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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69CC8 it is the complementary color #296337. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69CC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69CC8 shade: #DB9CC3, #ECAED6, #FDC0E9, #FFD2FC and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69CC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69CC8 shade: #D69CC8, #C58AB5, #B478A2, #A3668F and #92547C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69CC8 shade: #D69EC9, #D69EBA, #D69EAA and #D69E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69CC8 shade: #D69EC9, #D59ED6, #C69ED6, #B69ED6 and #A79ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69CC8 shade matches the following richer shades: #D69EC9, #E293CF, #ED88D4 and #F87DDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69CC8 shade: #D69EC9, #CBA9C3, #C0B4BD, #B5BFB7 and #AACAB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69CC8 shade: #C59ED6, #D49ED6, #D69EC9, #D69EBA and #D69EAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69CC8 shade: #BE64A8, #CA81B8, #D69EC9, #E3BBD9 and #EFD8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69CC8 shade: #D69CC8, #D6B69E and #9ED6CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69CC8 shade: #D69CC8, #C9D69E and #9EC9D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69CC8 shade: #D69CC8, #D6B69E, #9ED6AB and #9EBED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69CC8 shade: #D69CC8, #D6C79E, #9ED6AB and #9EADD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 7 / 16

HEX #D69CC8

RGB 214 156 200

HSL 314.48, 0.41%, 0.73%

LAB 71.04, 28.58, -14.05

 

Complementary color

CMYK 59 / 0 / 44 / 61

HEX #296337

RGB 41 99 55

HSL 134.48, 0.41%, 0.27%

LAB 37.25, -29.69, 19.42

 

CMYK 0 / 29 / 11 / 14

HEX #DB9CC3

RGB 219 156 195

HSL 322.86, 0.47%, 0.74%

LAB 71.4, 29.43, -10.68

 

CMYK 0 / 26 / 9 / 7

HEX #ECAED6

RGB 236 174 214

HSL 321.29, 0.62%, 0.8%

LAB 77.85, 28.79, -11.28

 

CMYK 0 / 24 / 8 / 1

HEX #FDC0E9

RGB 253 192 233

HSL 319.67, 0.94%, 0.87%

LAB 84.21, 28.18, -11.84

 

CMYK 0 / 18 / 1 / 0

HEX #FFD2FC

RGB 255 210 252

HSL 304, 1%, 0.91%

LAB 89.1, 22.68, -14.57

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 27 / 7 / 16

HEX #D69CC8

RGB 214 156 200

HSL 314.48, 0.41%, 0.73%

LAB 71.04, 28.58, -14.05

 

CMYK 0 / 30 / 8 / 23

HEX #C58AB5

RGB 197 138 181

HSL 316.27, 0.34%, 0.66%

LAB 64.47, 29.26, -13.5

 

CMYK 0 / 33 / 10 / 29

HEX #B478A2

RGB 180 120 162

HSL 318, 0.29%, 0.59%

LAB 57.79, 29.98, -12.91

 

CMYK 0 / 37 / 12 / 36

HEX #A3668F

RGB 163 102 143

HSL 319.67, 0.25%, 0.52%

LAB 51, 30.75, -12.26

 

CMYK 0 / 42 / 15 / 43

HEX #92547C

RGB 146 84 124

HSL 321.29, 0.27%, 0.45%

LAB 44.1, 31.56, -11.51

 

CMYK 0 / 26 / 6 / 16

HEX #D69EC9

RGB 214 158 201

HSL 313.93, 0.41%, 0.73%

LAB 71.53, 27.68, -13.86

 

CMYK 0 / 26 / 13 / 16

HEX #D69EBA

RGB 214 158 186

HSL 330, 0.41%, 0.73%

LAB 71.07, 25.11, -6.25

 

CMYK 0 / 26 / 21 / 16

HEX #D69EAA

RGB 214 158 170

HSL 347.14, 0.41%, 0.73%

LAB 70.63, 22.58, 1.97

 

CMYK 0 / 26 / 26 / 16

HEX #D69E9E

RGB 214 158 158

HSL 0, 0.41%, 0.73%

LAB 70.33, 20.83, 8.19

 

CMYK 0 / 26 / 6 / 16

HEX #D69EC9

RGB 214 158 201

HSL 313.93, 0.41%, 0.73%

LAB 71.53, 27.68, -13.86

 

CMYK 0 / 26 / 0 / 16

HEX #D59ED6

RGB 213 158 214

HSL 298.93, 0.41%, 0.73%

LAB 71.86, 29.71, -20.53

 

CMYK 7 / 26 / 0 / 16

HEX #C69ED6

RGB 198 158 214

HSL 282.86, 0.41%, 0.73%

LAB 70.4, 24.82, -22.9

 

CMYK 15 / 26 / 0 / 16

HEX #B69ED6

RGB 182 158 214

HSL 265.71, 0.41%, 0.73%

LAB 68.93, 19.68, -25.26

 

CMYK 22 / 26 / 0 / 16

HEX #A79ED6

RGB 167 158 214

HSL 249.64, 0.41%, 0.73%

LAB 67.67, 14.99, -27.31

 

CMYK 0 / 26 / 6 / 16

HEX #D69EC9

RGB 214 158 201

HSL 313.93, 0.41%, 0.73%

LAB 71.53, 27.68, -13.86

 

CMYK 0 / 35 / 8 / 11

HEX #E293CF

RGB 226 147 207

HSL 314.43, 0.58%, 0.73%

LAB 70.55, 38.62, -18.52

 

CMYK 0 / 43 / 11 / 7

HEX #ED88D4

RGB 237 136 212

HSL 314.85, 0.74%, 0.73%

LAB 69.73, 48.67, -22.43

 

CMYK 0 / 50 / 12 / 3

HEX #F87DDA

RGB 248 125 218

HSL 314.63, 0.9%, 0.73%

LAB 69.25, 58.36, -26.37

 

CMYK 0 / 26 / 6 / 16

HEX #D69EC9

RGB 214 158 201

HSL 313.93, 0.41%, 0.73%

LAB 71.53, 27.68, -13.86

 

CMYK 0 / 17 / 4 / 20

HEX #CBA9C3

RGB 203 169 195

HSL 314.12, 0.25%, 0.73%

LAB 72.9, 16.82, -8.62

 

CMYK 0 / 6 / 2 / 25

HEX #C0B4BD

RGB 192 180 189

HSL 315, 0.09%, 0.73%

LAB 74.52, 5.89, -3.04

 

CMYK 5 / 0 / 4 / 25

HEX #B5BFB7

RGB 181 191 183

HSL 132, 0.07%, 0.73%

LAB 76.38, -4.95, 2.83

 

CMYK 16 / 0 / 12 / 21

HEX #AACAB2

RGB 170 202 178

HSL 135, 0.23%, 0.73%

LAB 78.46, -15.36, 8.43

 

CMYK 8 / 26 / 0 / 16

HEX #C59ED6

RGB 197 158 214

HSL 281.79, 0.41%, 0.73%

LAB 70.3, 24.49, -23.05

 

CMYK 1 / 26 / 0 / 16

HEX #D49ED6

RGB 212 158 214

HSL 297.86, 0.41%, 0.73%

LAB 71.76, 29.38, -20.69

 

CMYK 0 / 26 / 6 / 16

HEX #D69EC9

RGB 214 158 201

HSL 313.93, 0.41%, 0.73%

LAB 71.53, 27.68, -13.86

 

CMYK 0 / 26 / 13 / 16

HEX #D69EBA

RGB 214 158 186

HSL 330, 0.41%, 0.73%

LAB 71.07, 25.11, -6.25

 

CMYK 0 / 26 / 20 / 16

HEX #D69EAB

RGB 214 158 171

HSL 346.07, 0.41%, 0.73%

LAB 70.66, 22.73, 1.45

 

CMYK 0 / 47 / 12 / 25

HEX #BE64A8

RGB 190 100 168

HSL 314.67, 0.41%, 0.57%

LAB 54.96, 45.07, -20.58

 

CMYK 0 / 36 / 9 / 21

HEX #CA81B8

RGB 202 129 184

HSL 314.79, 0.41%, 0.65%

LAB 63.11, 36.37, -17.2

 

CMYK 0 / 26 / 6 / 16

HEX #D69EC9

RGB 214 158 201

HSL 313.93, 0.41%, 0.73%

LAB 71.53, 27.68, -13.86

 

CMYK 0 / 18 / 4 / 11

HEX #E3BBD9

RGB 227 187 217

HSL 315, 0.42%, 0.81%

LAB 80.11, 19.29, -9.62

 

CMYK 0 / 10 / 3 / 6

HEX #EFD8E9

RGB 239 216 233

HSL 315.65, 0.42%, 0.89%

LAB 88.61, 10.84, -5.44

 

CMYK 0 / 27 / 7 / 16

HEX #D69CC8

RGB 214 156 200

HSL 314.48, 0.41%, 0.73%

LAB 71.04, 28.58, -14.05

 

CMYK 0 / 15 / 26 / 16

HEX #D6B69E

RGB 214 182 158

HSL 25.71, 0.41%, 0.73%

LAB 76.2, 7.89, 16.49

 

CMYK 26 / 0 / 4 / 16

HEX #9ED6CD

RGB 158 214 205

HSL 170.36, 0.41%, 0.73%

LAB 81.71, -19.8, -1.39

 

CMYK 0 / 27 / 7 / 16

HEX #D69CC8

RGB 214 156 200

HSL 314.48, 0.41%, 0.73%

LAB 71.04, 28.58, -14.05

 

CMYK 6 / 0 / 26 / 16

HEX #C9D69E

RGB 201 214 158

HSL 73.93, 0.41%, 0.73%

LAB 83.43, -13.69, 26.26

 

CMYK 26 / 6 / 0 / 16

HEX #9EC9D6

RGB 158 201 214

HSL 193.93, 0.41%, 0.73%

LAB 78.4, -11.17, -11.11

 

CMYK 0 / 27 / 7 / 16

HEX #D69CC8

RGB 214 156 200

HSL 314.48, 0.41%, 0.73%

LAB 71.04, 28.58, -14.05

 

CMYK 0 / 15 / 26 / 16

HEX #D6B69E

RGB 214 182 158

HSL 25.71, 0.41%, 0.73%

LAB 76.2, 7.89, 16.49

 

CMYK 26 / 0 / 20 / 16

HEX #9ED6AB

RGB 158 214 171

HSL 133.93, 0.41%, 0.73%

LAB 80.91, -26.57, 15.52

 

CMYK 26 / 11 / 0 / 16

HEX #9EBED6

RGB 158 190 214

HSL 205.71, 0.41%, 0.73%

LAB 75.42, -5.37, -15.58

 

CMYK 0 / 27 / 7 / 16

HEX #D69CC8

RGB 214 156 200

HSL 314.48, 0.41%, 0.73%

LAB 71.04, 28.58, -14.05

 

CMYK 0 / 7 / 26 / 16

HEX #D6C79E

RGB 214 199 158

HSL 43.93, 0.41%, 0.73%

LAB 80.52, -1.1, 22.46

 

CMYK 26 / 0 / 20 / 16

HEX #9ED6AB

RGB 158 214 171

HSL 133.93, 0.41%, 0.73%

LAB 80.91, -26.57, 15.52

 

CMYK 26 / 19 / 0 / 16

HEX #9EADD6

RGB 158 173 214

HSL 223.93, 0.41%, 0.73%

LAB 70.88, 3.87, -22.46

 

Description

Color code: HEX #D69CC8 | qconv.com Color code: HEX #D69CC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 156 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 156 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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