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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68F9ACE it is the complementary color #297065CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68F9ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68F9ACE shade: #DB8F95CE, #ECA1A8CE, #FDB3BBCE, #FFC5CECE and #FFD7E1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68F9ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68F9ACE shade: #D68F9ACE, #C57D87CE, #B46B74CE, #A35961CE and #92474ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68F9ACE shade: #D68F9A and #D68F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68F9ACE shade: #D68F9A, #D68FAD, #D68FC0, #D68FD3 and #C58FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68F9ACE shade matches the following richer shades: #D68F9A, #E28392, #EE7789 and #FB6A81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68F9ACE shade: #D68F9A, #C99CA3, #BDA8AB, #B1B4B4 and #A4C1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68F9ACE shade: #D68FC1, #D68FAE, #D68F9B, #D6968F and #D6A98F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68F9ACE shade: #BF5364, #CB717F, #D68F9A, #E1ADB5 and #ECCCD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68F9ACE shade: #D68F9A, #D3D68F and #8FB7D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68F9ACE shade: #D68F9A, #9BD68F and #8F9BD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68F9ACE shade: #D68F9A, #D3D68F, #8FD6CA and #928FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68F9ACE shade: #D68F9A, #BED68F, #8FD6CA and #A78FD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 23 / 13

HEX #D68F9ACE

RGBA 214 143 154 0.81

HSLA 350.7, 0.46%, 0.7%, 0.81

LABA 66.73, 28.39, 5.26, 0.81

 

Complementary color

CMYK 51 / 0 / 8 / 45

HEX #297065CE

RGBA 41 112 101 0.81

HSLA 170.7, 0.46%, 0.3%, 0.81

LABA 42.76, -24.9, -0.45, 0.81

 

CMYK 0 / 28 / 26 / 11

HEX #DB8F95CE

RGBA 219 143 149 0.81

HSLA 355.26, 0.51%, 0.71%, 0.81

LABA 67.18, 29.59, 8.79, 0.81

 

CMYK 0 / 26 / 23 / 6

HEX #ECA1A8CE

RGBA 236 161 168 0.81

HSLA 354.4, 0.66%, 0.78%, 0.81

LABA 73.64, 28.76, 7.72, 0.81

 

CMYK 0 / 24 / 21 / 1

HEX #FDB3BBCE

RGBA 253 179 187 0.81

HSLA 353.51, 0.95%, 0.85%, 0.81

LABA 80.02, 28, 6.75, 0.81

 

CMYK 0 / 18 / 16 / 0

HEX #FFC5CECE

RGBA 255 197 206 0.81

HSLA 350.69, 1%, 0.89%, 0.81

LABA 84.82, 21.97, 3.5, 0.81

 

CMYK 0 / 13 / 10 / 0

HEX #FFD7E1CE

RGBA 255 215 225 0.81

HSLA 345, 1%, 0.92%, 0.81

LABA 89.53, 15.49, 0.29, 0.81

 

CMYK 0 / 27 / 23 / 13

HEX #D68F9ACE

RGBA 214 143 154 0.81

HSLA 350.7, 0.46%, 0.7%, 0.81

LABA 66.73, 28.39, 5.26, 0.81

 

CMYK 0 / 30 / 25 / 18

HEX #C57D87CE

RGBA 197 125 135 0.81

HSLA 351.67, 0.38%, 0.63%, 0.81

LABA 60.15, 29.25, 6.34, 0.81

 

CMYK 0 / 33 / 29 / 24

HEX #B46B74CE

RGBA 180 107 116 0.81

HSLA 352.6, 0.33%, 0.56%, 0.81

LABA 53.47, 30.18, 7.56, 0.81

 

CMYK 0 / 37 / 33 / 29

HEX #A35961CE

RGBA 163 89 97 0.81

HSLA 353.51, 0.29%, 0.49%, 0.81

LABA 46.7, 31.2, 8.98, 0.81

 

CMYK 0 / 42 / 38 / 35

HEX #92474ECE

RGBA 146 71 78 0.81

HSLA 354.4, 0.35%, 0.43%, 0.81

LABA 39.86, 32.29, 10.68, 0.81

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 0 / 33 / 33 / 16

HEX #D68F8F

RGB 214 143 143

HSL 0, 0.46%, 0.7%

LAB 66.46, 26.94, 11.06

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 0 / 33 / 19 / 16

HEX #D68FAD

RGB 214 143 173

HSL 334.65, 0.46%, 0.7%

LAB 67.25, 31.16, -4.66

 

CMYK 0 / 33 / 10 / 16

HEX #D68FC0

RGB 214 143 192

HSL 318.59, 0.46%, 0.7%

LAB 67.83, 34.23, -14.43

 

CMYK 0 / 33 / 1 / 16

HEX #D68FD3

RGB 214 143 211

HSL 302.54, 0.46%, 0.7%

LAB 68.49, 37.57, -24

 

CMYK 8 / 33 / 0 / 16

HEX #C58FD6

RGB 197 143 214

HSL 285.63, 0.46%, 0.7%

LAB 66.8, 32.75, -28.42

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 0 / 42 / 35 / 11

HEX #E28392

RGB 226 131 146

HSL 350.53, 0.62%, 0.7%

LAB 65.34, 38.14, 7.97

 

CMYK 0 / 50 / 42 / 7

HEX #EE7789

RGB 238 119 137

HSL 350.92, 0.78%, 0.7%

LAB 64.3, 47.48, 11.84

 

CMYK 0 / 58 / 49 / 2

HEX #FB6A81

RGB 251 106 129

HSL 350.48, 0.95%, 0.7%

LAB 63.67, 57.22, 15.81

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 0 / 22 / 19 / 21

HEX #C99CA3

RGB 201 156 163

HSL 350.67, 0.29%, 0.7%

LAB 68.63, 17.8, 2.8

 

CMYK 0 / 11 / 10 / 26

HEX #BDA8AB

RGB 189 168 171

HSL 351.43, 0.14%, 0.7%

LAB 70.71, 8.12, 1.23

 

CMYK 2 / 0 / 0 / 29

HEX #B1B4B4

RGB 177 180 180

HSL 180, 0.02%, 0.7%

LAB 73.08, -1.05, -0.38

 

CMYK 15 / 0 / 3 / 24

HEX #A4C1BC

RGB 164 193 188

HSL 169.66, 0.19%, 0.7%

LAB 75.86, -10.77, -0.77

 

CMYK 0 / 33 / 10 / 16

HEX #D68FC1

RGB 214 143 193

HSL 317.75, 0.46%, 0.7%

LAB 67.87, 34.4, -14.93

 

CMYK 0 / 33 / 19 / 16

HEX #D68FAE

RGB 214 143 174

HSL 333.8, 0.46%, 0.7%

LAB 67.27, 31.31, -5.18

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9B

RGB 214 143 155

HSL 349.86, 0.46%, 0.7%

LAB 66.75, 28.53, 4.73

 

CMYK 0 / 30 / 33 / 16

HEX #D6968F

RGB 214 150 143

HSL 5.92, 0.46%, 0.7%

LAB 68.09, 23.15, 13.35

 

CMYK 0 / 21 / 33 / 16

HEX #D6A98F

RGB 214 169 143

HSL 21.97, 0.46%, 0.7%

LAB 72.66, 12.87, 19.71

 

CMYK 0 / 57 / 48 / 25

HEX #BF5364

RGB 191 83 100

HSL 350.56, 0.46%, 0.54%

LAB 49.72, 44.93, 12

 

CMYK 0 / 44 / 37 / 20

HEX #CB717F

RGB 203 113 127

HSL 350.67, 0.46%, 0.62%

LAB 58.07, 36.91, 8.1

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 0 / 23 / 20 / 12

HEX #E1ADB5

RGB 225 173 181

HSL 350.77, 0.46%, 0.78%

LAB 75.59, 20.17, 3.26

 

CMYK 0 / 14 / 11 / 7

HEX #ECCCD1

RGB 236 204 209

HSL 350.63, 0.46%, 0.86%

LAB 84.8, 12.02, 1.66

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 1 / 0 / 33 / 16

HEX #D3D68F

RGB 211 214 143

HSL 62.54, 0.46%, 0.7%

LAB 83.93, -11.88, 34.79

 

CMYK 33 / 14 / 0 / 16

HEX #8FB7D6

RGB 143 183 214

HSL 206.2, 0.46%, 0.7%

LAB 72.6, -5.97, -19.93

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 28 / 0 / 33 / 16

HEX #9BD68F

RGB 155 214 143

HSL 109.86, 0.46%, 0.7%

LAB 80.2, -32.27, 29.19

 

CMYK 33 / 28 / 0 / 16

HEX #8F9BD6

RGB 143 155 214

HSL 229.86, 0.46%, 0.7%

LAB 65.07, 9.57, -31.47

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 1 / 0 / 33 / 16

HEX #D3D68F

RGB 211 214 143

HSL 62.54, 0.46%, 0.7%

LAB 83.93, -11.88, 34.79

 

CMYK 33 / 0 / 6 / 16

HEX #8FD6CA

RGB 143 214 202

HSL 169.86, 0.46%, 0.7%

LAB 80.85, -24.79, -1.15

 

CMYK 32 / 33 / 0 / 16

HEX #928FD6

RGB 146 143 214

HSL 242.54, 0.46%, 0.7%

LAB 62.18, 17.31, -35.95

 

CMYK 0 / 33 / 28 / 16

HEX #D68F9A

RGB 214 143 154

HSL 350.7, 0.46%, 0.7%

LAB 66.73, 28.39, 5.26

 

CMYK 11 / 0 / 33 / 16

HEX #BED68F

RGB 190 214 143

HSL 80.28, 0.46%, 0.7%

LAB 82.39, -19.83, 32.48

 

CMYK 33 / 0 / 6 / 16

HEX #8FD6CA

RGB 143 214 202

HSL 169.86, 0.46%, 0.7%

LAB 80.85, -24.79, -1.15

 

CMYK 22 / 33 / 0 / 16

HEX #A78FD6

RGB 167 143 214

HSL 260.28, 0.46%, 0.7%

LAB 63.93, 23.48, -33.09

 

Description

Color code: HEX #D68F9ACE | qconv.com Color code: HEX #D68F9ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 143 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 143 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 23 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 23% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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