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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6B190 it is the complementary color #294E6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6B190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6B190 shade: #DBB18B, #ECC39E, #FDD5B1, #FFE7C4 and #FFF9D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6B190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6B190 shade: #D6B190, #C59F7D, #B48D6A, #A37B57 and #926944

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6B190 shade: #D6B08F, #D69E8F and #D68F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6B190 shade: #D6B08F, #D6C38F, #D5D68F, #C2D68F and #AFD68F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6B190 shade matches the following richer shades: #D6B08F, #E2B083, #EEAF77 and #FBAE6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6B190 shade: #D6B08F, #C9B19C, #BDB2A8, #B1B3B4 and #A4B3C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6B190 shade: #D68F94, #D69D8F, #D6B08F, #D6C38F and #D6D68F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6B190 shade: #BF8653, #CB9B71, #D6B08F, #E1C6AD and #ECDBCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6B190 shade: #D6B190, #A7D68F and #948FD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6B190 shade: #D6B190, #8FD6B0 and #B08FD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6B190 shade: #D6B190, #A7D68F, #8FB5D6 and #BE8FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6B190 shade: #D6B190, #92D68F, #8FB5D6 and #D38FD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 33 / 16

HEX #D6B190

RGB 214 177 144

HSL 28.29, 0.46%, 0.7%

LAB 74.67, 8.7, 21.92

 

Complementary color

CMYK 63 / 30 / 0 / 56

HEX #294E6F

RGB 41 78 111

HSL 208.29, 0.46%, 0.3%

LAB 31.96, -2.17, -22.98

 

CMYK 0 / 19 / 37 / 14

HEX #DBB18B

RGB 219 177 139

HSL 28.5, 0.53%, 0.7%

LAB 75.06, 10.05, 25.21

 

CMYK 0 / 17 / 33 / 7

HEX #ECC39E

RGB 236 195 158

HSL 28.46, 0.67%, 0.77%

LAB 81.47, 9.44, 24.08

 

CMYK 0 / 16 / 30 / 1

HEX #FDD5B1

RGB 253 213 177

HSL 28.42, 0.95%, 0.84%

LAB 87.8, 8.89, 23.02

 

CMYK 0 / 9 / 23 / 0

HEX #FFE7C4

RGB 255 231 196

HSL 35.59, 1%, 0.88%

LAB 92.75, 2.9, 20.03

 

CMYK 0 / 2 / 16 / 0

HEX #FFF9D7

RGB 255 249 215

HSL 51, 1%, 0.92%

LAB 97.6, -3.47, 17.05

 

CMYK 0 / 17 / 33 / 16

HEX #D6B190

RGB 214 177 144

HSL 28.29, 0.46%, 0.7%

LAB 74.67, 8.7, 21.92

 

CMYK 0 / 19 / 37 / 23

HEX #C59F7D

RGB 197 159 125

HSL 28.33, 0.38%, 0.63%

LAB 68.13, 9.32, 23.07

 

CMYK 0 / 22 / 41 / 29

HEX #B48D6A

RGB 180 141 106

HSL 28.38, 0.33%, 0.56%

LAB 61.48, 10.04, 24.31

 

CMYK 0 / 25 / 47 / 36

HEX #A37B57

RGB 163 123 87

HSL 28.42, 0.3%, 0.49%

LAB 54.7, 10.88, 25.67

 

CMYK 0 / 28 / 53 / 43

HEX #926944

RGB 146 105 68

HSL 28.46, 0.36%, 0.42%

LAB 47.79, 11.89, 27.16

 

CMYK 0 / 18 / 33 / 16

HEX #D6B08F

RGB 214 176 143

HSL 27.89, 0.46%, 0.7%

LAB 74.4, 9.11, 22.09

 

CMYK 0 / 26 / 33 / 16

HEX #D69E8F

RGB 214 158 143

HSL 12.68, 0.46%, 0.7%

LAB 69.99, 18.82, 16.01

 

CMYK 0 / 33 / 33 / 16

HEX #D68F8F

RGB 214 143 143

HSL 0, 0.46%, 0.7%

LAB 66.46, 26.94, 11.06

 

CMYK 0 / 18 / 33 / 16

HEX #D6B08F

RGB 214 176 143

HSL 27.89, 0.46%, 0.7%

LAB 74.4, 9.11, 22.09

 

CMYK 0 / 9 / 33 / 16

HEX #D6C38F

RGB 214 195 143

HSL 43.94, 0.46%, 0.7%

LAB 79.22, -0.95, 28.6

 

CMYK 0 / 0 / 33 / 16

HEX #D5D68F

RGB 213 214 143

HSL 60.85, 0.46%, 0.7%

LAB 84.08, -11.11, 35.02

 

CMYK 9 / 0 / 33 / 16

HEX #C2D68F

RGB 194 214 143

HSL 76.9, 0.46%, 0.7%

LAB 82.67, -18.34, 32.9

 

CMYK 18 / 0 / 33 / 16

HEX #AFD68F

RGB 175 214 143

HSL 92.96, 0.46%, 0.7%

LAB 81.4, -25.31, 30.98

 

CMYK 0 / 18 / 33 / 16

HEX #D6B08F

RGB 214 176 143

HSL 27.89, 0.46%, 0.7%

LAB 74.4, 9.11, 22.09

 

CMYK 0 / 22 / 42 / 11

HEX #E2B083

RGB 226 176 131

HSL 28.42, 0.62%, 0.7%

LAB 75.36, 12.46, 30.01

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF77

RGB 238 175 119

HSL 28.24, 0.78%, 0.7%

LAB 76.17, 16.61, 37.61

 

CMYK 0 / 31 / 58 / 2

HEX #FBAE6A

RGB 251 174 106

HSL 28.14, 0.95%, 0.7%

LAB 77.17, 21.32, 45.82

 

CMYK 0 / 18 / 33 / 16

HEX #D6B08F

RGB 214 176 143

HSL 27.89, 0.46%, 0.7%

LAB 74.4, 9.11, 22.09

 

CMYK 0 / 12 / 22 / 21

HEX #C9B19C

RGB 201 177 156

HSL 28, 0.29%, 0.7%

LAB 73.72, 5.32, 13.91

 

CMYK 0 / 6 / 11 / 26

HEX #BDB2A8

RGB 189 178 168

HSL 28.57, 0.14%, 0.7%

LAB 73.21, 2.18, 6.5

 

CMYK 2 / 1 / 0 / 29

HEX #B1B3B4

RGB 177 179 180

HSL 200, 0.02%, 0.7%

LAB 72.81, -0.51, -0.76

 

CMYK 15 / 7 / 0 / 24

HEX #A4B3C1

RGB 164 179 193

HSL 208.97, 0.19%, 0.7%

LAB 72.22, -2.28, -8.88

 

CMYK 0 / 33 / 31 / 16

HEX #D68F94

RGB 214 143 148

HSL 355.77, 0.46%, 0.7%

LAB 66.58, 27.59, 8.42

 

CMYK 0 / 27 / 33 / 16

HEX #D69D8F

RGB 214 157 143

HSL 11.83, 0.46%, 0.7%

LAB 69.75, 19.36, 15.67

 

CMYK 0 / 18 / 33 / 16

HEX #D6B08F

RGB 214 176 143

HSL 27.89, 0.46%, 0.7%

LAB 74.4, 9.11, 22.09

 

CMYK 0 / 9 / 33 / 16

HEX #D6C38F

RGB 214 195 143

HSL 43.94, 0.46%, 0.7%

LAB 79.22, -0.95, 28.6

 

CMYK 0 / 0 / 33 / 16

HEX #D6D68F

RGB 214 214 143

HSL 60, 0.46%, 0.7%

LAB 84.16, -10.73, 35.14

 

CMYK 0 / 30 / 57 / 25

HEX #BF8653

RGB 191 134 83

HSL 28.33, 0.46%, 0.54%

LAB 60.56, 16.27, 35.93

 

CMYK 0 / 24 / 44 / 20

HEX #CB9B71

RGB 203 155 113

HSL 28, 0.46%, 0.62%

LAB 67.52, 12.57, 28.91

 

CMYK 0 / 18 / 33 / 16

HEX #D6B08F

RGB 214 176 143

HSL 27.89, 0.46%, 0.7%

LAB 74.4, 9.11, 22.09

 

CMYK 0 / 12 / 23 / 12

HEX #E1C6AD

RGB 225 198 173

HSL 28.85, 0.46%, 0.78%

LAB 81.52, 5.67, 16.02

 

CMYK 0 / 7 / 14 / 7

HEX #ECDBCC

RGB 236 219 204

HSL 28.13, 0.46%, 0.86%

LAB 88.38, 3.39, 9.47

 

CMYK 0 / 17 / 33 / 16

HEX #D6B190

RGB 214 177 144

HSL 28.29, 0.46%, 0.7%

LAB 74.67, 8.7, 21.92

 

CMYK 22 / 0 / 33 / 16

HEX #A7D68F

RGB 167 214 143

HSL 99.72, 0.46%, 0.7%

LAB 80.9, -28.15, 30.24

 

CMYK 31 / 33 / 0 / 16

HEX #948FD6

RGB 148 143 214

HSL 244.23, 0.46%, 0.7%

LAB 62.33, 17.89, -35.69

 

CMYK 0 / 17 / 33 / 16

HEX #D6B190

RGB 214 177 144

HSL 28.29, 0.46%, 0.7%

LAB 74.67, 8.7, 21.92

 

CMYK 33 / 0 / 18 / 16

HEX #8FD6B0

RGB 143 214 176

HSL 147.89, 0.46%, 0.7%

LAB 80.22, -30.27, 11.79

 

CMYK 18 / 33 / 0 / 16

HEX #B08FD6

RGB 176 143 214

HSL 267.89, 0.46%, 0.7%

LAB 64.75, 26.22, -31.76

 

CMYK 0 / 17 / 33 / 16

HEX #D6B190

RGB 214 177 144

HSL 28.29, 0.46%, 0.7%

LAB 74.67, 8.7, 21.92

 

CMYK 22 / 0 / 33 / 16

HEX #A7D68F

RGB 167 214 143

HSL 99.72, 0.46%, 0.7%

LAB 80.9, -28.15, 30.24

 

CMYK 33 / 15 / 0 / 16

HEX #8FB5D6

RGB 143 181 214

HSL 207.89, 0.46%, 0.7%

LAB 72.06, -4.89, -20.76

 

CMYK 11 / 33 / 0 / 16

HEX #BE8FD6

RGB 190 143 214

HSL 279.72, 0.46%, 0.7%

LAB 66.1, 30.56, -29.56

 

CMYK 0 / 17 / 33 / 16

HEX #D6B190

RGB 214 177 144

HSL 28.29, 0.46%, 0.7%

LAB 74.67, 8.7, 21.92

 

CMYK 32 / 0 / 33 / 16

HEX #92D68F

RGB 146 214 143

HSL 117.46, 0.46%, 0.7%

LAB 79.72, -35.23, 28.45

 

CMYK 33 / 15 / 0 / 16

HEX #8FB5D6

RGB 143 181 214

HSL 207.89, 0.46%, 0.7%

LAB 72.06, -4.89, -20.76

 

CMYK 1 / 33 / 0 / 16

HEX #D38FD6

RGB 211 143 214

HSL 297.46, 0.46%, 0.7%

LAB 68.28, 37.18, -26.02

 

Description

Color code: HEX #D6B190 | qconv.com Color code: HEX #D6B190 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 177 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 177 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 33 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 33% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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