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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D67155 it is the complementary color #298EAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D67155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D67155 shade: #DB7150, #EC8363, #FD9576, #FFA789 and #FFB99C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D67155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D67155 shade: #D67155, #C55F42, #B44D2F, #A33B1C and #922909

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D67155 shade: #D67257 and #D65757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D67155 shade: #D67257, #D69557, #D6B757, #D3D657 and #B1D657

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D67155 shade matches the following richer shades: #D67257, #E76946 and #F85F35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D67155 shade: #D67257, #C57C68, #B48679, #A38F89 and #93999A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D67155 shade: #D6577F, #D6575D, #D67257, #D69457 and #D6B657

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D67155 shade: #B0472B, #CE5735, #D67257, #DE8E78 and #E6AA99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D67155 shade: #D67155, #A1D657 and #576ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D67155 shade: #D67155, #57D672 and #7257D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D67155 shade: #D67155, #A1D657, #57BBD6 and #8C57D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D67155 shade: #D67155, #7BD657, #57BBD6 and #B257D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 60 / 16

HEX #D67155

RGB 214 113 85

HSL 13.02, 0.61%, 0.59%

LAB 58.75, 37.11, 33.26

 

Complementary color

CMYK 76 / 16 / 0 / 33

HEX #298EAA

RGB 41 142 170

HSL 193.02, 0.61%, 0.41%

LAB 54.78, -18.8, -22.94

 

CMYK 0 / 48 / 63 / 14

HEX #DB7150

RGB 219 113 80

HSL 14.24, 0.66%, 0.59%

LAB 59.39, 38.7, 36.94

 

CMYK 0 / 44 / 58 / 7

HEX #EC8363

RGB 236 131 99

HSL 14.01, 0.78%, 0.66%

LAB 65.72, 37.33, 34.96

 

CMYK 0 / 41 / 53 / 1

HEX #FD9576

RGB 253 149 118

HSL 13.78, 0.97%, 0.73%

LAB 72.02, 36.07, 33.17

 

CMYK 0 / 35 / 46 / 0

HEX #FFA789

RGB 255 167 137

HSL 15.25, 1%, 0.77%

LAB 76.5, 29.2, 28.89

 

CMYK 0 / 27 / 39 / 0

HEX #FFB99C

RGB 255 185 156

HSL 17.58, 1%, 0.81%

LAB 80.94, 21.75, 24.72

 

CMYK 0 / 47 / 60 / 16

HEX #D67155

RGB 214 113 85

HSL 13.02, 0.61%, 0.59%

LAB 58.75, 37.11, 33.26

 

CMYK 0 / 52 / 66 / 23

HEX #C55F42

RGB 197 95 66

HSL 13.28, 0.53%, 0.52%

LAB 52.34, 38.52, 35.41

 

CMYK 0 / 57 / 74 / 29

HEX #B44D2F

RGB 180 77 47

HSL 13.53, 0.59%, 0.45%

LAB 45.93, 40.01, 37.79

 

CMYK 0 / 64 / 83 / 36

HEX #A33B1C

RGB 163 59 28

HSL 13.78, 0.71%, 0.37%

LAB 39.58, 41.48, 40.28

 

CMYK 0 / 72 / 94 / 43

HEX #922909

RGB 146 41 9

HSL 14.01, 0.88%, 0.3%

LAB 33.39, 42.72, 42.19

 

CMYK 0 / 47 / 59 / 16

HEX #D67257

RGB 214 114 87

HSL 12.76, 0.61%, 0.59%

LAB 58.99, 36.74, 32.45

 

CMYK 0 / 59 / 59 / 16

HEX #D65757

RGB 214 87 87

HSL 0, 0.61%, 0.59%

LAB 53.81, 50, 25.85

 

CMYK 0 / 47 / 59 / 16

HEX #D67257

RGB 214 114 87

HSL 12.76, 0.61%, 0.59%

LAB 58.99, 36.74, 32.45

 

CMYK 0 / 30 / 59 / 16

HEX #D69557

RGB 214 149 87

HSL 29.29, 0.61%, 0.59%

LAB 66.88, 18.06, 42.11

 

CMYK 0 / 14 / 59 / 16

HEX #D6B757

RGB 214 183 87

HSL 45.35, 0.61%, 0.59%

LAB 75.36, -0.13, 51.97

 

CMYK 1 / 0 / 59 / 16

HEX #D3D657

RGB 211 214 87

HSL 61.42, 0.61%, 0.59%

LAB 83.25, -17.2, 60.68

 

CMYK 17 / 0 / 59 / 16

HEX #B1D657

RGB 177 214 87

HSL 77.48, 0.61%, 0.59%

LAB 80.81, -30.79, 57.3

 

CMYK 0 / 47 / 59 / 16

HEX #D67257

RGB 214 114 87

HSL 12.76, 0.61%, 0.59%

LAB 58.99, 36.74, 32.45

 

CMYK 0 / 55 / 70 / 9

HEX #E76946

RGB 231 105 70

HSL 13.04, 0.77%, 0.59%

LAB 59.47, 46.62, 42.84

 

CMYK 0 / 62 / 79 / 3

HEX #F85F35

RGB 248 95 53

HSL 12.92, 0.93%, 0.59%

LAB 60.25, 56.51, 53.06

 

CMYK 0 / 47 / 59 / 16

HEX #D67257

RGB 214 114 87

HSL 12.76, 0.61%, 0.59%

LAB 58.99, 36.74, 32.45

 

CMYK 0 / 37 / 47 / 23

HEX #C57C68

RGB 197 124 104

HSL 12.9, 0.44%, 0.59%

LAB 59.24, 26.17, 22.79

 

CMYK 0 / 26 / 33 / 29

HEX #B48679

RGB 180 134 121

HSL 13.22, 0.28%, 0.59%

LAB 60.01, 15.8, 13.88

 

CMYK 0 / 12 / 16 / 36

HEX #A38F89

RGB 163 143 137

HSL 13.85, 0.12%, 0.59%

LAB 60.99, 6.45, 5.93

 

CMYK 5 / 1 / 0 / 40

HEX #93999A

RGB 147 153 154

HSL 188.57, 0.03%, 0.59%

LAB 62.78, -1.95, -1.28

 

CMYK 0 / 59 / 41 / 16

HEX #D6577F

RGB 214 87 127

HSL 341.1, 0.61%, 0.59%

LAB 54.7, 53.52, 3.48

 

CMYK 0 / 59 / 57 / 16

HEX #D6575D

RGB 214 87 93

HSL 357.17, 0.61%, 0.59%

LAB 53.92, 50.44, 22.49

 

CMYK 0 / 47 / 59 / 16

HEX #D67257

RGB 214 114 87

HSL 12.76, 0.61%, 0.59%

LAB 58.99, 36.74, 32.45

 

CMYK 0 / 31 / 59 / 16

HEX #D69457

RGB 214 148 87

HSL 28.82, 0.61%, 0.59%

LAB 66.65, 18.6, 41.82

 

CMYK 0 / 15 / 59 / 16

HEX #D6B657

RGB 214 182 87

HSL 44.88, 0.61%, 0.59%

LAB 75.1, 0.39, 51.68

 

CMYK 0 / 60 / 76 / 31

HEX #B0472B

RGB 176 71 43

HSL 12.63, 0.61%, 0.43%

LAB 44.11, 41.24, 37.79

 

CMYK 0 / 58 / 74 / 19

HEX #CE5735

RGB 206 87 53

HSL 13.33, 0.61%, 0.51%

LAB 52.06, 45.2, 42.47

 

CMYK 0 / 47 / 59 / 16

HEX #D67257

RGB 214 114 87

HSL 12.76, 0.61%, 0.59%

LAB 58.99, 36.74, 32.45

 

CMYK 0 / 36 / 46 / 13

HEX #DE8E78

RGB 222 142 120

HSL 12.94, 0.61%, 0.67%

LAB 66.7, 27.94, 24.36

 

CMYK 0 / 26 / 33 / 10

HEX #E6AA99

RGB 230 170 153

HSL 13.25, 0.61%, 0.75%

LAB 74.74, 19.78, 17.4

 

CMYK 0 / 47 / 60 / 16

HEX #D67155

RGB 214 113 85

HSL 13.02, 0.61%, 0.59%

LAB 58.75, 37.11, 33.26

 

CMYK 25 / 0 / 59 / 16

HEX #A1D657

RGB 161 214 87

HSL 85.04, 0.61%, 0.59%

LAB 79.82, -36.87, 55.92

 

CMYK 59 / 49 / 0 / 16

HEX #576ED6

RGB 87 110 214

HSL 229.13, 0.61%, 0.59%

LAB 49.54, 22.85, -56.23

 

CMYK 0 / 47 / 60 / 16

HEX #D67155

RGB 214 113 85

HSL 13.02, 0.61%, 0.59%

LAB 58.75, 37.11, 33.26

 

CMYK 59 / 0 / 47 / 16

HEX #57D672

RGB 87 214 114

HSL 132.76, 0.61%, 0.59%

LAB 76.88, -56.12, 39

 

CMYK 47 / 59 / 0 / 16

HEX #7257D6

RGB 114 87 214

HSL 252.76, 0.61%, 0.59%

LAB 45.97, 42.11, -61.88

 

CMYK 0 / 47 / 60 / 16

HEX #D67155

RGB 214 113 85

HSL 13.02, 0.61%, 0.59%

LAB 58.75, 37.11, 33.26

 

CMYK 25 / 0 / 59 / 16

HEX #A1D657

RGB 161 214 87

HSL 85.04, 0.61%, 0.59%

LAB 79.82, -36.87, 55.92

 

CMYK 59 / 13 / 0 / 16

HEX #57BBD6

RGB 87 187 214

HSL 192.76, 0.61%, 0.59%

LAB 71.16, -21.32, -22.36

 

CMYK 35 / 59 / 0 / 16

HEX #8C57D6

RGB 140 87 214

HSL 265.04, 0.61%, 0.59%

LAB 48.57, 47.75, -57.56

 

CMYK 0 / 47 / 60 / 16

HEX #D67155

RGB 214 113 85

HSL 13.02, 0.61%, 0.59%

LAB 58.75, 37.11, 33.26

 

CMYK 43 / 0 / 59 / 16

HEX #7BD657

RGB 123 214 87

HSL 102.99, 0.61%, 0.59%

LAB 77.87, -49.9, 53.2

 

CMYK 59 / 13 / 0 / 16

HEX #57BBD6

RGB 87 187 214

HSL 192.76, 0.61%, 0.59%

LAB 71.16, -21.32, -22.36

 

CMYK 17 / 59 / 0 / 16

HEX #B257D6

RGB 178 87 214

HSL 282.99, 0.61%, 0.59%

LAB 53.1, 56.77, -50.05

 

Description

Color code: HEX #D67155 | qconv.com Color code: HEX #D67155 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 113 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 113 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 60 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 60% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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