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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D659BA it is the complementary color #29A645. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D659BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D659BA shade: #DB59B5, #EC6BC8, #FD7DDB, #FF8FEE and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D659BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D659BA shade: #D659BA, #C547A7, #B43594, #A32381 and #92116E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D659BA shade: #D558B9, #D55897, #D55875 and #D55858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D659BA shade: #D558B9, #CF58D5, #AE58D5, #8C58D5 and #6A58D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D659BA shade matches the following richer shades: #D558B9, #E647C2 and #F736CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D659BA shade: #D558B9, #C469B0, #B37AA6, #A28A9D and #929B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D659BA shade: #AD58D5, #CF58D5, #D558BA, #D55899 and #D55877

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D659BA shade: #AF2C91, #CD37AB, #D558B9, #DD79C7 and #E69AD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D659BA shade: #D659BA, #D58C58 and #58D5BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D659BA shade: #D659BA, #BAD558 and #58BAD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D659BA shade: #D659BA, #D58C58, #58D573 and #58A1D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D659BA shade: #D659BA, #D5B258, #58D573 and #587BD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 13 / 16

HEX #D659BA

RGB 214 89 186

HSL 313.44, 0.6%, 0.59%

LAB 57.06, 60.29, -27.46

 

Complementary color

CMYK 75 / 0 / 58 / 35

HEX #29A645

RGB 41 166 69

HSL 133.44, 0.6%, 0.41%

LAB 60.05, -53.88, 40.15

 

CMYK 0 / 59 / 17 / 14

HEX #DB59B5

RGB 219 89 181

HSL 317.54, 0.64%, 0.6%

LAB 57.6, 60.94, -23.69

 

CMYK 0 / 55 / 15 / 7

HEX #EC6BC8

RGB 236 107 200

HSL 316.74, 0.77%, 0.67%

LAB 63.77, 60.53, -24.84

 

CMYK 0 / 51 / 13 / 1

HEX #FD7DDB

RGB 253 125 219

HSL 315.94, 0.97%, 0.74%

LAB 69.94, 59.98, -25.8

 

CMYK 0 / 44 / 7 / 0

HEX #FF8FEE

RGB 255 143 238

HSL 309.11, 1%, 0.78%

LAB 74.24, 54.9, -29.63

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 58 / 13 / 16

HEX #D659BA

RGB 214 89 186

HSL 313.44, 0.6%, 0.59%

LAB 57.06, 60.29, -27.46

 

CMYK 0 / 64 / 15 / 23

HEX #C547A7

RGB 197 71 167

HSL 314.29, 0.52%, 0.53%

LAB 50.88, 60.47, -26.18

 

CMYK 0 / 71 / 18 / 29

HEX #B43594

RGB 180 53 148

HSL 315.12, 0.55%, 0.46%

LAB 44.78, 60.23, -24.55

 

CMYK 0 / 79 / 21 / 36

HEX #A32381

RGB 163 35 129

HSL 315.94, 0.65%, 0.39%

LAB 38.85, 59.3, -22.38

 

CMYK 0 / 88 / 25 / 43

HEX #92116E

RGB 146 17 110

HSL 316.74, 0.79%, 0.32%

LAB 33.22, 57.27, -19.44

 

CMYK 0 / 59 / 13 / 16

HEX #D558B9

RGB 213 88 185

HSL 313.44, 0.6%, 0.59%

LAB 56.71, 60.3, -27.44

 

CMYK 0 / 59 / 29 / 16

HEX #D55897

RGB 213 88 151

HSL 329.76, 0.6%, 0.59%

LAB 55.44, 55.55, -9.61

 

CMYK 0 / 59 / 45 / 16

HEX #D55875

RGB 213 88 117

HSL 346.08, 0.6%, 0.59%

LAB 54.46, 51.72, 9.03

 

CMYK 0 / 59 / 59 / 16

HEX #D55858

RGB 213 88 88

HSL 0, 0.6%, 0.59%

LAB 53.85, 49.26, 25.28

 

CMYK 0 / 59 / 13 / 16

HEX #D558B9

RGB 213 88 185

HSL 313.44, 0.6%, 0.59%

LAB 56.71, 60.3, -27.44

 

CMYK 3 / 59 / 0 / 16

HEX #CF58D5

RGB 207 88 213

HSL 297.12, 0.6%, 0.59%

LAB 57.12, 63.32, -42.86

 

CMYK 18 / 59 / 0 / 16

HEX #AE58D5

RGB 174 88 213

HSL 281.28, 0.6%, 0.59%

LAB 52.71, 55.1, -50.13

 

CMYK 34 / 59 / 0 / 16

HEX #8C58D5

RGB 140 88 213

HSL 264.96, 0.6%, 0.59%

LAB 48.71, 46.96, -56.76

 

CMYK 50 / 59 / 0 / 16

HEX #6A58D5

RGB 106 88 213

HSL 248.64, 0.6%, 0.59%

LAB 45.42, 39.62, -62.23

 

CMYK 0 / 59 / 13 / 16

HEX #D558B9

RGB 213 88 185

HSL 313.44, 0.6%, 0.59%

LAB 56.71, 60.3, -27.44

 

CMYK 0 / 69 / 16 / 10

HEX #E647C2

RGB 230 71 194

HSL 313.58, 0.76%, 0.59%

LAB 57.29, 72.69, -31.51

 

CMYK 0 / 78 / 17 / 3

HEX #F736CC

RGB 247 54 204

HSL 313.37, 0.92%, 0.59%

LAB 58.76, 82.92, -34.73

 

CMYK 0 / 59 / 13 / 16

HEX #D558B9

RGB 213 88 185

HSL 313.44, 0.6%, 0.59%

LAB 56.71, 60.3, -27.44

 

CMYK 0 / 46 / 10 / 23

HEX #C469B0

RGB 196 105 176

HSL 313.19, 0.44%, 0.59%

LAB 57.05, 45.73, -21.93

 

CMYK 0 / 32 / 7 / 30

HEX #B37AA6

RGB 179 122 166

HSL 313.68, 0.27%, 0.59%

LAB 58.28, 29.23, -14.49

 

CMYK 0 / 15 / 3 / 36

HEX #A28A9D

RGB 162 138 157

HSL 312.5, 0.11%, 0.59%

LAB 60.15, 12.47, -6.71

 

CMYK 6 / 0 / 5 / 39

HEX #929B94

RGB 146 155 148

HSL 133.33, 0.04%, 0.59%

LAB 63.09, -4.59, 2.55

 

CMYK 19 / 59 / 0 / 16

HEX #AD58D5

RGB 173 88 213

HSL 280.8, 0.6%, 0.59%

LAB 52.58, 54.85, -50.34

 

CMYK 3 / 59 / 0 / 16

HEX #CF58D5

RGB 207 88 213

HSL 297.12, 0.6%, 0.59%

LAB 57.12, 63.32, -42.86

 

CMYK 0 / 59 / 13 / 16

HEX #D558BA

RGB 213 88 186

HSL 312.96, 0.6%, 0.59%

LAB 56.75, 60.46, -27.95

 

CMYK 0 / 59 / 28 / 16

HEX #D55899

RGB 213 88 153

HSL 328.8, 0.6%, 0.59%

LAB 55.51, 55.8, -10.68

 

CMYK 0 / 59 / 44 / 16

HEX #D55877

RGB 213 88 119

HSL 345.12, 0.6%, 0.59%

LAB 54.51, 51.92, 7.91

 

CMYK 0 / 75 / 17 / 31

HEX #AF2C91

RGB 175 44 145

HSL 313.74, 0.6%, 0.43%

LAB 42.7, 61.64, -26.03

 

CMYK 0 / 73 / 17 / 20

HEX #CD37AB

RGB 205 55 171

HSL 313.6, 0.6%, 0.51%

LAB 50.28, 68.89, -29.38

 

CMYK 0 / 59 / 13 / 16

HEX #D558B9

RGB 213 88 185

HSL 313.44, 0.6%, 0.59%

LAB 56.71, 60.3, -27.44

 

CMYK 0 / 45 / 10 / 13

HEX #DD79C7

RGB 221 121 199

HSL 313.2, 0.6%, 0.67%

LAB 64.3, 49.17, -23.64

 

CMYK 0 / 33 / 7 / 10

HEX #E69AD5

RGB 230 154 213

HSL 313.42, 0.6%, 0.75%

LAB 72.72, 37.25, -18.51

 

CMYK 0 / 58 / 13 / 16

HEX #D659BA

RGB 214 89 186

HSL 313.44, 0.6%, 0.59%

LAB 57.06, 60.29, -27.46

 

CMYK 0 / 34 / 59 / 16

HEX #D58C58

RGB 213 140 88

HSL 24.96, 0.6%, 0.59%

LAB 64.65, 22.58, 38.87

 

CMYK 59 / 0 / 11 / 16

HEX #58D5BE

RGB 88 213 190

HSL 168.96, 0.6%, 0.59%

LAB 78.1, -40.15, 0.99

 

CMYK 0 / 58 / 13 / 16

HEX #D659BA

RGB 214 89 186

HSL 313.44, 0.6%, 0.59%

LAB 57.06, 60.29, -27.46

 

CMYK 13 / 0 / 59 / 16

HEX #BAD558

RGB 186 213 88

HSL 72.96, 0.6%, 0.59%

LAB 81.14, -26.72, 57.41

 

CMYK 59 / 13 / 0 / 16

HEX #58BAD5

RGB 88 186 213

HSL 192.96, 0.6%, 0.59%

LAB 70.87, -20.92, -22.25

 

CMYK 0 / 58 / 13 / 16

HEX #D659BA

RGB 214 89 186

HSL 313.44, 0.6%, 0.59%

LAB 57.06, 60.29, -27.46

 

CMYK 0 / 34 / 59 / 16

HEX #D58C58

RGB 213 140 88

HSL 24.96, 0.6%, 0.59%

LAB 64.65, 22.58, 38.87

 

CMYK 59 / 0 / 46 / 16

HEX #58D573

RGB 88 213 115

HSL 132.96, 0.6%, 0.59%

LAB 76.62, -55.37, 38.18

 

CMYK 59 / 24 / 0 / 16

HEX #58A1D5

RGB 88 161 213

HSL 204.96, 0.6%, 0.59%

LAB 63.65, -7.55, -33.37

 

CMYK 0 / 58 / 13 / 16

HEX #D659BA

RGB 214 89 186

HSL 313.44, 0.6%, 0.59%

LAB 57.06, 60.29, -27.46

 

CMYK 0 / 16 / 59 / 16

HEX #D5B258

RGB 213 178 88

HSL 43.2, 0.6%, 0.59%

LAB 73.99, 2.15, 49.91

 

CMYK 59 / 0 / 46 / 16

HEX #58D573

RGB 88 213 115

HSL 132.96, 0.6%, 0.59%

LAB 76.62, -55.37, 38.18

 

CMYK 59 / 42 / 0 / 16

HEX #587BD5

RGB 88 123 213

HSL 223.2, 0.6%, 0.59%

LAB 53, 14.7, -50.12

 

Description

Color code: HEX #D659BA | qconv.com Color code: HEX #D659BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 89 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 89 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 13 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 13% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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