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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6646F it is the complementary color #299B90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6646F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6646F shade: #DB646A, #EC767D, #FD8890, #FF9AA3 and #FFACB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6646F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6646F shade: #D6646F, #C5525C, #B44049, #A32E36 and #921C23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6646F shade: #D66671 and #D66666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6646F shade: #D66671, #D6668F, #D666AD, #D666CC and #C366D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6646F shade matches the following richer shades: #D66671, #E65664 and #F64757

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6646F shade: #D66671, #C7767D, #B7858A, #A79597 and #98A5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6646F shade: #D666AD, #D6668F, #D66671, #D67966 and #D69766

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6646F shade: #B9313E, #CE4552, #D66671, #DF868F and #E8A7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6646F shade: #D6646F, #CBD666 and #669ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6646F shade: #D6646F, #71D666 and #6671D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6646F shade: #D6646F, #CBD666, #66D6CB and #7166D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6646F shade: #D6646F, #A9D666, #66D6CB and #9366D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 48 / 16

HEX #D6646F

RGB 214 100 111

HSL 354.21, 0.58%, 0.62%

LAB 56.64, 45.81, 15.63

 

Complementary color

CMYK 74 / 0 / 7 / 39

HEX #299B90

RGB 41 155 144

HSL 174.21, 0.58%, 0.38%

LAB 57.97, -33.46, -3.27

 

CMYK 0 / 54 / 52 / 14

HEX #DB646A

RGB 219 100 106

HSL 356.97, 0.62%, 0.63%

LAB 57.28, 47.12, 19.54

 

CMYK 0 / 50 / 47 / 7

HEX #EC767D

RGB 236 118 125

HSL 356.44, 0.76%, 0.69%

LAB 63.57, 46.08, 17.6

 

CMYK 0 / 46 / 43 / 1

HEX #FD8890

RGB 253 136 144

HSL 355.9, 0.97%, 0.76%

LAB 69.83, 45.05, 15.93

 

CMYK 0 / 40 / 36 / 0

HEX #FF9AA3

RGB 255 154 163

HSL 354.65, 1%, 0.8%

LAB 74.2, 38.71, 11.57

 

CMYK 0 / 33 / 29 / 0

HEX #FFACB6

RGB 255 172 182

HSL 352.77, 1%, 0.84%

LAB 78.54, 31.72, 7.37

 

CMYK 0 / 53 / 48 / 16

HEX #D6646F

RGB 214 100 111

HSL 354.21, 0.58%, 0.62%

LAB 56.64, 45.81, 15.63

 

CMYK 0 / 58 / 53 / 23

HEX #C5525C

RGB 197 82 92

HSL 354.78, 0.5%, 0.55%

LAB 50.31, 46.78, 17.76

 

CMYK 0 / 64 / 59 / 29

HEX #B44049

RGB 180 64 73

HSL 355.34, 0.48%, 0.48%

LAB 44.02, 47.63, 20.33

 

CMYK 0 / 72 / 67 / 36

HEX #A32E36

RGB 163 46 54

HSL 355.9, 0.56%, 0.41%

LAB 37.85, 48.18, 23.51

 

CMYK 0 / 81 / 76 / 43

HEX #921C23

RGB 146 28 35

HSL 356.44, 0.68%, 0.34%

LAB 31.95, 48.08, 27.46

 

CMYK 0 / 52 / 47 / 16

HEX #D66671

RGB 214 102 113

HSL 354.11, 0.58%, 0.62%

LAB 57.07, 45.01, 15.05

 

CMYK 0 / 52 / 52 / 16

HEX #D66666

RGB 214 102 102

HSL 0, 0.58%, 0.62%

LAB 56.84, 44.01, 21.13

 

CMYK 0 / 52 / 47 / 16

HEX #D66671

RGB 214 102 113

HSL 354.11, 0.58%, 0.62%

LAB 57.07, 45.01, 15.05

 

CMYK 0 / 52 / 33 / 16

HEX #D6668F

RGB 214 102 143

HSL 338.04, 0.58%, 0.62%

LAB 57.83, 48.3, -1.37

 

CMYK 0 / 52 / 19 / 16

HEX #D666AD

RGB 214 102 173

HSL 321.96, 0.58%, 0.62%

LAB 58.8, 52.35, -17.31

 

CMYK 0 / 52 / 5 / 16

HEX #D666CC

RGB 214 102 204

HSL 305.36, 0.58%, 0.62%

LAB 60.03, 57.25, -33.13

 

CMYK 9 / 52 / 0 / 16

HEX #C366D6

RGB 195 102 214

HSL 289.82, 0.58%, 0.62%

LAB 58, 53.83, -42.15

 

CMYK 0 / 52 / 47 / 16

HEX #D66671

RGB 214 102 113

HSL 354.11, 0.58%, 0.62%

LAB 57.07, 45.01, 15.05

 

CMYK 0 / 63 / 57 / 10

HEX #E65664

RGB 230 86 100

HSL 354.17, 0.74%, 0.62%

LAB 56.48, 56.75, 22.26

 

CMYK 0 / 71 / 65 / 4

HEX #F64757

RGB 246 71 87

HSL 354.51, 0.91%, 0.62%

LAB 56.87, 66.69, 30.85

 

CMYK 0 / 52 / 47 / 16

HEX #D66671

RGB 214 102 113

HSL 354.11, 0.58%, 0.62%

LAB 57.07, 45.01, 15.05

 

CMYK 0 / 41 / 37 / 22

HEX #C7767D

RGB 199 118 125

HSL 354.81, 0.42%, 0.62%

LAB 58.58, 32.53, 9.91

 

CMYK 0 / 27 / 25 / 28

HEX #B7858A

RGB 183 133 138

HSL 354, 0.26%, 0.62%

LAB 60.5, 19.93, 4.91

 

CMYK 0 / 11 / 10 / 35

HEX #A79597

RGB 167 149 151

HSL 353.33, 0.09%, 0.62%

LAB 63.3, 7.01, 1.38

 

CMYK 8 / 0 / 1 / 35

HEX #98A5A3

RGB 152 165 163

HSL 170.77, 0.07%, 0.62%

LAB 66.7, -4.97, -0.55

 

CMYK 0 / 52 / 19 / 16

HEX #D666AD

RGB 214 102 173

HSL 321.96, 0.58%, 0.62%

LAB 58.8, 52.35, -17.31

 

CMYK 0 / 52 / 33 / 16

HEX #D6668F

RGB 214 102 143

HSL 338.04, 0.58%, 0.62%

LAB 57.83, 48.3, -1.37

 

CMYK 0 / 52 / 47 / 16

HEX #D66671

RGB 214 102 113

HSL 354.11, 0.58%, 0.62%

LAB 57.07, 45.01, 15.05

 

CMYK 0 / 43 / 52 / 16

HEX #D67966

RGB 214 121 102

HSL 10.18, 0.58%, 0.62%

LAB 60.72, 34.29, 26.28

 

CMYK 0 / 29 / 52 / 16

HEX #D69766

RGB 214 151 102

HSL 26.25, 0.58%, 0.62%

LAB 67.57, 18.19, 35.1

 

CMYK 0 / 74 / 66 / 27

HEX #B9313E

RGB 185 49 62

HSL 354.26, 0.58%, 0.46%

LAB 42.55, 54.51, 25.35

 

CMYK 0 / 67 / 60 / 19

HEX #CE4552

RGB 206 69 82

HSL 354.31, 0.58%, 0.54%

LAB 49.48, 54.77, 22.9

 

CMYK 0 / 52 / 47 / 16

HEX #D66671

RGB 214 102 113

HSL 354.11, 0.58%, 0.62%

LAB 57.07, 45.01, 15.05

 

CMYK 0 / 40 / 36 / 13

HEX #DF868F

RGB 223 134 143

HSL 353.93, 0.58%, 0.7%

LAB 65.53, 35.11, 9.89

 

CMYK 0 / 28 / 25 / 9

HEX #E8A7AD

RGB 232 167 173

HSL 354.46, 0.59%, 0.78%

LAB 74.71, 24.78, 6.44

 

CMYK 0 / 53 / 48 / 16

HEX #D6646F

RGB 214 100 111

HSL 354.21, 0.58%, 0.62%

LAB 56.64, 45.81, 15.63

 

CMYK 5 / 0 / 52 / 16

HEX #CBD666

RGB 203 214 102

HSL 65.89, 0.58%, 0.62%

LAB 82.78, -19.28, 53.31

 

CMYK 52 / 26 / 0 / 16

HEX #669ED6

RGB 102 158 214

HSL 210, 0.58%, 0.62%

LAB 63.45, -2.63, -34.17

 

CMYK 0 / 53 / 48 / 16

HEX #D6646F

RGB 214 100 111

HSL 354.21, 0.58%, 0.62%

LAB 56.64, 45.81, 15.63

 

CMYK 47 / 0 / 52 / 16

HEX #71D666

RGB 113 214 102

HSL 114.11, 0.58%, 0.62%

LAB 77.62, -51.19, 45.92

 

CMYK 52 / 47 / 0 / 16

HEX #6671D6

RGB 102 113 214

HSL 234.11, 0.58%, 0.62%

LAB 51.26, 24.02, -53.42

 

CMYK 0 / 53 / 48 / 16

HEX #D6646F

RGB 214 100 111

HSL 354.21, 0.58%, 0.62%

LAB 56.64, 45.81, 15.63

 

CMYK 5 / 0 / 52 / 16

HEX #CBD666

RGB 203 214 102

HSL 65.89, 0.58%, 0.62%

LAB 82.78, -19.28, 53.31

 

CMYK 52 / 0 / 5 / 16

HEX #66D6CB

RGB 102 214 203

HSL 174.11, 0.58%, 0.62%

LAB 79.17, -34.58, -4.34

 

CMYK 47 / 52 / 0 / 16

HEX #7166D6

RGB 113 102 214

HSL 245.89, 0.58%, 0.62%

LAB 49.34, 33.08, -56.46

 

CMYK 0 / 53 / 48 / 16

HEX #D6646F

RGB 214 100 111

HSL 354.21, 0.58%, 0.62%

LAB 56.64, 45.81, 15.63

 

CMYK 21 / 0 / 52 / 16

HEX #A9D666

RGB 169 214 102

HSL 84.11, 0.58%, 0.62%

LAB 80.45, -32.48, 50

 

CMYK 52 / 0 / 5 / 16

HEX #66D6CB

RGB 102 214 203

HSL 174.11, 0.58%, 0.62%

LAB 79.17, -34.58, -4.34

 

CMYK 31 / 52 / 0 / 16

HEX #9366D6

RGB 147 102 214

HSL 264.11, 0.58%, 0.62%

LAB 52.47, 41.19, -51.27

 

Description

Color code: HEX #D6646F | qconv.com Color code: HEX #D6646F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 100 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 100 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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