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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6AFEC it is the complementary color #295013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6AFEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6AFEC shade: #DBAFE7, #ECC1FA, #FDD3FF, #FFE5FF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6AFEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6AFEC shade: #D6AFEC, #C59DD9, #B48BC6, #A379B3 and #9267A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6AFEC shade: #D7B1ED, #E7B1ED, #EDB1E2, #EDB1D2 and #EDB1C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6AFEC shade: #D7B1ED, #C7B1ED, #B7B1ED and #B1B1ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6AFEC shade matches the following richer shades: #D7B1ED, #D9A9F4 and #DBA1FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6AFEC shade: #D7B1ED, #D5B8E5, #D3C0DD, #D0C8D5 and #CED0CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6AFEC shade: #B7B1ED, #C7B1ED, #D7B1ED, #E7B1ED and #EDB1E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6AFEC shade: #B56EDD, #C68FE5, #D7B1ED, #E8D2F4 and #F9F3FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6AFEC shade: #D6AFEC, #EDB1BB and #B1EDBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6AFEC shade: #D6AFEC, #EDD7B1 and #B1EDD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6AFEC shade: #D6AFEC, #EDB1BB, #C7EDB1 and #B1EDE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6AFEC shade: #D6AFEC, #EDB9B1, #C7EDB1 and #B1E5ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 26 / 0 / 7

HEX #D6AFEC

RGB 214 175 236

HSL 278.36, 0.62%, 0.81%

LAB 76.69, 25.08, -25.17

 

Complementary color

CMYK 49 / 0 / 76 / 69

HEX #295013

RGB 41 80 19

HSL 98.36, 0.62%, 0.19%

LAB 30.05, -26.02, 30.22

 

CMYK 5 / 24 / 0 / 9

HEX #DBAFE7

RGB 219 175 231

HSL 287.14, 0.54%, 0.8%

LAB 76.97, 25.69, -21.98

 

CMYK 6 / 23 / 0 / 2

HEX #ECC1FA

RGB 236 193 250

HSL 285.26, 0.85%, 0.87%

LAB 83.38, 25.15, -22.31

 

CMYK 1 / 17 / 0 / 0

HEX #FDD3FF

RGB 253 211 255

HSL 297.27, 1%, 0.91%

LAB 89.25, 22.05, -15.95

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 9 / 26 / 0 / 7

HEX #D6AFEC

RGB 214 175 236

HSL 278.36, 0.62%, 0.81%

LAB 76.69, 25.08, -25.17

 

CMYK 9 / 28 / 0 / 15

HEX #C59DD9

RGB 197 157 217

HSL 280, 0.44%, 0.73%

LAB 70.17, 25.65, -24.9

 

CMYK 9 / 30 / 0 / 22

HEX #B48BC6

RGB 180 139 198

HSL 281.69, 0.34%, 0.66%

LAB 63.55, 26.27, -24.64

 

CMYK 9 / 32 / 0 / 30

HEX #A379B3

RGB 163 121 179

HSL 283.45, 0.28%, 0.59%

LAB 56.8, 26.95, -24.38

 

CMYK 9 / 36 / 0 / 37

HEX #9267A0

RGB 146 103 160

HSL 285.26, 0.23%, 0.52%

LAB 49.92, 27.67, -24.11

 

CMYK 9 / 25 / 0 / 7

HEX #D7B1ED

RGB 215 177 237

HSL 278, 0.63%, 0.81%

LAB 77.28, 24.51, -24.79

 

CMYK 3 / 25 / 0 / 7

HEX #E7B1ED

RGB 231 177 237

HSL 294, 0.63%, 0.81%

LAB 78.78, 29.63, -22.37

 

CMYK 0 / 25 / 5 / 7

HEX #EDB1E2

RGB 237 177 226

HSL 311, 0.63%, 0.81%

LAB 79.01, 29.59, -16.03

 

CMYK 0 / 25 / 11 / 7

HEX #EDB1D2

RGB 237 177 210

HSL 327, 0.63%, 0.81%

LAB 78.52, 26.86, -8.1

 

CMYK 0 / 25 / 19 / 7

HEX #EDB1C1

RGB 237 177 193

HSL 344, 0.63%, 0.81%

LAB 78.05, 24.17, 0.44

 

CMYK 9 / 25 / 0 / 7

HEX #D7B1ED

RGB 215 177 237

HSL 278, 0.63%, 0.81%

LAB 77.28, 24.51, -24.79

 

CMYK 16 / 25 / 0 / 7

HEX #C7B1ED

RGB 199 177 237

HSL 262, 0.63%, 0.81%

LAB 75.89, 19.49, -27.05

 

CMYK 23 / 25 / 0 / 7

HEX #B7B1ED

RGB 183 177 237

HSL 246, 0.63%, 0.81%

LAB 74.59, 14.6, -29.15

 

CMYK 25 / 25 / 0 / 7

HEX #B1B1ED

RGB 177 177 237

HSL 240, 0.63%, 0.81%

LAB 74.13, 12.81, -29.9

 

CMYK 9 / 25 / 0 / 7

HEX #D7B1ED

RGB 215 177 237

HSL 278, 0.63%, 0.81%

LAB 77.28, 24.51, -24.79

 

CMYK 11 / 31 / 0 / 4

HEX #D9A9F4

RGB 217 169 244

HSL 278.4, 0.77%, 0.81%

LAB 75.86, 30.89, -30.74

 

CMYK 13 / 36 / 0 / 1

HEX #DBA1FC

RGB 219 161 252

HSL 278.24, 0.94%, 0.81%

LAB 74.56, 37.46, -37.06

 

CMYK 9 / 25 / 0 / 7

HEX #D7B1ED

RGB 215 177 237

HSL 278, 0.63%, 0.81%

LAB 77.28, 24.51, -24.79

 

CMYK 7 / 20 / 0 / 10

HEX #D5B8E5

RGB 213 184 229

HSL 278.67, 0.46%, 0.81%

LAB 78.51, 18.48, -18.62

 

CMYK 5 / 13 / 0 / 13

HEX #D3C0DD

RGB 211 192 221

HSL 279.31, 0.3%, 0.81%

LAB 80.05, 11.95, -12.02

 

CMYK 2 / 6 / 0 / 16

HEX #D0C8D5

RGB 208 200 213

HSL 276.92, 0.13%, 0.81%

LAB 81.58, 5.15, -5.48

 

CMYK 1 / 0 / 1 / 18

HEX #CED0CD

RGB 206 208 205

HSL 100, 0.03%, 0.81%

LAB 83.25, -1.22, 1.24

 

CMYK 23 / 25 / 0 / 7

HEX #B7B1ED

RGB 183 177 237

HSL 246, 0.63%, 0.81%

LAB 74.59, 14.6, -29.15

 

CMYK 16 / 25 / 0 / 7

HEX #C7B1ED

RGB 199 177 237

HSL 262, 0.63%, 0.81%

LAB 75.89, 19.49, -27.05

 

CMYK 9 / 25 / 0 / 7

HEX #D7B1ED

RGB 215 177 237

HSL 278, 0.63%, 0.81%

LAB 77.28, 24.51, -24.79

 

CMYK 3 / 25 / 0 / 7

HEX #E7B1ED

RGB 231 177 237

HSL 294, 0.63%, 0.81%

LAB 78.78, 29.63, -22.37

 

CMYK 0 / 25 / 4 / 7

HEX #EDB1E3

RGB 237 177 227

HSL 310, 0.63%, 0.81%

LAB 79.04, 29.76, -16.53

 

CMYK 18 / 50 / 0 / 13

HEX #B56EDD

RGB 181 110 221

HSL 278.38, 0.62%, 0.65%

LAB 58.22, 47.39, -45.85

 

CMYK 14 / 38 / 0 / 10

HEX #C68FE5

RGB 198 143 229

HSL 278.37, 0.62%, 0.73%

LAB 67.51, 36.15, -35.62

 

CMYK 9 / 25 / 0 / 7

HEX #D7B1ED

RGB 215 177 237

HSL 278, 0.63%, 0.81%

LAB 77.28, 24.51, -24.79

 

CMYK 5 / 14 / 0 / 4

HEX #E8D2F4

RGB 232 210 244

HSL 278.82, 0.61%, 0.89%

LAB 86.89, 13.68, -13.87

 

CMYK 1 / 4 / 0 / 1

HEX #F9F3FC

RGB 249 243 252

HSL 280, 0.6%, 0.97%

LAB 96.52, 3.59, -3.62

 

CMYK 9 / 26 / 0 / 7

HEX #D6AFEC

RGB 214 175 236

HSL 278.36, 0.62%, 0.81%

LAB 76.69, 25.08, -25.17

 

CMYK 0 / 25 / 21 / 7

HEX #EDB1BB

RGB 237 177 187

HSL 350, 0.63%, 0.81%

LAB 77.9, 23.28, 3.47

 

CMYK 25 / 0 / 19 / 7

HEX #B1EDBF

RGB 177 237 191

HSL 134, 0.63%, 0.81%

LAB 88.77, -27.94, 16.25

 

CMYK 9 / 26 / 0 / 7

HEX #D6AFEC

RGB 214 175 236

HSL 278.36, 0.62%, 0.81%

LAB 76.69, 25.08, -25.17

 

CMYK 0 / 9 / 25 / 7

HEX #EDD7B1

RGB 237 215 177

HSL 38, 0.63%, 0.81%

LAB 86.89, 1.86, 21.54

 

CMYK 25 / 0 / 9 / 7

HEX #B1EDD7

RGB 177 237 215

HSL 158, 0.63%, 0.81%

LAB 89.31, -23.38, 4.52

 

CMYK 9 / 26 / 0 / 7

HEX #D6AFEC

RGB 214 175 236

HSL 278.36, 0.62%, 0.81%

LAB 76.69, 25.08, -25.17

 

CMYK 0 / 25 / 21 / 7

HEX #EDB1BB

RGB 237 177 187

HSL 350, 0.63%, 0.81%

LAB 77.9, 23.28, 3.47

 

CMYK 16 / 0 / 25 / 7

HEX #C7EDB1

RGB 199 237 177

HSL 98, 0.63%, 0.81%

LAB 89.81, -22.96, 25.11

 

CMYK 25 / 0 / 4 / 7

HEX #B1EDE3

RGB 177 237 227

HSL 170, 0.63%, 0.81%

LAB 89.61, -20.92, -1.31

 

CMYK 9 / 26 / 0 / 7

HEX #D6AFEC

RGB 214 175 236

HSL 278.36, 0.62%, 0.81%

LAB 76.69, 25.08, -25.17

 

CMYK 0 / 22 / 25 / 7

HEX #EDB9B1

RGB 237 185 177

HSL 8, 0.63%, 0.81%

LAB 79.54, 17.59, 11.25

 

CMYK 16 / 0 / 25 / 7

HEX #C7EDB1

RGB 199 237 177

HSL 98, 0.63%, 0.81%

LAB 89.81, -22.96, 25.11

 

CMYK 25 / 3 / 0 / 7

HEX #B1E5ED

RGB 177 229 237

HSL 188, 0.63%, 0.81%

LAB 87.73, -14.79, -9.33

 

Description

Color code: HEX #D6AFEC | qconv.com Color code: HEX #D6AFEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 175 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 175 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 26 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 26% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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