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Color name
HEX #D6B528

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6B528 it is the complementary color #294AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6B528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6B528 shade: #DBB523, #ECC736, #FDD949, #FFEB5C and #FFFD6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6B528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6B528 shade: #D6B528, #C5A315, #B49102, #A37F00 and #926D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6B528 shade: #D7B627, #D78627, #D75727, #D72727 and #D72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6B528 shade: #D7B627, #C9D727, #99D727, #6AD727 and #3BD727

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6B528 shade matches the following richer shades: #D7B627 and #ECC212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6B528 shade: #D7B627, #C2A93C, #AE9C50, #998F65 and #84827A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6B528 shade: #D75627, #D78527, #D7B427, #CBD727 and #9CD727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6B528 shade: #917B1A, #B49821, #D7B627, #DDC14A and #E4CD6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6B528 shade: #D6B528, #27D727 and #6D27D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6B528 shade: #D6B528, #27D7B4 and #B427D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6B528 shade: #D6B528, #27D727, #274AD7 and #D727D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6B528 shade: #D6B528, #27D75C, #274AD7 and #D727A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 81 / 16

HEX #D6B528

RGB 214 181 40

HSL 48.62, 0.69%, 0.5%

LAB 74.51, -1.46, 69.5

 

Complementary color

CMYK 81 / 66 / 0 / 16

HEX #294AD7

RGB 41 74 215

HSL 228.62, 0.69%, 0.5%

LAB 38.33, 39.74, -75.11

 

CMYK 0 / 17 / 84 / 14

HEX #DBB523

RGB 219 181 35

HSL 47.61, 0.72%, 0.5%

LAB 74.97, 0.57, 71.46

 

CMYK 0 / 16 / 77 / 7

HEX #ECC736

RGB 236 199 54

HSL 47.8, 0.83%, 0.57%

LAB 81.26, -0.86, 71.98

 

CMYK 0 / 14 / 71 / 1

HEX #FDD949

RGB 253 217 73

HSL 48, 0.98%, 0.64%

LAB 87.48, -2.1, 71.79

 

CMYK 0 / 8 / 64 / 0

HEX #FFEB5C

RGB 255 235 92

HSL 52.64, 1%, 0.68%

LAB 92.33, -9.3, 69.41

 

CMYK 0 / 1 / 56 / 0

HEX #FFFD6F

RGB 255 253 111

HSL 59.17, 1%, 0.72%

LAB 97.09, -16.88, 66.68

 

CMYK 0 / 15 / 81 / 16

HEX #D6B528

RGB 214 181 40

HSL 48.62, 0.69%, 0.5%

LAB 74.51, -1.46, 69.5

 

CMYK 0 / 17 / 89 / 23

HEX #C5A315

RGB 197 163 21

HSL 48.41, 0.81%, 0.43%

LAB 68.11, 0.09, 68.25

 

CMYK 0 / 19 / 99 / 29

HEX #B49102

RGB 180 145 2

HSL 48.2, 0.98%, 0.36%

LAB 61.62, 1.89, 65.64

 

CMYK 0 / 22 / 100 / 36

HEX #A37F00

RGB 163 127 0

HSL 46.75, 1%, 0.32%

LAB 55.04, 4, 60.52

 

CMYK 0 / 25 / 100 / 43

HEX #926D00

RGB 146 109 0

HSL 44.79, 1%, 0.29%

LAB 48.32, 6.24, 55

 

CMYK 0 / 15 / 82 / 16

HEX #D7B627

RGB 215 182 39

HSL 48.75, 0.69%, 0.5%

LAB 74.86, -1.58, 70.13

 

CMYK 0 / 38 / 82 / 16

HEX #D78627

RGB 215 134 39

HSL 32.39, 0.69%, 0.5%

LAB 63.05, 24.08, 59.84

 

CMYK 0 / 60 / 82 / 16

HEX #D75727

RGB 215 87 39

HSL 16.36, 0.69%, 0.5%

LAB 53.4, 47.99, 51.14

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 15 / 82 / 16

HEX #D7B627

RGB 215 182 39

HSL 48.75, 0.69%, 0.5%

LAB 74.86, -1.58, 70.13

 

CMYK 7 / 0 / 82 / 16

HEX #C9D727

RGB 201 215 39

HSL 64.77, 0.69%, 0.5%

LAB 82.47, -24.18, 76.19

 

CMYK 29 / 0 / 82 / 16

HEX #99D727

RGB 153 215 39

HSL 81.14, 0.69%, 0.5%

LAB 79.34, -43.24, 72.25

 

CMYK 51 / 0 / 82 / 16

HEX #6AD727

RGB 106 215 39

HSL 97.16, 0.69%, 0.5%

LAB 77.17, -58.86, 69.49

 

CMYK 73 / 0 / 82 / 16

HEX #3BD727

RGB 59 215 39

HSL 113.18, 0.69%, 0.5%

LAB 75.87, -69.47, 67.82

 

CMYK 0 / 15 / 82 / 16

HEX #D7B627

RGB 215 182 39

HSL 48.75, 0.69%, 0.5%

LAB 74.86, -1.58, 70.13

 

CMYK 0 / 18 / 92 / 7

HEX #ECC212

RGB 236 194 18

HSL 48.44, 0.86%, 0.5%

LAB 79.87, 0.84, 79.41

 

CMYK 0 / 15 / 82 / 16

HEX #D7B627

RGB 215 182 39

HSL 48.75, 0.69%, 0.5%

LAB 74.86, -1.58, 70.13

 

CMYK 0 / 13 / 69 / 24

HEX #C2A93C

RGB 194 169 60

HSL 48.81, 0.53%, 0.5%

LAB 69.59, -3.02, 57.14

 

CMYK 0 / 10 / 54 / 32

HEX #AE9C50

RGB 174 156 80

HSL 48.51, 0.37%, 0.5%

LAB 64.45, -3.35, 41.75

 

CMYK 0 / 7 / 34 / 40

HEX #998F65

RGB 153 143 101

HSL 48.46, 0.2%, 0.5%

LAB 59.3, -2.91, 23.73

 

CMYK 0 / 2 / 8 / 48

HEX #84827A

RGB 132 130 122

HSL 48, 0.04%, 0.5%

LAB 54.32, -0.77, 4.59

 

CMYK 0 / 60 / 82 / 16

HEX #D75627

RGB 215 86 39

HSL 16.02, 0.69%, 0.5%

LAB 53.22, 48.45, 50.98

 

CMYK 0 / 38 / 82 / 16

HEX #D78527

RGB 215 133 39

HSL 32.05, 0.69%, 0.5%

LAB 62.82, 24.62, 59.63

 

CMYK 0 / 16 / 82 / 16

HEX #D7B427

RGB 215 180 39

HSL 48.07, 0.69%, 0.5%

LAB 74.34, -0.53, 69.68

 

CMYK 6 / 0 / 82 / 16

HEX #CBD727

RGB 203 215 39

HSL 64.09, 0.69%, 0.5%

LAB 82.62, -23.35, 76.37

 

CMYK 27 / 0 / 82 / 16

HEX #9CD727

RGB 156 215 39

HSL 80.11, 0.69%, 0.5%

LAB 79.51, -42.12, 72.46

 

CMYK 0 / 15 / 82 / 43

HEX #917B1A

RGB 145 123 26

HSL 48.91, 0.7%, 0.34%

LAB 52.13, -1.59, 51.6

 

CMYK 0 / 16 / 82 / 29

HEX #B49821

RGB 180 152 33

HSL 48.57, 0.69%, 0.42%

LAB 63.57, -1.29, 60.78

 

CMYK 0 / 15 / 82 / 16

HEX #D7B627

RGB 215 182 39

HSL 48.75, 0.69%, 0.5%

LAB 74.86, -1.58, 70.13

 

CMYK 0 / 13 / 67 / 13

HEX #DDC14A

RGB 221 193 74

HSL 48.57, 0.68%, 0.58%

LAB 78.47, -3.22, 61.3

 

CMYK 0 / 10 / 52 / 11

HEX #E4CD6D

RGB 228 205 109

HSL 48.4, 0.69%, 0.66%

LAB 82.52, -4.02, 50.22

 

CMYK 0 / 15 / 81 / 16

HEX #D6B528

RGB 214 181 40

HSL 48.62, 0.69%, 0.5%

LAB 74.51, -1.46, 69.5

 

CMYK 82 / 0 / 82 / 16

HEX #27D727

RGB 39 215 39

HSL 120, 0.69%, 0.5%

LAB 75.56, -72.17, 67.43

 

CMYK 49 / 82 / 0 / 16

HEX #6D27D7

RGB 109 39 215

HSL 263.86, 0.69%, 0.5%

LAB 37.13, 64.86, -76.91

 

CMYK 0 / 15 / 81 / 16

HEX #D6B528

RGB 214 181 40

HSL 48.62, 0.69%, 0.5%

LAB 74.51, -1.46, 69.5

 

CMYK 82 / 0 / 16 / 16

HEX #27D7B4

RGB 39 215 180

HSL 168.07, 0.69%, 0.5%

LAB 77.48, -50.17, 5.32

 

CMYK 16 / 82 / 0 / 16

HEX #B427D7

RGB 180 39 215

HSL 288.07, 0.69%, 0.5%

LAB 47.05, 75.37, -60.3

 

CMYK 0 / 15 / 81 / 16

HEX #D6B528

RGB 214 181 40

HSL 48.62, 0.69%, 0.5%

LAB 74.51, -1.46, 69.5

 

CMYK 82 / 0 / 82 / 16

HEX #27D727

RGB 39 215 39

HSL 120, 0.69%, 0.5%

LAB 75.56, -72.17, 67.43

 

CMYK 82 / 66 / 0 / 16

HEX #274AD7

RGB 39 74 215

HSL 228.07, 0.69%, 0.5%

LAB 38.26, 39.59, -75.23

 

CMYK 0 / 82 / 0 / 16

HEX #D727D7

RGB 215 39 215

HSL 300, 0.69%, 0.5%

LAB 52.73, 81.57, -50.88

 

CMYK 0 / 15 / 81 / 16

HEX #D6B528

RGB 214 181 40

HSL 48.62, 0.69%, 0.5%

LAB 74.51, -1.46, 69.5

 

CMYK 82 / 0 / 57 / 16

HEX #27D75C

RGB 39 215 92

HSL 138.07, 0.69%, 0.5%

LAB 75.95, -67.37, 48.14

 

CMYK 82 / 66 / 0 / 16

HEX #274AD7

RGB 39 74 215

HSL 228.07, 0.69%, 0.5%

LAB 38.26, 39.59, -75.23

 

CMYK 0 / 82 / 25 / 16

HEX #D727A2

RGB 215 39 162

HSL 318.07, 0.69%, 0.5%

LAB 50.11, 74.37, -24.19

 

Description

Color code: HEX #D6B528 | qconv.com Color code: HEX #D6B528 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 181 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 181 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 81% 16% C M Y K

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