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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D66B5B it is the complementary color #2994A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D66B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D66B5B shade: #DB6B56, #EC7D69, #FD8F7C, #FFA18F and #FFB3A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D66B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D66B5B shade: #D66B5B, #C55948, #B44735, #A33522 and #92230F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D66B5B shade: #D66C5C and #D65C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D66B5B shade: #D66C5C, #D68D5C, #D6AE5C, #D6CF5C and #BDD65C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D66B5B shade matches the following richer shades: #D66C5C, #E75F4B and #F7533B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D66B5B shade: #D66C5C, #C6786C, #B5847D, #A5908D and #949D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D66B5B shade: #D65C8F, #D65C6E, #D66A5C, #D68B5C and #D6AB5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D66B5B shade: #B33E2D, #CE4E3B, #D66C5C, #DE8A7D and #E7A79E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D66B5B shade: #D66B5B, #AFD65C and #5C7ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D66B5B shade: #D66B5B, #5CD66A and #6A5CD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D66B5B shade: #D66B5B, #AFD65C, #5CC8D6 and #835CD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D66B5B shade: #D66B5B, #8BD65C, #5CC8D6 and #A75CD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 57 / 16

HEX #D66B5B

RGB 214 107 91

HSL 7.8, 0.6%, 0.6%

LAB 57.62, 40.62, 28.47

 

Complementary color

CMYK 75 / 10 / 0 / 36

HEX #2994A4

RGB 41 148 164

HSL 187.8, 0.6%, 0.4%

LAB 56.42, -23.93, -17.01

 

CMYK 0 / 51 / 61 / 14

HEX #DB6B56

RGB 219 107 86

HSL 9.47, 0.65%, 0.6%

LAB 58.27, 42.13, 32.26

 

CMYK 0 / 47 / 56 / 7

HEX #EC7D69

RGB 236 125 105

HSL 9.16, 0.78%, 0.67%

LAB 64.58, 40.85, 30.21

 

CMYK 0 / 43 / 51 / 1

HEX #FD8F7C

RGB 253 143 124

HSL 8.84, 0.97%, 0.74%

LAB 70.86, 39.64, 28.4

 

CMYK 0 / 37 / 44 / 0

HEX #FFA18F

RGB 255 161 143

HSL 9.64, 1%, 0.78%

LAB 75.28, 32.91, 24.02

 

CMYK 0 / 30 / 36 / 0

HEX #FFB3A2

RGB 255 179 162

HSL 10.97, 1%, 0.82%

LAB 79.68, 25.58, 19.78

 

CMYK 0 / 50 / 57 / 16

HEX #D66B5B

RGB 214 107 91

HSL 7.8, 0.6%, 0.6%

LAB 57.62, 40.62, 28.47

 

CMYK 0 / 55 / 63 / 23

HEX #C55948

RGB 197 89 72

HSL 8.16, 0.52%, 0.53%

LAB 51.25, 41.91, 30.71

 

CMYK 0 / 61 / 71 / 29

HEX #B44735

RGB 180 71 53

HSL 8.5, 0.55%, 0.46%

LAB 44.9, 43.2, 33.3

 

CMYK 0 / 67 / 79 / 36

HEX #A33522

RGB 163 53 34

HSL 8.84, 0.65%, 0.39%

LAB 38.64, 44.36, 36.23

 

CMYK 0 / 76 / 90 / 43

HEX #92230F

RGB 146 35 15

HSL 9.16, 0.81%, 0.32%

LAB 32.59, 45.13, 39.15

 

CMYK 0 / 50 / 57 / 16

HEX #D66C5C

RGB 214 108 92

HSL 7.87, 0.6%, 0.6%

LAB 57.84, 40.19, 28.18

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5C

RGB 214 92 92

HSL 0, 0.6%, 0.6%

LAB 54.79, 48.04, 24.21

 

CMYK 0 / 50 / 57 / 16

HEX #D66C5C

RGB 214 108 92

HSL 7.87, 0.6%, 0.6%

LAB 57.84, 40.19, 28.18

 

CMYK 0 / 34 / 57 / 16

HEX #D68D5C

RGB 214 141 92

HSL 24.1, 0.6%, 0.6%

LAB 65.06, 22.76, 37.28

 

CMYK 0 / 19 / 57 / 16

HEX #D6AE5C

RGB 214 174 92

HSL 40.33, 0.6%, 0.6%

LAB 73.12, 5, 46.99

 

CMYK 0 / 3 / 57 / 16

HEX #D6CF5C

RGB 214 207 92

HSL 56.56, 0.6%, 0.6%

LAB 81.67, -12.12, 56.82

 

CMYK 12 / 0 / 57 / 16

HEX #BDD65C

RGB 189 214 92

HSL 72.3, 0.6%, 0.6%

LAB 81.67, -25.69, 56.3

 

CMYK 0 / 50 / 57 / 16

HEX #D66C5C

RGB 214 108 92

HSL 7.87, 0.6%, 0.6%

LAB 57.84, 40.19, 28.18

 

CMYK 0 / 59 / 68 / 9

HEX #E75F4B

RGB 231 95 75

HSL 7.69, 0.76%, 0.6%

LAB 57.73, 51.55, 38.13

 

CMYK 0 / 66 / 76 / 3

HEX #F7533B

RGB 247 83 59

HSL 7.66, 0.92%, 0.6%

LAB 58.3, 61.31, 48.04

 

CMYK 0 / 50 / 57 / 16

HEX #D66C5C

RGB 214 108 92

HSL 7.87, 0.6%, 0.6%

LAB 57.84, 40.19, 28.18

 

CMYK 0 / 39 / 45 / 22

HEX #C6786C

RGB 198 120 108

HSL 8, 0.44%, 0.6%

LAB 58.53, 29.15, 19.59

 

CMYK 0 / 27 / 31 / 29

HEX #B5847D

RGB 181 132 125

HSL 7.5, 0.27%, 0.6%

LAB 59.71, 17.85, 11.2

 

CMYK 0 / 13 / 15 / 35

HEX #A5908D

RGB 165 144 141

HSL 7.5, 0.12%, 0.6%

LAB 61.54, 7.33, 4.47

 

CMYK 6 / 1 / 0 / 38

HEX #949D9E

RGB 148 157 158

HSL 186, 0.05%, 0.6%

LAB 64.06, -3, -1.64

 

CMYK 0 / 57 / 33 / 16

HEX #D65C8F

RGB 214 92 143

HSL 334.92, 0.6%, 0.6%

LAB 56.02, 53.05, -4.03

 

CMYK 0 / 57 / 49 / 16

HEX #D65C6E

RGB 214 92 110

HSL 351.15, 0.6%, 0.6%

LAB 55.15, 49.55, 14.15

 

CMYK 0 / 50 / 57 / 16

HEX #D66A5C

RGB 214 106 92

HSL 6.89, 0.6%, 0.6%

LAB 57.44, 41.2, 27.67

 

CMYK 0 / 35 / 57 / 16

HEX #D68B5C

RGB 214 139 92

HSL 23.11, 0.6%, 0.6%

LAB 64.59, 23.84, 36.7

 

CMYK 0 / 20 / 57 / 16

HEX #D6AB5C

RGB 214 171 92

HSL 38.85, 0.6%, 0.6%

LAB 72.36, 6.6, 46.09

 

CMYK 0 / 65 / 75 / 30

HEX #B33E2D

RGB 179 62 45

HSL 7.61, 0.6%, 0.44%

LAB 43.09, 46.54, 35.74

 

CMYK 0 / 62 / 71 / 19

HEX #CE4E3B

RGB 206 78 59

HSL 7.76, 0.6%, 0.52%

LAB 50.55, 49.61, 37.57

 

CMYK 0 / 50 / 57 / 16

HEX #D66C5C

RGB 214 108 92

HSL 7.87, 0.6%, 0.6%

LAB 57.84, 40.19, 28.18

 

CMYK 0 / 38 / 44 / 13

HEX #DE8A7D

RGB 222 138 125

HSL 8.04, 0.6%, 0.68%

LAB 65.89, 30.59, 20.5

 

CMYK 0 / 28 / 32 / 9

HEX #E7A79E

RGB 231 167 158

HSL 7.4, 0.6%, 0.76%

LAB 74.25, 22.39, 14

 

CMYK 0 / 50 / 57 / 16

HEX #D66B5B

RGB 214 107 91

HSL 7.8, 0.6%, 0.6%

LAB 57.62, 40.62, 28.47

 

CMYK 18 / 0 / 57 / 16

HEX #AFD65C

RGB 175 214 92

HSL 79.18, 0.6%, 0.6%

LAB 80.73, -31.15, 54.98

 

CMYK 57 / 41 / 0 / 16

HEX #5C7ED6

RGB 92 126 214

HSL 223.28, 0.6%, 0.6%

LAB 54.08, 14, -48.95

 

CMYK 0 / 50 / 57 / 16

HEX #D66B5B

RGB 214 107 91

HSL 7.8, 0.6%, 0.6%

LAB 57.62, 40.62, 28.47

 

CMYK 57 / 0 / 50 / 16

HEX #5CD66A

RGB 92 214 106

HSL 126.89, 0.6%, 0.6%

LAB 76.93, -56.14, 43

 

CMYK 50 / 57 / 0 / 16

HEX #6A5CD6

RGB 106 92 214

HSL 246.89, 0.6%, 0.6%

LAB 46.41, 37.56, -61.2

 

CMYK 0 / 50 / 57 / 16

HEX #D66B5B

RGB 214 107 91

HSL 7.8, 0.6%, 0.6%

LAB 57.62, 40.62, 28.47

 

CMYK 18 / 0 / 57 / 16

HEX #AFD65C

RGB 175 214 92

HSL 79.18, 0.6%, 0.6%

LAB 80.73, -31.15, 54.98

 

CMYK 57 / 7 / 0 / 16

HEX #5CC8D6

RGB 92 200 214

HSL 186.89, 0.6%, 0.6%

LAB 75.1, -26.92, -16.37

 

CMYK 39 / 57 / 0 / 16

HEX #835CD6

RGB 131 92 214

HSL 259.18, 0.6%, 0.6%

LAB 48.68, 42.95, -57.43

 

CMYK 0 / 50 / 57 / 16

HEX #D66B5B

RGB 214 107 91

HSL 7.8, 0.6%, 0.6%

LAB 57.62, 40.62, 28.47

 

CMYK 35 / 0 / 57 / 16

HEX #8BD65C

RGB 139 214 92

HSL 96.89, 0.6%, 0.6%

LAB 78.67, -44.2, 52.08

 

CMYK 57 / 7 / 0 / 16

HEX #5CC8D6

RGB 92 200 214

HSL 186.89, 0.6%, 0.6%

LAB 75.1, -26.92, -16.37

 

CMYK 22 / 57 / 0 / 16

HEX #A75CD6

RGB 167 92 214

HSL 276.89, 0.6%, 0.6%

LAB 52.65, 51.58, -50.85

 

Description

Color code: HEX #D66B5B | qconv.com Color code: HEX #D66B5B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 107 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 107 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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