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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D651FF it is the complementary color #29AE00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D651FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D651FF shade: #DB51FA, #EC63FF, #FD75FF, #FF87FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D651FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D651FF shade: #D651FF, #C53FEC, #B42DD9, #A31BC6 and #9209B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D651FF shade: #D651FF, #FF51F9, #FF51CA, #FF519B and #FF516C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D651FF shade: #D651FF, #A751FF, #7851FF and #5151FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D651FF shade matches the following richer shades: #D651FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D651FF shade: #D651FF, #CE5FF0, #C76DE2, #BF7BD4 and #B889C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D651FF shade: #7751FF, #A551FF, #D351FF, #FF51FC and #FF51CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D651FF shade: #C200FE, #CC28FF, #D651FF, #DF7AFF and #E9A4FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D651FF shade: #D651FF, #FF515A and #51FF8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D651FF shade: #D651FF, #FFD351 and #51FFD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D651FF shade: #D651FF, #FF515A, #7CFF51 and #51FFF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D651FF shade: #D651FF, #FF7C51, #7CFF51 and #51D3FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

Complementary color

CMYK 76 / 0 / 100 / 32

HEX #29AE00

RGB 41 174 0

HSL 105.86, 1%, 0.34%

LAB 62.29, -61.09, 62.95

 

CMYK 12 / 68 / 0 / 2

HEX #DB51FA

RGB 219 81 250

HSL 288.99, 0.94%, 0.65%

LAB 59.75, 75.53, -59.3

 

CMYK 7 / 61 / 0 / 0

HEX #EC63FF

RGB 236 99 255

HSL 292.69, 1%, 0.69%

LAB 64.94, 73.01, -53.65

 

CMYK 1 / 54 / 0 / 0

HEX #FD75FF

RGB 253 117 255

HSL 299.13, 1%, 0.73%

LAB 70.05, 69.41, -45.43

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 17 / 73 / 0 / 7

HEX #C53FEC

RGB 197 63 236

HSL 286.47, 0.82%, 0.59%

LAB 53.47, 75.07, -61.74

 

CMYK 17 / 79 / 0 / 15

HEX #B42DD9

RGB 180 45 217

HSL 287.09, 0.69%, 0.51%

LAB 47.74, 74.13, -60.34

 

CMYK 18 / 86 / 0 / 22

HEX #A31BC6

RGB 163 27 198

HSL 287.72, 0.76%, 0.44%

LAB 42.23, 72.3, -58.42

 

CMYK 18 / 95 / 0 / 30

HEX #9209B3

RGB 146 9 179

HSL 288.35, 0.9%, 0.37%

LAB 37.04, 69.2, -55.77

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 0 / 68 / 2 / 0

HEX #FF51F9

RGB 255 81 249

HSL 302.07, 1%, 0.66%

LAB 64.95, 83.03, -50.16

 

CMYK 0 / 68 / 21 / 0

HEX #FF51CA

RGB 255 81 202

HSL 318.28, 1%, 0.66%

LAB 62.85, 76.38, -27.15

 

CMYK 0 / 68 / 39 / 0

HEX #FF519B

RGB 255 81 155

HSL 334.48, 1%, 0.66%

LAB 61.23, 71, -2.62

 

CMYK 0 / 68 / 58 / 0

HEX #FF516C

RGB 255 81 108

HSL 350.69, 1%, 0.66%

LAB 60.09, 67.09, 23.16

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 35 / 68 / 0 / 0

HEX #A751FF

RGB 167 81 255

HSL 269.66, 1%, 0.66%

LAB 53.3, 66.15, -72.81

 

CMYK 53 / 68 / 0 / 0

HEX #7851FF

RGB 120 81 255

HSL 253.45, 1%, 0.66%

LAB 48.38, 58.08, -81.03

 

CMYK 68 / 68 / 0 / 0

HEX #5151FF

RGB 81 81 255

HSL 240, 1%, 0.66%

LAB 45.43, 52.91, -85.98

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 14 / 60 / 0 / 6

HEX #CE5FF0

RGB 206 95 240

HSL 285.93, 0.83%, 0.66%

LAB 59.52, 64.96, -54.22

 

CMYK 12 / 52 / 0 / 11

HEX #C76DE2

RGB 199 109 226

HSL 286.15, 0.67%, 0.66%

LAB 60.4, 53.78, -45.07

 

CMYK 10 / 42 / 0 / 17

HEX #BF7BD4

RGB 191 123 212

HSL 285.84, 0.51%, 0.66%

LAB 61.65, 41.4, -35.33

 

CMYK 7 / 31 / 0 / 22

HEX #B889C6

RGB 184 137 198

HSL 286.23, 0.35%, 0.66%

LAB 63.47, 28.69, -24.71

 

CMYK 53 / 68 / 0 / 0

HEX #7751FF

RGB 119 81 255

HSL 253.1, 1%, 0.66%

LAB 48.29, 57.92, -81.18

 

CMYK 35 / 68 / 0 / 0

HEX #A551FF

RGB 165 81 255

HSL 268.97, 1%, 0.66%

LAB 53.06, 65.78, -73.21

 

CMYK 17 / 68 / 0 / 0

HEX #D351FF

RGB 211 81 255

HSL 284.83, 1%, 0.66%

LAB 58.93, 74.79, -63.44

 

CMYK 0 / 68 / 1 / 0

HEX #FF51FC

RGB 255 81 252

HSL 301.03, 1%, 0.66%

LAB 65.1, 83.49, -51.58

 

CMYK 0 / 68 / 20 / 0

HEX #FF51CD

RGB 255 81 205

HSL 317.24, 1%, 0.66%

LAB 62.97, 76.77, -28.66

 

CMYK 24 / 100 / 0 / 0

HEX #C200FE

RGB 194 0 254

HSL 285.83, 1%, 0.5%

LAB 50.25, 89.58, -77.06

 

CMYK 20 / 84 / 0 / 0

HEX #CC28FF

RGB 204 40 255

HSL 285.77, 1%, 0.58%

LAB 53.57, 86.06, -72.14

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 13 / 52 / 0 / 0

HEX #DF7AFF

RGB 223 122 255

HSL 285.56, 1%, 0.74%

LAB 67.15, 59.37, -50.26

 

CMYK 9 / 36 / 0 / 0

HEX #E9A4FF

RGB 233 164 255

HSL 285.49, 1%, 0.82%

LAB 76.74, 40.63, -35.19

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 0 / 68 / 65 / 0

HEX #FF515A

RGB 255 81 90

HSL 356.9, 1%, 0.66%

LAB 59.78, 65.99, 33.12

 

CMYK 68 / 0 / 44 / 0

HEX #51FF8E

RGB 81 255 142

HSL 141.03, 1%, 0.66%

LAB 89.5, -67.83, 41.34

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 0 / 17 / 68 / 0

HEX #FFD351

RGB 255 211 81

HSL 44.83, 1%, 0.66%

LAB 86.23, 2.17, 67.48

 

CMYK 68 / 0 / 17 / 0

HEX #51FFD3

RGB 81 255 211

HSL 164.83, 1%, 0.66%

LAB 90.77, -54.14, 8.24

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 0 / 68 / 65 / 0

HEX #FF515A

RGB 255 81 90

HSL 356.9, 1%, 0.66%

LAB 59.78, 65.99, 33.12

 

CMYK 51 / 0 / 68 / 0

HEX #7CFF51

RGB 124 255 81

HSL 105.17, 1%, 0.66%

LAB 90.04, -65.79, 68.9

 

CMYK 68 / 0 / 4 / 0

HEX #51FFF6

RGB 81 255 246

HSL 176.9, 1%, 0.66%

LAB 91.65, -45.37, -8.59

 

CMYK 16 / 68 / 0 / 0

HEX #D651FF

RGB 214 81 255

HSL 285.86, 1%, 0.66%

LAB 59.34, 75.41, -62.76

 

CMYK 0 / 51 / 68 / 0

HEX #FF7C51

RGB 255 124 81

HSL 14.83, 1%, 0.66%

LAB 66.73, 46.87, 46.33

 

CMYK 51 / 0 / 68 / 0

HEX #7CFF51

RGB 124 255 81

HSL 105.17, 1%, 0.66%

LAB 90.04, -65.79, 68.9

 

CMYK 68 / 17 / 0 / 0

HEX #51D3FF

RGB 81 211 255

HSL 195.17, 1%, 0.66%

LAB 79.36, -22.1, -31.9

 

Description

Color code: HEX #D651FF | qconv.com Color code: HEX #D651FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 81 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 81 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 68 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 68% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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