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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64D20 it is the complementary color #29B2DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64D20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64D20 shade: #DB4D1B, #EC5F2E, #FD7141, #FF8354 and #FF9567

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64D20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64D20 shade: #D64D20, #C53B0D, #B42900, #A31700 and #920500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64D20 shade: #D54D20 and #D52020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64D20 shade: #D54D20, #D57D20, #D5AE20, #CBD520 and #9AD520

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64D20 shade matches the following richer shades: #D54D20 and #E9430C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64D20 shade: #D54D20, #C15734, #AD6147, #9A6B5B and #86756F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64D20 shade: #D52056, #D52026, #D54A20, #D57A20 and #D5AB20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64D20 shade: #8D3315, #B1401A, #D54D20, #E2653C and #E78260

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64D20 shade: #D64D20, #86D520 and #203ED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64D20 shade: #D64D20, #20D54A and #4A20D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64D20 shade: #D64D20, #86D520, #20ABD5 and #6E20D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64D20 shade: #D64D20, #50D520, #20ABD5 and #A520D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 85 / 16

HEX #D64D20

RGB 214 77 32

HSL 14.84, 0.74%, 0.48%

LAB 51.51, 51.89, 52.46

 

Complementary color

CMYK 82 / 20 / 0 / 13

HEX #29B2DF

RGB 41 178 223

HSL 194.84, 0.74%, 0.52%

LAB 67.75, -20, -32.61

 

CMYK 0 / 65 / 88 / 14

HEX #DB4D1B

RGB 219 77 27

HSL 15.63, 0.78%, 0.48%

LAB 52.34, 53.51, 55.51

 

CMYK 0 / 60 / 81 / 7

HEX #EC5F2E

RGB 236 95 46

HSL 15.47, 0.83%, 0.55%

LAB 58.24, 52.11, 53.71

 

CMYK 0 / 55 / 74 / 1

HEX #FD7141

RGB 253 113 65

HSL 15.32, 0.98%, 0.62%

LAB 64.22, 50.63, 51.55

 

CMYK 0 / 49 / 67 / 0

HEX #FF8354

RGB 255 131 84

HSL 16.49, 1%, 0.66%

LAB 68.12, 43.61, 46.39

 

CMYK 0 / 42 / 60 / 0

HEX #FF9567

RGB 255 149 103

HSL 18.16, 1%, 0.7%

LAB 72.05, 35.7, 41.23

 

CMYK 0 / 64 / 85 / 16

HEX #D64D20

RGB 214 77 32

HSL 14.84, 0.74%, 0.48%

LAB 51.51, 51.89, 52.46

 

CMYK 0 / 70 / 93 / 23

HEX #C53B0D

RGB 197 59 13

HSL 15, 0.88%, 0.41%

LAB 45.67, 53.09, 53.72

 

CMYK 0 / 77 / 100 / 29

HEX #B42900

RGB 180 41 0

HSL 13.67, 1%, 0.35%

LAB 40.06, 53.82, 52.84

 

CMYK 0 / 86 / 100 / 36

HEX #A31700

RGB 163 23 0

HSL 8.47, 1%, 0.32%

LAB 34.8, 53.67, 48.43

 

CMYK 0 / 97 / 100 / 43

HEX #920500

RGB 146 5 0

HSL 2.05, 1%, 0.29%

LAB 29.96, 52.09, 43.46

 

CMYK 0 / 64 / 85 / 16

HEX #D54D20

RGB 213 77 32

HSL 14.92, 0.74%, 0.48%

LAB 51.33, 51.54, 52.25

 

CMYK 0 / 85 / 85 / 16

HEX #D52020

RGB 213 32 32

HSL 0, 0.74%, 0.48%

LAB 46.02, 66.23, 47.69

 

CMYK 0 / 64 / 85 / 16

HEX #D54D20

RGB 213 77 32

HSL 14.92, 0.74%, 0.48%

LAB 51.33, 51.54, 52.25

 

CMYK 0 / 41 / 85 / 16

HEX #D57D20

RGB 213 125 32

HSL 30.83, 0.74%, 0.48%

LAB 60.71, 27.86, 60.15

 

CMYK 0 / 18 / 85 / 16

HEX #D5AE20

RGB 213 174 32

HSL 47.07, 0.74%, 0.48%

LAB 72.58, 1.56, 70

 

CMYK 5 / 0 / 85 / 16

HEX #CBD520

RGB 203 213 32

HSL 63.31, 0.74%, 0.48%

LAB 82.05, -22.57, 77.46

 

CMYK 28 / 0 / 85 / 16

HEX #9AD520

RGB 154 213 32

HSL 79.56, 0.74%, 0.48%

LAB 78.79, -42.24, 73.41

 

CMYK 0 / 64 / 85 / 16

HEX #D54D20

RGB 213 77 32

HSL 14.92, 0.74%, 0.48%

LAB 51.33, 51.54, 52.25

 

CMYK 0 / 71 / 95 / 9

HEX #E9430C

RGB 233 67 12

HSL 14.93, 0.9%, 0.48%

LAB 53.35, 61.78, 62.03

 

CMYK 0 / 64 / 85 / 16

HEX #D54D20

RGB 213 77 32

HSL 14.92, 0.74%, 0.48%

LAB 51.33, 51.54, 52.25

 

CMYK 0 / 55 / 73 / 24

HEX #C15734

RGB 193 87 52

HSL 14.89, 0.58%, 0.48%

LAB 49.98, 40.26, 40.14

 

CMYK 0 / 44 / 59 / 32

HEX #AD6147

RGB 173 97 71

HSL 15.29, 0.42%, 0.48%

LAB 49.36, 28.24, 28.16

 

CMYK 0 / 31 / 41 / 40

HEX #9A6B5B

RGB 154 107 91

HSL 15.24, 0.26%, 0.48%

LAB 49.67, 16.67, 16.48

 

CMYK 0 / 13 / 17 / 47

HEX #86756F

RGB 134 117 111

HSL 15.65, 0.09%, 0.48%

LAB 50.62, 5.54, 5.72

 

CMYK 0 / 85 / 60 / 16

HEX #D52056

RGB 213 32 86

HSL 342.1, 0.74%, 0.48%

LAB 46.78, 68.46, 17.11

 

CMYK 0 / 85 / 82 / 16

HEX #D52026

RGB 213 32 38

HSL 358.01, 0.74%, 0.48%

LAB 46.07, 66.37, 44.67

 

CMYK 0 / 65 / 85 / 16

HEX #D54A20

RGB 213 74 32

HSL 13.92, 0.74%, 0.48%

LAB 50.86, 52.81, 51.85

 

CMYK 0 / 43 / 85 / 16

HEX #D57A20

RGB 213 122 32

HSL 29.83, 0.74%, 0.48%

LAB 60.04, 29.46, 59.6

 

CMYK 0 / 20 / 85 / 16

HEX #D5AB20

RGB 213 171 32

HSL 46.08, 0.74%, 0.48%

LAB 71.81, 3.15, 69.37

 

CMYK 0 / 64 / 85 / 45

HEX #8D3315

RGB 141 51 21

HSL 15, 0.74%, 0.32%

LAB 34.16, 36.73, 37.27

 

CMYK 0 / 64 / 85 / 31

HEX #B1401A

RGB 177 64 26

HSL 15.1, 0.74%, 0.4%

LAB 42.9, 44.28, 45.15

 

CMYK 0 / 64 / 85 / 16

HEX #D54D20

RGB 213 77 32

HSL 14.92, 0.74%, 0.48%

LAB 51.33, 51.54, 52.25

 

CMYK 0 / 55 / 73 / 11

HEX #E2653C

RGB 226 101 60

HSL 14.82, 0.74%, 0.56%

LAB 57.85, 46.22, 46.03

 

CMYK 0 / 44 / 58 / 9

HEX #E78260

RGB 231 130 96

HSL 15.11, 0.74%, 0.64%

LAB 64.8, 35.7, 35.29

 

CMYK 0 / 64 / 85 / 16

HEX #D64D20

RGB 214 77 32

HSL 14.84, 0.74%, 0.48%

LAB 51.51, 51.89, 52.46

 

CMYK 37 / 0 / 85 / 16

HEX #86D520

RGB 134 213 32

HSL 86.19, 0.74%, 0.48%

LAB 77.73, -49.48, 72.09

 

CMYK 85 / 71 / 0 / 16

HEX #203ED5

RGB 32 62 213

HSL 230.06, 0.74%, 0.48%

LAB 35.12, 45.78, -79.27

 

CMYK 0 / 64 / 85 / 16

HEX #D64D20

RGB 214 77 32

HSL 14.84, 0.74%, 0.48%

LAB 51.51, 51.89, 52.46

 

CMYK 85 / 0 / 65 / 16

HEX #20D54A

RGB 32 213 74

HSL 133.92, 0.74%, 0.48%

LAB 75.07, -69.53, 54.96

 

CMYK 65 / 85 / 0 / 16

HEX #4A20D5

RGB 74 32 213

HSL 253.92, 0.74%, 0.48%

LAB 32.46, 63.39, -83.58

 

CMYK 0 / 64 / 85 / 16

HEX #D64D20

RGB 214 77 32

HSL 14.84, 0.74%, 0.48%

LAB 51.51, 51.89, 52.46

 

CMYK 37 / 0 / 85 / 16

HEX #86D520

RGB 134 213 32

HSL 86.19, 0.74%, 0.48%

LAB 77.73, -49.48, 72.09

 

CMYK 85 / 20 / 0 / 16

HEX #20ABD5

RGB 32 171 213

HSL 193.92, 0.74%, 0.48%

LAB 65.15, -20.42, -31.15

 

CMYK 48 / 85 / 0 / 16

HEX #6E20D5

RGB 110 32 213

HSL 265.86, 0.74%, 0.48%

LAB 36.28, 66.81, -77.16

 

CMYK 0 / 64 / 85 / 16

HEX #D64D20

RGB 214 77 32

HSL 14.84, 0.74%, 0.48%

LAB 51.51, 51.89, 52.46

 

CMYK 62 / 0 / 85 / 16

HEX #50D520

RGB 80 213 32

HSL 104.09, 0.74%, 0.48%

LAB 75.7, -65.1, 69.52

 

CMYK 85 / 20 / 0 / 16

HEX #20ABD5

RGB 32 171 213

HSL 193.92, 0.74%, 0.48%

LAB 65.15, -20.42, -31.15

 

CMYK 23 / 85 / 0 / 16

HEX #A520D5

RGB 165 32 213

HSL 284.09, 0.74%, 0.48%

LAB 44, 74.26, -64.22

 

Description

Color code: HEX #D64D20 | qconv.com Color code: HEX #D64D20 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 77 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 77 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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