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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68CF0 it is the complementary color #29730F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68CF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68CF0 shade: #DB8CEB, #EC9EFE, #FDB0FF, #FFC2FF and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68CF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68CF0 shade: #D68CF0, #C57ADD, #B468CA, #A356B7 and #9244A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68CF0 shade: #D78EF0, #F08EEF, #F08ED5, #F08EBA and #F08EA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68CF0 shade: #D78EF0, #BC8EF0, #A28EF0 and #8E8EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68CF0 shade matches the following richer shades: #D78EF0 and #DC84FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68CF0 shade: #D78EF0, #D298E6, #CDA3DC, #C8ADD1 and #C3B7C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68CF0 shade: #A28EF0, #BC8EF0, #D68EF0, #F08EF0 and #F08ED6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68CF0 shade: #BD45E7, #CA6AEC, #D78EF0, #E4B3F5 and #F1D7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68CF0 shade: #D68CF0, #F08E95 and #8EF0AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68CF0 shade: #D68CF0, #F0D68E and #8EF0D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68CF0 shade: #D68CF0, #F08E95, #A8F08E and #8EF0EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68CF0 shade: #D68CF0, #F0A58E, #A8F08E and #8ED9F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 42 / 0 / 6

HEX #D68CF0

RGB 214 140 240

HSL 284.4, 0.77%, 0.75%

LAB 69, 44.75, -39.21

 

Complementary color

CMYK 64 / 0 / 87 / 55

HEX #29730F

RGB 41 115 15

HSL 104.4, 0.77%, 0.25%

LAB 42.41, -40.88, 43.56

 

CMYK 7 / 40 / 0 / 8

HEX #DB8CEB

RGB 219 140 235

HSL 289.89, 0.7%, 0.74%

LAB 69.34, 45.22, -35.9

 

CMYK 7 / 38 / 0 / 0

HEX #EC9EFE

RGB 236 158 254

HSL 288.75, 0.98%, 0.81%

LAB 75.73, 44.49, -36.19

 

CMYK 1 / 31 / 0 / 0

HEX #FDB0FF

RGB 253 176 255

HSL 298.48, 1%, 0.85%

LAB 81.38, 40.42, -27.88

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 11 / 42 / 0 / 6

HEX #D68CF0

RGB 214 140 240

HSL 284.4, 0.77%, 0.75%

LAB 69, 44.75, -39.21

 

CMYK 11 / 45 / 0 / 13

HEX #C57ADD

RGB 197 122 221

HSL 285.45, 0.59%, 0.67%

LAB 62.52, 45.52, -38.97

 

CMYK 11 / 49 / 0 / 21

HEX #B468CA

RGB 180 104 202

HSL 286.53, 0.48%, 0.6%

LAB 55.96, 46.28, -38.69

 

CMYK 11 / 53 / 0 / 28

HEX #A356B7

RGB 163 86 183

HSL 287.63, 0.4%, 0.53%

LAB 49.33, 47.02, -38.33

 

CMYK 11 / 59 / 0 / 36

HEX #9244A4

RGB 146 68 164

HSL 288.75, 0.41%, 0.45%

LAB 42.65, 47.64, -37.85

 

CMYK 10 / 41 / 0 / 6

HEX #D78EF0

RGB 215 142 240

HSL 284.69, 0.77%, 0.75%

LAB 69.53, 43.98, -38.38

 

CMYK 0 / 41 / 0 / 6

HEX #F08EEF

RGB 240 142 239

HSL 300.61, 0.77%, 0.75%

LAB 72.3, 51.14, -33.31

 

CMYK 0 / 41 / 11 / 6

HEX #F08ED5

RGB 240 142 213

HSL 316.53, 0.77%, 0.75%

LAB 71.33, 46.73, -20.5

 

CMYK 0 / 41 / 23 / 6

HEX #F08EBA

RGB 240 142 186

HSL 333.06, 0.77%, 0.75%

LAB 70.47, 42.62, -6.83

 

CMYK 0 / 41 / 33 / 6

HEX #F08EA0

RGB 240 142 160

HSL 348.98, 0.77%, 0.75%

LAB 69.76, 39.16, 6.66

 

CMYK 10 / 41 / 0 / 6

HEX #D78EF0

RGB 215 142 240

HSL 284.69, 0.77%, 0.75%

LAB 69.53, 43.98, -38.38

 

CMYK 22 / 41 / 0 / 6

HEX #BC8EF0

RGB 188 142 240

HSL 268.16, 0.77%, 0.75%

LAB 66.77, 36.19, -42.89

 

CMYK 33 / 41 / 0 / 6

HEX #A28EF0

RGB 162 142 240

HSL 252.24, 0.77%, 0.75%

LAB 64.42, 29, -46.75

 

CMYK 41 / 41 / 0 / 6

HEX #8E8EF0

RGB 142 142 240

HSL 240, 0.77%, 0.75%

LAB 62.83, 23.82, -49.36

 

CMYK 10 / 41 / 0 / 6

HEX #D78EF0

RGB 215 142 240

HSL 284.69, 0.77%, 0.75%

LAB 69.53, 43.98, -38.38

 

CMYK 12 / 47 / 0 / 2

HEX #DC84FB

RGB 220 132 251

HSL 284.37, 0.94%, 0.75%

LAB 68.52, 52.79, -45.94

 

CMYK 10 / 41 / 0 / 6

HEX #D78EF0

RGB 215 142 240

HSL 284.69, 0.77%, 0.75%

LAB 69.53, 43.98, -38.38

 

CMYK 9 / 34 / 0 / 10

HEX #D298E6

RGB 210 152 230

HSL 284.62, 0.61%, 0.75%

LAB 70.78, 35.11, -31

 

CMYK 7 / 26 / 0 / 14

HEX #CDA3DC

RGB 205 163 220

HSL 284.21, 0.45%, 0.75%

LAB 72.46, 25.54, -22.99

 

CMYK 4 / 17 / 0 / 18

HEX #C8ADD1

RGB 200 173 209

HSL 285, 0.28%, 0.75%

LAB 74.04, 16.24, -14.61

 

CMYK 2 / 8 / 0 / 22

HEX #C3B7C7

RGB 195 183 199

HSL 285, 0.13%, 0.75%

LAB 75.82, 7.18, -6.55

 

CMYK 33 / 41 / 0 / 6

HEX #A28EF0

RGB 162 142 240

HSL 252.24, 0.77%, 0.75%

LAB 64.42, 29, -46.75

 

CMYK 22 / 41 / 0 / 6

HEX #BC8EF0

RGB 188 142 240

HSL 268.16, 0.77%, 0.75%

LAB 66.77, 36.19, -42.89

 

CMYK 11 / 41 / 0 / 6

HEX #D68EF0

RGB 214 142 240

HSL 284.08, 0.77%, 0.75%

LAB 69.42, 43.69, -38.55

 

CMYK 0 / 41 / 0 / 6

HEX #F08EF0

RGB 240 142 240

HSL 300, 0.77%, 0.75%

LAB 72.34, 51.32, -33.8

 

CMYK 0 / 41 / 11 / 6

HEX #F08ED6

RGB 240 142 214

HSL 315.92, 0.77%, 0.75%

LAB 71.37, 46.89, -21

 

CMYK 18 / 70 / 0 / 9

HEX #BD45E7

RGB 189 69 231

HSL 284.44, 0.77%, 0.59%

LAB 52.78, 70.38, -60.1

 

CMYK 14 / 55 / 0 / 7

HEX #CA6AEC

RGB 202 106 236

HSL 284.31, 0.77%, 0.67%

LAB 60.71, 58.04, -50.13

 

CMYK 10 / 41 / 0 / 6

HEX #D78EF0

RGB 215 142 240

HSL 284.69, 0.77%, 0.75%

LAB 69.53, 43.98, -38.38

 

CMYK 7 / 27 / 0 / 4

HEX #E4B3F5

RGB 228 179 245

HSL 284.55, 0.77%, 0.83%

LAB 79.23, 29.13, -26.02

 

CMYK 4 / 14 / 0 / 2

HEX #F1D7FA

RGB 241 215 250

HSL 284.57, 0.78%, 0.91%

LAB 89.02, 15.11, -13.77

 

CMYK 11 / 42 / 0 / 6

HEX #D68CF0

RGB 214 140 240

HSL 284.4, 0.77%, 0.75%

LAB 69, 44.75, -39.21

 

CMYK 0 / 41 / 38 / 6

HEX #F08E95

RGB 240 142 149

HSL 355.71, 0.77%, 0.75%

LAB 69.5, 37.86, 12.43

 

CMYK 41 / 0 / 27 / 6

HEX #8EF0AF

RGB 142 240 175

HSL 140.2, 0.77%, 0.75%

LAB 87.57, -42.63, 22.58

 

CMYK 11 / 42 / 0 / 6

HEX #D68CF0

RGB 214 140 240

HSL 284.4, 0.77%, 0.75%

LAB 69, 44.75, -39.21

 

CMYK 0 / 11 / 41 / 6

HEX #F0D68E

RGB 240 214 142

HSL 44.08, 0.77%, 0.75%

LAB 86.29, -0.7, 38.83

 

CMYK 41 / 0 / 11 / 6

HEX #8EF0D6

RGB 142 240 214

HSL 164.08, 0.77%, 0.75%

LAB 88.41, -34.78, 3.53

 

CMYK 11 / 42 / 0 / 6

HEX #D68CF0

RGB 214 140 240

HSL 284.4, 0.77%, 0.75%

LAB 69, 44.75, -39.21

 

CMYK 0 / 41 / 38 / 6

HEX #F08E95

RGB 240 142 149

HSL 355.71, 0.77%, 0.75%

LAB 69.5, 37.86, 12.43

 

CMYK 30 / 0 / 41 / 6

HEX #A8F08E

RGB 168 240 142

HSL 104.08, 0.77%, 0.75%

LAB 88.26, -39.94, 40.37

 

CMYK 41 / 0 / 3 / 6

HEX #8EF0EA

RGB 142 240 234

HSL 176.33, 0.77%, 0.75%

LAB 88.93, -30.22, -6.17

 

CMYK 11 / 42 / 0 / 6

HEX #D68CF0

RGB 214 140 240

HSL 284.4, 0.77%, 0.75%

LAB 69, 44.75, -39.21

 

CMYK 0 / 31 / 41 / 6

HEX #F0A58E

RGB 240 165 142

HSL 14.08, 0.77%, 0.75%

LAB 74.44, 24.99, 23.12

 

CMYK 30 / 0 / 41 / 6

HEX #A8F08E

RGB 168 240 142

HSL 104.08, 0.77%, 0.75%

LAB 88.26, -39.94, 40.37

 

CMYK 41 / 10 / 0 / 6

HEX #8ED9F0

RGB 142 217 240

HSL 194.08, 0.77%, 0.75%

LAB 82.74, -17.45, -18.58

 

Description

Color code: HEX #D68CF0 | qconv.com Color code: HEX #D68CF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 140 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 140 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 42 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 42% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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