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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68CC0 it is the complementary color #29733F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68CC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68CC0 shade: #DB8CBB, #EC9ECE, #FDB0E1, #FFC2F4 and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68CC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68CC0 shade: #D68CC0, #C57AAD, #B4689A, #A35687 and #924474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68CC0 shade: #D58BBF, #D58BAB, #D58B97 and #D58B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68CC0 shade: #D58BBF, #D58BD3, #C38BD5, #AF8BD5 and #9B8BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68CC0 shade matches the following richer shades: #D58BBF, #E27EC4, #EF71C9 and #FB64CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68CC0 shade: #D58BBF, #C898BA, #BCA4B5, #AFB1AF and #A2BEAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68CC0 shade: #C38BD5, #D58BD4, #D58BC0, #D58BAC and #D58B98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68CC0 shade: #BF4E9E, #CA6CAE, #D58BBF, #E0A9D0 and #EBC7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68CC0 shade: #D68CC0, #D5AF8B and #8BD5CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68CC0 shade: #D68CC0, #C0D58B and #8BC0D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68CC0 shade: #D68CC0, #D5AF8B, #8BD5A0 and #8BB1D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68CC0 shade: #D68CC0, #D5C58B, #8BD5A0 and #8B9BD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 10 / 16

HEX #D68CC0

RGB 214 140 192

HSL 317.84, 0.47%, 0.69%

LAB 67.17, 35.84, -15.43

 

Complementary color

CMYK 64 / 0 / 45 / 55

HEX #29733F

RGB 41 115 63

HSL 137.84, 0.47%, 0.31%

LAB 42.9, -35.29, 22.16

 

CMYK 0 / 36 / 15 / 14

HEX #DB8CBB

RGB 219 140 187

HSL 324.3, 0.52%, 0.7%

LAB 67.58, 36.7, -11.95

 

CMYK 0 / 33 / 13 / 7

HEX #EC9ECE

RGB 236 158 206

HSL 323.08, 0.67%, 0.77%

LAB 74.02, 35.96, -12.63

 

CMYK 0 / 30 / 11 / 1

HEX #FDB0E1

RGB 253 176 225

HSL 321.82, 0.95%, 0.84%

LAB 80.39, 35.26, -13.26

 

CMYK 0 / 24 / 4 / 0

HEX #FFC2F4

RGB 255 194 244

HSL 310.82, 1%, 0.88%

LAB 85.19, 29.68, -16.21

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 0 / 35 / 10 / 16

HEX #D68CC0

RGB 214 140 192

HSL 317.84, 0.47%, 0.69%

LAB 67.17, 35.84, -15.43

 

CMYK 0 / 38 / 12 / 23

HEX #C57AAD

RGB 197 122 173

HSL 319.2, 0.39%, 0.63%

LAB 60.61, 36.59, -14.78

 

CMYK 0 / 42 / 14 / 29

HEX #B4689A

RGB 180 104 154

HSL 320.53, 0.34%, 0.56%

LAB 53.96, 37.38, -14.05

 

CMYK 0 / 47 / 17 / 36

HEX #A35687

RGB 163 86 135

HSL 321.82, 0.31%, 0.49%

LAB 47.22, 38.18, -13.21

 

CMYK 0 / 53 / 21 / 43

HEX #924474

RGB 146 68 116

HSL 323.08, 0.36%, 0.42%

LAB 40.42, 38.93, -12.17

 

CMYK 0 / 35 / 10 / 16

HEX #D58BBF

RGB 213 139 191

HSL 317.84, 0.47%, 0.69%

LAB 66.8, 35.87, -15.43

 

CMYK 0 / 35 / 20 / 16

HEX #D58BAB

RGB 213 139 171

HSL 334.05, 0.47%, 0.69%

LAB 66.18, 32.65, -5.13

 

CMYK 0 / 35 / 29 / 16

HEX #D58B97

RGB 213 139 151

HSL 350.27, 0.47%, 0.69%

LAB 65.63, 29.77, 5.35

 

CMYK 0 / 35 / 35 / 16

HEX #D58B8B

RGB 213 139 139

HSL 0, 0.47%, 0.69%

LAB 65.34, 28.22, 11.7

 

CMYK 0 / 35 / 10 / 16

HEX #D58BBF

RGB 213 139 191

HSL 317.84, 0.47%, 0.69%

LAB 66.8, 35.87, -15.43

 

CMYK 0 / 35 / 1 / 16

HEX #D58BD3

RGB 213 139 211

HSL 301.62, 0.47%, 0.69%

LAB 67.51, 39.39, -25.51

 

CMYK 8 / 35 / 0 / 16

HEX #C38BD5

RGB 195 139 213

HSL 285.41, 0.47%, 0.69%

LAB 65.65, 34.12, -29.66

 

CMYK 18 / 35 / 0 / 16

HEX #AF8BD5

RGB 175 139 213

HSL 269.19, 0.47%, 0.69%

LAB 63.66, 27.94, -32.9

 

CMYK 27 / 35 / 0 / 16

HEX #9B8BD5

RGB 155 139 213

HSL 252.97, 0.47%, 0.69%

LAB 61.86, 21.96, -35.83

 

CMYK 0 / 35 / 10 / 16

HEX #D58BBF

RGB 213 139 191

HSL 317.84, 0.47%, 0.69%

LAB 66.8, 35.87, -15.43

 

CMYK 0 / 44 / 13 / 11

HEX #E27EC4

RGB 226 126 196

HSL 318, 0.63%, 0.69%

LAB 65.81, 47.72, -19.6

 

CMYK 0 / 53 / 16 / 6

HEX #EF71C9

RGB 239 113 201

HSL 318.1, 0.8%, 0.69%

LAB 65.26, 58.79, -23.09

 

CMYK 0 / 60 / 18 / 2

HEX #FB64CF

RGB 251 100 207

HSL 317.48, 0.95%, 0.69%

LAB 65.06, 68.76, -26.62

 

CMYK 0 / 35 / 10 / 16

HEX #D58BBF

RGB 213 139 191

HSL 317.84, 0.47%, 0.69%

LAB 66.8, 35.87, -15.43

 

CMYK 0 / 24 / 7 / 22

HEX #C898BA

RGB 200 152 186

HSL 317.5, 0.3%, 0.69%

LAB 68.23, 23.48, -10.64

 

CMYK 0 / 13 / 4 / 26

HEX #BCA4B5

RGB 188 164 181

HSL 317.5, 0.15%, 0.69%

LAB 69.88, 11.74, -5.53

 

CMYK 1 / 0 / 1 / 31

HEX #AFB1AF

RGB 175 177 175

HSL 120, 0.01%, 0.69%

LAB 72, -1.08, 0.77

 

CMYK 15 / 0 / 11 / 25

HEX #A2BEAA

RGB 162 190 170

HSL 137.14, 0.18%, 0.69%

LAB 74.45, -13.41, 6.93

 

CMYK 8 / 35 / 0 / 16

HEX #C38BD5

RGB 195 139 213

HSL 285.41, 0.47%, 0.69%

LAB 65.65, 34.12, -29.66

 

CMYK 0 / 35 / 0 / 16

HEX #D58BD4

RGB 213 139 212

HSL 300.81, 0.47%, 0.69%

LAB 67.55, 39.58, -26.01

 

CMYK 0 / 35 / 10 / 16

HEX #D58BC0

RGB 213 139 192

HSL 317.03, 0.47%, 0.69%

LAB 66.84, 36.04, -15.94

 

CMYK 0 / 35 / 19 / 16

HEX #D58BAC

RGB 213 139 172

HSL 333.24, 0.47%, 0.69%

LAB 66.21, 32.81, -5.65

 

CMYK 0 / 35 / 29 / 16

HEX #D58B98

RGB 213 139 152

HSL 349.46, 0.47%, 0.69%

LAB 65.65, 29.91, 4.82

 

CMYK 0 / 59 / 17 / 25

HEX #BF4E9E

RGB 191 78 158

HSL 317.52, 0.47%, 0.53%

LAB 50.68, 54.46, -21.27

 

CMYK 0 / 47 / 14 / 21

HEX #CA6CAE

RGB 202 108 174

HSL 317.87, 0.47%, 0.61%

LAB 58.36, 45.76, -18.72

 

CMYK 0 / 35 / 10 / 16

HEX #D58BBF

RGB 213 139 191

HSL 317.84, 0.47%, 0.69%

LAB 66.8, 35.87, -15.43

 

CMYK 0 / 25 / 7 / 12

HEX #E0A9D0

RGB 224 169 208

HSL 317.45, 0.47%, 0.77%

LAB 75.31, 26.36, -11.93

 

CMYK 0 / 15 / 5 / 8

HEX #EBC7E0

RGB 235 199 224

HSL 318.33, 0.47%, 0.85%

LAB 83.91, 16.85, -7.66

 

CMYK 0 / 35 / 10 / 16

HEX #D68CC0

RGB 214 140 192

HSL 317.84, 0.47%, 0.69%

LAB 67.17, 35.84, -15.43

 

CMYK 0 / 18 / 35 / 16

HEX #D5AF8B

RGB 213 175 139

HSL 29.19, 0.47%, 0.69%

LAB 73.98, 8.75, 23.66

 

CMYK 35 / 0 / 4 / 16

HEX #8BD5CC

RGB 139 213 204

HSL 172.7, 0.47%, 0.69%

LAB 80.42, -24.95, -2.86

 

CMYK 0 / 35 / 10 / 16

HEX #D68CC0

RGB 214 140 192

HSL 317.84, 0.47%, 0.69%

LAB 67.17, 35.84, -15.43

 

CMYK 10 / 0 / 35 / 16

HEX #C0D58B

RGB 192 213 139

HSL 77.03, 0.47%, 0.69%

LAB 82.2, -19.11, 34.3

 

CMYK 35 / 10 / 0 / 16

HEX #8BC0D5

RGB 139 192 213

HSL 197.03, 0.47%, 0.69%

LAB 74.82, -12.12, -16.05

 

CMYK 0 / 35 / 10 / 16

HEX #D68CC0

RGB 214 140 192

HSL 317.84, 0.47%, 0.69%

LAB 67.17, 35.84, -15.43

 

CMYK 0 / 18 / 35 / 16

HEX #D5AF8B

RGB 213 175 139

HSL 29.19, 0.47%, 0.69%

LAB 73.98, 8.75, 23.66

 

CMYK 35 / 0 / 25 / 16

HEX #8BD5A0

RGB 139 213 160

HSL 137.03, 0.47%, 0.69%

LAB 79.39, -34.05, 19.07

 

CMYK 35 / 17 / 0 / 16

HEX #8BB1D5

RGB 139 177 213

HSL 209.19, 0.47%, 0.69%

LAB 70.69, -4.1, -22.31

 

CMYK 0 / 35 / 10 / 16

HEX #D68CC0

RGB 214 140 192

HSL 317.84, 0.47%, 0.69%

LAB 67.17, 35.84, -15.43

 

CMYK 0 / 8 / 35 / 16

HEX #D5C58B

RGB 213 197 139

HSL 47.03, 0.47%, 0.69%

LAB 79.58, -2.87, 31.16

 

CMYK 35 / 0 / 25 / 16

HEX #8BD5A0

RGB 139 213 160

HSL 137.03, 0.47%, 0.69%

LAB 79.39, -34.05, 19.07

 

CMYK 35 / 27 / 0 / 16

HEX #8B9BD5

RGB 139 155 213

HSL 227.03, 0.47%, 0.69%

LAB 64.75, 8.18, -31.43

 

Description

Color code: HEX #D68CC0 | qconv.com Color code: HEX #D68CC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 140 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 140 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 10 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 10% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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