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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D664E8 it is the complementary color #299B17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D664E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D664E8 shade: #DB64E3, #EC76F6, #FD88FF, #FF9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D664E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D664E8 shade: #D664E8, #C552D5, #B440C2, #A32EAF and #921C9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D664E8 shade: #D664E8, #E864D6, #E864B3, #E8648F and #E8646B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D664E8 shade: #D664E8, #B264E8, #8F64E8, #6B64E8 and #6464E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D664E8 shade matches the following richer shades: #D664E8 and #E055F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D664E8 shade: #D664E8, #CB72D9, #C181CB, #B68FBC and #AC9DAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D664E8 shade: #8E64E8, #B164E8, #D464E8, #E864D8 and #E864B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D664E8 shade: #BF20D9, #CC40E2, #D664E8, #DF88ED and #E9ABF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D664E8 shade: #D664E8, #E86A64 and #64E89F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D664E8 shade: #D664E8, #E8D464 and #64E8D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D664E8 shade: #D664E8, #E86A64, #78E864 and #64E1E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D664E8 shade: #D664E8, #E89264, #78E864 and #64BAE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

Complementary color

CMYK 74 / 0 / 85 / 39

HEX #299B17

RGB 41 155 23

HSL 111.82, 0.74%, 0.35%

LAB 56.06, -54.4, 53.77

 

CMYK 4 / 56 / 0 / 11

HEX #DB64E3

RGB 219 100 227

HSL 296.22, 0.69%, 0.64%

LAB 61.41, 63.49, -43.86

 

CMYK 4 / 52 / 0 / 4

HEX #EC76F6

RGB 236 118 246

HSL 295.31, 0.88%, 0.71%

LAB 67.61, 63, -44.5

 

CMYK 1 / 47 / 0 / 0

HEX #FD88FF

RGB 253 136 255

HSL 298.99, 1%, 0.77%

LAB 73.36, 60.63, -40.26

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 8 / 62 / 0 / 16

HEX #C552D5

RGB 197 82 213

HSL 292.67, 0.61%, 0.58%

LAB 54.77, 63.47, -46.67

 

CMYK 7 / 67 / 0 / 24

HEX #B440C2

RGB 180 64 194

HSL 293.54, 0.52%, 0.51%

LAB 48.59, 63.5, -45.73

 

CMYK 7 / 74 / 0 / 31

HEX #A32EAF

RGB 163 46 175

HSL 294.42, 0.58%, 0.43%

LAB 42.51, 63.02, -44.45

 

CMYK 6 / 82 / 0 / 39

HEX #921C9C

RGB 146 28 156

HSL 295.31, 0.7%, 0.36%

LAB 36.63, 61.69, -42.63

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 0 / 57 / 8 / 9

HEX #E864D6

RGB 232 100 214

HSL 308.18, 0.74%, 0.65%

LAB 62.61, 64.71, -34.57

 

CMYK 0 / 57 / 23 / 9

HEX #E864B3

RGB 232 100 179

HSL 324.09, 0.74%, 0.65%

LAB 61.24, 59.55, -16.81

 

CMYK 0 / 57 / 38 / 9

HEX #E8648F

RGB 232 100 143

HSL 340.45, 0.74%, 0.65%

LAB 60.12, 55.13, 2.28

 

CMYK 0 / 57 / 54 / 9

HEX #E8646B

RGB 232 100 107

HSL 356.82, 0.74%, 0.65%

LAB 59.28, 51.73, 21.99

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 23 / 57 / 0 / 9

HEX #B264E8

RGB 178 100 232

HSL 275.45, 0.74%, 0.65%

LAB 56.49, 54.2, -54.79

 

CMYK 38 / 57 / 0 / 9

HEX #8F64E8

RGB 143 100 232

HSL 259.55, 0.74%, 0.65%

LAB 52.71, 45.97, -61.06

 

CMYK 54 / 57 / 0 / 9

HEX #6B64E8

RGB 107 100 232

HSL 243.18, 0.74%, 0.65%

LAB 49.58, 38.49, -66.28

 

CMYK 57 / 57 / 0 / 9

HEX #6464E8

RGB 100 100 232

HSL 240, 0.74%, 0.65%

LAB 49.07, 37.21, -67.12

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 9 / 65 / 0 / 4

HEX #E055F6

RGB 224 85 246

HSL 291.8, 0.9%, 0.65%

LAB 60.78, 74.35, -55.4

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 6 / 47 / 0 / 15

HEX #CB72D9

RGB 203 114 217

HSL 291.84, 0.58%, 0.65%

LAB 61.43, 50.59, -38.38

 

CMYK 5 / 36 / 0 / 20

HEX #C181CB

RGB 193 129 203

HSL 291.89, 0.42%, 0.65%

LAB 62.8, 36.96, -28.48

 

CMYK 3 / 24 / 0 / 26

HEX #B68FBC

RGB 182 143 188

HSL 292, 0.25%, 0.65%

LAB 64.34, 22.67, -17.79

 

CMYK 1 / 10 / 0 / 32

HEX #AC9DAE

RGB 172 157 174

HSL 292.94, 0.09%, 0.65%

LAB 66.47, 8.63, -6.83

 

CMYK 39 / 57 / 0 / 9

HEX #8E64E8

RGB 142 100 232

HSL 259.09, 0.74%, 0.65%

LAB 52.61, 45.75, -61.23

 

CMYK 24 / 57 / 0 / 9

HEX #B164E8

RGB 177 100 232

HSL 275, 0.74%, 0.65%

LAB 56.37, 53.96, -54.98

 

CMYK 9 / 57 / 0 / 9

HEX #D464E8

RGB 212 100 232

HSL 290.91, 0.74%, 0.65%

LAB 60.73, 62.62, -47.8

 

CMYK 0 / 57 / 7 / 9

HEX #E864D8

RGB 232 100 216

HSL 307.27, 0.74%, 0.65%

LAB 62.7, 65.02, -35.55

 

CMYK 0 / 57 / 22 / 9

HEX #E864B5

RGB 232 100 181

HSL 323.18, 0.74%, 0.65%

LAB 61.31, 59.82, -17.85

 

CMYK 12 / 85 / 0 / 15

HEX #BF20D9

RGB 191 32 217

HSL 291.57, 0.74%, 0.49%

LAB 48.41, 79.13, -59.17

 

CMYK 10 / 72 / 0 / 11

HEX #CC40E2

RGB 204 64 226

HSL 291.85, 0.74%, 0.57%

LAB 54.02, 74.32, -55.16

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 6 / 43 / 0 / 7

HEX #DF88ED

RGB 223 136 237

HSL 291.68, 0.74%, 0.73%

LAB 69.05, 48.86, -37.42

 

CMYK 4 / 30 / 0 / 5

HEX #E9ABF3

RGB 233 171 243

HSL 291.67, 0.75%, 0.81%

LAB 77.83, 34.6, -27.04

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 0 / 54 / 57 / 9

HEX #E86A64

RGB 232 106 100

HSL 2.73, 0.74%, 0.65%

LAB 60.23, 48.37, 27.26

 

CMYK 57 / 0 / 31 / 9

HEX #64E89F

RGB 100 232 159

HSL 146.82, 0.74%, 0.65%

LAB 83.4, -52.62, 24.86

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 0 / 9 / 57 / 9

HEX #E8D464

RGB 232 212 100

HSL 50.91, 0.74%, 0.65%

LAB 84.57, -6.66, 56.9

 

CMYK 57 / 0 / 9 / 9

HEX #64E8D4

RGB 100 232 212

HSL 170.91, 0.74%, 0.65%

LAB 84.57, -40.96, -1.2

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 0 / 54 / 57 / 9

HEX #E86A64

RGB 232 106 100

HSL 2.73, 0.74%, 0.65%

LAB 60.23, 48.37, 27.26

 

CMYK 48 / 0 / 57 / 9

HEX #78E864

RGB 120 232 100

HSL 110.91, 0.74%, 0.65%

LAB 83.25, -56.55, 53.59

 

CMYK 57 / 3 / 0 / 9

HEX #64E1E8

RGB 100 225 232

HSL 183.18, 0.74%, 0.65%

LAB 83.12, -32.56, -13.92

 

CMYK 8 / 57 / 0 / 9

HEX #D664E8

RGB 214 100 232

HSL 291.82, 0.74%, 0.65%

LAB 60.99, 63.13, -47.37

 

CMYK 0 / 37 / 57 / 9

HEX #E89264

RGB 232 146 100

HSL 20.91, 0.74%, 0.65%

LAB 68.49, 28, 37.77

 

CMYK 48 / 0 / 57 / 9

HEX #78E864

RGB 120 232 100

HSL 110.91, 0.74%, 0.65%

LAB 83.25, -56.55, 53.59

 

CMYK 57 / 20 / 0 / 9

HEX #64BAE8

RGB 100 186 232

HSL 200.91, 0.74%, 0.65%

LAB 72, -12.97, -30.83

 

Description

Color code: HEX #D664E8 | qconv.com Color code: HEX #D664E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 100 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 100 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 57 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 57% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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