4

RGB 253 226 212

HSL 20.49, 0.91%, 0.91%

LAB 91.7, 7.06, 10.21

 

CMYK 0 / 4 / 9 / 0

HEX #FFF4E7

RGB 255 244 231

HSL 32.5, 1%, 0.95%

LAB 96.71, 1.53, 7.56

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 0 / 13 / 19 / 23

HEX #C5ACA0

RGB 197 172 160

HSL 19.46, 0.24%, 0.7%

LAB 72.17, 7.11, 9.49

 

CMYK 0 / 14 / 22 / 29

HEX #B49A8D

RGB 180 154 141

HSL 20, 0.21%, 0.63%

LAB 65.54, 7.53, 10.38

 

CMYK 0 / 17 / 25 / 36

HEX #A3887A

RGB 163 136 122

HSL 20.49, 0.18%, 0.56%

LAB 58.79, 8.02, 11.34

 

CMYK 0 / 19 / 29 / 43

HEX #927667

RGB 146 118 103

HSL 20.93, 0.17%, 0.49%

LAB 51.89, 8.58, 12.39

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 0 / 16 / 16 / 16

HEX #D6B4B3

RGB 214 180 179

HSL 1.71, 0.3%, 0.77%

LAB 76.19, 12.07, 5.07

 

CMYK 0 / 16 / 16 / 16

HEX #D6B3B3

RGB 214 179 179

HSL 0, 0.3%, 0.77%

LAB 75.94, 12.61, 4.72

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 0 / 7 / 16 / 16

HEX #D6C7B3

RGB 214 199 179

HSL 34.29, 0.3%, 0.77%

LAB 80.96, 1.96, 11.9

 

CMYK 0 / 2 / 16 / 16

HEX #D6D1B3

RGB 214 209 179

HSL 51.43, 0.3%, 0.77%

LAB 83.52, -3.25, 15.51

 

CMYK 2 / 0 / 16 / 16

HEX #D2D6B3

RGB 210 214 179

HSL 66.86, 0.3%, 0.77%

LAB 84.51, -7.28, 16.85

 

CMYK 7 / 0 / 16 / 16

HEX #C8D6B3

RGB 200 214 179

HSL 84, 0.3%, 0.77%

LAB 83.77, -10.88, 15.71

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 0 / 17 / 24 / 13

HEX #DFBAA9

RGB 223 186 169

HSL 18.89, 0.46%, 0.77%

LAB 78.27, 10.71, 13.57

 

CMYK 0 / 21 / 31 / 9

HEX #E9B7A0

RGB 233 183 160

HSL 18.9, 0.62%, 0.77%

LAB 78.3, 14.88, 18.6

 

CMYK 0 / 26 / 38 / 5

HEX #F2B396

RGB 242 179 150

HSL 18.91, 0.78%, 0.77%

LAB 78.06, 19.24, 23.78

 

CMYK 0 / 30 / 44 / 1

HEX #FCB08D

RGB 252 176 141

HSL 18.92, 0.95%, 0.77%

LAB 78.27, 23.72, 29.05

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 0 / 5 / 8 / 20

HEX #CCC1BC

RGB 204 193 188

HSL 18.75, 0.14%, 0.77%

LAB 78.82, 2.98, 3.88

 

CMYK 2 / 1 / 0 / 22

HEX #C3C5C6

RGB 195 197 198

HSL 200, 0.03%, 0.77%

LAB 79.39, -0.5, -0.75

 

CMYK 11 / 3 / 0 / 19

HEX #B9C8CF

RGB 185 200 207

HSL 199.09, 0.19%, 0.77%

LAB 79.69, -3.7, -5.24

 

CMYK 19 / 6 / 0 / 15

HEX #B0CCD9

RGB 176 204 217

HSL 199.02, 0.35%, 0.77%

LAB 80.42, -6.6, -9.59

 

CMYK 0 / 16 / 13 / 16

HEX #D6B3BB

RGB 214 179 187

HSL 346.29, 0.3%, 0.77%

LAB 76.15, 13.9, 0.65

 

CMYK 0 / 16 / 16 / 16

HEX #D6B4B3

RGB 214 180 179

HSL 1.71, 0.3%, 0.77%

LAB 76.19, 12.07, 5.07

 

CMYK 0 / 12 / 16 / 16

HEX #D6BDB3

RGB 214 189 179

HSL 17.14, 0.3%, 0.77%

LAB 78.43, 7.26, 8.29

 

CMYK 0 / 7 / 16 / 16

HEX #D6C7B3

RGB 214 199 179

HSL 34.29, 0.3%, 0.77%

LAB 80.96, 1.96, 11.9

 

CMYK 0 / 3 / 16 / 16

HEX #D6D0B3

RGB 214 208 179

HSL 49.71, 0.3%, 0.77%

LAB 83.26, -2.73, 15.15

 

CMYK 0 / 22 / 32 / 27

HEX #B9907D

RGB 185 144 125

HSL 19, 0.3%, 0.61%

LAB 63.13, 12.76, 16.03

 

CMYK 0 / 17 / 24 / 22

HEX #C8A798

RGB 200 167 152

HSL 18.75, 0.3%, 0.69%

LAB 71, 9.76, 12.26

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 0 / 7 / 10 / 11

HEX #E4D5CE

RGB 228 213 206

HSL 19.09, 0.29%, 0.85%

LAB 86.28, 3.99, 5.3

 

CMYK 0 / 3 / 5 / 5

HEX #F3ECE8

RGB 243 236 232

HSL 21.82, 0.31%, 0.93%

LAB 93.83, 1.67, 2.76

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 8 / 0 / 16 / 16

HEX #C4D6B3

RGB 196 214 179

HSL 90.86, 0.3%, 0.77%

LAB 83.49, -12.29, 15.27

 

CMYK 16 / 15 / 0 / 16

HEX #B3B6D6

RGB 179 182 214

HSL 234.86, 0.3%, 0.77%

LAB 74.76, 5.46, -16.43

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 16 / 0 / 12 / 16

HEX #B3D6BD

RGB 179 214 189

HSL 137.14, 0.3%, 0.77%

LAB 82.57, -16.39, 8.51

 

CMYK 12 / 16 / 0 / 16

HEX #BDB3D6

RGB 189 179 214

HSL 257.14, 0.3%, 0.77%

LAB 74.77, 10.33, -16.34

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 8 / 0 / 16 / 16

HEX #C4D6B3

RGB 196 214 179

HSL 90.86, 0.3%, 0.77%

LAB 83.49, -12.29, 15.27

 

CMYK 16 / 5 / 0 / 16

HEX #B3CBD6

RGB 179 203 214

HSL 198.86, 0.3%, 0.77%

LAB 80.26, -5.77, -8.19

 

CMYK 8 / 16 / 0 / 16

HEX #C4B3D6

RGB 196 179 214

HSL 269.14, 0.3%, 0.77%

LAB 75.35, 12.63, -15.41

 

CMYK 0 / 11 / 16 / 16

HEX #D6BEB3

RGB 214 190 179

HSL 18.86, 0.3%, 0.77%

LAB 78.68, 6.72, 8.65

 

CMYK 13 / 0 / 16 / 16

HEX #BAD6B3

RGB 186 214 179

HSL 108, 0.3%, 0.77%

LAB 82.8, -15.79, 14.2

 

CMYK 16 / 5 / 0 / 16

HEX #B3CBD6

RGB 179 203 214

HSL 198.86, 0.3%, 0.77%

LAB 80.26, -5.77, -8.19

 

CMYK 3 / 16 / 0 / 16

HEX #CFB3D6

RGB 207 179 214

HSL 288, 0.3%, 0.77%

LAB 76.29, 16.29, -13.9

 

Description

Color code: HEX #D6BEB3 | qconv.com Color code: HEX #D6BEB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 190 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 190 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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