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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D65844 it is the complementary color #29A7BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D65844. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D65844 shade: #DB583F, #EC6A52, #FD7C65, #FF8E78 and #FFA08B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D65844. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D65844 shade: #D65844, #C54631, #B4341E, #A3220B and #921000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D65844 shade: #D65743 and #D64343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D65844 shade: #D65743, #D67F43, #D6A643, #D6CE43 and #B6D643

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D65844 shade matches the following richer shades: #D65743, #E84930 and #FB3C1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D65844 shade: #D65743, #C36455, #B17268, #9E7F7B and #8B8D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D65844 shade: #D6437E, #D64356, #D65643, #D67E43 and #D6A543

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D65844 shade: #A23524, #C4402B, #D65743, #DD7565 and #E59386

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D65844 shade: #D65844, #A5D643 and #436AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D65844 shade: #D65844, #43D656 and #5643D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D65844 shade: #D65844, #A5D643, #43C2D6 and #7443D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D65844 shade: #D65844, #79D643, #43C2D6 and #A043D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 68 / 16

HEX #D65844

RGB 214 88 68

HSL 8.22, 0.64%, 0.55%

LAB 53.7, 48.36, 36.56

 

Complementary color

CMYK 78 / 11 / 0 / 27

HEX #29A7BB

RGB 41 167 187

HSL 188.22, 0.64%, 0.45%

LAB 63.09, -26.19, -19.85

 

CMYK 0 / 60 / 71 / 14

HEX #DB583F

RGB 219 88 63

HSL 9.62, 0.68%, 0.55%

LAB 54.45, 49.89, 40.38

 

CMYK 0 / 55 / 65 / 7

HEX #EC6A52

RGB 236 106 82

HSL 9.35, 0.8%, 0.62%

LAB 60.56, 48.61, 37.86

 

CMYK 0 / 51 / 60 / 1

HEX #FD7C65

RGB 253 124 101

HSL 9.08, 0.97%, 0.69%

LAB 66.7, 47.33, 35.6

 

CMYK 0 / 44 / 53 / 0

HEX #FF8E78

RGB 255 142 120

HSL 9.78, 1%, 0.74%

LAB 70.84, 40.56, 30.61

 

CMYK 0 / 37 / 45 / 0

HEX #FFA08B

RGB 255 160 139

HSL 10.86, 1%, 0.77%

LAB 74.99, 33.04, 25.79

 

CMYK 0 / 59 / 68 / 16

HEX #D65844

RGB 214 88 68

HSL 8.22, 0.64%, 0.55%

LAB 53.7, 48.36, 36.56

 

CMYK 0 / 64 / 75 / 23

HEX #C54631

RGB 197 70 49

HSL 8.51, 0.6%, 0.48%

LAB 47.59, 49.53, 39.34

 

CMYK 0 / 71 / 83 / 29

HEX #B4341E

RGB 180 52 30

HSL 8.8, 0.71%, 0.41%

LAB 41.62, 50.46, 42.31

 

CMYK 0 / 79 / 93 / 36

HEX #A3220B

RGB 163 34 11

HSL 9.08, 0.87%, 0.34%

LAB 35.9, 50.86, 44.78

 

CMYK 0 / 89 / 100 / 43

HEX #921000

RGB 146 16 0

HSL 6.58, 1%, 0.29%

LAB 30.6, 50.26, 43.93

 

CMYK 0 / 59 / 69 / 16

HEX #D65743

RGB 214 87 67

HSL 8.16, 0.64%, 0.55%

LAB 53.51, 48.77, 36.9

 

CMYK 0 / 69 / 69 / 16

HEX #D64343

RGB 214 67 67

HSL 0, 0.64%, 0.55%

LAB 50.35, 57.25, 33.15

 

CMYK 0 / 59 / 69 / 16

HEX #D65743

RGB 214 87 67

HSL 8.16, 0.64%, 0.55%

LAB 53.51, 48.77, 36.9

 

CMYK 0 / 41 / 69 / 16

HEX #D67F43

RGB 214 127 67

HSL 24.49, 0.64%, 0.55%

LAB 61.55, 28.61, 46.07

 

CMYK 0 / 22 / 69 / 16

HEX #D6A643

RGB 214 166 67

HSL 40.41, 0.64%, 0.55%

LAB 70.85, 7.62, 56.1

 

CMYK 0 / 4 / 69 / 16

HEX #D6CE43

RGB 214 206 67

HSL 56.73, 0.64%, 0.55%

LAB 81.21, -13.18, 66.68

 

CMYK 15 / 0 / 69 / 16

HEX #B6D643

RGB 182 214 67

HSL 73.06, 0.64%, 0.55%

LAB 80.98, -30.22, 65.66

 

CMYK 0 / 59 / 69 / 16

HEX #D65743

RGB 214 87 67

HSL 8.16, 0.64%, 0.55%

LAB 53.51, 48.77, 36.9

 

CMYK 0 / 69 / 79 / 9

HEX #E84930

RGB 232 73 48

HSL 8.15, 0.8%, 0.55%

LAB 54.17, 59.96, 48.6

 

CMYK 0 / 76 / 88 / 2

HEX #FB3C1E

RGB 251 60 30

HSL 8.14, 0.97%, 0.55%

LAB 55.92, 69.72, 59.61

 

CMYK 0 / 59 / 69 / 16

HEX #D65743

RGB 214 87 67

HSL 8.16, 0.64%, 0.55%

LAB 53.51, 48.77, 36.9

 

CMYK 0 / 49 / 56 / 24

HEX #C36455

RGB 195 100 85

HSL 8.18, 0.48%, 0.55%

LAB 53.35, 36.51, 25.85

 

CMYK 0 / 36 / 41 / 31

HEX #B17268

RGB 177 114 104

HSL 8.22, 0.32%, 0.55%

LAB 54.43, 23.67, 15.86

 

CMYK 0 / 20 / 22 / 38

HEX #9E7F7B

RGB 158 127 123

HSL 6.86, 0.15%, 0.55%

LAB 55.97, 11.29, 6.69

 

CMYK 1 / 0 / 0 / 45

HEX #8B8D8D

RGB 139 141 141

HSL 180, 0.01%, 0.55%

LAB 58.47, -0.73, -0.26

 

CMYK 0 / 69 / 41 / 16

HEX #D6437E

RGB 214 67 126

HSL 335.92, 0.64%, 0.55%

LAB 51.63, 61.7, -0.4

 

CMYK 0 / 69 / 60 / 16

HEX #D64356

RGB 214 67 86

HSL 352.24, 0.64%, 0.55%

LAB 50.67, 58.36, 22.33

 

CMYK 0 / 60 / 69 / 16

HEX #D65643

RGB 214 86 67

HSL 7.76, 0.64%, 0.55%

LAB 53.34, 49.23, 36.69

 

CMYK 0 / 41 / 69 / 16

HEX #D67E43

RGB 214 126 67

HSL 24.08, 0.64%, 0.55%

LAB 61.33, 29.14, 45.82

 

CMYK 0 / 23 / 69 / 16

HEX #D6A543

RGB 214 165 67

HSL 40, 0.64%, 0.55%

LAB 70.6, 8.16, 55.83

 

CMYK 0 / 67 / 78 / 36

HEX #A23524

RGB 162 53 36

HSL 8.1, 0.64%, 0.39%

LAB 38.47, 44.08, 34.89

 

CMYK 0 / 67 / 78 / 23

HEX #C4402B

RGB 196 64 43

HSL 8.24, 0.64%, 0.47%

LAB 46.41, 51.48, 41.28

 

CMYK 0 / 59 / 69 / 16

HEX #D65743

RGB 214 87 67

HSL 8.16, 0.64%, 0.55%

LAB 53.51, 48.77, 36.9

 

CMYK 0 / 47 / 54 / 13

HEX #DD7565

RGB 221 117 101

HSL 8, 0.64%, 0.63%

LAB 60.81, 38.96, 27.15

 

CMYK 0 / 36 / 41 / 10

HEX #E59386

RGB 229 147 134

HSL 8.21, 0.65%, 0.71%

LAB 68.93, 29.45, 19.78

 

CMYK 0 / 59 / 68 / 16

HEX #D65844

RGB 214 88 68

HSL 8.22, 0.64%, 0.55%

LAB 53.7, 48.36, 36.56

 

CMYK 23 / 0 / 69 / 16

HEX #A5D643

RGB 165 214 67

HSL 80, 0.64%, 0.55%

LAB 79.9, -36.86, 64.21

 

CMYK 69 / 50 / 0 / 16

HEX #436AD6

RGB 67 106 214

HSL 224.08, 0.64%, 0.55%

LAB 47.44, 21.99, -59.66

 

CMYK 0 / 59 / 68 / 16

HEX #D65844

RGB 214 88 68

HSL 8.22, 0.64%, 0.55%

LAB 53.7, 48.36, 36.56

 

CMYK 69 / 0 / 60 / 16

HEX #43D656

RGB 67 214 86

HSL 127.76, 0.64%, 0.55%

LAB 76.04, -63.88, 51.07

 

CMYK 60 / 69 / 0 / 16

HEX #5643D6

RGB 86 67 214

HSL 247.76, 0.64%, 0.55%

LAB 39.32, 48.58, -72.81

 

CMYK 0 / 59 / 68 / 16

HEX #D65844

RGB 214 88 68

HSL 8.22, 0.64%, 0.55%

LAB 53.7, 48.36, 36.56

 

CMYK 23 / 0 / 69 / 16

HEX #A5D643

RGB 165 214 67

HSL 80, 0.64%, 0.55%

LAB 79.9, -36.86, 64.21

 

CMYK 69 / 9 / 0 / 16

HEX #43C2D6

RGB 67 194 214

HSL 188.16, 0.64%, 0.55%

LAB 72.65, -28.06, -20.14

 

CMYK 46 / 69 / 0 / 16

HEX #7443D6

RGB 116 67 214

HSL 260, 0.64%, 0.55%

LAB 42.13, 53.38, -68.12

 

CMYK 0 / 59 / 68 / 16

HEX #D65844

RGB 214 88 68

HSL 8.22, 0.64%, 0.55%

LAB 53.7, 48.36, 36.56

 

CMYK 43 / 0 / 69 / 16

HEX #79D643

RGB 121 214 67

HSL 97.96, 0.64%, 0.55%

LAB 77.62, -52.29, 61.14

 

CMYK 69 / 9 / 0 / 16

HEX #43C2D6

RGB 67 194 214

HSL 188.16, 0.64%, 0.55%

LAB 72.65, -28.06, -20.14

 

CMYK 25 / 69 / 0 / 16

HEX #A043D6

RGB 160 67 214

HSL 277.96, 0.64%, 0.55%

LAB 47.42, 61.85, -59.28

 

Description

Color code: HEX #D65844 | qconv.com Color code: HEX #D65844 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 88 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 88 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 68 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 68% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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