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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D67C62 it is the complementary color #29839D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D67C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D67C62 shade: #DB7C5D, #EC8E70, #FDA083, #FFB296 and #FFC4A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D67C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D67C62 shade: #D67C62, #C56A4F, #B4583C, #A34629 and #923416

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D67C62 shade: #D67B61 and #D66161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D67C62 shade: #D67B61, #D69B61, #D6BA61, #D2D661 and #B3D661

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D67C62 shade matches the following richer shades: #D67B61, #E67251 and #F66941

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D67C62 shade: #D67B61, #C68471, #B68D81, #A69691 and #969FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D67C62 shade: #D66186, #D66167, #D67A61, #D69A61 and #D6B961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D67C62 shade: #B64D2F, #CE6040, #D67B61, #DF9782 and #E7B2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D67C62 shade: #D67C62, #A5D661 and #6176D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D67C62 shade: #D67C62, #61D67A and #7A61D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D67C62 shade: #D67C62, #A5D661, #61BDD6 and #9261D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D67C62 shade: #D67C62, #82D661, #61BDD6 and #B561D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 54 / 16

HEX #D67C62

RGB 214 124 98

HSL 13.45, 0.59%, 0.61%

LAB 61.3, 32.36, 29.28

 

Complementary color

CMYK 74 / 17 / 0 / 38

HEX #29839D

RGB 41 131 157

HSL 193.45, 0.59%, 0.39%

LAB 50.85, -17.24, -21.48

 

CMYK 0 / 43 / 58 / 14

HEX #DB7C5D

RGB 219 124 93

HSL 14.76, 0.64%, 0.61%

LAB 61.88, 33.92, 32.92

 

CMYK 0 / 40 / 53 / 7

HEX #EC8E70

RGB 236 142 112

HSL 14.52, 0.77%, 0.68%

LAB 68.28, 32.66, 31.15

 

CMYK 0 / 37 / 48 / 1

HEX #FDA083

RGB 253 160 131

HSL 14.26, 0.97%, 0.75%

LAB 74.61, 31.51, 29.56

 

CMYK 0 / 30 / 41 / 0

HEX #FFB296

RGB 255 178 150

HSL 16, 1%, 0.79%

LAB 79.22, 24.77, 25.58

 

CMYK 0 / 23 / 34 / 0

HEX #FFC4A9

RGB 255 196 169

HSL 18.84, 1%, 0.83%

LAB 83.76, 17.5, 21.69

 

CMYK 0 / 42 / 54 / 16

HEX #D67C62

RGB 214 124 98

HSL 13.45, 0.59%, 0.61%

LAB 61.3, 32.36, 29.28

 

CMYK 0 / 46 / 60 / 23

HEX #C56A4F

RGB 197 106 79

HSL 13.73, 0.5%, 0.54%

LAB 54.81, 33.68, 31.17

 

CMYK 0 / 51 / 67 / 29

HEX #B4583C

RGB 180 88 60

HSL 14, 0.5%, 0.47%

LAB 48.27, 35.12, 33.3

 

CMYK 0 / 57 / 75 / 36

HEX #A34629

RGB 163 70 41

HSL 14.26, 0.6%, 0.4%

LAB 41.73, 36.66, 35.68

 

CMYK 0 / 64 / 85 / 43

HEX #923416

RGB 146 52 22

HSL 14.52, 0.74%, 0.33%

LAB 35.25, 38.19, 38.12

 

CMYK 0 / 43 / 55 / 16

HEX #D67B61

RGB 214 123 97

HSL 13.33, 0.59%, 0.61%

LAB 61.07, 32.8, 29.53

 

CMYK 0 / 55 / 55 / 16

HEX #D66161

RGB 214 97 97

HSL 0, 0.59%, 0.61%

LAB 55.79, 46.05, 22.64

 

CMYK 0 / 43 / 55 / 16

HEX #D67B61

RGB 214 123 97

HSL 13.33, 0.59%, 0.61%

LAB 61.07, 32.8, 29.53

 

CMYK 0 / 28 / 55 / 16

HEX #D69B61

RGB 214 155 97

HSL 29.74, 0.59%, 0.61%

LAB 68.46, 15.6, 38.85

 

CMYK 0 / 13 / 55 / 16

HEX #D6BA61

RGB 214 186 97

HSL 45.64, 0.59%, 0.61%

LAB 76.24, -0.94, 48.23

 

CMYK 2 / 0 / 55 / 16

HEX #D2D661

RGB 210 214 97

HSL 62.05, 0.59%, 0.61%

LAB 83.26, -16.87, 56.29

 

CMYK 16 / 0 / 55 / 16

HEX #B3D661

RGB 179 214 97

HSL 77.95, 0.59%, 0.61%

LAB 81.04, -29.16, 53.15

 

CMYK 0 / 43 / 55 / 16

HEX #D67B61

RGB 214 123 97

HSL 13.33, 0.59%, 0.61%

LAB 61.07, 32.8, 29.53

 

CMYK 0 / 50 / 65 / 10

HEX #E67251

RGB 230 114 81

HSL 13.29, 0.75%, 0.61%

LAB 61.18, 42.45, 38.93

 

CMYK 0 / 57 / 74 / 4

HEX #F66941

RGB 246 105 65

HSL 13.26, 0.91%, 0.61%

LAB 61.72, 51.82, 48.57

 

CMYK 0 / 43 / 55 / 16

HEX #D67B61

RGB 214 123 97

HSL 13.33, 0.59%, 0.61%

LAB 61.07, 32.8, 29.53

 

CMYK 0 / 33 / 43 / 22

HEX #C68471

RGB 198 132 113

HSL 13.41, 0.43%, 0.61%

LAB 61.39, 23.14, 20.64

 

CMYK 0 / 23 / 29 / 29

HEX #B68D81

RGB 182 141 129

HSL 13.58, 0.27%, 0.61%

LAB 62.15, 13.78, 12.37

 

CMYK 0 / 10 / 13 / 35

HEX #A69691

RGB 166 150 145

HSL 14.29, 0.11%, 0.61%

LAB 63.31, 5.04, 4.77

 

CMYK 7 / 1 / 0 / 37

HEX #969FA1

RGB 150 159 161

HSL 190.91, 0.06%, 0.61%

LAB 64.85, -2.79, -2.16

 

CMYK 0 / 55 / 37 / 16

HEX #D66186

RGB 214 97 134

HSL 341.03, 0.59%, 0.61%

LAB 56.65, 49.65, 2.17

 

CMYK 0 / 55 / 52 / 16

HEX #D66167

RGB 214 97 103

HSL 356.92, 0.59%, 0.61%

LAB 55.91, 46.55, 19.3

 

CMYK 0 / 43 / 55 / 16

HEX #D67A61

RGB 214 122 97

HSL 12.82, 0.59%, 0.61%

LAB 60.85, 33.33, 29.25

 

CMYK 0 / 28 / 55 / 16

HEX #D69A61

RGB 214 154 97

HSL 29.23, 0.59%, 0.61%

LAB 68.22, 16.14, 38.55

 

CMYK 0 / 14 / 55 / 16

HEX #D6B961

RGB 214 185 97

HSL 45.13, 0.59%, 0.61%

LAB 75.98, -0.42, 47.93

 

CMYK 0 / 58 / 74 / 29

HEX #B64D2F

RGB 182 77 47

HSL 13.33, 0.59%, 0.45%

LAB 46.26, 40.77, 38.24

 

CMYK 0 / 53 / 69 / 19

HEX #CE6040

RGB 206 96 64

HSL 13.52, 0.59%, 0.53%

LAB 53.88, 41.36, 38.64

 

CMYK 0 / 43 / 55 / 16

HEX #D67B61

RGB 214 123 97

HSL 13.33, 0.59%, 0.61%

LAB 61.07, 32.8, 29.53

 

CMYK 0 / 32 / 42 / 13

HEX #DF9782

RGB 223 151 130

HSL 13.55, 0.59%, 0.69%

LAB 69.06, 24.56, 22.06

 

CMYK 0 / 23 / 30 / 9

HEX #E7B2A2

RGB 231 178 162

HSL 13.91, 0.59%, 0.77%

LAB 76.94, 17.04, 15.6

 

CMYK 0 / 42 / 54 / 16

HEX #D67C62

RGB 214 124 98

HSL 13.45, 0.59%, 0.61%

LAB 61.3, 32.36, 29.28

 

CMYK 23 / 0 / 55 / 16

HEX #A5D661

RGB 165 214 97

HSL 85.13, 0.59%, 0.61%

LAB 80.15, -34.47, 51.9

 

CMYK 55 / 45 / 0 / 16

HEX #6176D6

RGB 97 118 214

HSL 229.23, 0.59%, 0.61%

LAB 52.23, 19.91, -51.88

 

CMYK 0 / 42 / 54 / 16

HEX #D67C62

RGB 214 124 98

HSL 13.45, 0.59%, 0.61%

LAB 61.3, 32.36, 29.28

 

CMYK 55 / 0 / 43 / 16

HEX #61D67A

RGB 97 214 122

HSL 132.82, 0.59%, 0.61%

LAB 77.3, -52.58, 35.62

 

CMYK 43 / 55 / 0 / 16

HEX #7A61D6

RGB 122 97 214

HSL 252.82, 0.59%, 0.61%

LAB 48.94, 38.05, -57.06

 

CMYK 0 / 42 / 54 / 16

HEX #D67C62

RGB 214 124 98

HSL 13.45, 0.59%, 0.61%

LAB 61.3, 32.36, 29.28

 

CMYK 23 / 0 / 55 / 16

HEX #A5D661

RGB 165 214 97

HSL 85.13, 0.59%, 0.61%

LAB 80.15, -34.47, 51.9

 

CMYK 55 / 12 / 0 / 16

HEX #61BDD6

RGB 97 189 214

HSL 192.82, 0.59%, 0.61%

LAB 72.09, -20.41, -20.91

 

CMYK 32 / 55 / 0 / 16

HEX #9261D6

RGB 146 97 214

HSL 265.13, 0.59%, 0.61%

LAB 51.28, 43.72, -53.16

 

CMYK 0 / 42 / 54 / 16

HEX #D67C62

RGB 214 124 98

HSL 13.45, 0.59%, 0.61%

LAB 61.3, 32.36, 29.28

 

CMYK 39 / 0 / 55 / 16

HEX #82D661

RGB 130 214 97

HSL 103.08, 0.59%, 0.61%

LAB 78.29, -46.64, 49.24

 

CMYK 55 / 12 / 0 / 16

HEX #61BDD6

RGB 97 189 214

HSL 192.82, 0.59%, 0.61%

LAB 72.09, -20.41, -20.91

 

CMYK 15 / 55 / 0 / 16

HEX #B561D6

RGB 181 97 214

HSL 283.08, 0.59%, 0.61%

LAB 55.31, 52.62, -46.52

 

Description

Color code: HEX #D67C62 | qconv.com Color code: HEX #D67C62 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 124 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 124 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 54 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 54% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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