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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6B641 it is the complementary color #2949BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6B641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6B641 shade: #DBB63C, #ECC84F, #FDDA62, #FFEC75 and #FFFE88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6B641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6B641 shade: #D6B641, #C5A42E, #B4921B, #A38008 and #926E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6B641 shade: #D7B742, #D78F42, #D76642 and #D74242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6B641 shade: #D7B742, #CFD742, #A6D742, #7ED742 and #56D742

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6B641 shade matches the following richer shades: #D7B742, #E9C12F and #FCCC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6B641 shade: #D7B742, #C4AC54, #B2A267, #9F9779 and #8D8C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6B641 shade: #D76742, #D78F42, #D7B742, #CFD742 and #A8D742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6B641 shade: #A38823, #C5A42A, #D7B742, #DEC464 and #E5D186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6B641 shade: #D6B641, #44D742 and #7B42D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6B641 shade: #D6B641, #42D7B7 and #B742D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6B641 shade: #D6B641, #44D742, #4262D7 and #D442D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6B641 shade: #D6B641, #42D76C, #4262D7 and #D742AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 70 / 16

HEX #D6B641

RGB 214 182 65

HSL 47.11, 0.65%, 0.55%

LAB 74.91, -0.96, 61.12

 

Complementary color

CMYK 78 / 62 / 0 / 25

HEX #2949BE

RGB 41 73 190

HSL 227.11, 0.65%, 0.45%

LAB 35.9, 31.2, -64.6

 

CMYK 0 / 17 / 73 / 14

HEX #DBB63C

RGB 219 182 60

HSL 46.04, 0.69%, 0.55%

LAB 75.35, 0.94, 63.69

 

CMYK 0 / 15 / 67 / 7

HEX #ECC84F

RGB 236 200 79

HSL 46.24, 0.81%, 0.62%

LAB 81.68, -0.23, 63.01

 

CMYK 0 / 14 / 61 / 1

HEX #FDDA62

RGB 253 218 98

HSL 46.45, 0.97%, 0.69%

LAB 87.92, -1.23, 62.07

 

CMYK 0 / 7 / 54 / 0

HEX #FFEC75

RGB 255 236 117

HSL 51.74, 1%, 0.73%

LAB 92.81, -8.11, 59.17

 

CMYK 0 / 0 / 47 / 0

HEX #FFFE88

RGB 255 254 136

HSL 59.5, 1%, 0.77%

LAB 97.6, -15.37, 56.11

 

CMYK 0 / 15 / 70 / 16

HEX #D6B641

RGB 214 182 65

HSL 47.11, 0.65%, 0.55%

LAB 74.91, -0.96, 61.12

 

CMYK 0 / 17 / 77 / 23

HEX #C5A42E

RGB 197 164 46

HSL 46.89, 0.62%, 0.48%

LAB 68.47, 0.29, 61.53

 

CMYK 0 / 19 / 85 / 29

HEX #B4921B

RGB 180 146 27

HSL 46.67, 0.74%, 0.41%

LAB 61.95, 1.78, 61.14

 

CMYK 0 / 21 / 95 / 36

HEX #A38008

RGB 163 128 8

HSL 46.45, 0.91%, 0.34%

LAB 55.32, 3.56, 59.31

 

CMYK 0 / 25 / 100 / 43

HEX #926E00

RGB 146 110 0

HSL 45.21, 1%, 0.29%

LAB 48.59, 5.67, 55.18

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 0 / 33 / 69 / 16

HEX #D78F42

RGB 215 143 66

HSL 31.01, 0.65%, 0.55%

LAB 65.35, 20.38, 50.73

 

CMYK 0 / 53 / 69 / 16

HEX #D76642

RGB 215 102 66

HSL 14.5, 0.65%, 0.55%

LAB 56.43, 41.9, 40.86

 

CMYK 0 / 69 / 69 / 16

HEX #D74242

RGB 215 66 66

HSL 0, 0.65%, 0.55%

LAB 50.38, 57.9, 33.8

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 23 / 0 / 69 / 16

HEX #A6D742

RGB 166 215 66

HSL 79.73, 0.65%, 0.55%

LAB 80.24, -36.99, 64.94

 

CMYK 41 / 0 / 69 / 16

HEX #7ED742

RGB 126 215 66

HSL 95.84, 0.65%, 0.55%

LAB 78.13, -51.18, 62.12

 

CMYK 60 / 0 / 69 / 16

HEX #56D742

RGB 86 215 66

HSL 111.95, 0.65%, 0.55%

LAB 76.66, -62.33, 60.14

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 0 / 17 / 80 / 9

HEX #E9C12F

RGB 233 193 47

HSL 47.1, 0.81%, 0.55%

LAB 79.42, 0.71, 72.43

 

CMYK 0 / 19 / 88 / 1

HEX #FCCC1D

RGB 252 204 29

HSL 47.09, 0.97%, 0.55%

LAB 83.95, 2.72, 81.36

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 0 / 12 / 57 / 23

HEX #C4AC54

RGB 196 172 84

HSL 47.14, 0.49%, 0.55%

LAB 70.79, -2.17, 47.72

 

CMYK 0 / 9 / 42 / 30

HEX #B2A267

RGB 178 162 103

HSL 47.2, 0.33%, 0.55%

LAB 66.74, -2.64, 32.77

 

CMYK 0 / 5 / 24 / 38

HEX #9F9779

RGB 159 151 121

HSL 47.37, 0.17%, 0.55%

LAB 62.41, -2.08, 16.89

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 0 / 52 / 69 / 16

HEX #D76742

RGB 215 103 66

HSL 14.9, 0.65%, 0.55%

LAB 56.63, 41.4, 41.08

 

CMYK 0 / 33 / 69 / 16

HEX #D78F42

RGB 215 143 66

HSL 31.01, 0.65%, 0.55%

LAB 65.35, 20.38, 50.73

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 4 / 0 / 69 / 16

HEX #CFD742

RGB 207 215 66

HSL 63.22, 0.65%, 0.55%

LAB 83.05, -20.6, 68.69

 

CMYK 22 / 0 / 69 / 16

HEX #A8D742

RGB 168 215 66

HSL 78.93, 0.65%, 0.55%

LAB 80.36, -36.23, 65.11

 

CMYK 0 / 17 / 79 / 36

HEX #A38823

RGB 163 136 35

HSL 47.34, 0.65%, 0.39%

LAB 57.57, -0.18, 54.11

 

CMYK 0 / 17 / 79 / 23

HEX #C5A42A

RGB 197 164 42

HSL 47.23, 0.65%, 0.47%

LAB 68.45, 0.14, 62.89

 

CMYK 0 / 15 / 69 / 16

HEX #D7B742

RGB 215 183 66

HSL 47.11, 0.65%, 0.55%

LAB 75.27, -1, 61.11

 

CMYK 0 / 12 / 55 / 13

HEX #DEC464

RGB 222 196 100

HSL 47.21, 0.65%, 0.63%

LAB 79.57, -2.59, 50.9

 

CMYK 0 / 9 / 41 / 10

HEX #E5D186

RGB 229 209 134

HSL 47.37, 0.65%, 0.71%

LAB 83.96, -3.32, 39.68

 

CMYK 0 / 15 / 70 / 16

HEX #D6B641

RGB 214 182 65

HSL 47.11, 0.65%, 0.55%

LAB 74.91, -0.96, 61.12

 

CMYK 68 / 0 / 69 / 16

HEX #44D742

RGB 68 215 66

HSL 119.19, 0.65%, 0.55%

LAB 76.21, -66.07, 59.52

 

CMYK 43 / 69 / 0 / 16

HEX #7B42D7

RGB 123 66 215

HSL 262.95, 0.65%, 0.55%

LAB 42.78, 55.38, -67.59

 

CMYK 0 / 15 / 70 / 16

HEX #D6B641

RGB 214 182 65

HSL 47.11, 0.65%, 0.55%

LAB 74.91, -0.96, 61.12

 

CMYK 69 / 0 / 15 / 16

HEX #42D7B7

RGB 66 215 183

HSL 167.11, 0.65%, 0.55%

LAB 77.98, -46.38, 4.5

 

CMYK 15 / 69 / 0 / 16

HEX #B742D7

RGB 183 66 215

HSL 287.11, 0.65%, 0.55%

LAB 50.53, 67.25, -54.68

 

CMYK 0 / 15 / 70 / 16

HEX #D6B641

RGB 214 182 65

HSL 47.11, 0.65%, 0.55%

LAB 74.91, -0.96, 61.12

 

CMYK 68 / 0 / 69 / 16

HEX #44D742

RGB 68 215 66

HSL 119.19, 0.65%, 0.55%

LAB 76.21, -66.07, 59.52

 

CMYK 69 / 54 / 0 / 16

HEX #4262D7

RGB 66 98 215

HSL 227.11, 0.65%, 0.55%

LAB 45.36, 27.26, -63.6

 

CMYK 1 / 69 / 0 / 16

HEX #D442D7

RGB 212 66 215

HSL 298.79, 0.65%, 0.55%

LAB 54.87, 73.46, -47.51

 

CMYK 0 / 15 / 70 / 16

HEX #D6B641

RGB 214 182 65

HSL 47.11, 0.65%, 0.55%

LAB 74.91, -0.96, 61.12

 

CMYK 69 / 0 / 50 / 16

HEX #42D76C

RGB 66 215 108

HSL 136.91, 0.65%, 0.55%

LAB 76.58, -61.48, 41.46

 

CMYK 69 / 54 / 0 / 16

HEX #4262D7

RGB 66 98 215

HSL 227.11, 0.65%, 0.55%

LAB 45.36, 27.26, -63.6

 

CMYK 0 / 69 / 20 / 16

HEX #D742AD

RGB 215 66 173

HSL 316.91, 0.65%, 0.55%

LAB 53.34, 67.88, -25.66

 

Description

Color code: HEX #D6B641 | qconv.com Color code: HEX #D6B641 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 182 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 182 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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