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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D69245 it is the complementary color #296DBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D69245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D69245 shade: #DB9240, #ECA453, #FDB666, #FFC879 and #FFDA8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D69245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D69245 shade: #D69245, #C58032, #B46E1F, #A35C0C and #924A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D69245 shade: #D69143, #D66943 and #D64343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D69245 shade: #D69143, #D6B843, #CBD643, #A4D643 and #7CD643

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D69245 shade matches the following richer shades: #D69143, #E89230 and #FB931E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D69245 shade: #D69143, #C39055, #B18F68, #9E8D7B and #8B8C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D69245 shade: #D64345, #D66843, #D68F43, #D6B643 and #CED643

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D69245 shade: #A26724, #C47C2B, #D69143, #DDA565 and #E5B886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D69245 shade: #D69245, #6CD643 and #5443D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D69245 shade: #D69245, #43D68F and #8F43D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D69245 shade: #D69245, #6CD643, #438AD6 and #AC43D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D69245 shade: #D69245, #43D645, #438AD6 and #D643D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 68 / 16

HEX #D69245

RGB 214 146 69

HSL 31.86, 0.64%, 0.55%

LAB 65.97, 18.5, 49.96

 

Complementary color

CMYK 78 / 41 / 0 / 27

HEX #296DBA

RGB 41 109 186

HSL 211.86, 0.64%, 0.45%

LAB 45.57, 6.28, -46.62

 

CMYK 0 / 33 / 71 / 14

HEX #DB9240

RGB 219 146 64

HSL 31.74, 0.68%, 0.55%

LAB 66.51, 20.34, 53.04

 

CMYK 0 / 31 / 65 / 7

HEX #ECA453

RGB 236 164 83

HSL 31.76, 0.8%, 0.63%

LAB 72.9, 18.91, 51.69

 

CMYK 0 / 28 / 60 / 1

HEX #FDB666

RGB 253 182 102

HSL 31.79, 0.97%, 0.7%

LAB 79.21, 17.65, 50.28

 

CMYK 0 / 22 / 53 / 0

HEX #FFC879

RGB 255 200 121

HSL 35.37, 1%, 0.74%

LAB 83.94, 10.52, 46.68

 

CMYK 0 / 15 / 45 / 0

HEX #FFDA8C

RGB 255 218 140

HSL 40.7, 1%, 0.77%

LAB 88.59, 2.96, 43.04

 

CMYK 0 / 32 / 68 / 16

HEX #D69245

RGB 214 146 69

HSL 31.86, 0.64%, 0.55%

LAB 65.97, 18.5, 49.96

 

CMYK 0 / 35 / 75 / 23

HEX #C58032

RGB 197 128 50

HSL 31.84, 0.6%, 0.48%

LAB 59.47, 20.06, 51.23

 

CMYK 0 / 39 / 83 / 29

HEX #B46E1F

RGB 180 110 31

HSL 31.81, 0.71%, 0.41%

LAB 52.9, 21.86, 52.07

 

CMYK 0 / 44 / 93 / 36

HEX #A35C0C

RGB 163 92 12

HSL 31.79, 0.86%, 0.34%

LAB 46.27, 23.95, 51.82

 

CMYK 0 / 49 / 100 / 43

HEX #924A00

RGB 146 74 0

HSL 30.41, 1%, 0.29%

LAB 39.59, 26.32, 49.32

 

CMYK 0 / 32 / 69 / 16

HEX #D69143

RGB 214 145 67

HSL 31.84, 0.64%, 0.55%

LAB 65.71, 18.93, 50.62

 

CMYK 0 / 51 / 69 / 16

HEX #D66943

RGB 214 105 67

HSL 15.51, 0.64%, 0.55%

LAB 56.88, 40.07, 40.8

 

CMYK 0 / 69 / 69 / 16

HEX #D64343

RGB 214 67 67

HSL 0, 0.64%, 0.55%

LAB 50.35, 57.25, 33.15

 

CMYK 0 / 32 / 69 / 16

HEX #D69143

RGB 214 145 67

HSL 31.84, 0.64%, 0.55%

LAB 65.71, 18.93, 50.62

 

CMYK 0 / 14 / 69 / 16

HEX #D6B843

RGB 214 184 67

HSL 47.76, 0.64%, 0.55%

LAB 75.44, -1.9, 60.85

 

CMYK 5 / 0 / 69 / 16

HEX #CBD643

RGB 203 214 67

HSL 64.49, 0.64%, 0.55%

LAB 82.48, -21.71, 67.66

 

CMYK 23 / 0 / 69 / 16

HEX #A4D643

RGB 164 214 67

HSL 80.41, 0.64%, 0.55%

LAB 79.84, -37.24, 64.13

 

CMYK 42 / 0 / 69 / 16

HEX #7CD643

RGB 124 214 67

HSL 96.73, 0.64%, 0.55%

LAB 77.75, -51.35, 61.32

 

CMYK 0 / 32 / 69 / 16

HEX #D69143

RGB 214 145 67

HSL 31.84, 0.64%, 0.55%

LAB 65.71, 18.93, 50.62

 

CMYK 0 / 37 / 79 / 9

HEX #E89230

RGB 232 146 48

HSL 31.96, 0.8%, 0.55%

LAB 67.97, 25.13, 61.73

 

CMYK 0 / 41 / 88 / 2

HEX #FB931E

RGB 251 147 30

HSL 31.76, 0.97%, 0.55%

LAB 70.5, 31.98, 70.69

 

CMYK 0 / 32 / 69 / 16

HEX #D69143

RGB 214 145 67

HSL 31.84, 0.64%, 0.55%

LAB 65.71, 18.93, 50.62

 

CMYK 0 / 26 / 56 / 24

HEX #C39055

RGB 195 144 85

HSL 32.18, 0.48%, 0.55%

LAB 63.51, 12.63, 38.58

 

CMYK 0 / 19 / 41 / 31

HEX #B18F68

RGB 177 143 104

HSL 32.05, 0.32%, 0.55%

LAB 61.65, 7.45, 25.59

 

CMYK 0 / 11 / 22 / 38

HEX #9E8D7B

RGB 158 141 123

HSL 30.86, 0.15%, 0.55%

LAB 59.66, 3.37, 11.93

 

CMYK 1 / 1 / 0 / 45

HEX #8B8C8D

RGB 139 140 141

HSL 210, 0.01%, 0.55%

LAB 58.2, -0.17, -0.67

 

CMYK 0 / 69 / 68 / 16

HEX #D64345

RGB 214 67 69

HSL 359.18, 0.64%, 0.55%

LAB 50.38, 57.35, 32.02

 

CMYK 0 / 51 / 69 / 16

HEX #D66843

RGB 214 104 67

HSL 15.1, 0.64%, 0.55%

LAB 56.69, 40.57, 40.58

 

CMYK 0 / 33 / 69 / 16

HEX #D68F43

RGB 214 143 67

HSL 31.02, 0.64%, 0.55%

LAB 65.24, 20.01, 50.11

 

CMYK 0 / 15 / 69 / 16

HEX #D6B643

RGB 214 182 67

HSL 46.94, 0.64%, 0.55%

LAB 74.92, -0.86, 60.32

 

CMYK 4 / 0 / 69 / 16

HEX #CED643

RGB 206 214 67

HSL 63.27, 0.64%, 0.55%

LAB 82.71, -20.47, 67.96

 

CMYK 0 / 36 / 78 / 36

HEX #A26724

RGB 162 103 36

HSL 31.9, 0.64%, 0.39%

LAB 48.9, 18.02, 45.45

 

CMYK 0 / 37 / 78 / 23

HEX #C47C2B

RGB 196 124 43

HSL 31.76, 0.64%, 0.47%

LAB 58.34, 21.52, 53.08

 

CMYK 0 / 32 / 69 / 16

HEX #D69143

RGB 214 145 67

HSL 31.84, 0.64%, 0.55%

LAB 65.71, 18.93, 50.62

 

CMYK 0 / 25 / 54 / 13

HEX #DDA565

RGB 221 165 101

HSL 32, 0.64%, 0.63%

LAB 71.71, 13.45, 40.94

 

CMYK 0 / 20 / 41 / 10

HEX #E5B886

RGB 229 184 134

HSL 31.58, 0.65%, 0.71%

LAB 77.67, 9.73, 31.53

 

CMYK 0 / 32 / 68 / 16

HEX #D69245

RGB 214 146 69

HSL 31.86, 0.64%, 0.55%

LAB 65.97, 18.5, 49.96

 

CMYK 50 / 0 / 69 / 16

HEX #6CD643

RGB 108 214 67

HSL 103.27, 0.64%, 0.55%

LAB 77.09, -56.19, 60.43

 

CMYK 61 / 69 / 0 / 16

HEX #5443D6

RGB 84 67 214

HSL 246.94, 0.64%, 0.55%

LAB 39.16, 48.3, -73.08

 

CMYK 0 / 32 / 68 / 16

HEX #D69245

RGB 214 146 69

HSL 31.86, 0.64%, 0.55%

LAB 65.97, 18.5, 49.96

 

CMYK 69 / 0 / 33 / 16

HEX #43D68F

RGB 67 214 143

HSL 151.02, 0.64%, 0.55%

LAB 76.84, -54.83, 24.08

 

CMYK 33 / 69 / 0 / 16

HEX #8F43D6

RGB 143 67 214

HSL 271.02, 0.64%, 0.55%

LAB 45.23, 58.43, -62.93

 

CMYK 0 / 32 / 68 / 16

HEX #D69245

RGB 214 146 69

HSL 31.86, 0.64%, 0.55%

LAB 65.97, 18.5, 49.96

 

CMYK 50 / 0 / 69 / 16

HEX #6CD643

RGB 108 214 67

HSL 103.27, 0.64%, 0.55%

LAB 77.09, -56.19, 60.43

 

CMYK 69 / 36 / 0 / 16

HEX #438AD6

RGB 67 138 214

HSL 211.02, 0.64%, 0.55%

LAB 56.31, 2.31, -45.48

 

CMYK 20 / 69 / 0 / 16

HEX #AC43D6

RGB 172 67 214

HSL 282.86, 0.64%, 0.55%

LAB 49.06, 64.34, -56.56

 

CMYK 0 / 32 / 68 / 16

HEX #D69245

RGB 214 146 69

HSL 31.86, 0.64%, 0.55%

LAB 65.97, 18.5, 49.96

 

CMYK 69 / 0 / 68 / 16

HEX #43D645

RGB 67 214 69

HSL 120.82, 0.64%, 0.55%

LAB 75.89, -65.66, 58.02

 

CMYK 69 / 36 / 0 / 16

HEX #438AD6

RGB 67 138 214

HSL 211.02, 0.64%, 0.55%

LAB 56.31, 2.31, -45.48

 

CMYK 0 / 69 / 1 / 16

HEX #D643D3

RGB 214 67 211

HSL 301.22, 0.64%, 0.55%

LAB 55.09, 72.9, -44.87

 

Description

Color code: HEX #D69245 | qconv.com Color code: HEX #D69245 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 146 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 146 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 68 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 68% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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