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Color name
HEX #D6AC49

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6AC49 it is the complementary color #2953B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6AC49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6AC49 shade: #DBAC44, #ECBE57, #FDD06A, #FFE27D and #FFF490

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6AC49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6AC49 shade: #D6AC49, #C59A36, #B48823, #A37610 and #926400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6AC49 shade: #D5AB48, #D58548, #D55F48 and #D54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6AC49 shade: #D5AB48, #D5D248, #B3D548, #8DD548 and #67D548

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6AC49 shade matches the following richer shades: #D5AB48, #E8B336 and #FABA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6AC49 shade: #D5AB48, #C3A45A, #B19D6C, #9F957F and #8D8E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6AC49 shade: #D56048, #D58548, #D5AB48, #D5D148 and #B4D548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6AC49 shade: #A67F26, #C7992D, #D5AB48, #DDBB6A and #E5CA8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6AC49 shade: #D6AC49, #56D548 and #7348D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6AC49 shade: #D6AC49, #48D5AB and #AB48D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6AC49 shade: #D6AC49, #56D548, #4873D5 and #C748D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6AC49 shade: #D6AC49, #48D564, #4873D5 and #D548B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 66 / 16

HEX #D6AC49

RGB 214 172 73

HSL 42.13, 0.63%, 0.56%

LAB 72.42, 4.76, 55.12

 

Complementary color

CMYK 77 / 54 / 0 / 29

HEX #2953B6

RGB 41 83 182

HSL 222.13, 0.63%, 0.44%

LAB 37.91, 21.59, -56.62

 

CMYK 0 / 21 / 69 / 14

HEX #DBAC44

RGB 219 172 68

HSL 41.32, 0.68%, 0.56%

LAB 72.88, 6.62, 57.94

 

CMYK 0 / 19 / 63 / 7

HEX #ECBE57

RGB 236 190 87

HSL 41.48, 0.8%, 0.63%

LAB 79.24, 5.44, 56.91

 

CMYK 0 / 18 / 58 / 1

HEX #FDD06A

RGB 253 208 106

HSL 41.63, 0.97%, 0.7%

LAB 85.52, 4.42, 55.73

 

CMYK 0 / 11 / 51 / 0

HEX #FFE27D

RGB 255 226 125

HSL 46.62, 1%, 0.75%

LAB 90.38, -2.46, 52.57

 

CMYK 0 / 4 / 44 / 0

HEX #FFF490

RGB 255 244 144

HSL 54.05, 1%, 0.78%

LAB 95.15, -9.73, 49.33

 

CMYK 0 / 20 / 66 / 16

HEX #D6AC49

RGB 214 172 73

HSL 42.13, 0.63%, 0.56%

LAB 72.42, 4.76, 55.12

 

CMYK 0 / 22 / 73 / 23

HEX #C59A36

RGB 197 154 54

HSL 41.96, 0.57%, 0.49%

LAB 65.94, 6.03, 56.02

 

CMYK 0 / 24 / 81 / 29

HEX #B48823

RGB 180 136 35

HSL 41.79, 0.67%, 0.42%

LAB 59.37, 7.53, 56.41

 

CMYK 0 / 28 / 90 / 36

HEX #A37610

RGB 163 118 16

HSL 41.63, 0.82%, 0.35%

LAB 52.71, 9.32, 55.74

 

CMYK 0 / 32 / 100 / 43

HEX #926400

RGB 146 100 0

HSL 41.1, 1%, 0.29%

LAB 45.94, 11.43, 53.38

 

CMYK 0 / 20 / 66 / 16

HEX #D5AB48

RGB 213 171 72

HSL 42.13, 0.63%, 0.56%

LAB 72.05, 4.81, 55.14

 

CMYK 0 / 38 / 66 / 16

HEX #D58548

RGB 213 133 72

HSL 25.96, 0.63%, 0.56%

LAB 62.83, 25.27, 44.97

 

CMYK 0 / 55 / 66 / 16

HEX #D55F48

RGB 213 95 72

HSL 9.79, 0.63%, 0.56%

LAB 54.86, 44.91, 35.68

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 20 / 66 / 16

HEX #D5AB48

RGB 213 171 72

HSL 42.13, 0.63%, 0.56%

LAB 72.05, 4.81, 55.14

 

CMYK 0 / 1 / 66 / 16

HEX #D5D248

RGB 213 210 72

HSL 58.72, 0.63%, 0.56%

LAB 82.22, -15.33, 65.76

 

CMYK 16 / 0 / 66 / 16

HEX #B3D548

RGB 179 213 72

HSL 74.47, 0.63%, 0.56%

LAB 80.54, -30.63, 63.24

 

CMYK 34 / 0 / 66 / 16

HEX #8DD548

RGB 141 213 72

HSL 90.64, 0.63%, 0.56%

LAB 78.3, -44.86, 60.2

 

CMYK 52 / 0 / 66 / 16

HEX #67D548

RGB 103 213 72

HSL 106.81, 0.63%, 0.56%

LAB 76.64, -56.79, 57.94

 

CMYK 0 / 20 / 66 / 16

HEX #D5AB48

RGB 213 171 72

HSL 42.13, 0.63%, 0.56%

LAB 72.05, 4.81, 55.14

 

CMYK 0 / 23 / 77 / 9

HEX #E8B336

RGB 232 179 54

HSL 42.13, 0.79%, 0.56%

LAB 75.86, 7.85, 66.85

 

CMYK 0 / 26 / 86 / 2

HEX #FABA24

RGB 250 186 36

HSL 42.06, 0.96%, 0.56%

LAB 79.37, 11.32, 76.11

 

CMYK 0 / 20 / 66 / 16

HEX #D5AB48

RGB 213 171 72

HSL 42.13, 0.63%, 0.56%

LAB 72.05, 4.81, 55.14

 

CMYK 0 / 16 / 54 / 24

HEX #C3A45A

RGB 195 164 90

HSL 42.29, 0.47%, 0.56%

LAB 68.67, 2.16, 42.24

 

CMYK 0 / 11 / 39 / 31

HEX #B19D6C

RGB 177 157 108

HSL 42.61, 0.31%, 0.56%

LAB 65.39, 0.22, 28.33

 

CMYK 0 / 6 / 20 / 38

HEX #9F957F

RGB 159 149 127

HSL 41.25, 0.14%, 0.56%

LAB 62, -0.06, 12.96

 

CMYK 3 / 2 / 0 / 43

HEX #8D8E91

RGB 141 142 145

HSL 225, 0.02%, 0.56%

LAB 59.02, 0.23, -1.73

 

CMYK 0 / 55 / 66 / 16

HEX #D56048

RGB 213 96 72

HSL 10.21, 0.63%, 0.56%

LAB 55.05, 44.43, 35.91

 

CMYK 0 / 38 / 66 / 16

HEX #D58548

RGB 213 133 72

HSL 25.96, 0.63%, 0.56%

LAB 62.83, 25.27, 44.97

 

CMYK 0 / 20 / 66 / 16

HEX #D5AB48

RGB 213 171 72

HSL 42.13, 0.63%, 0.56%

LAB 72.05, 4.81, 55.14

 

CMYK 0 / 2 / 66 / 16

HEX #D5D148

RGB 213 209 72

HSL 58.3, 0.63%, 0.56%

LAB 81.95, -14.83, 65.49

 

CMYK 15 / 0 / 66 / 16

HEX #B4D548

RGB 180 213 72

HSL 74.04, 0.63%, 0.56%

LAB 80.6, -30.24, 63.33

 

CMYK 0 / 23 / 77 / 35

HEX #A67F26

RGB 166 127 38

HSL 41.72, 0.63%, 0.4%

LAB 55.51, 6.33, 51.16

 

CMYK 0 / 23 / 77 / 22

HEX #C7992D

RGB 199 153 45

HSL 42.08, 0.63%, 0.48%

LAB 65.84, 7.06, 59.5

 

CMYK 0 / 20 / 66 / 16

HEX #D5AB48

RGB 213 171 72

HSL 42.13, 0.63%, 0.56%

LAB 72.05, 4.81, 55.14

 

CMYK 0 / 15 / 52 / 13

HEX #DDBB6A

RGB 221 187 106

HSL 42.26, 0.63%, 0.64%

LAB 77.25, 2.19, 45.19

 

CMYK 0 / 12 / 39 / 10

HEX #E5CA8B

RGB 229 202 139

HSL 42, 0.63%, 0.72%

LAB 82.25, 0.83, 34.93

 

CMYK 0 / 20 / 66 / 16

HEX #D6AC49

RGB 214 172 73

HSL 42.13, 0.63%, 0.56%

LAB 72.42, 4.76, 55.12

 

CMYK 60 / 0 / 66 / 16

HEX #56D548

RGB 86 213 72

HSL 114.04, 0.63%, 0.56%

LAB 76.09, -61.1, 57.19

 

CMYK 46 / 66 / 0 / 16

HEX #7348D5

RGB 115 72 213

HSL 258.3, 0.63%, 0.56%

LAB 42.89, 50.34, -66.3

 

CMYK 0 / 20 / 66 / 16

HEX #D6AC49

RGB 214 172 73

HSL 42.13, 0.63%, 0.56%

LAB 72.42, 4.76, 55.12

 

CMYK 66 / 0 / 20 / 16

HEX #48D5AB

RGB 72 213 171

HSL 162.13, 0.63%, 0.56%

LAB 77.22, -47.53, 9.83

 

CMYK 20 / 66 / 0 / 16

HEX #AB48D5

RGB 171 72 213

HSL 282.13, 0.63%, 0.56%

LAB 49.61, 61.81, -55.11

 

CMYK 0 / 20 / 66 / 16

HEX #D6AC49

RGB 214 172 73

HSL 42.13, 0.63%, 0.56%

LAB 72.42, 4.76, 55.12

 

CMYK 60 / 0 / 66 / 16

HEX #56D548

RGB 86 213 72

HSL 114.04, 0.63%, 0.56%

LAB 76.09, -61.1, 57.19

 

CMYK 66 / 46 / 0 / 16

HEX #4873D5

RGB 72 115 213

HSL 221.7, 0.63%, 0.56%

LAB 50.03, 16.76, -54.91

 

CMYK 7 / 66 / 0 / 16

HEX #C748D5

RGB 199 72 213

HSL 294.04, 0.63%, 0.56%

LAB 53.58, 68.05, -48.54

 

CMYK 0 / 20 / 66 / 16

HEX #D6AC49

RGB 214 172 73

HSL 42.13, 0.63%, 0.56%

LAB 72.42, 4.76, 55.12

 

CMYK 66 / 0 / 53 / 16

HEX #48D564

RGB 72 213 100

HSL 131.91, 0.63%, 0.56%

LAB 76, -60.85, 44.61

 

CMYK 66 / 46 / 0 / 16

HEX #4873D5

RGB 72 115 213

HSL 221.7, 0.63%, 0.56%

LAB 50.03, 16.76, -54.91

 

CMYK 0 / 66 / 13 / 16

HEX #D548B9

RGB 213 72 185

HSL 311.91, 0.63%, 0.56%

LAB 54.33, 66.87, -31.14

 

Description

Color code: HEX #D6AC49 | qconv.com Color code: HEX #D6AC49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 172 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 172 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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