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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D664C4 it is the complementary color #299B3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D664C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D664C4 shade: #DB64BF, #EC76D2, #FD88E5, #FF9AF8 and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D664C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D664C4 shade: #D664C4, #C552B1, #B4409E, #A32E8B and #921C78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D664C4 shade: #D666C5, #D666A6, #D66688, #D6666A and #D66666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D664C4 shade: #D666C5, #CA66D6, #AB66D6, #8D66D6 and #6F66D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D664C4 shade matches the following richer shades: #D666C5, #E656CF and #F647DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D664C4 shade: #D666C5, #C776BA, #B785AF, #A795A4 and #98A59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D664C4 shade: #AB66D6, #C966D6, #D666C5, #D666A7 and #D66689

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D664C4 shade: #B931A3, #CE45B8, #D666C5, #DF86D1 and #E8A7DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D664C4 shade: #D664C4, #D68D66 and #66D6BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D664C4 shade: #D664C4, #C5D666 and #66C5D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D664C4 shade: #D664C4, #D68D66, #66D677 and #66AFD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D664C4 shade: #D664C4, #D6AF66, #66D677 and #668DD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 8 / 16

HEX #D664C4

RGB 214 100 196

HSL 309.47, 0.58%, 0.62%

LAB 59.34, 56.86, -29.66

 

Complementary color

CMYK 74 / 0 / 62 / 39

HEX #299B3B

RGB 41 155 59

HSL 129.47, 0.58%, 0.38%

LAB 56.32, -51.32, 40.55

 

CMYK 0 / 54 / 13 / 14

HEX #DB64BF

RGB 219 100 191

HSL 314.12, 0.62%, 0.63%

LAB 59.83, 57.5, -25.99

 

CMYK 0 / 50 / 11 / 7

HEX #EC76D2

RGB 236 118 210

HSL 313.22, 0.76%, 0.69%

LAB 66.09, 56.93, -26.9

 

CMYK 0 / 46 / 9 / 1

HEX #FD88E5

RGB 253 136 229

HSL 312.31, 0.97%, 0.76%

LAB 72.33, 56.28, -27.66

 

CMYK 0 / 40 / 3 / 0

HEX #FF9AF8

RGB 255 154 248

HSL 304.16, 1%, 0.8%

LAB 76.77, 51.11, -31.17

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 53 / 8 / 16

HEX #D664C4

RGB 214 100 196

HSL 309.47, 0.58%, 0.62%

LAB 59.34, 56.86, -29.66

 

CMYK 0 / 58 / 10 / 23

HEX #C552B1

RGB 197 82 177

HSL 310.43, 0.5%, 0.55%

LAB 53.04, 57.29, -28.69

 

CMYK 0 / 64 / 12 / 29

HEX #B4409E

RGB 180 64 158

HSL 311.38, 0.48%, 0.48%

LAB 46.76, 57.46, -27.46

 

CMYK 0 / 72 / 15 / 36

HEX #A32E8B

RGB 163 46 139

HSL 312.31, 0.56%, 0.41%

LAB 40.58, 57.14, -25.84

 

CMYK 0 / 81 / 18 / 43

HEX #921C78

RGB 146 28 120

HSL 313.22, 0.68%, 0.34%

LAB 34.6, 56.02, -23.63

 

CMYK 0 / 52 / 8 / 16

HEX #D666C5

RGB 214 102 197

HSL 309.11, 0.58%, 0.62%

LAB 59.73, 56.08, -29.62

 

CMYK 0 / 52 / 22 / 16

HEX #D666A6

RGB 214 102 166

HSL 325.71, 0.58%, 0.62%

LAB 58.56, 51.34, -13.64

 

CMYK 0 / 52 / 36 / 16

HEX #D66688

RGB 214 102 136

HSL 341.79, 0.58%, 0.62%

LAB 57.63, 47.46, 2.42

 

CMYK 0 / 52 / 50 / 16

HEX #D6666A

RGB 214 102 106

HSL 357.86, 0.58%, 0.62%

LAB 56.92, 44.37, 18.92

 

CMYK 0 / 52 / 52 / 16

HEX #D66666

RGB 214 102 102

HSL 0, 0.58%, 0.62%

LAB 56.84, 44.01, 21.13

 

CMYK 0 / 52 / 8 / 16

HEX #D666C5

RGB 214 102 197

HSL 309.11, 0.58%, 0.62%

LAB 59.73, 56.08, -29.62

 

CMYK 6 / 52 / 0 / 16

HEX #CA66D6

RGB 202 102 214

HSL 293.57, 0.58%, 0.62%

LAB 58.89, 55.72, -40.68

 

CMYK 20 / 52 / 0 / 16

HEX #AB66D6

RGB 171 102 214

HSL 276.96, 0.58%, 0.62%

LAB 55.09, 47.42, -46.94

 

CMYK 34 / 52 / 0 / 16

HEX #8D66D6

RGB 141 102 214

HSL 260.89, 0.58%, 0.62%

LAB 51.86, 39.69, -52.27

 

CMYK 48 / 52 / 0 / 16

HEX #6F66D6

RGB 111 102 214

HSL 244.82, 0.58%, 0.62%

LAB 49.18, 32.64, -56.72

 

CMYK 0 / 52 / 8 / 16

HEX #D666C5

RGB 214 102 197

HSL 309.11, 0.58%, 0.62%

LAB 59.73, 56.08, -29.62

 

CMYK 0 / 63 / 10 / 10

HEX #E656CF

RGB 230 86 207

HSL 309.58, 0.74%, 0.62%

LAB 59.87, 68.97, -34.9

 

CMYK 0 / 71 / 11 / 4

HEX #F647DA

RGB 246 71 218

HSL 309.6, 0.91%, 0.62%

LAB 60.92, 79.75, -39.3

 

CMYK 0 / 52 / 8 / 16

HEX #D666C5

RGB 214 102 197

HSL 309.11, 0.58%, 0.62%

LAB 59.73, 56.08, -29.62

 

CMYK 0 / 41 / 7 / 22

HEX #C776BA

RGB 199 118 186

HSL 309.63, 0.42%, 0.62%

LAB 60.47, 41.61, -22.39

 

CMYK 0 / 27 / 4 / 28

HEX #B785AF

RGB 183 133 175

HSL 309.6, 0.26%, 0.62%

LAB 61.6, 26.12, -14.58

 

CMYK 0 / 11 / 2 / 35

HEX #A795A4

RGB 167 149 164

HSL 310, 0.09%, 0.62%

LAB 63.66, 9.4, -5.43

 

CMYK 8 / 0 / 7 / 35

HEX #98A59A

RGB 152 165 154

HSL 129.23, 0.07%, 0.62%

LAB 66.46, -6.73, 4.12

 

CMYK 20 / 52 / 0 / 16

HEX #AB66D6

RGB 171 102 214

HSL 276.96, 0.58%, 0.62%

LAB 55.09, 47.42, -46.94

 

CMYK 6 / 52 / 0 / 16

HEX #C966D6

RGB 201 102 214

HSL 293.04, 0.58%, 0.62%

LAB 58.77, 55.45, -40.89

 

CMYK 0 / 52 / 8 / 16

HEX #D666C5

RGB 214 102 197

HSL 309.11, 0.58%, 0.62%

LAB 59.73, 56.08, -29.62

 

CMYK 0 / 52 / 22 / 16

HEX #D666A7

RGB 214 102 167

HSL 325.18, 0.58%, 0.62%

LAB 58.59, 51.48, -14.17

 

CMYK 0 / 52 / 36 / 16

HEX #D66689

RGB 214 102 137

HSL 341.25, 0.58%, 0.62%

LAB 57.66, 47.58, 1.88

 

CMYK 0 / 74 / 12 / 27

HEX #B931A3

RGB 185 49 163

HSL 309.71, 0.58%, 0.46%

LAB 45.85, 64.99, -31.81

 

CMYK 0 / 67 / 11 / 19

HEX #CE45B8

RGB 206 69 184

HSL 309.64, 0.58%, 0.54%

LAB 52.77, 66.11, -33.07

 

CMYK 0 / 52 / 8 / 16

HEX #D666C5

RGB 214 102 197

HSL 309.11, 0.58%, 0.62%

LAB 59.73, 56.08, -29.62

 

CMYK 0 / 40 / 6 / 13

HEX #DF86D1

RGB 223 134 209

HSL 309.44, 0.58%, 0.7%

LAB 67.53, 44.82, -24.27

 

CMYK 0 / 28 / 5 / 9

HEX #E8A7DD

RGB 232 167 221

HSL 310.15, 0.59%, 0.78%

LAB 76.08, 32.39, -17.79

 

CMYK 0 / 53 / 8 / 16

HEX #D664C4

RGB 214 100 196

HSL 309.47, 0.58%, 0.62%

LAB 59.34, 56.86, -29.66

 

CMYK 0 / 34 / 52 / 16

HEX #D68D66

RGB 214 141 102

HSL 20.89, 0.58%, 0.62%

LAB 65.2, 23.6, 32.1

 

CMYK 52 / 0 / 13 / 16

HEX #66D6BA

RGB 102 214 186

HSL 165, 0.58%, 0.62%

LAB 78.73, -38.73, 4.1

 

CMYK 0 / 53 / 8 / 16

HEX #D664C4

RGB 214 100 196

HSL 309.47, 0.58%, 0.62%

LAB 59.34, 56.86, -29.66

 

CMYK 8 / 0 / 52 / 16

HEX #C5D666

RGB 197 214 102

HSL 69.11, 0.58%, 0.62%

LAB 82.34, -21.67, 52.68

 

CMYK 52 / 8 / 0 / 16

HEX #66C5D6

RGB 102 197 214

HSL 189.11, 0.58%, 0.62%

LAB 74.58, -23.44, -17.12

 

CMYK 0 / 53 / 8 / 16

HEX #D664C4

RGB 214 100 196

HSL 309.47, 0.58%, 0.62%

LAB 59.34, 56.86, -29.66

 

CMYK 0 / 34 / 52 / 16

HEX #D68D66

RGB 214 141 102

HSL 20.89, 0.58%, 0.62%

LAB 65.2, 23.6, 32.1

 

CMYK 52 / 0 / 44 / 16

HEX #66D677

RGB 102 214 119

HSL 129.11, 0.58%, 0.62%

LAB 77.43, -51.81, 37.32

 

CMYK 52 / 18 / 0 / 16

HEX #66AFD6

RGB 102 175 214

HSL 200.89, 0.58%, 0.62%

LAB 68.27, -12, -26.73

 

CMYK 0 / 53 / 8 / 16

HEX #D664C4

RGB 214 100 196

HSL 309.47, 0.58%, 0.62%

LAB 59.34, 56.86, -29.66

 

CMYK 0 / 18 / 52 / 16

HEX #D6AF66

RGB 214 175 102

HSL 39.11, 0.58%, 0.62%

LAB 73.49, 5.29, 42.46

 

CMYK 52 / 0 / 44 / 16

HEX #66D677

RGB 102 214 119

HSL 129.11, 0.58%, 0.62%

LAB 77.43, -51.81, 37.32

 

CMYK 52 / 34 / 0 / 16

HEX #668DD6

RGB 102 141 214

HSL 219.11, 0.58%, 0.62%

LAB 58.72, 7.18, -41.57

 

Description

Color code: HEX #D664C4 | qconv.com Color code: HEX #D664C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 100 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 100 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 8 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 8% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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