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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64E64 it is the complementary color #29B19B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64E64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64E64 shade: #DB4E5F, #EC6072, #FD7285, #FF8498 and #FF96AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64E64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64E64 shade: #D64E64, #C53C51, #B42A3E, #A3182B and #920618

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64E64 shade: #D54D63 and #D54D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64E64 shade: #D54D63, #D54D88, #D54DAD, #D54DD1 and #B54DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64E64 shade matches the following richer shades: #D54D63, #E73C57 and #F92A4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64E64 shade: #D54D63, #C45F6F, #B2717B, #A08387 and #8E9493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64E64 shade: #D54DAD, #D54D88, #D54D64, #D55B4D and #D57F4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64E64 shade: #A9283C, #CA2F48, #D54D63, #DD6F81 and #E5909E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64E64 shade: #D64E64, #D1D54D and #4D9AD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64E64 shade: #D64E64, #64D54D and #4D64D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64E64 shade: #D64E64, #D1D54D, #4DD5BF and #524DD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64E64 shade: #D64E64, #A8D54D, #4DD5BF and #7B4DD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 53 / 16

HEX #D64E64

RGB 214 78 100

HSL 350.29, 0.62%, 0.57%

LAB 52.58, 54.95, 16.54

 

Complementary color

CMYK 77 / 0 / 12 / 31

HEX #29B19B

RGB 41 177 155

HSL 170.29, 0.62%, 0.43%

LAB 65.19, -40.39, 1.12

 

CMYK 0 / 64 / 57 / 14

HEX #DB4E5F

RGB 219 78 95

HSL 352.77, 0.66%, 0.58%

LAB 53.31, 56.18, 20.64

 

CMYK 0 / 59 / 52 / 7

HEX #EC6072

RGB 236 96 114

HSL 352.29, 0.79%, 0.65%

LAB 59.36, 55.46, 18.15

 

CMYK 0 / 55 / 47 / 1

HEX #FD7285

RGB 253 114 133

HSL 351.8, 0.97%, 0.72%

LAB 65.44, 54.61, 16.03

 

CMYK 0 / 48 / 40 / 0

HEX #FF8498

RGB 255 132 152

HSL 350.24, 1%, 0.76%

LAB 69.49, 48.56, 11.02

 

CMYK 0 / 41 / 33 / 0

HEX #FF96AB

RGB 255 150 171

HSL 348, 1%, 0.79%

LAB 73.55, 41.71, 6.23

 

CMYK 0 / 64 / 53 / 16

HEX #D64E64

RGB 214 78 100

HSL 350.29, 0.62%, 0.57%

LAB 52.58, 54.95, 16.54

 

CMYK 0 / 70 / 59 / 23

HEX #C53C51

RGB 197 60 81

HSL 350.8, 0.54%, 0.5%

LAB 46.57, 55.39, 19.38

 

CMYK 0 / 77 / 66 / 29

HEX #B42A3E

RGB 180 42 62

HSL 351.3, 0.62%, 0.44%

LAB 40.75, 55.35, 22.87

 

CMYK 0 / 85 / 74 / 36

HEX #A3182B

RGB 163 24 43

HSL 351.8, 0.74%, 0.37%

LAB 35.23, 54.49, 27.18

 

CMYK 0 / 96 / 84 / 43

HEX #920618

RGB 146 6 24

HSL 352.29, 0.92%, 0.3%

LAB 30.17, 52.39, 32.26

 

CMYK 0 / 64 / 54 / 16

HEX #D54D63

RGB 213 77 99

HSL 350.29, 0.62%, 0.57%

LAB 52.24, 54.97, 16.63

 

CMYK 0 / 64 / 64 / 16

HEX #D54D4D

RGB 213 77 77

HSL 0, 0.62%, 0.57%

LAB 51.83, 53.42, 29.11

 

CMYK 0 / 64 / 54 / 16

HEX #D54D63

RGB 213 77 99

HSL 350.29, 0.62%, 0.57%

LAB 52.24, 54.97, 16.63

 

CMYK 0 / 64 / 36 / 16

HEX #D54D88

RGB 213 77 136

HSL 333.97, 0.62%, 0.57%

LAB 53.2, 58.52, -4.08

 

CMYK 0 / 64 / 19 / 16

HEX #D54DAD

RGB 213 77 173

HSL 317.65, 0.62%, 0.57%

LAB 54.52, 63.19, -23.87

 

CMYK 0 / 64 / 2 / 16

HEX #D54DD1

RGB 213 77 209

HSL 301.76, 0.62%, 0.57%

LAB 56.15, 68.66, -42.07

 

CMYK 15 / 64 / 0 / 16

HEX #B54DD5

RGB 181 77 213

HSL 285.88, 0.62%, 0.57%

LAB 51.76, 61.87, -51.59

 

CMYK 0 / 64 / 54 / 16

HEX #D54D63

RGB 213 77 99

HSL 350.29, 0.62%, 0.57%

LAB 52.24, 54.97, 16.63

 

CMYK 0 / 74 / 62 / 9

HEX #E73C57

RGB 231 60 87

HSL 350.53, 0.78%, 0.57%

LAB 52.85, 65.97, 25.16

 

CMYK 0 / 83 / 70 / 2

HEX #F92A4B

RGB 249 42 75

HSL 350.43, 0.95%, 0.57%

LAB 54.35, 75.07, 34.84

 

CMYK 0 / 64 / 54 / 16

HEX #D54D63

RGB 213 77 99

HSL 350.29, 0.62%, 0.57%

LAB 52.24, 54.97, 16.63

 

CMYK 0 / 52 / 43 / 23

HEX #C45F6F

RGB 196 95 111

HSL 350.5, 0.46%, 0.57%

LAB 53.02, 41.88, 10.19

 

CMYK 0 / 37 / 31 / 30

HEX #B2717B

RGB 178 113 123

HSL 350.77, 0.3%, 0.57%

LAB 54.77, 27.03, 5.27

 

CMYK 0 / 18 / 16 / 37

HEX #A08387

RGB 160 131 135

HSL 351.72, 0.13%, 0.57%

LAB 57.52, 11.75, 2.02

 

CMYK 4 / 0 / 1 / 42

HEX #8E9493

RGB 142 148 147

HSL 170, 0.03%, 0.57%

LAB 60.81, -2.37, -0.23

 

CMYK 0 / 64 / 19 / 16

HEX #D54DAD

RGB 213 77 173

HSL 317.65, 0.62%, 0.57%

LAB 54.52, 63.19, -23.87

 

CMYK 0 / 64 / 36 / 16

HEX #D54D88

RGB 213 77 136

HSL 333.97, 0.62%, 0.57%

LAB 53.2, 58.52, -4.08

 

CMYK 0 / 64 / 53 / 16

HEX #D54D64

RGB 213 77 100

HSL 349.85, 0.62%, 0.57%

LAB 52.26, 55.05, 16.07

 

CMYK 0 / 57 / 64 / 16

HEX #D55B4D

RGB 213 91 77

HSL 6.18, 0.62%, 0.57%

LAB 54.2, 47.12, 32.07

 

CMYK 0 / 40 / 64 / 16

HEX #D57F4D

RGB 213 127 77

HSL 22.06, 0.62%, 0.57%

LAB 61.53, 28.8, 40.91

 

CMYK 0 / 76 / 64 / 34

HEX #A9283C

RGB 169 40 60

HSL 350.7, 0.62%, 0.41%

LAB 38.34, 52.58, 20.6

 

CMYK 0 / 77 / 64 / 21

HEX #CA2F48

RGB 202 47 72

HSL 350.32, 0.62%, 0.49%

LAB 45.71, 60.82, 23.92

 

CMYK 0 / 64 / 54 / 16

HEX #D54D63

RGB 213 77 99

HSL 350.29, 0.62%, 0.57%

LAB 52.24, 54.97, 16.63

 

CMYK 0 / 50 / 42 / 13

HEX #DD6F81

RGB 221 111 129

HSL 350.18, 0.62%, 0.65%

LAB 60.18, 44.65, 10.27

 

CMYK 0 / 37 / 31 / 10

HEX #E5909E

RGB 229 144 158

HSL 350.12, 0.62%, 0.73%

LAB 68.8, 33.9, 6.23

 

CMYK 0 / 64 / 53 / 16

HEX #D64E64

RGB 214 78 100

HSL 350.29, 0.62%, 0.57%

LAB 52.58, 54.95, 16.54

 

CMYK 2 / 0 / 64 / 16

HEX #D1D54D

RGB 209 213 77

HSL 61.76, 0.62%, 0.57%

LAB 82.74, -18.18, 64.23

 

CMYK 64 / 28 / 0 / 16

HEX #4D9AD5

RGB 77 154 213

HSL 206.03, 0.62%, 0.57%

LAB 61.21, -5.66, -37.19

 

CMYK 0 / 64 / 53 / 16

HEX #D64E64

RGB 214 78 100

HSL 350.29, 0.62%, 0.57%

LAB 52.58, 54.95, 16.54

 

CMYK 53 / 0 / 64 / 16

HEX #64D54D

RGB 100 213 77

HSL 109.85, 0.62%, 0.57%

LAB 76.58, -57.14, 55.8

 

CMYK 64 / 53 / 0 / 16

HEX #4D64D5

RGB 77 100 213

HSL 229.85, 0.62%, 0.57%

LAB 46.31, 26.98, -60.9

 

CMYK 0 / 64 / 53 / 16

HEX #D64E64

RGB 214 78 100

HSL 350.29, 0.62%, 0.57%

LAB 52.58, 54.95, 16.54

 

CMYK 2 / 0 / 64 / 16

HEX #D1D54D

RGB 209 213 77

HSL 61.76, 0.62%, 0.57%

LAB 82.74, -18.18, 64.23

 

CMYK 64 / 0 / 10 / 16

HEX #4DD5BF

RGB 77 213 191

HSL 170.29, 0.62%, 0.57%

LAB 77.83, -41.82, 0.03

 

CMYK 62 / 64 / 0 / 16

HEX #524DD5

RGB 82 77 213

HSL 242.21, 0.62%, 0.57%

LAB 41.07, 41.92, -69.4

 

CMYK 0 / 64 / 53 / 16

HEX #D64E64

RGB 214 78 100

HSL 350.29, 0.62%, 0.57%

LAB 52.58, 54.95, 16.54

 

CMYK 21 / 0 / 64 / 16

HEX #A8D54D

RGB 168 213 77

HSL 79.85, 0.62%, 0.57%

LAB 79.87, -34.57, 60.32

 

CMYK 64 / 0 / 10 / 16

HEX #4DD5BF

RGB 77 213 191

HSL 170.29, 0.62%, 0.57%

LAB 77.83, -41.82, 0.03

 

CMYK 42 / 64 / 0 / 16

HEX #7B4DD5

RGB 123 77 213

HSL 260.29, 0.62%, 0.57%

LAB 44.69, 49.21, -63.34

 

Description

Color code: HEX #D64E64 | qconv.com Color code: HEX #D64E64 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 78 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 78 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 53 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 53% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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