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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6698B it is the complementary color #299674. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6698B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6698B shade: #DB6986, #EC7B99, #FD8DAC, #FF9FBF and #FFB1D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6698B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6698B shade: #D6698B, #C55778, #B44565, #A33352 and #92213F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6698B shade: #D66B8C, #D66B6F and #D66B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6698B shade: #D66B8C, #D66BA9, #D66BC6, #C96BD6 and #AC6BD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6698B shade matches the following richer shades: #D66B8C, #E65C87 and #F54C81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6698B shade: #D66B8C, #C77A92, #B88998, #A9999E and #99A8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6698B shade: #D66BC6, #D66BAA, #D66B8D, #D66B70 and #D6826B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6698B shade: #BB335E, #CE4A73, #D66B8C, #DF8BA5 and #E8ACBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6698B shade: #D6698B, #D6CA6B and #6BB8D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6698B shade: #D6698B, #8DD66B and #6B8DD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6698B shade: #D6698B, #D6CA6B, #6BD6B4 and #6B77D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6698B shade: #D6698B, #C3D66B, #6BD6B4 and #7F6BD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 35 / 16

HEX #D6698B

RGB 214 105 139

HSL 341.28, 0.57%, 0.63%

LAB 58.29, 46.34, 1.62

 

Complementary color

CMYK 73 / 0 / 23 / 41

HEX #299674

RGB 41 150 116

HSL 161.28, 0.57%, 0.37%

LAB 55.63, -38.71, 9.28

 

CMYK 0 / 52 / 39 / 14

HEX #DB6986

RGB 219 105 134

HSL 344.74, 0.61%, 0.64%

LAB 58.87, 47.47, 5.46

 

CMYK 0 / 48 / 35 / 7

HEX #EC7B99

RGB 236 123 153

HSL 344.07, 0.75%, 0.7%

LAB 65.2, 46.58, 3.97

 

CMYK 0 / 44 / 32 / 1

HEX #FD8DAC

RGB 253 141 172

HSL 343.39, 0.97%, 0.77%

LAB 71.49, 45.69, 2.67

 

CMYK 0 / 38 / 25 / 0

HEX #FF9FBF

RGB 255 159 191

HSL 340, 1%, 0.81%

LAB 75.96, 39.68, -1.3

 

CMYK 0 / 31 / 18 / 0

HEX #FFB1D2

RGB 255 177 210

HSL 334.62, 1%, 0.85%

LAB 80.38, 33.06, -5.14

 

CMYK 0 / 51 / 35 / 16

HEX #D6698B

RGB 214 105 139

HSL 341.28, 0.57%, 0.63%

LAB 58.29, 46.34, 1.62

 

CMYK 0 / 56 / 39 / 23

HEX #C55778

RGB 197 87 120

HSL 342, 0.49%, 0.56%

LAB 51.89, 47.16, 3.23

 

CMYK 0 / 62 / 44 / 29

HEX #B44565

RGB 180 69 101

HSL 342.7, 0.45%, 0.49%

LAB 45.5, 47.86, 5.18

 

CMYK 0 / 69 / 50 / 36

HEX #A33352

RGB 163 51 82

HSL 343.39, 0.52%, 0.42%

LAB 39.18, 48.28, 7.62

 

CMYK 0 / 77 / 57 / 43

HEX #92213F

RGB 146 33 63

HSL 344.07, 0.63%, 0.35%

LAB 33.04, 48.15, 10.8

 

CMYK 0 / 50 / 35 / 16

HEX #D66B8C

RGB 214 107 140

HSL 341.5, 0.57%, 0.63%

LAB 58.7, 45.46, 1.64

 

CMYK 0 / 50 / 48 / 16

HEX #D66B6F

RGB 214 107 111

HSL 357.76, 0.57%, 0.63%

LAB 58, 42.33, 17.49

 

CMYK 0 / 50 / 50 / 16

HEX #D66B6B

RGB 214 107 107

HSL 0, 0.57%, 0.63%

LAB 57.92, 41.96, 19.69

 

CMYK 0 / 50 / 35 / 16

HEX #D66B8C

RGB 214 107 140

HSL 341.5, 0.57%, 0.63%

LAB 58.7, 45.46, 1.64

 

CMYK 0 / 50 / 21 / 16

HEX #D66BA9

RGB 214 107 169

HSL 325.23, 0.57%, 0.63%

LAB 59.59, 49.32, -13.81

 

CMYK 0 / 50 / 7 / 16

HEX #D66BC6

RGB 214 107 198

HSL 308.97, 0.57%, 0.63%

LAB 60.68, 53.85, -28.72

 

CMYK 6 / 50 / 0 / 16

HEX #C96BD6

RGB 201 107 214

HSL 292.71, 0.57%, 0.63%

LAB 59.7, 52.99, -39.43

 

CMYK 20 / 50 / 0 / 16

HEX #AC6BD6

RGB 172 107 214

HSL 276.45, 0.57%, 0.63%

LAB 56.23, 45.02, -45.13

 

CMYK 0 / 50 / 35 / 16

HEX #D66B8C

RGB 214 107 140

HSL 341.5, 0.57%, 0.63%

LAB 58.7, 45.46, 1.64

 

CMYK 0 / 60 / 41 / 10

HEX #E65C87

RGB 230 92 135

HSL 341.3, 0.73%, 0.63%

LAB 58.25, 57.23, 4.21

 

CMYK 0 / 69 / 47 / 4

HEX #F54C81

RGB 245 76 129

HSL 341.18, 0.89%, 0.63%

LAB 58.19, 67.58, 7.97

 

CMYK 0 / 50 / 35 / 16

HEX #D66B8C

RGB 214 107 140

HSL 341.5, 0.57%, 0.63%

LAB 58.7, 45.46, 1.64

 

CMYK 0 / 39 / 27 / 22

HEX #C77A92

RGB 199 122 146

HSL 341.3, 0.41%, 0.63%

LAB 60.01, 33.12, -0.15

 

CMYK 0 / 26 / 17 / 28

HEX #B88998

RGB 184 137 152

HSL 340.85, 0.25%, 0.63%

LAB 61.95, 20.25, -0.95

 

CMYK 0 / 9 / 7 / 34

HEX #A9999E

RGB 169 153 158

HSL 341.25, 0.09%, 0.63%

LAB 64.71, 6.78, -0.48

 

CMYK 9 / 0 / 3 / 34

HEX #99A8A3

RGB 153 168 163

HSL 160, 0.08%, 0.63%

LAB 67.59, -6.25, 0.77

 

CMYK 0 / 50 / 7 / 16

HEX #D66BC6

RGB 214 107 198

HSL 308.97, 0.57%, 0.63%

LAB 60.68, 53.85, -28.72

 

CMYK 0 / 50 / 21 / 16

HEX #D66BAA

RGB 214 107 170

HSL 324.67, 0.57%, 0.63%

LAB 59.63, 49.47, -14.33

 

CMYK 0 / 50 / 34 / 16

HEX #D66B8D

RGB 214 107 141

HSL 340.93, 0.57%, 0.63%

LAB 58.73, 45.58, 1.1

 

CMYK 0 / 50 / 48 / 16

HEX #D66B70

RGB 214 107 112

HSL 357.2, 0.57%, 0.63%

LAB 58.02, 42.43, 16.94

 

CMYK 0 / 39 / 50 / 16

HEX #D6826B

RGB 214 130 107

HSL 12.9, 0.57%, 0.63%

LAB 62.78, 29.96, 26.2

 

CMYK 0 / 73 / 50 / 27

HEX #BB335E

RGB 187 51 94

HSL 341.03, 0.57%, 0.47%

LAB 43.86, 56.69, 7.33

 

CMYK 0 / 64 / 44 / 19

HEX #CE4A73

RGB 206 74 115

HSL 341.36, 0.57%, 0.55%

LAB 50.99, 55.43, 5.12

 

CMYK 0 / 50 / 35 / 16

HEX #D66B8C

RGB 214 107 140

HSL 341.5, 0.57%, 0.63%

LAB 58.7, 45.46, 1.64

 

CMYK 0 / 38 / 26 / 13

HEX #DF8BA5

RGB 223 139 165

HSL 341.43, 0.57%, 0.71%

LAB 67.18, 35.32, -0.14

 

CMYK 0 / 26 / 18 / 9

HEX #E8ACBF

RGB 232 172 191

HSL 341, 0.57%, 0.79%

LAB 76.33, 24.75, -1.05

 

CMYK 0 / 51 / 35 / 16

HEX #D6698B

RGB 214 105 139

HSL 341.28, 0.57%, 0.63%

LAB 58.29, 46.34, 1.62

 

CMYK 0 / 6 / 50 / 16

HEX #D6CA6B

RGB 214 202 107

HSL 53.27, 0.57%, 0.63%

LAB 80.52, -8.37, 48.49

 

CMYK 50 / 14 / 0 / 16

HEX #6BB8D6

RGB 107 184 214

HSL 196.82, 0.57%, 0.63%

LAB 71.05, -15.68, -22.45

 

CMYK 0 / 51 / 35 / 16

HEX #D6698B

RGB 214 105 139

HSL 341.28, 0.57%, 0.63%

LAB 58.29, 46.34, 1.62

 

CMYK 34 / 0 / 50 / 16

HEX #8DD66B

RGB 141 214 107

HSL 100.93, 0.57%, 0.63%

LAB 78.94, -41.89, 45.43

 

CMYK 50 / 34 / 0 / 16

HEX #6B8DD6

RGB 107 141 214

HSL 220.93, 0.57%, 0.63%

LAB 59, 8.32, -41.11

 

CMYK 0 / 51 / 35 / 16

HEX #D6698B

RGB 214 105 139

HSL 341.28, 0.57%, 0.63%

LAB 58.29, 46.34, 1.62

 

CMYK 0 / 6 / 50 / 16

HEX #D6CA6B

RGB 214 202 107

HSL 53.27, 0.57%, 0.63%

LAB 80.52, -8.37, 48.49

 

CMYK 50 / 0 / 16 / 16

HEX #6BD6B4

RGB 107 214 180

HSL 160.93, 0.57%, 0.63%

LAB 78.76, -38.99, 7.37

 

CMYK 50 / 44 / 0 / 16

HEX #6B77D6

RGB 107 119 214

HSL 233.27, 0.57%, 0.63%

LAB 53.14, 21.48, -50.39

 

CMYK 0 / 51 / 35 / 16

HEX #D6698B

RGB 214 105 139

HSL 341.28, 0.57%, 0.63%

LAB 58.29, 46.34, 1.62

 

CMYK 9 / 0 / 50 / 16

HEX #C3D66B

RGB 195 214 107

HSL 70.65, 0.57%, 0.63%

LAB 82.25, -22, 50.21

 

CMYK 50 / 0 / 16 / 16

HEX #6BD6B4

RGB 107 214 180

HSL 160.93, 0.57%, 0.63%

LAB 78.76, -38.99, 7.37

 

CMYK 41 / 50 / 0 / 16

HEX #7F6BD6

RGB 127 107 214

HSL 251.21, 0.57%, 0.63%

LAB 51.7, 33.36, -52.6

 

Description

Color code: HEX #D6698B | qconv.com Color code: HEX #D6698B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 105 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 105 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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