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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6A080 it is the complementary color #295F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6A080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6A080 shade: #DBA07B, #ECB28E, #FDC4A1, #FFD6B4 and #FFE8C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6A080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6A080 shade: #D6A080, #C58E6D, #B47C5A, #A36A47 and #925834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6A080 shade: #D6A080, #D68980 and #D68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6A080 shade: #D6A080, #D6B780, #D6CE80, #C6D680 and #AFD680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6A080 shade matches the following richer shades: #D6A080, #E39C72, #F19965 and #FF9557

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6A080 shade: #D6A080, #C8A38E, #BBA79B, #ADAAA9 and #9FAEB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6A080 shade: #D6808E, #D68980, #D69F80, #D6B680 and #D6CD80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6A080 shade: #C27142, #CC8961, #D6A080, #E0B79F and #EACFBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6A080 shade: #D6A080, #A5D680 and #8083D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6A080 shade: #D6A080, #80D69F and #9F80D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6A080 shade: #D6A080, #A5D680, #80B6D6 and #B180D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6A080 shade: #D6A080, #8BD680, #80B6D6 and #CA80D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

Complementary color

CMYK 68 / 25 / 0 / 50

HEX #295F7F

RGB 41 95 127

HSL 202.33, 0.51%, 0.33%

LAB 38.18, -7.01, -23.2

 

CMYK 0 / 27 / 44 / 14

HEX #DBA07B

RGB 219 160 123

HSL 23.13, 0.57%, 0.67%

LAB 70.62, 17.39, 27.88

 

CMYK 0 / 25 / 40 / 7

HEX #ECB28E

RGB 236 178 142

HSL 22.98, 0.71%, 0.74%

LAB 77.06, 16.54, 26.6

 

CMYK 0 / 23 / 36 / 1

HEX #FDC4A1

RGB 253 196 161

HSL 22.83, 0.96%, 0.81%

LAB 83.41, 15.8, 25.4

 

CMYK 0 / 16 / 29 / 0

HEX #FFD6B4

RGB 255 214 180

HSL 27.2, 1%, 0.85%

LAB 88.28, 9.51, 22.14

 

CMYK 0 / 9 / 22 / 0

HEX #FFE8C7

RGB 255 232 199

HSL 35.36, 1%, 0.89%

LAB 93.06, 2.81, 18.91

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 0 / 28 / 45 / 23

HEX #C58E6D

RGB 197 142 109

HSL 22.5, 0.43%, 0.6%

LAB 63.61, 16.81, 25.81

 

CMYK 0 / 31 / 50 / 29

HEX #B47C5A

RGB 180 124 90

HSL 22.67, 0.38%, 0.53%

LAB 56.94, 17.82, 27.27

 

CMYK 0 / 35 / 56 / 36

HEX #A36A47

RGB 163 106 71

HSL 22.83, 0.39%, 0.46%

LAB 50.16, 19, 28.87

 

CMYK 0 / 40 / 64 / 43

HEX #925834

RGB 146 88 52

HSL 22.98, 0.47%, 0.39%

LAB 43.27, 20.4, 30.65

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 0 / 36 / 40 / 16

HEX #D68980

RGB 214 137 128

HSL 6.28, 0.51%, 0.67%

LAB 64.76, 28.37, 17.11

 

CMYK 0 / 40 / 40 / 16

HEX #D68080

RGB 214 128 128

HSL 0, 0.51%, 0.67%

LAB 62.75, 33.19, 14.32

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 0 / 14 / 40 / 16

HEX #D6B780

RGB 214 183 128

HSL 38.37, 0.51%, 0.67%

LAB 75.9, 3.61, 32.09

 

CMYK 0 / 4 / 40 / 16

HEX #D6CE80

RGB 214 206 128

HSL 54.42, 0.51%, 0.67%

LAB 81.84, -8.36, 39.75

 

CMYK 7 / 0 / 40 / 16

HEX #C6D680

RGB 198 214 128

HSL 71.16, 0.51%, 0.67%

LAB 82.73, -18.65, 40.63

 

CMYK 18 / 0 / 40 / 16

HEX #AFD680

RGB 175 214 128

HSL 87.21, 0.51%, 0.67%

LAB 81.16, -27.32, 38.31

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 0 / 31 / 50 / 11

HEX #E39C72

RGB 227 156 114

HSL 22.3, 0.67%, 0.67%

LAB 70.4, 21.85, 32.61

 

CMYK 0 / 37 / 58 / 5

HEX #F19965

RGB 241 153 101

HSL 22.29, 0.83%, 0.67%

LAB 71.16, 27.97, 40.79

 

CMYK 0 / 42 / 66 / 0

HEX #FF9557

RGB 255 149 87

HSL 22.14, 1%, 0.67%

LAB 71.85, 34.68, 49.17

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 0 / 19 / 29 / 22

HEX #C8A38E

RGB 200 163 142

HSL 21.72, 0.35%, 0.67%

LAB 69.77, 10.52, 16.04

 

CMYK 0 / 11 / 17 / 27

HEX #BBA79B

RGB 187 167 155

HSL 22.5, 0.19%, 0.67%

LAB 69.87, 5.27, 8.84

 

CMYK 0 / 2 / 2 / 32

HEX #ADAAA9

RGB 173 170 169

HSL 15, 0.02%, 0.67%

LAB 69.82, 0.89, 0.88

 

CMYK 13 / 4 / 0 / 29

HEX #9FAEB6

RGB 159 174 182

HSL 200.87, 0.14%, 0.67%

LAB 70.19, -3.56, -5.88

 

CMYK 0 / 40 / 34 / 16

HEX #D6808E

RGB 214 128 142

HSL 350.23, 0.51%, 0.67%

LAB 63.08, 34.85, 6.82

 

CMYK 0 / 36 / 40 / 16

HEX #D68980

RGB 214 137 128

HSL 6.28, 0.51%, 0.67%

LAB 64.76, 28.37, 17.11

 

CMYK 0 / 26 / 40 / 16

HEX #D69F80

RGB 214 159 128

HSL 21.63, 0.51%, 0.67%

LAB 69.93, 16.47, 24.16

 

CMYK 0 / 15 / 40 / 16

HEX #D6B680

RGB 214 182 128

HSL 37.67, 0.51%, 0.67%

LAB 75.64, 4.14, 31.75

 

CMYK 0 / 4 / 40 / 16

HEX #D6CD80

RGB 214 205 128

HSL 53.72, 0.51%, 0.67%

LAB 81.58, -7.85, 39.42

 

CMYK 0 / 42 / 66 / 24

HEX #C27142

RGB 194 113 66

HSL 22.03, 0.51%, 0.51%

LAB 55.76, 27.83, 39.3

 

CMYK 0 / 33 / 52 / 20

HEX #CC8961

RGB 204 137 97

HSL 22.43, 0.51%, 0.59%

LAB 63, 21.25, 31.76

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 0 / 18 / 29 / 12

HEX #E0B79F

RGB 224 183 159

HSL 22.15, 0.51%, 0.75%

LAB 77.41, 11.31, 17.77

 

CMYK 0 / 12 / 19 / 8

HEX #EACFBE

RGB 234 207 190

HSL 23.18, 0.51%, 0.83%

LAB 84.91, 6.76, 11.89

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 23 / 0 / 40 / 16

HEX #A5D680

RGB 165 214 128

HSL 94.19, 0.51%, 0.67%

LAB 80.54, -30.94, 37.39

 

CMYK 40 / 39 / 0 / 16

HEX #8083D6

RGB 128 131 214

HSL 237.91, 0.51%, 0.67%

LAB 57.73, 19.41, -43.02

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 40 / 0 / 26 / 16

HEX #80D69F

RGB 128 214 159

HSL 141.63, 0.51%, 0.67%

LAB 79.15, -37.92, 19.17

 

CMYK 26 / 40 / 0 / 16

HEX #9F80D6

RGB 159 128 214

HSL 261.63, 0.51%, 0.67%

LAB 59.58, 29.68, -39.93

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 23 / 0 / 40 / 16

HEX #A5D680

RGB 165 214 128

HSL 94.19, 0.51%, 0.67%

LAB 80.54, -30.94, 37.39

 

CMYK 40 / 15 / 0 / 16

HEX #80B6D6

RGB 128 182 214

HSL 202.33, 0.51%, 0.67%

LAB 71.49, -9.51, -21.7

 

CMYK 17 / 40 / 0 / 16

HEX #B180D6

RGB 177 128 214

HSL 274.19, 0.51%, 0.67%

LAB 61.34, 34.93, -37.05

 

CMYK 0 / 25 / 40 / 16

HEX #D6A080

RGB 214 160 128

HSL 22.33, 0.51%, 0.67%

LAB 70.17, 15.93, 24.49

 

CMYK 35 / 0 / 40 / 16

HEX #8BD680

RGB 139 214 128

HSL 112.33, 0.51%, 0.67%

LAB 79.12, -39.77, 35.28

 

CMYK 40 / 15 / 0 / 16

HEX #80B6D6

RGB 128 182 214

HSL 202.33, 0.51%, 0.67%

LAB 71.49, -9.51, -21.7

 

CMYK 6 / 40 / 0 / 16

HEX #CA80D6

RGB 202 128 214

HSL 291.63, 0.51%, 0.67%

LAB 64.04, 42.42, -32.64

 

Description

Color code: HEX #D6A080 | qconv.com Color code: HEX #D6A080 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 160 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 160 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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