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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D653B9 it is the complementary color #29AC46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D653B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D653B9 shade: #DB53B4, #EC65C7, #FD77DA, #FF89ED and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D653B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D653B9 shade: #D653B9, #C541A6, #B42F93, #A31D80 and #920B6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D653B9 shade: #D651B9, #D65195, #D65171 and #D65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D653B9 shade: #D651B9, #D051D6, #AC51D6, #8851D6 and #6451D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D653B9 shade matches the following richer shades: #D651B9, #E840C3 and #F92FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D653B9 shade: #D651B9, #C563AF, #B474A6, #A2859C and #919792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D653B9 shade: #AC51D6, #D051D6, #D651BA, #D65196 and #D65173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D653B9 shade: #AD298F, #CE30AB, #D651B9, #DE73C6 and #E694D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D653B9 shade: #D653B9, #D68951 and #51D6BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D653B9 shade: #D653B9, #BAD651 and #51BAD6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D653B9 shade: #D653B9, #D68951, #51D66E and #519FD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D653B9 shade: #D653B9, #D6B151, #51D66E and #5177D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 14 / 16

HEX #D653B9

RGB 214 83 185

HSL 313.28, 0.62%, 0.58%

LAB 56.07, 62.72, -28.42

 

Complementary color

CMYK 76 / 0 / 59 / 33

HEX #29AC46

RGB 41 172 70

HSL 133.28, 0.62%, 0.42%

LAB 62.01, -55.82, 41.98

 

CMYK 0 / 62 / 18 / 14

HEX #DB53B4

RGB 219 83 180

HSL 317.21, 0.65%, 0.59%

LAB 56.63, 63.34, -24.61

 

CMYK 0 / 57 / 16 / 7

HEX #EC65C7

RGB 236 101 199

HSL 316.44, 0.78%, 0.66%

LAB 62.73, 63.07, -25.88

 

CMYK 0 / 53 / 14 / 1

HEX #FD77DA

RGB 253 119 218

HSL 315.67, 0.97%, 0.73%

LAB 68.85, 62.61, -26.92

 

CMYK 0 / 46 / 7 / 0

HEX #FF89ED

RGB 255 137 237

HSL 309.15, 1%, 0.77%

LAB 73.07, 57.67, -30.89

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 61 / 14 / 16

HEX #D653B9

RGB 214 83 185

HSL 313.28, 0.62%, 0.58%

LAB 56.07, 62.72, -28.42

 

CMYK 0 / 67 / 16 / 23

HEX #C541A6

RGB 197 65 166

HSL 314.09, 0.53%, 0.51%

LAB 49.98, 62.7, -26.99

 

CMYK 0 / 74 / 18 / 29

HEX #B42F93

RGB 180 47 147

HSL 314.89, 0.59%, 0.45%

LAB 44.01, 62.16, -25.15

 

CMYK 0 / 82 / 21 / 36

HEX #A31D80

RGB 163 29 128

HSL 315.67, 0.7%, 0.38%

LAB 38.24, 60.79, -22.71

 

CMYK 0 / 92 / 25 / 43

HEX #920B6D

RGB 146 11 109

HSL 316.44, 0.86%, 0.31%

LAB 32.82, 58.16, -19.42

 

CMYK 0 / 62 / 14 / 16

HEX #D651B9

RGB 214 81 185

HSL 313.08, 0.62%, 0.58%

LAB 55.77, 63.56, -28.89

 

CMYK 0 / 62 / 30 / 16

HEX #D65195

RGB 214 81 149

HSL 329.32, 0.62%, 0.58%

LAB 54.4, 58.66, -9.98

 

CMYK 0 / 62 / 47 / 16

HEX #D65171

RGB 214 81 113

HSL 345.56, 0.62%, 0.58%

LAB 53.36, 54.78, 9.86

 

CMYK 0 / 62 / 62 / 16

HEX #D65151

RGB 214 81 81

HSL 0, 0.62%, 0.58%

LAB 52.7, 52.28, 27.92

 

CMYK 0 / 62 / 14 / 16

HEX #D651B9

RGB 214 81 185

HSL 313.08, 0.62%, 0.58%

LAB 55.77, 63.56, -28.89

 

CMYK 3 / 62 / 0 / 16

HEX #D051D6

RGB 208 81 214

HSL 297.29, 0.62%, 0.58%

LAB 56.24, 66.71, -44.81

 

CMYK 20 / 62 / 0 / 16

HEX #AC51D6

RGB 172 81 214

HSL 281.05, 0.62%, 0.58%

LAB 51.28, 58.18, -53

 

CMYK 36 / 62 / 0 / 16

HEX #8851D6

RGB 136 81 214

HSL 264.81, 0.62%, 0.58%

LAB 46.94, 50.06, -60.2

 

CMYK 53 / 62 / 0 / 16

HEX #6451D6

RGB 100 81 214

HSL 248.57, 0.62%, 0.58%

LAB 43.43, 42.87, -66.06

 

CMYK 0 / 62 / 14 / 16

HEX #D651B9

RGB 214 81 185

HSL 313.08, 0.62%, 0.58%

LAB 55.77, 63.56, -28.89

 

CMYK 0 / 72 / 16 / 9

HEX #E840C3

RGB 232 64 195

HSL 313.21, 0.79%, 0.58%

LAB 56.84, 75.61, -32.76

 

CMYK 0 / 81 / 18 / 2

HEX #F92FCC

RGB 249 47 204

HSL 313.37, 0.94%, 0.58%

LAB 58.54, 84.97, -35.05

 

CMYK 0 / 62 / 14 / 16

HEX #D651B9

RGB 214 81 185

HSL 313.08, 0.62%, 0.58%

LAB 55.77, 63.56, -28.89

 

CMYK 0 / 50 / 11 / 23

HEX #C563AF

RGB 197 99 175

HSL 313.47, 0.46%, 0.58%

LAB 55.98, 48.91, -22.99

 

CMYK 0 / 36 / 8 / 29

HEX #B474A6

RGB 180 116 166

HSL 313.13, 0.3%, 0.58%

LAB 57.02, 32.9, -16.38

 

CMYK 0 / 18 / 4 / 36

HEX #A2859C

RGB 162 133 156

HSL 312.41, 0.13%, 0.58%

LAB 58.84, 15.13, -8.09

 

CMYK 4 / 0 / 3 / 41

HEX #919792

RGB 145 151 146

HSL 130, 0.03%, 0.58%

LAB 61.85, -3.14, 1.87

 

CMYK 20 / 62 / 0 / 16

HEX #AC51D6

RGB 172 81 214

HSL 281.05, 0.62%, 0.58%

LAB 51.28, 58.18, -53

 

CMYK 3 / 62 / 0 / 16

HEX #D051D6

RGB 208 81 214

HSL 297.29, 0.62%, 0.58%

LAB 56.24, 66.71, -44.81

 

CMYK 0 / 62 / 13 / 16

HEX #D651BA

RGB 214 81 186

HSL 312.63, 0.62%, 0.58%

LAB 55.81, 63.71, -29.4

 

CMYK 0 / 62 / 30 / 16

HEX #D65196

RGB 214 81 150

HSL 328.87, 0.62%, 0.58%

LAB 54.43, 58.78, -10.52

 

CMYK 0 / 62 / 46 / 16

HEX #D65173

RGB 214 81 115

HSL 344.66, 0.62%, 0.58%

LAB 53.4, 54.97, 8.74

 

CMYK 0 / 76 / 17 / 32

HEX #AD298F

RGB 173 41 143

HSL 313.64, 0.62%, 0.42%

LAB 41.93, 61.82, -26.05

 

CMYK 0 / 77 / 17 / 19

HEX #CE30AB

RGB 206 48 171

HSL 313.29, 0.62%, 0.5%

LAB 49.71, 71.22, -30.25

 

CMYK 0 / 62 / 14 / 16

HEX #D651B9

RGB 214 81 185

HSL 313.08, 0.62%, 0.58%

LAB 55.77, 63.56, -28.89

 

CMYK 0 / 48 / 11 / 13

HEX #DE73C6

RGB 222 115 198

HSL 313.46, 0.62%, 0.66%

LAB 63.23, 52.31, -24.7

 

CMYK 0 / 36 / 8 / 10

HEX #E694D4

RGB 230 148 212

HSL 313.17, 0.62%, 0.74%

LAB 71.39, 40.25, -19.98

 

CMYK 0 / 61 / 14 / 16

HEX #D653B9

RGB 214 83 185

HSL 313.28, 0.62%, 0.58%

LAB 56.07, 62.72, -28.42

 

CMYK 0 / 36 / 62 / 16

HEX #D68951

RGB 214 137 81

HSL 25.26, 0.62%, 0.58%

LAB 63.98, 24.11, 41.75

 

CMYK 62 / 0 / 11 / 16

HEX #51D6BE

RGB 81 214 190

HSL 169.17, 0.62%, 0.58%

LAB 78.2, -41.85, 1.12

 

CMYK 0 / 61 / 14 / 16

HEX #D653B9

RGB 214 83 185

HSL 313.28, 0.62%, 0.58%

LAB 56.07, 62.72, -28.42

 

CMYK 13 / 0 / 62 / 16

HEX #BAD651

RGB 186 214 81

HSL 72.63, 0.62%, 0.58%

LAB 81.36, -27.72, 60.63

 

CMYK 62 / 13 / 0 / 16

HEX #51BAD6

RGB 81 186 214

HSL 192.63, 0.62%, 0.58%

LAB 70.68, -21.88, -23.11

 

CMYK 0 / 61 / 14 / 16

HEX #D653B9

RGB 214 83 185

HSL 313.28, 0.62%, 0.58%

LAB 56.07, 62.72, -28.42

 

CMYK 0 / 36 / 62 / 16

HEX #D68951

RGB 214 137 81

HSL 25.26, 0.62%, 0.58%

LAB 63.98, 24.11, 41.75

 

CMYK 62 / 0 / 49 / 16

HEX #51D66E

RGB 81 214 110

HSL 133.08, 0.62%, 0.58%

LAB 76.66, -58, 40.66

 

CMYK 62 / 26 / 0 / 16

HEX #519FD6

RGB 81 159 214

HSL 204.81, 0.62%, 0.58%

LAB 62.84, -7.44, -35.19

 

CMYK 0 / 61 / 14 / 16

HEX #D653B9

RGB 214 83 185

HSL 313.28, 0.62%, 0.58%

LAB 56.07, 62.72, -28.42

 

CMYK 0 / 17 / 62 / 16

HEX #D6B151

RGB 214 177 81

HSL 43.31, 0.62%, 0.58%

LAB 73.76, 2.62, 52.96

 

CMYK 62 / 0 / 49 / 16

HEX #51D66E

RGB 81 214 110

HSL 133.08, 0.62%, 0.58%

LAB 76.66, -58, 40.66

 

CMYK 62 / 44 / 0 / 16

HEX #5177D6

RGB 81 119 214

HSL 222.86, 0.62%, 0.58%

LAB 51.61, 16.17, -52.93

 

Description

Color code: HEX #D653B9 | qconv.com Color code: HEX #D653B9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 83 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 83 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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