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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6548C it is the complementary color #29AB73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6548C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6548C shade: #DB5487, #EC669A, #FD78AD, #FF8AC0 and #FF9CD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6548C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6548C shade: #D6548C, #C54279, #B43066, #A31E53 and #920C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6548C shade: #D5538B, #D55368 and #D55353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6548C shade: #D5538B, #D553AE, #D553D1, #B653D5 and #9353D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6548C shade matches the following richer shades: #D5538B, #E74188 and #F83086

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6548C shade: #D5538B, #C4648D, #B37590, #A18792 and #909894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6548C shade: #D553D1, #D553AE, #D5538B, #D55368 and #D56053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6548C shade: #AC2A62, #CD3275, #D5538B, #DD74A1 and #E595B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6548C shade: #D6548C, #D5B753 and #53BFD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6548C shade: #D6548C, #8BD553 and #538BD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6548C shade: #D6548C, #D5B753, #53D59D and #5371D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6548C shade: #D6548C, #CDD553, #53D59D and #5B53D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 35 / 16

HEX #D6548C

RGB 214 84 140

HSL 334.15, 0.61%, 0.58%

LAB 54.59, 56.29, -4.39

 

Complementary color

CMYK 76 / 0 / 33 / 33

HEX #29AB73

RGB 41 171 115

HSL 154.15, 0.61%, 0.42%

LAB 62.37, -47.65, 19.21

 

CMYK 0 / 62 / 38 / 14

HEX #DB5487

RGB 219 84 135

HSL 337.33, 0.65%, 0.59%

LAB 55.23, 57.27, -0.4

 

CMYK 0 / 57 / 35 / 7

HEX #EC669A

RGB 236 102 154

HSL 336.72, 0.78%, 0.66%

LAB 61.37, 56.73, -2.18

 

CMYK 0 / 53 / 32 / 1

HEX #FD78AD

RGB 253 120 173

HSL 336.09, 0.97%, 0.73%

LAB 67.53, 56.04, -3.69

 

CMYK 0 / 46 / 25 / 0

HEX #FF8AC0

RGB 255 138 192

HSL 332.31, 1%, 0.77%

LAB 71.72, 50.44, -8.1

 

CMYK 0 / 39 / 17 / 0

HEX #FF9CD3

RGB 255 156 211

HSL 326.67, 1%, 0.81%

LAB 75.91, 44.1, -12.33

 

CMYK 0 / 61 / 35 / 16

HEX #D6548C

RGB 214 84 140

HSL 334.15, 0.61%, 0.58%

LAB 54.59, 56.29, -4.39

 

CMYK 0 / 66 / 39 / 23

HEX #C54279

RGB 197 66 121

HSL 334.81, 0.53%, 0.52%

LAB 48.45, 56.59, -2.39

 

CMYK 0 / 73 / 43 / 29

HEX #B43066

RGB 180 48 102

HSL 335.45, 0.58%, 0.45%

LAB 42.42, 56.45, 0.12

 

CMYK 0 / 82 / 49 / 36

HEX #A31E53

RGB 163 30 83

HSL 336.09, 0.69%, 0.38%

LAB 36.63, 55.57, 3.35

 

CMYK 0 / 92 / 56 / 43

HEX #920C40

RGB 146 12 64

HSL 336.72, 0.85%, 0.31%

LAB 31.22, 53.5, 7.6

 

CMYK 0 / 61 / 35 / 16

HEX #D5538B

RGB 213 83 139

HSL 334.15, 0.61%, 0.58%

LAB 54.24, 56.31, -4.33

 

CMYK 0 / 61 / 51 / 16

HEX #D55368

RGB 213 83 104

HSL 350.31, 0.61%, 0.58%

LAB 53.31, 52.78, 15.13

 

CMYK 0 / 61 / 61 / 16

HEX #D55353

RGB 213 83 83

HSL 0, 0.61%, 0.58%

LAB 52.9, 51.19, 26.97

 

CMYK 0 / 61 / 35 / 16

HEX #D5538B

RGB 213 83 139

HSL 334.15, 0.61%, 0.58%

LAB 54.24, 56.31, -4.33

 

CMYK 0 / 61 / 18 / 16

HEX #D553AE

RGB 213 83 174

HSL 318, 0.61%, 0.58%

LAB 55.47, 60.84, -22.99

 

CMYK 0 / 61 / 2 / 16

HEX #D553D1

RGB 213 83 209

HSL 301.85, 0.61%, 0.58%

LAB 57.01, 66.25, -40.7

 

CMYK 15 / 61 / 0 / 16

HEX #B653D5

RGB 182 83 213

HSL 285.69, 0.61%, 0.58%

LAB 52.88, 59.41, -49.8

 

CMYK 31 / 61 / 0 / 16

HEX #9353D5

RGB 147 83 213

HSL 269.54, 0.61%, 0.58%

LAB 48.5, 51.2, -57.05

 

CMYK 0 / 61 / 35 / 16

HEX #D5538B

RGB 213 83 139

HSL 334.15, 0.61%, 0.58%

LAB 54.24, 56.31, -4.33

 

CMYK 0 / 72 / 41 / 9

HEX #E74188

RGB 231 65 136

HSL 334.34, 0.78%, 0.58%

LAB 54.6, 68.14, -1.67

 

CMYK 0 / 81 / 46 / 3

HEX #F83086

RGB 248 48 134

HSL 334.2, 0.93%, 0.58%

LAB 55.88, 77.18, 1.75

 

CMYK 0 / 61 / 35 / 16

HEX #D5538B

RGB 213 83 139

HSL 334.15, 0.61%, 0.58%

LAB 54.24, 56.31, -4.33

 

CMYK 0 / 49 / 28 / 23

HEX #C4648D

RGB 196 100 141

HSL 334.38, 0.45%, 0.58%

LAB 54.84, 42.97, -4.9

 

CMYK 0 / 35 / 20 / 30

HEX #B37590

RGB 179 117 144

HSL 333.87, 0.29%, 0.58%

LAB 56.41, 28.28, -4.57

 

CMYK 0 / 16 / 9 / 37

HEX #A18792

RGB 161 135 146

HSL 334.62, 0.12%, 0.58%

LAB 58.96, 11.77, -2.19

 

CMYK 5 / 0 / 3 / 40

HEX #909894

RGB 144 152 148

HSL 150, 0.04%, 0.58%

LAB 62.1, -3.66, 1.1

 

CMYK 0 / 61 / 2 / 16

HEX #D553D1

RGB 213 83 209

HSL 301.85, 0.61%, 0.58%

LAB 57.01, 66.25, -40.7

 

CMYK 0 / 61 / 18 / 16

HEX #D553AE

RGB 213 83 174

HSL 318, 0.61%, 0.58%

LAB 55.47, 60.84, -22.99

 

CMYK 0 / 61 / 35 / 16

HEX #D5538B

RGB 213 83 139

HSL 334.15, 0.61%, 0.58%

LAB 54.24, 56.31, -4.33

 

CMYK 0 / 61 / 51 / 16

HEX #D55368

RGB 213 83 104

HSL 350.31, 0.61%, 0.58%

LAB 53.31, 52.78, 15.13

 

CMYK 0 / 55 / 61 / 16

HEX #D56053

RGB 213 96 83

HSL 6, 0.61%, 0.58%

LAB 55.21, 45.13, 29.91

 

CMYK 0 / 76 / 43 / 33

HEX #AC2A62

RGB 172 42 98

HSL 334.15, 0.61%, 0.42%

LAB 40.1, 55.83, -0.96

 

CMYK 0 / 76 / 43 / 20

HEX #CD3275

RGB 205 50 117

HSL 334.06, 0.61%, 0.5%

LAB 47.68, 64.15, -0.91

 

CMYK 0 / 61 / 35 / 16

HEX #D5538B

RGB 213 83 139

HSL 334.15, 0.61%, 0.58%

LAB 54.24, 56.31, -4.33

 

CMYK 0 / 48 / 27 / 13

HEX #DD74A1

RGB 221 116 161

HSL 334.29, 0.61%, 0.66%

LAB 62.03, 46, -5.48

 

CMYK 0 / 35 / 20 / 10

HEX #E595B8

RGB 229 149 184

HSL 333.75, 0.61%, 0.74%

LAB 70.6, 34.89, -5.65

 

CMYK 0 / 61 / 35 / 16

HEX #D6548C

RGB 214 84 140

HSL 334.15, 0.61%, 0.58%

LAB 54.59, 56.29, -4.39

 

CMYK 0 / 14 / 61 / 16

HEX #D5B753

RGB 213 183 83

HSL 46.15, 0.61%, 0.58%

LAB 75.23, -0.83, 53.65

 

CMYK 61 / 10 / 0 / 16

HEX #53BFD5

RGB 83 191 213

HSL 190.15, 0.61%, 0.58%

LAB 72.16, -24.36, -20.29

 

CMYK 0 / 61 / 35 / 16

HEX #D6548C

RGB 214 84 140

HSL 334.15, 0.61%, 0.58%

LAB 54.59, 56.29, -4.39

 

CMYK 35 / 0 / 61 / 16

HEX #8BD553

RGB 139 213 83

HSL 94.15, 0.61%, 0.58%

LAB 78.29, -44.64, 55.61

 

CMYK 61 / 35 / 0 / 16

HEX #538BD5

RGB 83 139 213

HSL 214.15, 0.61%, 0.58%

LAB 57.18, 4.11, -43.51

 

CMYK 0 / 61 / 35 / 16

HEX #D6548C

RGB 214 84 140

HSL 334.15, 0.61%, 0.58%

LAB 54.59, 56.29, -4.39

 

CMYK 0 / 14 / 61 / 16

HEX #D5B753

RGB 213 183 83

HSL 46.15, 0.61%, 0.58%

LAB 75.23, -0.83, 53.65

 

CMYK 61 / 0 / 26 / 16

HEX #53D59D

RGB 83 213 157

HSL 154.15, 0.61%, 0.58%

LAB 77.2, -48.71, 17.27

 

CMYK 61 / 47 / 0 / 16

HEX #5371D5

RGB 83 113 213

HSL 226.15, 0.61%, 0.58%

LAB 50.04, 19.91, -54.87

 

CMYK 0 / 61 / 35 / 16

HEX #D6548C

RGB 214 84 140

HSL 334.15, 0.61%, 0.58%

LAB 54.59, 56.29, -4.39

 

CMYK 4 / 0 / 61 / 16

HEX #CDD553

RGB 205 213 83

HSL 63.69, 0.61%, 0.58%

LAB 82.48, -19.44, 61.41

 

CMYK 61 / 0 / 26 / 16

HEX #53D59D

RGB 83 213 157

HSL 154.15, 0.61%, 0.58%

LAB 77.2, -48.71, 17.27

 

CMYK 57 / 61 / 0 / 16

HEX #5B53D5

RGB 91 83 213

HSL 243.69, 0.61%, 0.58%

LAB 43.09, 39.8, -66.08

 

Description

Color code: HEX #D6548C | qconv.com Color code: HEX #D6548C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 84 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 84 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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