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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65B8F it is the complementary color #29A470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65B8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65B8F shade: #DB5B8A, #EC6D9D, #FD7FB0, #FF91C3 and #FFA3D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65B8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65B8F shade: #D65B8F, #C5497C, #B43769, #A32556 and #921343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65B8F shade: #D65C90, #D65C6F and #D65C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65B8F shade: #D65C90, #D65CB1, #D65CD2, #BA5CD6 and #995CD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65B8F shade matches the following richer shades: #D65C90, #E74B8D and #F73B8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65B8F shade: #D65C90, #C66C92, #B57D95, #A58D97 and #949E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65B8F shade: #D65CD2, #D65CB1, #D65C91, #D65C70 and #D6685C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65B8F shade: #B32D65, #CE3B79, #D65C90, #DE7DA6 and #E79EBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65B8F shade: #D65B8F, #D6BA5C and #5CC2D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65B8F shade: #D65B8F, #91D65C and #5C91D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65B8F shade: #D65B8F, #D6BA5C, #5CD6A1 and #5C78D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65B8F shade: #D65B8F, #CED65C, #5CD6A1 and #645CD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 33 / 16

HEX #D65B8F

RGB 214 91 143

HSL 334.63, 0.6%, 0.6%

LAB 55.85, 53.51, -4.29

 

Complementary color

CMYK 75 / 0 / 32 / 36

HEX #29A470

RGB 41 164 112

HSL 154.63, 0.6%, 0.4%

LAB 60.06, -45.51, 17.7

 

CMYK 0 / 58 / 37 / 14

HEX #DB5B8A

RGB 219 91 138

HSL 337.97, 0.64%, 0.61%

LAB 56.46, 54.51, -0.36

 

CMYK 0 / 54 / 33 / 7

HEX #EC6D9D

RGB 236 109 157

HSL 337.32, 0.77%, 0.68%

LAB 62.68, 53.84, -1.98

 

CMYK 0 / 50 / 30 / 1

HEX #FD7FB0

RGB 253 127 176

HSL 336.67, 0.97%, 0.75%

LAB 68.89, 53.08, -3.37

 

CMYK 0 / 43 / 24 / 0

HEX #FF91C3

RGB 255 145 195

HSL 332.73, 1%, 0.78%

LAB 73.19, 47.37, -7.58

 

CMYK 0 / 36 / 16 / 0

HEX #FFA3D6

RGB 255 163 214

HSL 326.74, 1%, 0.82%

LAB 77.47, 40.95, -11.64

 

CMYK 0 / 57 / 33 / 16

HEX #D65B8F

RGB 214 91 143

HSL 334.63, 0.6%, 0.6%

LAB 55.85, 53.51, -4.29

 

CMYK 0 / 63 / 37 / 23

HEX #C5497C

RGB 197 73 124

HSL 335.32, 0.52%, 0.53%

LAB 49.61, 54, -2.49

 

CMYK 0 / 69 / 42 / 29

HEX #B43769

RGB 180 55 105

HSL 336, 0.53%, 0.46%

LAB 43.44, 54.18, -0.26

 

CMYK 0 / 77 / 47 / 36

HEX #A32556

RGB 163 37 86

HSL 336.67, 0.63%, 0.39%

LAB 37.45, 53.78, 2.6

 

CMYK 0 / 87 / 54 / 43

HEX #921343

RGB 146 19 67

HSL 337.32, 0.77%, 0.32%

LAB 31.77, 52.39, 6.39

 

CMYK 0 / 57 / 33 / 16

HEX #D65C90

RGB 214 92 144

HSL 334.43, 0.6%, 0.6%

LAB 56.05, 53.17, -4.57

 

CMYK 0 / 57 / 48 / 16

HEX #D65C6F

RGB 214 92 111

HSL 350.66, 0.6%, 0.6%

LAB 55.17, 49.64, 13.6

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5C

RGB 214 92 92

HSL 0, 0.6%, 0.6%

LAB 54.79, 48.04, 24.21

 

CMYK 0 / 57 / 33 / 16

HEX #D65C90

RGB 214 92 144

HSL 334.43, 0.6%, 0.6%

LAB 56.05, 53.17, -4.57

 

CMYK 0 / 57 / 17 / 16

HEX #D65CB1

RGB 214 92 177

HSL 318.2, 0.6%, 0.6%

LAB 57.2, 57.61, -22.07

 

CMYK 0 / 57 / 2 / 16

HEX #D65CD2

RGB 214 92 210

HSL 301.97, 0.6%, 0.6%

LAB 58.61, 62.83, -38.76

 

CMYK 13 / 57 / 0 / 16

HEX #BA5CD6

RGB 186 92 214

HSL 286.23, 0.6%, 0.6%

LAB 55.02, 56.36, -46.93

 

CMYK 29 / 57 / 0 / 16

HEX #995CD6

RGB 153 92 214

HSL 270, 0.6%, 0.6%

LAB 51.02, 48.14, -53.55

 

CMYK 0 / 57 / 33 / 16

HEX #D65C90

RGB 214 92 144

HSL 334.43, 0.6%, 0.6%

LAB 56.05, 53.17, -4.57

 

CMYK 0 / 68 / 39 / 9

HEX #E74B8D

RGB 231 75 141

HSL 334.62, 0.76%, 0.6%

LAB 56.03, 65.08, -2.53

 

CMYK 0 / 76 / 44 / 3

HEX #F73B8A

RGB 247 59 138

HSL 334.79, 0.92%, 0.6%

LAB 56.82, 74.4, 0.72

 

CMYK 0 / 57 / 33 / 16

HEX #D65C90

RGB 214 92 144

HSL 334.43, 0.6%, 0.6%

LAB 56.05, 53.17, -4.57

 

CMYK 0 / 45 / 26 / 22

HEX #C66C92

RGB 198 108 146

HSL 334.67, 0.44%, 0.6%

LAB 56.89, 40.21, -4.76

 

CMYK 0 / 31 / 18 / 29

HEX #B57D95

RGB 181 125 149

HSL 334.29, 0.27%, 0.6%

LAB 58.66, 25.36, -4.11

 

CMYK 0 / 15 / 8 / 35

HEX #A58D97

RGB 165 141 151

HSL 335, 0.12%, 0.6%

LAB 61.03, 10.76, -1.96

 

CMYK 6 / 0 / 3 / 38

HEX #949E9A

RGB 148 158 154

HSL 156, 0.05%, 0.6%

LAB 64.23, -4.35, 0.85

 

CMYK 0 / 57 / 2 / 16

HEX #D65CD2

RGB 214 92 210

HSL 301.97, 0.6%, 0.6%

LAB 58.61, 62.83, -38.76

 

CMYK 0 / 57 / 17 / 16

HEX #D65CB1

RGB 214 92 177

HSL 318.2, 0.6%, 0.6%

LAB 57.2, 57.61, -22.07

 

CMYK 0 / 57 / 32 / 16

HEX #D65C91

RGB 214 92 145

HSL 333.93, 0.6%, 0.6%

LAB 56.08, 53.29, -5.12

 

CMYK 0 / 57 / 48 / 16

HEX #D65C70

RGB 214 92 112

HSL 350.16, 0.6%, 0.6%

LAB 55.2, 49.73, 13.04

 

CMYK 0 / 51 / 57 / 16

HEX #D6685C

RGB 214 104 92

HSL 5.9, 0.6%, 0.6%

LAB 57.05, 42.21, 27.16

 

CMYK 0 / 75 / 44 / 30

HEX #B32D65

RGB 179 45 101

HSL 334.93, 0.6%, 0.44%

LAB 41.85, 57.09, -0.12

 

CMYK 0 / 71 / 41 / 19

HEX #CE3B79

RGB 206 59 121

HSL 334.69, 0.6%, 0.52%

LAB 49.04, 61.83, -1.33

 

CMYK 0 / 57 / 33 / 16

HEX #D65C90

RGB 214 92 144

HSL 334.43, 0.6%, 0.6%

LAB 56.05, 53.17, -4.57

 

CMYK 0 / 44 / 25 / 13

HEX #DE7DA6

RGB 222 125 166

HSL 334.64, 0.6%, 0.68%

LAB 64.12, 42.44, -5.22

 

CMYK 0 / 32 / 18 / 9

HEX #E79EBD

RGB 231 158 189

HSL 334.52, 0.6%, 0.76%

LAB 72.97, 31.57, -4.9

 

CMYK 0 / 57 / 33 / 16

HEX #D65B8F

RGB 214 91 143

HSL 334.63, 0.6%, 0.6%

LAB 55.85, 53.51, -4.29

 

CMYK 0 / 13 / 57 / 16

HEX #D6BA5C

RGB 214 186 92

HSL 46.23, 0.6%, 0.6%

LAB 76.18, -1.33, 50.56

 

CMYK 57 / 9 / 0 / 16

HEX #5CC2D6

RGB 92 194 214

HSL 189.84, 0.6%, 0.6%

LAB 73.36, -23.93, -19

 

CMYK 0 / 57 / 33 / 16

HEX #D65B8F

RGB 214 91 143

HSL 334.63, 0.6%, 0.6%

LAB 55.85, 53.51, -4.29

 

CMYK 32 / 0 / 57 / 16

HEX #91D65C

RGB 145 214 92

HSL 93.93, 0.6%, 0.6%

LAB 78.98, -42.15, 52.51

 

CMYK 57 / 32 / 0 / 16

HEX #5C91D6

RGB 92 145 214

HSL 213.93, 0.6%, 0.6%

LAB 59.33, 2.69, -40.66

 

CMYK 0 / 57 / 33 / 16

HEX #D65B8F

RGB 214 91 143

HSL 334.63, 0.6%, 0.6%

LAB 55.85, 53.51, -4.29

 

CMYK 0 / 13 / 57 / 16

HEX #D6BA5C

RGB 214 186 92

HSL 46.23, 0.6%, 0.6%

LAB 76.18, -1.33, 50.56

 

CMYK 57 / 0 / 25 / 16

HEX #5CD6A1

RGB 92 214 161

HSL 153.93, 0.6%, 0.6%

LAB 77.84, -46.47, 16.09

 

CMYK 57 / 44 / 0 / 16

HEX #5C78D6

RGB 92 120 214

HSL 226.23, 0.6%, 0.6%

LAB 52.47, 17.66, -51.52

 

CMYK 0 / 57 / 33 / 16

HEX #D65B8F

RGB 214 91 143

HSL 334.63, 0.6%, 0.6%

LAB 55.85, 53.51, -4.29

 

CMYK 4 / 0 / 57 / 16

HEX #CED65C

RGB 206 214 92

HSL 63.93, 0.6%, 0.6%

LAB 82.91, -18.88, 58.03

 

CMYK 57 / 0 / 25 / 16

HEX #5CD6A1

RGB 92 214 161

HSL 153.93, 0.6%, 0.6%

LAB 77.84, -46.47, 16.09

 

CMYK 53 / 57 / 0 / 16

HEX #645CD6

RGB 100 92 214

HSL 243.93, 0.6%, 0.6%

LAB 45.93, 36.38, -62

 

Description

Color code: HEX #D65B8F | qconv.com Color code: HEX #D65B8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 91 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 91 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 33 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 33% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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