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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64ECA it is the complementary color #29B135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64ECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64ECA shade: #DB4EC5, #EC60D8, #FD72EB, #FF84FE and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64ECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64ECA shade: #D64ECA, #C53CB7, #B42AA4, #A31891 and #92067E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64ECA shade: #D54DC9, #D54DA5, #D54D80, #D54D5B and #D54D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64ECA shade: #D54DC9, #BD4DD5, #984DD5, #734DD5 and #4F4DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64ECA shade matches the following richer shades: #D54DC9, #E73CD8 and #F92AE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64ECA shade: #D54DC9, #C45FBB, #B271AC, #A0839E and #8E948F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64ECA shade: #984DD5, #BC4DD5, #D54DCA, #D54DA6 and #D54D81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64ECA shade: #A9289D, #CA2FBC, #D54DC9, #DD6FD3 and #E590DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64ECA shade: #D64ECA, #D5744D and #4DD5AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64ECA shade: #D64ECA, #CAD54D and #4DCAD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64ECA shade: #D64ECA, #D5744D, #4DD559 and #4DAFD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64ECA shade: #D64ECA, #D59D4D, #4DD559 and #4D86D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 6 / 16

HEX #D64ECA

RGB 214 78 202

HSL 305.29, 0.62%, 0.57%

LAB 56.1, 67.39, -38.14

 

Complementary color

CMYK 77 / 0 / 70 / 31

HEX #29B135

RGB 41 177 53

HSL 125.29, 0.62%, 0.43%

LAB 63.49, -59.36, 51.01

 

CMYK 0 / 64 / 10 / 14

HEX #DB4EC5

RGB 219 78 197

HSL 309.36, 0.66%, 0.58%

LAB 56.62, 67.85, -34.4

 

CMYK 0 / 59 / 8 / 7

HEX #EC60D8

RGB 236 96 216

HSL 308.57, 0.79%, 0.65%

LAB 62.64, 67.79, -35.61

 

CMYK 0 / 55 / 7 / 1

HEX #FD72EB

RGB 253 114 235

HSL 307.77, 0.97%, 0.72%

LAB 68.69, 67.47, -36.58

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FE

RGB 255 132 254

HSL 300.49, 1%, 0.76%

LAB 72.84, 62.91, -40.51

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 64 / 6 / 16

HEX #D64ECA

RGB 214 78 202

HSL 305.29, 0.62%, 0.57%

LAB 56.1, 67.39, -38.14

 

CMYK 0 / 70 / 7 / 23

HEX #C53CB7

RGB 197 60 183

HSL 306.13, 0.54%, 0.5%

LAB 50.12, 67.08, -36.74

 

CMYK 0 / 77 / 9 / 29

HEX #B42AA4

RGB 180 42 164

HSL 306.96, 0.62%, 0.44%

LAB 44.29, 66.16, -34.91

 

CMYK 0 / 85 / 11 / 36

HEX #A31891

RGB 163 24 145

HSL 307.77, 0.74%, 0.37%

LAB 38.7, 64.29, -32.47

 

CMYK 0 / 96 / 14 / 43

HEX #92067E

RGB 146 6 126

HSL 308.57, 0.92%, 0.3%

LAB 33.45, 61.1, -29.19

 

CMYK 0 / 64 / 6 / 16

HEX #D54DC9

RGB 213 77 201

HSL 305.29, 0.62%, 0.57%

LAB 55.76, 67.38, -38.11

 

CMYK 0 / 64 / 23 / 16

HEX #D54DA5

RGB 213 77 165

HSL 321.18, 0.62%, 0.57%

LAB 54.21, 62.09, -19.68

 

CMYK 0 / 64 / 40 / 16

HEX #D54D80

RGB 213 77 128

HSL 337.5, 0.62%, 0.57%

LAB 52.96, 57.65, 0.33

 

CMYK 0 / 64 / 57 / 16

HEX #D54D5B

RGB 213 77 91

HSL 353.82, 0.62%, 0.57%

LAB 52.07, 54.36, 21.18

 

CMYK 0 / 64 / 64 / 16

HEX #D54D4D

RGB 213 77 77

HSL 0, 0.62%, 0.57%

LAB 51.83, 53.42, 29.11

 

CMYK 0 / 64 / 6 / 16

HEX #D54DC9

RGB 213 77 201

HSL 305.29, 0.62%, 0.57%

LAB 55.76, 67.38, -38.11

 

CMYK 11 / 64 / 0 / 16

HEX #BD4DD5

RGB 189 77 213

HSL 289.41, 0.62%, 0.57%

LAB 52.87, 63.72, -49.75

 

CMYK 29 / 64 / 0 / 16

HEX #984DD5

RGB 152 77 213

HSL 273.09, 0.62%, 0.57%

LAB 47.99, 55.33, -57.84

 

CMYK 46 / 64 / 0 / 16

HEX #734DD5

RGB 115 77 213

HSL 256.76, 0.62%, 0.57%

LAB 43.88, 47.64, -64.69

 

CMYK 63 / 64 / 0 / 16

HEX #4F4DD5

RGB 79 77 213

HSL 240.88, 0.62%, 0.57%

LAB 40.85, 41.47, -69.75

 

CMYK 0 / 64 / 6 / 16

HEX #D54DC9

RGB 213 77 201

HSL 305.29, 0.62%, 0.57%

LAB 55.76, 67.38, -38.11

 

CMYK 0 / 74 / 6 / 9

HEX #E73CD8

RGB 231 60 216

HSL 305.26, 0.78%, 0.57%

LAB 57.25, 79.56, -44.12

 

CMYK 0 / 83 / 7 / 2

HEX #F92AE7

RGB 249 42 231

HSL 305.22, 0.95%, 0.57%

LAB 59.49, 89.52, -48.84

 

CMYK 0 / 64 / 6 / 16

HEX #D54DC9

RGB 213 77 201

HSL 305.29, 0.62%, 0.57%

LAB 55.76, 67.38, -38.11

 

CMYK 0 / 52 / 5 / 23

HEX #C45FBB

RGB 196 95 187

HSL 305.35, 0.46%, 0.57%

LAB 55.59, 52.6, -30.52

 

CMYK 0 / 37 / 3 / 30

HEX #B271AC

RGB 178 113 172

HSL 305.54, 0.3%, 0.57%

LAB 56.34, 34.97, -20.91

 

CMYK 0 / 18 / 1 / 37

HEX #A0839E

RGB 160 131 158

HSL 304.14, 0.13%, 0.57%

LAB 58.2, 15.93, -10.21

 

CMYK 4 / 0 / 3 / 42

HEX #8E948F

RGB 142 148 143

HSL 130, 0.03%, 0.57%

LAB 60.71, -3.15, 1.88

 

CMYK 29 / 64 / 0 / 16

HEX #984DD5

RGB 152 77 213

HSL 273.09, 0.62%, 0.57%

LAB 47.99, 55.33, -57.84

 

CMYK 12 / 64 / 0 / 16

HEX #BC4DD5

RGB 188 77 213

HSL 288.97, 0.62%, 0.57%

LAB 52.73, 63.49, -49.98

 

CMYK 0 / 64 / 5 / 16

HEX #D54DCA

RGB 213 77 202

HSL 304.85, 0.62%, 0.57%

LAB 55.8, 67.54, -38.61

 

CMYK 0 / 64 / 22 / 16

HEX #D54DA6

RGB 213 77 166

HSL 320.74, 0.62%, 0.57%

LAB 54.25, 62.22, -20.21

 

CMYK 0 / 64 / 39 / 16

HEX #D54D81

RGB 213 77 129

HSL 337.06, 0.62%, 0.57%

LAB 52.99, 57.75, -0.22

 

CMYK 0 / 76 / 7 / 34

HEX #A9289D

RGB 169 40 157

HSL 305.58, 0.62%, 0.41%

LAB 41.82, 63.26, -34.73

 

CMYK 0 / 77 / 7 / 21

HEX #CA2FBC

RGB 202 47 188

HSL 305.42, 0.62%, 0.49%

LAB 49.76, 73.04, -40.17

 

CMYK 0 / 64 / 6 / 16

HEX #D54DC9

RGB 213 77 201

HSL 305.29, 0.62%, 0.57%

LAB 55.76, 67.38, -38.11

 

CMYK 0 / 50 / 5 / 13

HEX #DD6FD3

RGB 221 111 211

HSL 305.45, 0.62%, 0.65%

LAB 62.88, 56.11, -32.58

 

CMYK 0 / 37 / 3 / 10

HEX #E590DE

RGB 229 144 222

HSL 304.94, 0.62%, 0.73%

LAB 70.79, 43.76, -26.42

 

CMYK 0 / 64 / 6 / 16

HEX #D64ECA

RGB 214 78 202

HSL 305.29, 0.62%, 0.57%

LAB 56.1, 67.39, -38.14

 

CMYK 0 / 46 / 64 / 16

HEX #D5744D

RGB 213 116 77

HSL 17.21, 0.62%, 0.57%

LAB 59.13, 34.62, 38.06

 

CMYK 64 / 0 / 20 / 16

HEX #4DD5AA

RGB 77 213 170

HSL 161.03, 0.62%, 0.57%

LAB 77.32, -46.93, 10.52

 

CMYK 0 / 64 / 6 / 16

HEX #D64ECA

RGB 214 78 202

HSL 305.29, 0.62%, 0.57%

LAB 56.1, 67.39, -38.14

 

CMYK 5 / 0 / 64 / 16

HEX #CAD54D

RGB 202 213 77

HSL 64.85, 0.62%, 0.57%

LAB 82.21, -21.05, 63.51

 

CMYK 64 / 5 / 0 / 16

HEX #4DCAD5

RGB 77 202 213

HSL 184.85, 0.62%, 0.57%

LAB 75.22, -30.77, -15.7

 

CMYK 0 / 64 / 6 / 16

HEX #D64ECA

RGB 214 78 202

HSL 305.29, 0.62%, 0.57%

LAB 56.1, 67.39, -38.14

 

CMYK 0 / 46 / 64 / 16

HEX #D5744D

RGB 213 116 77

HSL 17.21, 0.62%, 0.57%

LAB 59.13, 34.62, 38.06

 

CMYK 64 / 0 / 58 / 16

HEX #4DD559

RGB 77 213 89

HSL 125.29, 0.62%, 0.57%

LAB 76, -61.27, 49.74

 

CMYK 64 / 18 / 0 / 16

HEX #4DAFD5

RGB 77 175 213

HSL 196.76, 0.62%, 0.57%

LAB 67.31, -17.15, -27.74

 

CMYK 0 / 64 / 6 / 16

HEX #D64ECA

RGB 214 78 202

HSL 305.29, 0.62%, 0.57%

LAB 56.1, 67.39, -38.14

 

CMYK 0 / 26 / 64 / 16

HEX #D59D4D

RGB 213 157 77

HSL 35.29, 0.62%, 0.57%

LAB 68.6, 12.62, 49.04

 

CMYK 64 / 0 / 58 / 16

HEX #4DD559

RGB 77 213 89

HSL 125.29, 0.62%, 0.57%

LAB 76, -61.27, 49.74

 

CMYK 64 / 37 / 0 / 16

HEX #4D86D5

RGB 77 134 213

HSL 214.85, 0.62%, 0.57%

LAB 55.51, 5.99, -46.16

 

Description

Color code: HEX #D64ECA | qconv.com Color code: HEX #D64ECA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 78 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 78 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 6 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 6% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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