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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D66F81 it is the complementary color #29907E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D66F81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D66F81 shade: #DB6F7C, #EC818F, #FD93A2, #FFA5B5 and #FFB7C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D66F81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D66F81 shade: #D66F81, #C55D6E, #B44B5B, #A33948 and #922735

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D66F81 shade: #D77082 and #D77070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D66F81 shade: #D77082, #D7709D, #D770B9, #D770D5 and #BD70D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D66F81 shade matches the following richer shades: #D77082, #E56178 and #F4526E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D66F81 shade: #D77082, #C87F8B, #B98D95, #AA9C9F and #9BABA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D66F81 shade: #D770B9, #D7709E, #D77083, #D77870 and #D79470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D66F81 shade: #BE364E, #CE5066, #D77082, #E0909E and #E9B0BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D66F81 shade: #D66F81, #D5D770 and #70ACD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D66F81 shade: #D66F81, #83D770 and #7083D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D66F81 shade: #D66F81, #D5D770, #70D7C4 and #7270D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D66F81 shade: #D66F81, #B6D770, #70D7C4 and #9070D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 40 / 16

HEX #D66F81

RGB 214 111 129

HSL 349.51, 0.56%, 0.64%

LAB 59.21, 42.16, 8.75

 

Complementary color

CMYK 72 / 0 / 13 / 44

HEX #29907E

RGB 41 144 126

HSL 169.51, 0.56%, 0.36%

LAB 53.95, -33.39, 1.15

 

CMYK 0 / 49 / 43 / 14

HEX #DB6F7C

RGB 219 111 124

HSL 352.78, 0.6%, 0.65%

LAB 59.78, 43.41, 12.56

 

CMYK 0 / 45 / 39 / 7

HEX #EC818F

RGB 236 129 143

HSL 352.15, 0.74%, 0.72%

LAB 66.15, 42.42, 11

 

CMYK 0 / 42 / 36 / 1

HEX #FD93A2

RGB 253 147 162

HSL 351.51, 0.96%, 0.78%

LAB 72.47, 41.46, 9.63

 

CMYK 0 / 35 / 29 / 0

HEX #FFA5B5

RGB 255 165 181

HSL 349.33, 1%, 0.82%

LAB 76.98, 35.24, 5.67

 

CMYK 0 / 28 / 22 / 0

HEX #FFB7C8

RGB 255 183 200

HSL 345.83, 1%, 0.86%

LAB 81.45, 28.44, 1.83

 

CMYK 0 / 48 / 40 / 16

HEX #D66F81

RGB 214 111 129

HSL 349.51, 0.56%, 0.64%

LAB 59.21, 42.16, 8.75

 

CMYK 0 / 53 / 44 / 23

HEX #C55D6E

RGB 197 93 110

HSL 350.19, 0.47%, 0.57%

LAB 52.76, 43.14, 10.43

 

CMYK 0 / 58 / 49 / 29

HEX #B44B5B

RGB 180 75 91

HSL 350.86, 0.41%, 0.5%

LAB 46.3, 44.07, 12.43

 

CMYK 0 / 65 / 56 / 36

HEX #A33948

RGB 163 57 72

HSL 351.51, 0.48%, 0.43%

LAB 39.88, 44.85, 14.9

 

CMYK 0 / 73 / 64 / 43

HEX #922735

RGB 146 39 53

HSL 352.15, 0.58%, 0.36%

LAB 33.6, 45.27, 18.05

 

CMYK 0 / 48 / 40 / 16

HEX #D77082

RGB 215 112 130

HSL 349.51, 0.56%, 0.64%

LAB 59.57, 42.12, 8.71

 

CMYK 0 / 48 / 48 / 16

HEX #D77070

RGB 215 112 112

HSL 0, 0.56%, 0.64%

LAB 59.16, 40.25, 18.53

 

CMYK 0 / 48 / 40 / 16

HEX #D77082

RGB 215 112 130

HSL 349.51, 0.56%, 0.64%

LAB 59.57, 42.12, 8.71

 

CMYK 0 / 48 / 27 / 16

HEX #D7709D

RGB 215 112 157

HSL 333.79, 0.56%, 0.64%

LAB 60.31, 45.47, -5.81

 

CMYK 0 / 48 / 14 / 16

HEX #D770B9

RGB 215 112 185

HSL 317.48, 0.56%, 0.64%

LAB 61.25, 49.58, -20.44

 

CMYK 0 / 48 / 1 / 16

HEX #D770D5

RGB 215 112 213

HSL 301.17, 0.56%, 0.64%

LAB 62.37, 54.27, -34.55

 

CMYK 12 / 48 / 0 / 16

HEX #BD70D7

RGB 189 112 215

HSL 284.85, 0.56%, 0.64%

LAB 59.26, 47.28, -40.77

 

CMYK 0 / 48 / 40 / 16

HEX #D77082

RGB 215 112 130

HSL 349.51, 0.56%, 0.64%

LAB 59.57, 42.12, 8.71

 

CMYK 0 / 58 / 48 / 10

HEX #E56178

RGB 229 97 120

HSL 349.55, 0.72%, 0.64%

LAB 58.57, 53.21, 13.4

 

CMYK 0 / 66 / 55 / 4

HEX #F4526E

RGB 244 82 110

HSL 349.63, 0.88%, 0.64%

LAB 58.41, 63.53, 19.4

 

CMYK 0 / 48 / 40 / 16

HEX #D77082

RGB 215 112 130

HSL 349.51, 0.56%, 0.64%

LAB 59.57, 42.12, 8.71

 

CMYK 0 / 37 / 31 / 22

HEX #C87F8B

RGB 200 127 139

HSL 350.14, 0.4%, 0.64%

LAB 61.06, 29.82, 5.41

 

CMYK 0 / 24 / 19 / 27

HEX #B98D95

RGB 185 141 149

HSL 349.09, 0.24%, 0.64%

LAB 62.96, 17.91, 2.23

 

CMYK 0 / 8 / 6 / 33

HEX #AA9C9F

RGB 170 156 159

HSL 347.14, 0.08%, 0.64%

LAB 65.61, 5.66, 0.28

 

CMYK 9 / 0 / 2 / 33

HEX #9BABA8

RGB 155 171 168

HSL 168.75, 0.09%, 0.64%

LAB 68.69, -6.17, -0.37

 

CMYK 0 / 48 / 14 / 16

HEX #D770B9

RGB 215 112 185

HSL 317.48, 0.56%, 0.64%

LAB 61.25, 49.58, -20.44

 

CMYK 0 / 48 / 27 / 16

HEX #D7709E

RGB 215 112 158

HSL 333.2, 0.56%, 0.64%

LAB 60.34, 45.61, -6.34

 

CMYK 0 / 48 / 39 / 16

HEX #D77083

RGB 215 112 131

HSL 348.93, 0.56%, 0.64%

LAB 59.59, 42.24, 8.17

 

CMYK 0 / 44 / 48 / 16

HEX #D77870

RGB 215 120 112

HSL 4.66, 0.56%, 0.64%

LAB 60.83, 36.11, 20.79

 

CMYK 0 / 31 / 48 / 16

HEX #D79470

RGB 215 148 112

HSL 20.97, 0.56%, 0.64%

LAB 67.12, 21.14, 29.17

 

CMYK 0 / 72 / 59 / 25

HEX #BE364E

RGB 190 54 78

HSL 349.41, 0.56%, 0.48%

LAB 44.43, 55.26, 18.12

 

CMYK 0 / 61 / 50 / 19

HEX #CE5066

RGB 206 80 102

HSL 349.52, 0.56%, 0.56%

LAB 51.63, 51.62, 13.83

 

CMYK 0 / 48 / 40 / 16

HEX #D77082

RGB 215 112 130

HSL 349.51, 0.56%, 0.64%

LAB 59.57, 42.12, 8.71

 

CMYK 0 / 36 / 29 / 12

HEX #E0909E

RGB 224 144 158

HSL 349.5, 0.56%, 0.72%

LAB 68.21, 32.08, 5.3

 

CMYK 0 / 24 / 20 / 9

HEX #E9B0BA

RGB 233 176 186

HSL 349.47, 0.56%, 0.8%

LAB 77.23, 22.22, 3.01

 

CMYK 0 / 48 / 40 / 16

HEX #D66F81

RGB 214 111 129

HSL 349.51, 0.56%, 0.64%

LAB 59.21, 42.16, 8.75

 

CMYK 1 / 0 / 48 / 16

HEX #D5D770

RGB 213 215 112

HSL 61.17, 0.56%, 0.64%

LAB 83.92, -14.89, 50.16

 

CMYK 48 / 20 / 0 / 16

HEX #70ACD7

RGB 112 172 215

HSL 205.05, 0.56%, 0.64%

LAB 67.91, -7.81, -27.79

 

CMYK 0 / 48 / 40 / 16

HEX #D66F81

RGB 214 111 129

HSL 349.51, 0.56%, 0.64%

LAB 59.21, 42.16, 8.75

 

CMYK 39 / 0 / 48 / 16

HEX #83D770

RGB 131 215 112

HSL 108.93, 0.56%, 0.64%

LAB 78.81, -44.94, 42.75

 

CMYK 48 / 39 / 0 / 16

HEX #7083D7

RGB 112 131 215

HSL 228.93, 0.56%, 0.64%

LAB 56.67, 15.72, -45.34

 

CMYK 0 / 48 / 40 / 16

HEX #D66F81

RGB 214 111 129

HSL 349.51, 0.56%, 0.64%

LAB 59.21, 42.16, 8.75

 

CMYK 1 / 0 / 48 / 16

HEX #D5D770

RGB 213 215 112

HSL 61.17, 0.56%, 0.64%

LAB 83.92, -14.89, 50.16

 

CMYK 48 / 0 / 9 / 16

HEX #70D7C4

RGB 112 215 196

HSL 168.93, 0.56%, 0.64%

LAB 79.63, -34.58, 0.11

 

CMYK 47 / 48 / 0 / 16

HEX #7270D7

RGB 114 112 215

HSL 241.17, 0.56%, 0.64%

LAB 51.92, 27.6, -52.88

 

CMYK 0 / 48 / 40 / 16

HEX #D66F81

RGB 214 111 129

HSL 349.51, 0.56%, 0.64%

LAB 59.21, 42.16, 8.75

 

CMYK 15 / 0 / 48 / 16

HEX #B6D770

RGB 182 215 112

HSL 79.22, 0.56%, 0.64%

LAB 81.68, -27.02, 46.93

 

CMYK 48 / 0 / 9 / 16

HEX #70D7C4

RGB 112 215 196

HSL 168.93, 0.56%, 0.64%

LAB 79.63, -34.58, 0.11

 

CMYK 33 / 48 / 0 / 16

HEX #9070D7

RGB 144 112 215

HSL 258.64, 0.56%, 0.64%

LAB 54.47, 35, -48.66

 

Description

Color code: HEX #D66F81 | qconv.com Color code: HEX #D66F81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 111 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 111 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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