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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D66DB5 it is the complementary color #29924A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D66DB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D66DB5 shade: #DB6DB0, #EC7FC3, #FD91D6, #FFA3E9 and #FFB5FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D66DB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D66DB5 shade: #D66DB5, #C55BA2, #B4498F, #A3377C and #922569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D66DB5 shade: #D56CB4, #D56C98, #D56C7B and #D56C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D66DB5 shade: #D56CB4, #D56CD1, #BE6CD5, #A16CD5 and #856CD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D66DB5 shade matches the following richer shades: #D56CB4, #E55DBA and #F44DC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D66DB5 shade: #D56CB4, #C67BAF, #B78AA9, #A89AA3 and #98A99E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D66DB5 shade: #BD6CD5, #D56CD2, #D56CB6, #D56C9A and #D56C7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D66DB5 shade: #BA3590, #CC4CA4, #D56CB4, #DF8CC5 and #E8ACD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D66DB5 shade: #D66DB5, #D5A16C and #6CD5CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D66DB5 shade: #D66DB5, #B6D56C and #6CB6D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D66DB5 shade: #D66DB5, #D5A16C, #6CD58C and #6CA1D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D66DB5 shade: #D66DB5, #D5C06C, #6CD58C and #6C81D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 15 / 16

HEX #D66DB5

RGB 214 109 181

HSL 318.86, 0.56%, 0.63%

LAB 60.4, 50.13, -19.47

 

Complementary color

CMYK 72 / 0 / 49 / 43

HEX #29924A

RGB 41 146 74

HSL 138.86, 0.56%, 0.37%

LAB 53.52, -45.86, 29.69

 

CMYK 0 / 50 / 20 / 14

HEX #DB6DB0

RGB 219 109 176

HSL 323.45, 0.6%, 0.64%

LAB 60.9, 50.94, -15.79

 

CMYK 0 / 46 / 17 / 7

HEX #EC7FC3

RGB 236 127 195

HSL 322.57, 0.74%, 0.71%

LAB 67.24, 50.23, -16.74

 

CMYK 0 / 43 / 15 / 1

HEX #FD91D6

RGB 253 145 214

HSL 321.67, 0.96%, 0.78%

LAB 73.54, 49.48, -17.57

 

CMYK 0 / 36 / 9 / 0

HEX #FFA3E9

RGB 255 163 233

HSL 314.35, 1%, 0.82%

LAB 78.07, 43.98, -21.05

 

CMYK 0 / 29 / 1 / 0

HEX #FFB5FC

RGB 255 181 252

HSL 302.43, 1%, 0.85%

LAB 82.56, 37.9, -24.45

 

CMYK 0 / 49 / 15 / 16

HEX #D66DB5

RGB 214 109 181

HSL 318.86, 0.56%, 0.63%

LAB 60.4, 50.13, -19.47

 

CMYK 0 / 54 / 18 / 23

HEX #C55BA2

RGB 197 91 162

HSL 319.81, 0.48%, 0.56%

LAB 53.99, 50.78, -18.48

 

CMYK 0 / 59 / 21 / 29

HEX #B4498F

RGB 180 73 143

HSL 320.75, 0.42%, 0.5%

LAB 47.56, 51.28, -17.27

 

CMYK 0 / 66 / 24 / 36

HEX #A3377C

RGB 163 55 124

HSL 321.67, 0.5%, 0.43%

LAB 41.17, 51.49, -15.72

 

CMYK 0 / 75 / 28 / 43

HEX #922569

RGB 146 37 105

HSL 322.57, 0.6%, 0.36%

LAB 34.91, 51.15, -13.65

 

CMYK 0 / 49 / 15 / 16

HEX #D56CB4

RGB 213 108 180

HSL 318.86, 0.56%, 0.63%

LAB 60.04, 50.16, -19.46

 

CMYK 0 / 49 / 29 / 16

HEX #D56C98

RGB 213 108 152

HSL 334.86, 0.56%, 0.63%

LAB 59.1, 46.14, -4.74

 

CMYK 0 / 49 / 42 / 16

HEX #D56C7B

RGB 213 108 123

HSL 351.43, 0.56%, 0.63%

LAB 58.32, 42.67, 10.96

 

CMYK 0 / 49 / 49 / 16

HEX #D56C6C

RGB 213 108 108

HSL 0, 0.56%, 0.63%

LAB 57.99, 41.18, 19.2

 

CMYK 0 / 49 / 15 / 16

HEX #D56CB4

RGB 213 108 180

HSL 318.86, 0.56%, 0.63%

LAB 60.04, 50.16, -19.46

 

CMYK 0 / 49 / 2 / 16

HEX #D56CD1

RGB 213 108 209

HSL 302.29, 0.56%, 0.63%

LAB 61.2, 54.95, -34.15

 

CMYK 11 / 49 / 0 / 16

HEX #BE6CD5

RGB 190 108 213

HSL 286.86, 0.56%, 0.63%

LAB 58.49, 49.23, -40.86

 

CMYK 24 / 49 / 0 / 16

HEX #A16CD5

RGB 161 108 213

HSL 270.29, 0.56%, 0.63%

LAB 55.18, 41.27, -46.3

 

CMYK 38 / 49 / 0 / 16

HEX #856CD5

RGB 133 108 213

HSL 254.29, 0.56%, 0.63%

LAB 52.42, 33.98, -50.86

 

CMYK 0 / 49 / 15 / 16

HEX #D56CB4

RGB 213 108 180

HSL 318.86, 0.56%, 0.63%

LAB 60.04, 50.16, -19.46

 

CMYK 0 / 59 / 19 / 10

HEX #E55DBA

RGB 229 93 186

HSL 318.97, 0.72%, 0.63%

LAB 59.92, 62.73, -22.88

 

CMYK 0 / 68 / 21 / 4

HEX #F44DC0

RGB 244 77 192

HSL 318.68, 0.88%, 0.63%

LAB 60.2, 73.76, -25.68

 

CMYK 0 / 49 / 15 / 16

HEX #D56CB4

RGB 213 108 180

HSL 318.86, 0.56%, 0.63%

LAB 60.04, 50.16, -19.46

 

CMYK 0 / 38 / 12 / 22

HEX #C67BAF

RGB 198 123 175

HSL 318.4, 0.4%, 0.63%

LAB 61.02, 36.73, -15.3

 

CMYK 0 / 25 / 8 / 28

HEX #B78AA9

RGB 183 138 169

HSL 318.67, 0.24%, 0.63%

LAB 62.6, 22.23, -9.67

 

CMYK 0 / 8 / 3 / 34

HEX #A89AA3

RGB 168 154 163

HSL 321.43, 0.07%, 0.63%

LAB 65.03, 6.78, -2.84

 

CMYK 10 / 0 / 7 / 34

HEX #98A99E

RGB 152 169 158

HSL 141.18, 0.09%, 0.63%

LAB 67.67, -8.11, 3.64

 

CMYK 11 / 49 / 0 / 16

HEX #BD6CD5

RGB 189 108 213

HSL 286.29, 0.56%, 0.63%

LAB 58.37, 48.96, -41.06

 

CMYK 0 / 49 / 1 / 16

HEX #D56CD2

RGB 213 108 210

HSL 301.71, 0.56%, 0.63%

LAB 61.24, 55.12, -34.65

 

CMYK 0 / 49 / 15 / 16

HEX #D56CB6

RGB 213 108 182

HSL 317.71, 0.56%, 0.63%

LAB 60.11, 50.48, -20.49

 

CMYK 0 / 49 / 28 / 16

HEX #D56C9A

RGB 213 108 154

HSL 333.71, 0.56%, 0.63%

LAB 59.16, 46.41, -5.81

 

CMYK 0 / 49 / 41 / 16

HEX #D56C7D

RGB 213 108 125

HSL 350.29, 0.56%, 0.63%

LAB 58.37, 42.89, 9.87

 

CMYK 0 / 72 / 23 / 27

HEX #BA3590

RGB 186 53 144

HSL 318.95, 0.56%, 0.47%

LAB 45.63, 61.22, -20.74

 

CMYK 0 / 63 / 20 / 20

HEX #CC4CA4

RGB 204 76 164

HSL 318.75, 0.56%, 0.55%

LAB 52.6, 59.88, -21.67

 

CMYK 0 / 49 / 15 / 16

HEX #D56CB4

RGB 213 108 180

HSL 318.86, 0.56%, 0.63%

LAB 60.04, 50.16, -19.46

 

CMYK 0 / 37 / 12 / 13

HEX #DF8CC5

RGB 223 140 197

HSL 318.8, 0.56%, 0.71%

LAB 68.37, 39.66, -16.31

 

CMYK 0 / 26 / 8 / 9

HEX #E8ACD5

RGB 232 172 213

HSL 319, 0.57%, 0.79%

LAB 76.96, 28.33, -12.11

 

CMYK 0 / 49 / 15 / 16

HEX #D66DB5

RGB 214 109 181

HSL 318.86, 0.56%, 0.63%

LAB 60.4, 50.13, -19.47

 

CMYK 0 / 24 / 49 / 16

HEX #D5A16C

RGB 213 161 108

HSL 30.29, 0.56%, 0.63%

LAB 69.98, 12.92, 34.96

 

CMYK 49 / 0 / 5 / 16

HEX #6CD5CB

RGB 108 213 203

HSL 174.29, 0.56%, 0.63%

LAB 79.09, -32.83, -4.44

 

CMYK 0 / 49 / 15 / 16

HEX #D66DB5

RGB 214 109 181

HSL 318.86, 0.56%, 0.63%

LAB 60.4, 50.13, -19.47

 

CMYK 15 / 0 / 49 / 16

HEX #B6D56C

RGB 182 213 108

HSL 77.71, 0.56%, 0.63%

LAB 81.08, -26.48, 48.12

 

CMYK 49 / 15 / 0 / 16

HEX #6CB6D5

RGB 108 182 213

HSL 197.71, 0.56%, 0.63%

LAB 70.49, -14.68, -22.76

 

CMYK 0 / 49 / 15 / 16

HEX #D66DB5

RGB 214 109 181

HSL 318.86, 0.56%, 0.63%

LAB 60.4, 50.13, -19.47

 

CMYK 0 / 24 / 49 / 16

HEX #D5A16C

RGB 213 161 108

HSL 30.29, 0.56%, 0.63%

LAB 69.98, 12.92, 34.96

 

CMYK 49 / 0 / 34 / 16

HEX #6CD58C

RGB 108 213 140

HSL 138.29, 0.56%, 0.63%

LAB 77.68, -46.39, 26.97

 

CMYK 49 / 24 / 0 / 16

HEX #6CA1D5

RGB 108 161 213

HSL 209.71, 0.56%, 0.63%

LAB 64.55, -3.25, -31.89

 

CMYK 0 / 49 / 15 / 16

HEX #D66DB5

RGB 214 109 181

HSL 318.86, 0.56%, 0.63%

LAB 60.4, 50.13, -19.47

 

CMYK 0 / 10 / 49 / 16

HEX #D5C06C

RGB 213 192 108

HSL 48, 0.56%, 0.63%

LAB 77.83, -3.54, 44.74

 

CMYK 49 / 0 / 34 / 16

HEX #6CD58C

RGB 108 213 140

HSL 138.29, 0.56%, 0.63%

LAB 77.68, -46.39, 26.97

 

CMYK 49 / 39 / 0 / 16

HEX #6C81D5

RGB 108 129 213

HSL 228, 0.56%, 0.63%

LAB 55.78, 15.37, -45.63

 

Description

Color code: HEX #D66DB5 | qconv.com Color code: HEX #D66DB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 109 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 109 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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