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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6830F it is the complementary color #297CF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6830F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6830F shade: #DB830A, #EC951D, #FDA730, #FFB943 and #FFCB56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6830F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6830F shade: #D6830F, #C57100, #B45F00, #A34D00 and #923B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6830F shade: #D7830F, #D74D0F, #D7180F and #D70F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6830F shade: #D7830F, #D7B90F, #BED70F, #88D70F and #53D70F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6830F shade matches the following richer shades: #D7830F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6830F shade: #D7830F, #C48021, #B17D34, #9F7A47 and #8C7759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6830F shade: #D7160F, #D74B0F, #D7800F, #D7B50F and #C3D70F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6830F shade: #89540A, #B06C0C, #D7830F, #EF991F and #F2AA46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6830F shade: #D6830F, #3ED70F and #300FD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6830F shade: #D6830F, #0FD780 and #800FD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6830F shade: #D6830F, #3ED70F, #0F65D7 and #A80FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6830F shade: #D6830F, #0FD71C, #0F65D7 and #D70FC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 93 / 16

HEX #D6830F

RGB 214 131 15

HSL 34.97, 0.87%, 0.45%

LAB 62.14, 24.74, 65.79

 

Complementary color

CMYK 83 / 48 / 0 / 6

HEX #297CF0

RGB 41 124 240

HSL 214.97, 0.87%, 0.55%

LAB 53.14, 17.34, -65.14

 

CMYK 0 / 40 / 95 / 14

HEX #DB830A

RGB 219 131 10

HSL 34.74, 0.91%, 0.45%

LAB 62.77, 26.81, 67.39

 

CMYK 0 / 37 / 88 / 7

HEX #EC951D

RGB 236 149 29

HSL 34.78, 0.84%, 0.52%

LAB 69.05, 24.71, 69

 

CMYK 0 / 34 / 81 / 1

HEX #FDA730

RGB 253 167 48

HSL 34.83, 0.98%, 0.59%

LAB 75.29, 22.83, 69.27

 

CMYK 0 / 27 / 74 / 0

HEX #FFB943

RGB 255 185 67

HSL 37.66, 1%, 0.63%

LAB 79.82, 14.95, 66.6

 

CMYK 0 / 20 / 66 / 0

HEX #FFCB56

RGB 255 203 86

HSL 41.54, 1%, 0.67%

LAB 84.3, 6.55, 63.38

 

CMYK 0 / 39 / 93 / 16

HEX #D6830F

RGB 214 131 15

HSL 34.97, 0.87%, 0.45%

LAB 62.14, 24.74, 65.79

 

CMYK 0 / 43 / 100 / 23

HEX #C57100

RGB 197 113 0

HSL 34.42, 1%, 0.39%

LAB 55.77, 27, 63.02

 

CMYK 0 / 47 / 100 / 29

HEX #B45F00

RGB 180 95 0

HSL 31.67, 1%, 0.35%

LAB 49.36, 29.47, 57.85

 

CMYK 0 / 53 / 100 / 36

HEX #A34D00

RGB 163 77 0

HSL 28.34, 1%, 0.32%

LAB 42.9, 31.94, 52.66

 

CMYK 0 / 60 / 100 / 43

HEX #923B00

RGB 146 59 0

HSL 24.25, 1%, 0.29%

LAB 36.44, 34.31, 47.49

 

CMYK 0 / 39 / 93 / 16

HEX #D7830F

RGB 215 131 15

HSL 34.8, 0.87%, 0.45%

LAB 62.27, 25.17, 65.94

 

CMYK 0 / 64 / 93 / 16

HEX #D74D0F

RGB 215 77 15

HSL 18.6, 0.87%, 0.45%

LAB 51.6, 51.93, 58.59

 

CMYK 0 / 89 / 93 / 16

HEX #D7180F

RGB 215 24 15

HSL 2.7, 0.87%, 0.45%

LAB 45.82, 67.96, 54.94

 

CMYK 0 / 93 / 93 / 16

HEX #D70F0F

RGB 215 15 15

HSL 0, 0.87%, 0.45%

LAB 45.39, 69.19, 54.69

 

CMYK 0 / 39 / 93 / 16

HEX #D7830F

RGB 215 131 15

HSL 34.8, 0.87%, 0.45%

LAB 62.27, 25.17, 65.94

 

CMYK 0 / 14 / 93 / 16

HEX #D7B90F

RGB 215 185 15

HSL 51, 0.87%, 0.45%

LAB 75.56, -3.65, 75.71

 

CMYK 12 / 0 / 93 / 16

HEX #BED70F

RGB 190 215 15

HSL 67.5, 0.87%, 0.45%

LAB 81.61, -29.25, 79.44

 

CMYK 37 / 0 / 93 / 16

HEX #88D70F

RGB 136 215 15

HSL 83.7, 0.87%, 0.45%

LAB 78.39, -50.03, 75.52

 

CMYK 61 / 0 / 93 / 16

HEX #53D70F

RGB 83 215 15

HSL 99.6, 0.87%, 0.45%

LAB 76.36, -65.59, 73.03

 

CMYK 0 / 39 / 93 / 16

HEX #D7830F

RGB 215 131 15

HSL 34.8, 0.87%, 0.45%

LAB 62.27, 25.17, 65.94

 

CMYK 0 / 39 / 93 / 16

HEX #D7830F

RGB 215 131 15

HSL 34.8, 0.87%, 0.45%

LAB 62.27, 25.17, 65.94

 

CMYK 0 / 35 / 83 / 23

HEX #C48021

RGB 196 128 33

HSL 34.97, 0.71%, 0.45%

LAB 59.24, 18.98, 57.7

 

CMYK 0 / 29 / 71 / 31

HEX #B17D34

RGB 177 125 52

HSL 35.04, 0.55%, 0.45%

LAB 56.35, 13.08, 46.35

 

CMYK 0 / 23 / 55 / 38

HEX #9F7A47

RGB 159 122 71

HSL 34.77, 0.38%, 0.45%

LAB 53.76, 8.15, 33.22

 

CMYK 0 / 15 / 36 / 45

HEX #8C7759

RGB 140 119 89

HSL 35.29, 0.22%, 0.45%

LAB 51.26, 3.56, 19.54

 

CMYK 0 / 90 / 93 / 16

HEX #D7160F

RGB 215 22 15

HSL 2.1, 0.87%, 0.45%

LAB 45.71, 68.27, 54.88

 

CMYK 0 / 65 / 93 / 16

HEX #D74B0F

RGB 215 75 15

HSL 18, 0.87%, 0.45%

LAB 51.28, 52.77, 58.38

 

CMYK 0 / 40 / 93 / 16

HEX #D7800F

RGB 215 128 15

HSL 33.9, 0.87%, 0.45%

LAB 61.59, 26.77, 65.46

 

CMYK 0 / 16 / 93 / 16

HEX #D7B50F

RGB 215 181 15

HSL 49.8, 0.87%, 0.45%

LAB 74.53, -1.56, 74.93

 

CMYK 9 / 0 / 93 / 16

HEX #C3D70F

RGB 195 215 15

HSL 66, 0.87%, 0.45%

LAB 81.97, -27.19, 79.87

 

CMYK 0 / 39 / 93 / 46

HEX #89540A

RGB 137 84 10

HSL 34.96, 0.86%, 0.29%

LAB 40.7, 16.73, 46.55

 

CMYK 0 / 39 / 93 / 31

HEX #B06C0C

RGB 176 108 12

HSL 35.12, 0.87%, 0.37%

LAB 51.82, 20.76, 56.69

 

CMYK 0 / 39 / 93 / 16

HEX #D7830F

RGB 215 131 15

HSL 34.8, 0.87%, 0.45%

LAB 62.27, 25.17, 65.94

 

CMYK 0 / 36 / 87 / 6

HEX #EF991F

RGB 239 153 31

HSL 35.19, 0.87%, 0.53%

LAB 70.34, 23.9, 69.64

 

CMYK 0 / 30 / 71 / 5

HEX #F2AA46

RGB 242 170 70

HSL 34.88, 0.87%, 0.61%

LAB 74.87, 17.52, 59.92

 

CMYK 0 / 39 / 93 / 16

HEX #D6830F

RGB 214 131 15

HSL 34.97, 0.87%, 0.45%

LAB 62.14, 24.74, 65.79

 

CMYK 71 / 0 / 93 / 16

HEX #3ED70F

RGB 62 215 15

HSL 105.9, 0.87%, 0.45%

LAB 75.86, -69.83, 72.41

 

CMYK 78 / 93 / 0 / 16

HEX #300FD7

RGB 48 15 215

HSL 249.9, 0.87%, 0.45%

LAB 29.1, 67.49, -90.39

 

CMYK 0 / 39 / 93 / 16

HEX #D6830F

RGB 214 131 15

HSL 34.97, 0.87%, 0.45%

LAB 62.14, 24.74, 65.79

 

CMYK 93 / 0 / 40 / 16

HEX #0FD780

RGB 15 215 128

HSL 153.9, 0.87%, 0.45%

LAB 76.23, -63.29, 30.89

 

CMYK 40 / 93 / 0 / 16

HEX #800FD7

RGB 128 15 215

HSL 273.9, 0.87%, 0.45%

LAB 37.55, 73.07, -76.13

 

CMYK 0 / 39 / 93 / 16

HEX #D6830F

RGB 214 131 15

HSL 34.97, 0.87%, 0.45%

LAB 62.14, 24.74, 65.79

 

CMYK 71 / 0 / 93 / 16

HEX #3ED70F

RGB 62 215 15

HSL 105.9, 0.87%, 0.45%

LAB 75.86, -69.83, 72.41

 

CMYK 93 / 53 / 0 / 16

HEX #0F65D7

RGB 15 101 215

HSL 214.2, 0.87%, 0.45%

LAB 44.68, 20.8, -64.77

 

CMYK 22 / 93 / 0 / 16

HEX #A80FD7

RGB 168 15 215

HSL 285.9, 0.87%, 0.45%

LAB 43.61, 78.04, -65.97

 

CMYK 0 / 39 / 93 / 16

HEX #D6830F

RGB 214 131 15

HSL 34.97, 0.87%, 0.45%

LAB 62.14, 24.74, 65.79

 

CMYK 93 / 0 / 87 / 16

HEX #0FD71C

RGB 15 215 28

HSL 123.9, 0.87%, 0.45%

LAB 75.32, -74.51, 69.64

 

CMYK 93 / 53 / 0 / 16

HEX #0F65D7

RGB 15 101 215

HSL 214.2, 0.87%, 0.45%

LAB 44.68, 20.8, -64.77

 

CMYK 0 / 93 / 7 / 16

HEX #D70FC9

RGB 215 15 201

HSL 304.2, 0.87%, 0.45%

LAB 50.69, 83.24, -46.09

 

Description

Color code: HEX #D6830F | qconv.com Color code: HEX #D6830F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 131 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 131 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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