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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D64A87 it is the complementary color #29B578. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D64A87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D64A87 shade: #DB4A82, #EC5C95, #FD6EA8, #FF80BB and #FF92CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D64A87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D64A87 shade: #D64A87, #C53874, #B42661, #A3144E and #92023B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D64A87 shade: #D54886, #D54860 and #D54848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D64A87 shade: #D54886, #D548AC, #D548D2, #B348D5 and #8D48D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D64A87 shade matches the following richer shades: #D54886, #E83683 and #FA2481

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D64A87 shade: #D54886, #C35A88, #B16C8A, #9F7F8D and #8D918F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D64A87 shade: #D548D3, #D548AD, #D54888, #D54862 and #D55448

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D64A87 shade: #A6265D, #C72D70, #D54886, #DD6A9C and #E58BB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D64A87 shade: #D64A87, #D5B248 and #48C0D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D64A87 shade: #D64A87, #88D548 and #4888D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D64A87 shade: #D64A87, #D5B248, #48D596 and #486BD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D64A87 shade: #D64A87, #CED548, #48D596 and #4F48D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 37 / 16

HEX #D64A87

RGB 214 74 135

HSL 333.86, 0.63%, 0.56%

LAB 52.89, 59.93, -3.93

 

Complementary color

CMYK 77 / 0 / 34 / 29

HEX #29B578

RGB 41 181 120

HSL 153.86, 0.63%, 0.44%

LAB 65.65, -50.5, 20.98

 

CMYK 0 / 66 / 41 / 14

HEX #DB4A82

RGB 219 74 130

HSL 336.83, 0.67%, 0.57%

LAB 53.57, 60.87, 0.14

 

CMYK 0 / 61 / 37 / 7

HEX #EC5C95

RGB 236 92 149

HSL 336.25, 0.79%, 0.64%

LAB 59.58, 60.57, -1.92

 

CMYK 0 / 57 / 34 / 1

HEX #FD6EA8

RGB 253 110 168

HSL 335.66, 0.97%, 0.71%

LAB 65.64, 60.04, -3.63

 

CMYK 0 / 50 / 27 / 0

HEX #FF80BB

RGB 255 128 187

HSL 332.13, 1%, 0.75%

LAB 69.67, 54.65, -8.35

 

CMYK 0 / 43 / 19 / 0

HEX #FF92CE

RGB 255 146 206

HSL 326.97, 1%, 0.79%

LAB 73.72, 48.43, -12.86

 

CMYK 0 / 65 / 37 / 16

HEX #D64A87

RGB 214 74 135

HSL 333.86, 0.63%, 0.56%

LAB 52.89, 59.93, -3.93

 

CMYK 0 / 72 / 41 / 23

HEX #C53874

RGB 197 56 116

HSL 334.47, 0.56%, 0.5%

LAB 46.92, 59.86, -1.58

 

CMYK 0 / 79 / 46 / 29

HEX #B42661

RGB 180 38 97

HSL 335.07, 0.65%, 0.43%

LAB 41.14, 59.17, 1.38

 

CMYK 0 / 88 / 52 / 36

HEX #A3144E

RGB 163 20 78

HSL 335.66, 0.78%, 0.36%

LAB 35.67, 57.5, 5.21

 

CMYK 0 / 99 / 60 / 43

HEX #92023B

RGB 146 2 59

HSL 336.25, 0.97%, 0.29%

LAB 30.57, 54.66, 10.04

 

CMYK 0 / 66 / 37 / 16

HEX #D54886

RGB 213 72 134

HSL 333.62, 0.63%, 0.56%

LAB 52.4, 60.32, -4.07

 

CMYK 0 / 66 / 55 / 16

HEX #D54860

RGB 213 72 96

HSL 349.79, 0.63%, 0.56%

LAB 51.41, 56.8, 17.3

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 0 / 66 / 37 / 16

HEX #D54886

RGB 213 72 134

HSL 333.62, 0.63%, 0.56%

LAB 52.4, 60.32, -4.07

 

CMYK 0 / 66 / 19 / 16

HEX #D548AC

RGB 213 72 172

HSL 317.45, 0.63%, 0.56%

LAB 53.77, 65.02, -24.44

 

CMYK 0 / 66 / 1 / 16

HEX #D548D2

RGB 213 72 210

HSL 301.28, 0.63%, 0.56%

LAB 55.52, 70.73, -43.63

 

CMYK 16 / 66 / 0 / 16

HEX #B348D5

RGB 179 72 213

HSL 285.53, 0.63%, 0.56%

LAB 50.71, 63.57, -53.28

 

CMYK 34 / 66 / 0 / 16

HEX #8D48D5

RGB 141 72 213

HSL 269.36, 0.63%, 0.56%

LAB 45.77, 55.42, -61.49

 

CMYK 0 / 66 / 37 / 16

HEX #D54886

RGB 213 72 134

HSL 333.62, 0.63%, 0.56%

LAB 52.4, 60.32, -4.07

 

CMYK 0 / 77 / 44 / 9

HEX #E83683

RGB 232 54 131

HSL 334.04, 0.79%, 0.56%

LAB 53.42, 71.35, -0.4

 

CMYK 0 / 86 / 48 / 2

HEX #FA2481

RGB 250 36 129

HSL 333.93, 0.96%, 0.56%

LAB 55.25, 79.74, 3.87

 

CMYK 0 / 66 / 37 / 16

HEX #D54886

RGB 213 72 134

HSL 333.62, 0.63%, 0.56%

LAB 52.4, 60.32, -4.07

 

CMYK 0 / 54 / 30 / 24

HEX #C35A88

RGB 195 90 136

HSL 333.71, 0.47%, 0.56%

LAB 52.61, 46.97, -5.26

 

CMYK 0 / 39 / 22 / 31

HEX #B16C8A

RGB 177 108 138

HSL 333.91, 0.31%, 0.56%

LAB 53.93, 31.6, -4.76

 

CMYK 0 / 20 / 11 / 38

HEX #9F7F8D

RGB 159 127 141

HSL 333.75, 0.14%, 0.56%

LAB 56.56, 14.69, -2.86

 

CMYK 3 / 0 / 1 / 43

HEX #8D918F

RGB 141 145 143

HSL 150, 0.02%, 0.56%

LAB 59.8, -1.85, 0.54

 

CMYK 0 / 66 / 1 / 16

HEX #D548D3

RGB 213 72 211

HSL 300.85, 0.63%, 0.56%

LAB 55.57, 70.89, -44.12

 

CMYK 0 / 66 / 19 / 16

HEX #D548AD

RGB 213 72 173

HSL 317.02, 0.63%, 0.56%

LAB 53.81, 65.16, -24.96

 

CMYK 0 / 66 / 36 / 16

HEX #D54888

RGB 213 72 136

HSL 332.77, 0.63%, 0.56%

LAB 52.46, 60.54, -5.17

 

CMYK 0 / 66 / 54 / 16

HEX #D54862

RGB 213 72 98

HSL 348.94, 0.63%, 0.56%

LAB 51.45, 56.95, 16.16

 

CMYK 0 / 61 / 66 / 16

HEX #D55448

RGB 213 84 72

HSL 5.11, 0.63%, 0.56%

LAB 52.9, 50.06, 33.31

 

CMYK 0 / 77 / 44 / 35

HEX #A6265D

RGB 166 38 93

HSL 334.22, 0.63%, 0.4%

LAB 38.35, 54.96, -0.48

 

CMYK 0 / 77 / 44 / 22

HEX #C72D70

RGB 199 45 112

HSL 333.9, 0.63%, 0.48%

LAB 45.89, 63.59, -0.59

 

CMYK 0 / 66 / 37 / 16

HEX #D54886

RGB 213 72 134

HSL 333.62, 0.63%, 0.56%

LAB 52.4, 60.32, -4.07

 

CMYK 0 / 52 / 29 / 13

HEX #DD6A9C

RGB 221 106 156

HSL 333.91, 0.63%, 0.64%

LAB 59.96, 50.29, -5.66

 

CMYK 0 / 39 / 22 / 10

HEX #E58BB2

RGB 229 139 178

HSL 334, 0.63%, 0.72%

LAB 68.27, 39.27, -5.76

 

CMYK 0 / 65 / 37 / 16

HEX #D64A87

RGB 214 74 135

HSL 333.86, 0.63%, 0.56%

LAB 52.89, 59.93, -3.93

 

CMYK 0 / 16 / 66 / 16

HEX #D5B248

RGB 213 178 72

HSL 45.11, 0.63%, 0.56%

LAB 73.84, 1.1, 57.05

 

CMYK 66 / 10 / 0 / 16

HEX #48C0D5

RGB 72 192 213

HSL 188.94, 0.63%, 0.56%

LAB 72.15, -26.65, -20.35

 

CMYK 0 / 65 / 37 / 16

HEX #D64A87

RGB 214 74 135

HSL 333.86, 0.63%, 0.56%

LAB 52.89, 59.93, -3.93

 

CMYK 36 / 0 / 66 / 16

HEX #88D548

RGB 136 213 72

HSL 92.77, 0.63%, 0.56%

LAB 78.05, -46.59, 59.86

 

CMYK 66 / 36 / 0 / 16

HEX #4888D5

RGB 72 136 213

HSL 212.77, 0.63%, 0.56%

LAB 55.88, 3.95, -45.6

 

CMYK 0 / 65 / 37 / 16

HEX #D64A87

RGB 214 74 135

HSL 333.86, 0.63%, 0.56%

LAB 52.89, 59.93, -3.93

 

CMYK 0 / 16 / 66 / 16

HEX #D5B248

RGB 213 178 72

HSL 45.11, 0.63%, 0.56%

LAB 73.84, 1.1, 57.05

 

CMYK 66 / 0 / 30 / 16

HEX #48D596

RGB 72 213 150

HSL 153.19, 0.63%, 0.56%

LAB 76.78, -52.18, 20.34

 

CMYK 66 / 50 / 0 / 16

HEX #486BD5

RGB 72 107 213

HSL 225.11, 0.63%, 0.56%

LAB 47.88, 21.77, -58.38

 

CMYK 0 / 65 / 37 / 16

HEX #D64A87

RGB 214 74 135

HSL 333.86, 0.63%, 0.56%

LAB 52.89, 59.93, -3.93

 

CMYK 3 / 0 / 66 / 16

HEX #CED548

RGB 206 213 72

HSL 62.98, 0.63%, 0.56%

LAB 82.47, -19.71, 65.85

 

CMYK 66 / 0 / 30 / 16

HEX #48D596

RGB 72 213 150

HSL 153.19, 0.63%, 0.56%

LAB 76.78, -52.18, 20.34

 

CMYK 63 / 66 / 0 / 16

HEX #4F48D5

RGB 79 72 213

HSL 242.98, 0.63%, 0.56%

LAB 39.75, 44.43, -71.56

 

Description

Color code: HEX #D64A87 | qconv.com Color code: HEX #D64A87 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 74 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 74 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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