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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D68981 it is the complementary color #29767E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D68981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D68981 shade: #DB897C, #EC9B8F, #FDADA2, #FFBFB5 and #FFD1C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D68981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D68981 shade: #D68981, #C5776E, #B4655B, #A35348 and #924135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D68981 shade: #D68880 and #D68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D68981 shade: #D68880, #D69F80, #D6B680, #D6CD80 and #C7D680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D68981 shade matches the following richer shades: #D68880, #E37D72, #F17265 and #FF6757

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D68981 shade: #D68880, #C8938E, #BB9E9B, #ADA9A9 and #9FB4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D68981 shade: #D680A7, #D68090, #D68780, #D69E80 and #D6B580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D68981 shade: #C24E42, #CC6B61, #D68880, #E0A59F and #EAC2BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D68981 shade: #D68981, #BDD680 and #809BD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D68981 shade: #D68981, #80D687 and #8780D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D68981 shade: #D68981, #BDD680, #80CFD6 and #9880D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D68981 shade: #D68981, #A4D680, #80CFD6 and #B280D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 40 / 16

HEX #D68981

RGB 214 137 129

HSL 5.65, 0.51%, 0.67%

LAB 64.78, 28.48, 16.57

 

Complementary color

CMYK 67 / 6 / 0 / 51

HEX #29767E

RGB 41 118 126

HSL 185.65, 0.51%, 0.33%

LAB 45.54, -20.45, -11.31

 

CMYK 0 / 37 / 43 / 14

HEX #DB897C

RGB 219 137 124

HSL 8.21, 0.57%, 0.67%

LAB 65.28, 29.86, 20.16

 

CMYK 0 / 34 / 39 / 7

HEX #EC9B8F

RGB 236 155 143

HSL 7.74, 0.71%, 0.74%

LAB 71.73, 28.87, 18.8

 

CMYK 0 / 32 / 36 / 1

HEX #FDADA2

RGB 253 173 162

HSL 7.25, 0.96%, 0.81%

LAB 78.1, 27.97, 17.56

 

CMYK 0 / 25 / 29 / 0

HEX #FFBFB5

RGB 255 191 181

HSL 8.11, 1%, 0.85%

LAB 82.84, 21.63, 14.02

 

CMYK 0 / 18 / 22 / 0

HEX #FFD1C8

RGB 255 209 200

HSL 9.82, 1%, 0.89%

LAB 87.5, 14.82, 10.54

 

CMYK 0 / 36 / 40 / 16

HEX #D68981

RGB 214 137 129

HSL 5.65, 0.51%, 0.67%

LAB 64.78, 28.48, 16.57

 

CMYK 0 / 40 / 44 / 23

HEX #C5776E

RGB 197 119 110

HSL 6.21, 0.43%, 0.6%

LAB 58.22, 29.51, 18

 

CMYK 0 / 44 / 49 / 29

HEX #B4655B

RGB 180 101 91

HSL 6.74, 0.37%, 0.53%

LAB 51.57, 30.65, 19.62

 

CMYK 0 / 49 / 56 / 36

HEX #A35348

RGB 163 83 72

HSL 7.25, 0.39%, 0.46%

LAB 44.86, 31.9, 21.52

 

CMYK 0 / 55 / 64 / 43

HEX #924135

RGB 146 65 53

HSL 7.74, 0.47%, 0.39%

LAB 38.11, 33.25, 23.79

 

CMYK 0 / 36 / 40 / 16

HEX #D68880

RGB 214 136 128

HSL 5.58, 0.51%, 0.67%

LAB 64.53, 28.91, 16.79

 

CMYK 0 / 40 / 40 / 16

HEX #D68080

RGB 214 128 128

HSL 0, 0.51%, 0.67%

LAB 62.75, 33.19, 14.32

 

CMYK 0 / 36 / 40 / 16

HEX #D68880

RGB 214 136 128

HSL 5.58, 0.51%, 0.67%

LAB 64.53, 28.91, 16.79

 

CMYK 0 / 26 / 40 / 16

HEX #D69F80

RGB 214 159 128

HSL 21.63, 0.51%, 0.67%

LAB 69.93, 16.47, 24.16

 

CMYK 0 / 15 / 40 / 16

HEX #D6B680

RGB 214 182 128

HSL 37.67, 0.51%, 0.67%

LAB 75.64, 4.14, 31.75

 

CMYK 0 / 4 / 40 / 16

HEX #D6CD80

RGB 214 205 128

HSL 53.72, 0.51%, 0.67%

LAB 81.58, -7.85, 39.42

 

CMYK 7 / 0 / 40 / 16

HEX #C7D680

RGB 199 214 128

HSL 70.47, 0.51%, 0.67%

LAB 82.8, -18.26, 40.74

 

CMYK 0 / 36 / 40 / 16

HEX #D68880

RGB 214 136 128

HSL 5.58, 0.51%, 0.67%

LAB 64.53, 28.91, 16.79

 

CMYK 0 / 45 / 50 / 11

HEX #E37D72

RGB 227 125 114

HSL 5.84, 0.67%, 0.67%

LAB 63.52, 38.23, 23.56

 

CMYK 0 / 53 / 58 / 5

HEX #F17265

RGB 241 114 101

HSL 5.57, 0.83%, 0.67%

LAB 63.07, 47.83, 30.63

 

CMYK 0 / 60 / 66 / 0

HEX #FF6757

RGB 255 103 87

HSL 5.71, 1%, 0.67%

LAB 63.05, 56.91, 38.82

 

CMYK 0 / 36 / 40 / 16

HEX #D68880

RGB 214 136 128

HSL 5.58, 0.51%, 0.67%

LAB 64.53, 28.91, 16.79

 

CMYK 0 / 27 / 29 / 22

HEX #C8938E

RGB 200 147 142

HSL 5.17, 0.35%, 0.67%

LAB 65.83, 19.28, 10.5

 

CMYK 0 / 16 / 17 / 27

HEX #BB9E9B

RGB 187 158 155

HSL 5.63, 0.19%, 0.67%

LAB 67.56, 10.19, 5.54

 

CMYK 0 / 2 / 2 / 32

HEX #ADA9A9

RGB 173 169 169

HSL 0, 0.02%, 0.67%

LAB 69.56, 1.43, 0.5

 

CMYK 13 / 1 / 0 / 29

HEX #9FB4B6

RGB 159 180 182

HSL 185.22, 0.14%, 0.67%

LAB 71.82, -6.79, -3.47

 

CMYK 0 / 40 / 22 / 16

HEX #D680A7

RGB 214 128 167

HSL 332.79, 0.51%, 0.67%

LAB 63.77, 38.27, -6.41

 

CMYK 0 / 40 / 33 / 16

HEX #D68090

RGB 214 128 144

HSL 348.84, 0.51%, 0.67%

LAB 63.13, 35.11, 5.75

 

CMYK 0 / 37 / 40 / 16

HEX #D68780

RGB 214 135 128

HSL 4.88, 0.51%, 0.67%

LAB 64.31, 29.45, 16.48

 

CMYK 0 / 26 / 40 / 16

HEX #D69E80

RGB 214 158 128

HSL 20.93, 0.51%, 0.67%

LAB 69.69, 17.02, 23.83

 

CMYK 0 / 15 / 40 / 16

HEX #D6B580

RGB 214 181 128

HSL 36.98, 0.51%, 0.67%

LAB 75.39, 4.67, 31.42

 

CMYK 0 / 60 / 66 / 24

HEX #C24E42

RGB 194 78 66

HSL 5.63, 0.51%, 0.51%

LAB 48.65, 45.73, 30.86

 

CMYK 0 / 48 / 52 / 20

HEX #CC6B61

RGB 204 107 97

HSL 5.61, 0.51%, 0.59%

LAB 56.3, 37.33, 23.05

 

CMYK 0 / 36 / 40 / 16

HEX #D68880

RGB 214 136 128

HSL 5.58, 0.51%, 0.67%

LAB 64.53, 28.91, 16.79

 

CMYK 0 / 26 / 29 / 12

HEX #E0A59F

RGB 224 165 159

HSL 5.54, 0.51%, 0.75%

LAB 73.06, 20.95, 11.67

 

CMYK 0 / 17 / 19 / 8

HEX #EAC2BE

RGB 234 194 190

HSL 5.45, 0.51%, 0.83%

LAB 81.73, 13.6, 7.34

 

CMYK 0 / 36 / 40 / 16

HEX #D68981

RGB 214 137 129

HSL 5.65, 0.51%, 0.67%

LAB 64.78, 28.48, 16.57

 

CMYK 12 / 0 / 40 / 16

HEX #BDD680

RGB 189 214 128

HSL 77.44, 0.51%, 0.67%

LAB 82.09, -22.09, 39.69

 

CMYK 40 / 28 / 0 / 16

HEX #809BD6

RGB 128 155 214

HSL 221.16, 0.51%, 0.67%

LAB 64.07, 5.45, -33.1

 

CMYK 0 / 36 / 40 / 16

HEX #D68981

RGB 214 137 129

HSL 5.65, 0.51%, 0.67%

LAB 64.78, 28.48, 16.57

 

CMYK 40 / 0 / 37 / 16

HEX #80D687

RGB 128 214 135

HSL 124.88, 0.51%, 0.67%

LAB 78.71, -42.11, 31.08

 

CMYK 37 / 40 / 0 / 16

HEX #8780D6

RGB 135 128 214

HSL 244.88, 0.51%, 0.67%

LAB 57.51, 23.02, -43.34

 

CMYK 0 / 36 / 40 / 16

HEX #D68981

RGB 214 137 129

HSL 5.65, 0.51%, 0.67%

LAB 64.78, 28.48, 16.57

 

CMYK 12 / 0 / 40 / 16

HEX #BDD680

RGB 189 214 128

HSL 77.44, 0.51%, 0.67%

LAB 82.09, -22.09, 39.69

 

CMYK 40 / 3 / 0 / 16

HEX #80CFD6

RGB 128 207 214

HSL 184.88, 0.51%, 0.67%

LAB 78.5, -22.46, -11.12

 

CMYK 29 / 40 / 0 / 16

HEX #9880D6

RGB 152 128 214

HSL 256.74, 0.51%, 0.67%

LAB 58.95, 27.69, -40.98

 

CMYK 0 / 36 / 40 / 16

HEX #D68981

RGB 214 137 129

HSL 5.65, 0.51%, 0.67%

LAB 64.78, 28.48, 16.57

 

CMYK 23 / 0 / 40 / 16

HEX #A4D680

RGB 164 214 128

HSL 94.88, 0.51%, 0.67%

LAB 80.48, -31.3, 37.31

 

CMYK 40 / 3 / 0 / 16

HEX #80CFD6

RGB 128 207 214

HSL 184.88, 0.51%, 0.67%

LAB 78.5, -22.46, -11.12

 

CMYK 17 / 40 / 0 / 16

HEX #B280D6

RGB 178 128 214

HSL 274.88, 0.51%, 0.67%

LAB 61.45, 35.23, -36.88

 

Description

Color code: HEX #D68981 | qconv.com Color code: HEX #D68981 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 137 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 137 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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