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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68E2F it is the complementary color #2971D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68E2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68E2F shade: #DB8E2A, #ECA03D, #FDB250, #FFC463 and #FFD676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68E2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68E2F shade: #D68E2F, #C57C1C, #B46A09, #A35800 and #924600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68E2F shade: #D68E2E, #D6602E, #D6332E and #D62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68E2F shade: #D68E2E, #D6BB2E, #C4D62E, #97D62E and #69D62E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68E2F shade matches the following richer shades: #D68E2E, #EA901A and #FE9306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68E2F shade: #D68E2E, #C28B43, #AD8857, #99856B and #85827F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68E2F shade: #D6342E, #D6612E, #D68D2E, #D6BA2E and #C5D62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68E2F shade: #94611D, #B77824, #D68E2E, #DDA051 and #E3B373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68E2F shade: #D68E2F, #55D62E and #4A2ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68E2F shade: #D68E2F, #2ED68D and #8D2ED6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68E2F shade: #D68E2F, #55D62E, #2E77D6 and #AF2ED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68E2F shade: #D68E2F, #2ED639, #2E77D6 and #D62ECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 78 / 16

HEX #D68E2F

RGB 214 142 47

HSL 34.13, 0.67%, 0.51%

LAB 64.84, 19.62, 58.42

 

Complementary color

CMYK 80 / 46 / 0 / 18

HEX #2971D0

RGB 41 113 208

HSL 214.13, 0.67%, 0.49%

LAB 48.05, 12.13, -55.3

 

CMYK 0 / 35 / 81 / 14

HEX #DB8E2A

RGB 219 142 42

HSL 33.9, 0.71%, 0.51%

LAB 65.42, 21.58, 61.05

 

CMYK 0 / 32 / 74 / 7

HEX #ECA03D

RGB 236 160 61

HSL 33.94, 0.82%, 0.58%

LAB 71.77, 19.89, 60.36

 

CMYK 0 / 30 / 68 / 1

HEX #FDB250

RGB 253 178 80

HSL 33.99, 0.98%, 0.65%

LAB 78.05, 18.39, 59.26

 

CMYK 0 / 23 / 61 / 0

HEX #FFC463

RGB 255 196 99

HSL 37.31, 1%, 0.69%

LAB 82.72, 10.96, 55.82

 

CMYK 0 / 16 / 54 / 0

HEX #FFD676

RGB 255 214 118

HSL 42.04, 1%, 0.73%

LAB 87.32, 3.06, 52.23

 

CMYK 0 / 34 / 78 / 16

HEX #D68E2F

RGB 214 142 47

HSL 34.13, 0.67%, 0.51%

LAB 64.84, 19.62, 58.42

 

CMYK 0 / 37 / 86 / 23

HEX #C57C1C

RGB 197 124 28

HSL 34.08, 0.75%, 0.44%

LAB 58.39, 21.47, 58.68

 

CMYK 0 / 41 / 95 / 29

HEX #B46A09

RGB 180 106 9

HSL 34.04, 0.9%, 0.37%

LAB 51.87, 23.59, 57.58

 

CMYK 0 / 46 / 100 / 36

HEX #A35800

RGB 163 88 0

HSL 32.39, 1%, 0.32%

LAB 45.31, 25.98, 54.11

 

CMYK 0 / 52 / 100 / 43

HEX #924600

RGB 146 70 0

HSL 28.77, 1%, 0.29%

LAB 38.71, 28.52, 48.8

 

CMYK 0 / 34 / 79 / 16

HEX #D68E2E

RGB 214 142 46

HSL 34.29, 0.67%, 0.51%

LAB 64.83, 19.59, 58.8

 

CMYK 0 / 55 / 79 / 16

HEX #D6602E

RGB 214 96 46

HSL 17.86, 0.67%, 0.51%

LAB 54.93, 43.59, 49.31

 

CMYK 0 / 76 / 79 / 16

HEX #D6332E

RGB 214 51 46

HSL 1.79, 0.67%, 0.51%

LAB 48.08, 61.95, 42.44

 

CMYK 0 / 79 / 79 / 16

HEX #D62E2E

RGB 214 46 46

HSL 0, 0.67%, 0.51%

LAB 47.56, 63.44, 41.89

 

CMYK 0 / 34 / 79 / 16

HEX #D68E2E

RGB 214 142 46

HSL 34.29, 0.67%, 0.51%

LAB 64.83, 19.59, 58.8

 

CMYK 0 / 13 / 79 / 16

HEX #D6BB2E

RGB 214 187 46

HSL 50.36, 0.67%, 0.51%

LAB 76.09, -4.39, 69.09

 

CMYK 8 / 0 / 79 / 16

HEX #C4D62E

RGB 196 214 46

HSL 66.43, 0.67%, 0.51%

LAB 81.85, -25.54, 73.69

 

CMYK 29 / 0 / 79 / 16

HEX #97D62E

RGB 151 214 46

HSL 82.5, 0.67%, 0.51%

LAB 78.97, -43.26, 70

 

CMYK 51 / 0 / 79 / 16

HEX #69D62E

RGB 105 214 46

HSL 98.93, 0.67%, 0.51%

LAB 76.86, -58.43, 67.28

 

CMYK 0 / 34 / 79 / 16

HEX #D68E2E

RGB 214 142 46

HSL 34.29, 0.67%, 0.51%

LAB 64.83, 19.59, 58.8

 

CMYK 0 / 38 / 89 / 8

HEX #EA901A

RGB 234 144 26

HSL 34.04, 0.83%, 0.51%

LAB 67.66, 26.45, 68.58

 

CMYK 0 / 42 / 98 / 0

HEX #FE9306

RGB 254 147 6

HSL 34.11, 0.99%, 0.51%

LAB 70.84, 32.9, 75.5

 

CMYK 0 / 34 / 79 / 16

HEX #D68E2E

RGB 214 142 46

HSL 34.29, 0.67%, 0.51%

LAB 64.83, 19.59, 58.8

 

CMYK 0 / 28 / 65 / 24

HEX #C28B43

RGB 194 139 67

HSL 34.02, 0.51%, 0.51%

LAB 61.95, 13.64, 45.83

 

CMYK 0 / 21 / 50 / 32

HEX #AD8857

RGB 173 136 87

HSL 34.19, 0.34%, 0.51%

LAB 59.14, 7.85, 31.58

 

CMYK 0 / 13 / 30 / 40

HEX #99856B

RGB 153 133 107

HSL 33.91, 0.18%, 0.51%

LAB 56.69, 3.48, 16.83

 

CMYK 0 / 2 / 5 / 48

HEX #85827F

RGB 133 130 127

HSL 30, 0.02%, 0.51%

LAB 54.54, 0.55, 2.01

 

CMYK 0 / 76 / 79 / 16

HEX #D6342E

RGB 214 52 46

HSL 2.14, 0.67%, 0.51%

LAB 48.2, 61.64, 42.55

 

CMYK 0 / 55 / 79 / 16

HEX #D6612E

RGB 214 97 46

HSL 18.21, 0.67%, 0.51%

LAB 55.12, 43.1, 49.5

 

CMYK 0 / 34 / 79 / 16

HEX #D68D2E

RGB 214 141 46

HSL 33.93, 0.67%, 0.51%

LAB 64.6, 20.12, 58.58

 

CMYK 0 / 13 / 79 / 16

HEX #D6BA2E

RGB 214 186 46

HSL 50, 0.67%, 0.51%

LAB 75.83, -3.87, 68.86

 

CMYK 8 / 0 / 79 / 16

HEX #C5D62E

RGB 197 214 46

HSL 66.07, 0.67%, 0.51%

LAB 81.93, -25.12, 73.78

 

CMYK 0 / 34 / 80 / 42

HEX #94611D

RGB 148 97 29

HSL 34.29, 0.67%, 0.35%

LAB 45.54, 14.82, 44.62

 

CMYK 0 / 34 / 80 / 28

HEX #B77824

RGB 183 120 36

HSL 34.29, 0.67%, 0.43%

LAB 55.71, 17.79, 52.85

 

CMYK 0 / 34 / 79 / 16

HEX #D68E2E

RGB 214 142 46

HSL 34.29, 0.67%, 0.51%

LAB 64.83, 19.59, 58.8

 

CMYK 0 / 28 / 63 / 13

HEX #DDA051

RGB 221 160 81

HSL 33.86, 0.67%, 0.59%

LAB 70.25, 14.65, 49.21

 

CMYK 0 / 21 / 49 / 11

HEX #E3B373

RGB 227 179 115

HSL 34.29, 0.67%, 0.67%

LAB 75.95, 9.67, 39.17

 

CMYK 0 / 34 / 78 / 16

HEX #D68E2F

RGB 214 142 47

HSL 34.13, 0.67%, 0.51%

LAB 64.84, 19.62, 58.42

 

CMYK 60 / 0 / 79 / 16

HEX #55D62E

RGB 85 214 46

HSL 106.07, 0.67%, 0.51%

LAB 76.21, -63.61, 66.43

 

CMYK 65 / 79 / 0 / 16

HEX #4A2ED6

RGB 74 46 214

HSL 250, 0.67%, 0.51%

LAB 34.53, 57.93, -80.74

 

CMYK 0 / 34 / 78 / 16

HEX #D68E2F

RGB 214 142 47

HSL 34.13, 0.67%, 0.51%

LAB 64.84, 19.62, 58.42

 

CMYK 79 / 0 / 34 / 16

HEX #2ED68D

RGB 46 214 141

HSL 153.93, 0.67%, 0.51%

LAB 76.43, -58.06, 24.51

 

CMYK 34 / 79 / 0 / 16

HEX #8D2ED6

RGB 141 46 214

HSL 273.93, 0.67%, 0.51%

LAB 41.96, 66.65, -68.27

 

CMYK 0 / 34 / 78 / 16

HEX #D68E2F

RGB 214 142 47

HSL 34.13, 0.67%, 0.51%

LAB 64.84, 19.62, 58.42

 

CMYK 60 / 0 / 79 / 16

HEX #55D62E

RGB 85 214 46

HSL 106.07, 0.67%, 0.51%

LAB 76.21, -63.61, 66.43

 

CMYK 79 / 44 / 0 / 16

HEX #2E77D6

RGB 46 119 214

HSL 213.93, 0.67%, 0.51%

LAB 50.25, 11.14, -55.18

 

CMYK 18 / 79 / 0 / 16

HEX #AF2ED6

RGB 175 46 214

HSL 286.07, 0.67%, 0.51%

LAB 46.87, 72.4, -60.06

 

CMYK 0 / 34 / 78 / 16

HEX #D68E2F

RGB 214 142 47

HSL 34.13, 0.67%, 0.51%

LAB 64.84, 19.62, 58.42

 

CMYK 79 / 0 / 73 / 16

HEX #2ED639

RGB 46 214 57

HSL 123.93, 0.67%, 0.51%

LAB 75.43, -69.9, 61.87

 

CMYK 79 / 44 / 0 / 16

HEX #2E77D6

RGB 46 119 214

HSL 213.93, 0.67%, 0.51%

LAB 50.25, 11.14, -55.18

 

CMYK 0 / 79 / 5 / 16

HEX #D62ECB

RGB 214 46 203

HSL 303.93, 0.67%, 0.51%

LAB 52.47, 77.97, -44.44

 

Description

Color code: HEX #D68E2F | qconv.com Color code: HEX #D68E2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 142 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 142 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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